Posts Tagged ‘Albert Camus’

John le Carré: A Radical Spy Novelist Playing with the System

March 2, 2019


“I am not a nihilist. I am a humanist. If it is given to us to play a part for the future, we must play it.” – Katya Orlova, The Russia House (1989)

Spanning five decades, from the Cold War to the present, John le Carré’s best-selling collection of spy novels are well-known for the way they immerse the reader in the world of international relations, espionage, and statecraft. The author’s aptitude for transporting his audiences in this way stems at least partly from the six years he worked in British Intelligence, both MI5 and MI6 (1958-1964). Yet, while le Carré—or David Cornwell, to use his given name—was a spy and focuses his literary output mostly on spying and the State intrigue, he shows himself in his fictional writings to also be highly critical of the hegemony of State and capitalism.

In a dialectical sense, le Carré “plays” with his novels to similarly “play” the system: while, at first glance, readers of le Carré are suffused with the ruthless worlds of statist power plays, militarism, and realpolitik, soon they are confronted with grand indictments of the domination of capitalism, imperialism, and the State over humanity. The novelist’s political perspective is generally anti-authoritarian, rationalist, and humanist—like that of Katya Orlova from The Russia House, who is an enthusiast of the anarchist Alexander Herzen, the “father of Russian socialism” and Populism—and it was opposed to both sides of the Cold War during its existence, just as the author has been critical of the persistence of capitalist hegemony that has followed during the past two-plus decades. In a sense, le Carré’s writings may be considered a sort of Trojan Horse within the capitalist citadel, but we can’t be sure exactly how much his subversive attitudes concretely influence or have influenced ongoing or future revolt against the system.

From Call for the Dead (1961) to The Mission Song (2006), le Carré weaves stories and conflicts that lay bare the dehumanization, instrumentalization, and super-exploitation underpinning capitalist society—accomplishing this precisely through gaming the system, by setting such critique within mass-, seemingly mainstream media. Absolute Friends (2003), a novel about two revolutionary anarchists, British and German, may come closest to le Carré’s own views—or if not, we can at least say that he is very sympathetic to such ideas.

To investigate how le Carré presents his social critique in discreet and then increasingly fervent fashion over the course of his career, this essay summarizes the pertinent details of the plots of 11 of the author’s novels, and then passes to a discussion and conclusion about the militant perspectives found therein, being like collectivities of free radicals joyously roaming to destabilize unjust structures.

Call for the Dead and The Spy Who Came In From the Cold

The story of Call for the Dead (1961) revolves around one Samuel Fennan, a former Marxist and Communist Party member working in the British Foreign Office (FO), who unexpectedly dies in his home by gunshot, presumably due to suicide. Yet le Carré’s hero George Smiley, an MI6 officer who had just met with Fennan hours before his death, probes more deeply into the case, only to discover that he was in fact murdered by Hans-Dieter Mundt, a hitman working under Dieter Frey. Dieter is an operative of the Abteilung—the East German Security Service1—and a former radical student of Smiley’s whose father had been killed by the Nazis and who himself concretely resisted Fascism by bursting into the British consulate in Dresden during World War II, demanding that the Allies do more to protect the Jews. The cover-up of Samuel’s murder is assisted by his wife Elsa, who herself is Jewish.

Dieter orders Fennan’s murder out of suspicion that he had become Smiley’s agent after seeing the two together, afraid that the Abteilung’s operation in Britain had been compromised. While Fennan had been sharing intelligence with the German Democratic Republic (GDR) as a continuation of sorts of his former Marxism and anti-fascism, Smiley discovers that he had to some degree cooled in his fervor for sharing information in the months leading up to his death, possibly reflecting disillusionment with the USSR after its suppression of the Hungarian Revolution of 1956. This finding leads Smiley to realize that it was really Elsa who was spying for East Germany, and that Samuel had initiated contact with him precisely to raise the point. Although her performance sustaining the lie that Fennan had indeed killed himself does not in the end save her from being sacrificed by Dieter as he tries to escape a trap set by Smiley—one that ends with the East German agent dying at Smiley’s hands, drowned in London’s Thames River—the British spy concludes that her support for the GDR could not be divorced from her desire for world peace as well as her immediate horror at a resurgent, militaristic West Germany. Dieter and Mundt, on the other hand, come in for criticism for their established Lenino-Stalinist tendency to violate the means toward the end of realizing socialism, as seen in their disregard for the lives of Samuel and Elsa Fennan, among others.

The Spy Who Came In From the Cold (1963) continues depicting the struggle between MI6 and the Abteilung. It opens with the British protagonist, Alec Leamas, head of MI6 in Berlin, watching as an East German agent of his is shot dead while trying to escape the Eastern Sector. This is the fourth agent of Leamas’ murdered in succession by the GDR—precisely on the orders of Mundt, the new head of the Abteilung’s Counter-Espionage division, following his return after having escaped Britain. These killings lead Leamas to be declared useless to British Intelligence, and he falls into a downward spiral of alcoholism and illness. Yet this disregard for self is to some degree feigned, a ploy to attract the attention of the Abteilung within the larger goal of vengeance and the destruction of Mundt. In their conversation discussing this mission, Leamas and Control—MI6 chief—acknowledge the similarity in methods used by the Soviet and Western powers. Referring to Mundt, Control observes:

“‘He is a very distasteful man. Ex-Hitler Youth and all that kind of thing. Not at all the intellectual kind of Communist. A practitioner of the cold war.’

“’Like us,’ Leamas observed drily.”

After formally leaving MI6, Leamas briefly works at a library in London, there to meet the Communist Elizabeth Gold. The two become lovers. Yet Leamas cuts the relationship off to proceed with his mission, which sees him imprisoned for three months for having assaulted a grocer who denied him credit—with all of this being part of his cover. Just after his release, Leamas is recruited by the East Germans, who take him to the Netherlands and then to the GDR to be “debriefed” regarding the secrets he knows. After passing into the GDR, Leamas is interrogated by Fiedler, a prominent German-Jewish member of the Abteilung and the son of Marxist refugees from WWII, who explains to him the Stalinist view that human life is but a means toward the end of the construction of Party Socialism, thus delineating his theoretical differences with Christianity, which the Western authorities putatively follow but in reality utterly ignore.2 Leamas reveals to Fiedler that the latter’s superior, Mundt, is in fact a British agent, and that he was allowed to leave Britain following the various murders he committed after coming to an agreement with MI6, which has been sending him vast quantities of money in exchange for information from the East German State. Mundt becomes aware of this plot to oust him, and orders the arrest of both Leamas and Fiedler—with the latter receiving “special treatment” by Mundt the former Nazi for being Jewish—but not before Fiedler had applied to the State for a warrant to arrest Mundt as an imperialist agent.

Thereafter follows a dramatic tribunal at which Fiedler argues his case, detailing the ease with which Mundt turned to murder “in the name of the people to protect his fascist treachery and advanc[e] his own career,” whereas the defense accuses Fiedler in turn of collaborating with imperialism to undermine GDR security, claiming the prosecution’s evidence to be merely circumstantial. The counter-coup is completed, nonetheless, when Mundt’s counsel calls Liz Gold as a witness—Gold having been mysteriously and suddenly “invited” as a member of the British Communist Party to visit the GDR—to have her reveal how George Smiley in fact had supported her financially following Leamas’ disappearance. Smiley, it would seem, did so specifically to discredit the accusations against Mundt and so allow for the elimination of his subordinate Fiedler, who had been suspecting the British mole for some time. As the tables are turned and Fiedler comes to be the one to be immediately executed, MI6’s “filthy, lousy operation to save Mundt’s skin” is revealed. The saved Mundt then provides Leamas and Gold with the means to escape to the West. During this journey, Gold becomes le Carré’s voice, which critiques the authoritarian instrumentalization of life carried on by East and West alike: the supposed opposites are seen to converge in their grossly inhuman behavior, discarding Fiedler to uphold an ex-Nazi double agent. Ultimately, as Leamas and Gold arrive at the Berlin Wall and attempt to scale it, they are shot dead by GDR sentries.

The Karla Trilogy

Tinker, Tailor, Soldier, Spy (1974) concerns the fall of Control and dismissal of Smiley following a botched mission in Czechoslovakia, the ascendancy to top MI6 positions of four officers suspected of being double-agents, and Smiley’s counter-mobilization to investigate and defeat these moles. The text introduces Karla, the Soviet intelligence chief, who is shown to have penetrated MI6 through the recruitment of Bill Haydon, head of London Station. Smiley continues to face off against his Soviet counterpart in the next two volumes of the so-called Karla trilogy.

In The Honourable Schoolboy (1977), le Carré portrays a shaken British Intelligence being resurrected by Smiley, as he focuses on the new MI6 chief’s machinations to avenge the “fall” engineered by Karla through his compromise of Haydon. In his study of Haydon’s treason, Smiley discovers a “gold seam” of half a million dollars run by Karla to a bank in Vientiane, Laos. The journalist Jerry Westerby, an aristocrat by origin and a Southeast Asia correspondent, is dispatched to begin investigating in British-occupied Hong Kong. There, amidst the raging U.S. war on Vietnam, Cambodia, and Laos, Westerby discovers that the gold seam is being directed to Drake Ko, a prominent exiled Chinese capitalist and former Kuomintang (KMT) conscript, whose brother Nelson, having fought the KMT as a Communist in Shanghai and thereafter studied shipbuilding in the USSR, is a high-ranking insider within the Chinese Defense Ministry and an agent of Karla’s (that is, Soviet intelligence). The gold seam sent to Drake, then, represents the sum to be paid to Nelson if he can manage to escape China. Continuing his investigation, Westerby travels to a Phnom Penh besieged by the Khmer Rouge to learn that Drake had commissioned a Mexican pilot, Ricardo—himself a collaborator with the U.S. military in its wars on the region—to run opium into Red China in exchange for extracting his brother. Though this plan didn’t come to fruition, Westerby suggests to Ricardo that MI6 will use this information to blackmail Drake—and shortly thereafter his fellow journalist Luke is assassinated, having been mistaken for Westerby.

At the same time, MI6 and its CIA “Cousins” learn that Drake is imminently orchestrating a new operation to extract his brother, this time by sea. The Western spy agencies’ plans to instead capture Nelson for exploitative purposes, taken together with Luke’s murder, lead Westerby to rebel and warn Drake as Nelson’s fleet of fishing junks approach the rendezvous point on Po Toi Island, south of Hong Kong. Yet this intervention proves useless, for MI6 and the CIA launch a joint strike involving helicopters to interdict Nelson and kill Westerby just as the former’s sampans reach shore—with the hope of reuniting the brothers thus crushed. Once the honorable schoolboy is eliminated, the CIA proceeds to transfer Nelson to the U.S. for thorough interrogation, and the MI6 chief is awarded retirement for having secured a major agent of Karla’s.

Smiley’s People (1979) brings the titular character out of retirement following the murder in London of General Vladimir, a former Soviet general who had been Smiley’s agent. Vladimir, the Estonian believer in communism, is killed on Karla’s orders after having been written by the Soviet émigré Maria Andreyevna Ostrokova regarding contact she had had with a Soviet agent who suggested that she could soon be reunited with her daughter Alexandra if she would only apply for French citizenship on her behalf. Yet as Smiley discovers through his probe into Vladimir’s murder, this entreaty was made as an unprofessional attempt by Karla himself to secure treatment in Switzerland for his mentally ill daughter Tatiana, alias Alexandra, who was diagnosed politically in the USSR with schizophrenia. In parallel, Tatiana’s own mother and Karla’s mistress had been purged for holding that “history had taken the wrong course” in the Soviet Union, and for not being “obedient to history.” It was presumably to avoid a similar fate for his daughter as a psychical non-conformist that led Karla to smuggle her to a hospital abroad.

As Soviet agents relentlessly pursue Maria Ostrokova to silence her once and for all and so complete the cover-up of General Vladimir’s murder, Smiley mobilizes to counter Karla, ultimately presenting him with an ultimatum whereby he could defect to the West and save his daughter’s life or remain in the Soviet Union as MI6 released this information to the Soviet authorities, inexorably leading to Karla’s destruction and presumably Tatiana’s as well. How ironic that the top Soviet spy master would be compromised through love for his daughter! Smiley and le Carré alike recognize this gambit as representing the utter ruthlessness by which is secured relative superiority and hegemony in the Cold War in particular and international relations generally. This is commentary that clearly critiques the infamous “prisoners’ dilemma” of game theory, which has been used by the ‘experts in legitimation’ to excuse militarism and oppression.

The Little Drummer Girl

The Little Drummer Girl (1983) depicts a Mossad operation to use Charlie, a young radical British actress, to penetrate and disrupt a militant group called Palestine Agony, being comprised of two brothers, Salim and Khalil. The context is a series of deadly bombings against Israeli and Jewish targets in Europe ordered by Khalil in reprisal for the ongoing Occupation of Palestine and the intensifying bombardment of the positions of exiled Palestinian groups in Lebanon. Salim and Khalil’s family themselves had been displaced first from Palestine to Jordan, then to Syria, and lastly Lebanon.

Following a new Mossad directive to diversify the identity of its operatives beyond being exclusively Jewish, the Israeli agent Joseph kidnaps Charlie on vacation in Mykonos and transports her to his handlers, Martin Kurtz and Litvak, who exploitatively subject her to interrogation, psychologically manipulating her—an anti-apartheid activist, pacifist, nuclear marcher, anti-vivisectionist, anti-fascist, and critic of Israel—into becoming the very opposite of who she believes herself to be. After having thus been broken, Charlie is guided through her transition by her captor Joseph, who takes the protagonist on a journey of discovery of Palestine, whereby he becomes Salim and she plays the part of his lover.

Though this education is imparted by an Israeli oppressor rather than a Palestinian survivor, le Carré makes clear that the entire colonialist project of Israeli State-building is built on the dispossession of the Palestinian population, and that with each act of counter-violence taken by Palestinian militants, the Israeli military takes the lives of dozens times more Palestinians. Yet her first mission as an Israeli-Palestinian double agent is to drive a car laden with explosives from Greece through Yugoslavia to Austria. This same car explodes after arriving to its destination, while Salim is driving it to Munich with an accomplice.

Fleeing to the UK after this naked assassination, which is entirely consistent with established Israeli policy,3 Charlie learns that she is under investigation by the Home Office for being an Israeli agent—only that, while her house is ransacked by the police, she is allowed to leave the place unharmed. She then activates emergency channels with Khalil’s group, and clandestinely she is sent to Beirut, where she experiences Israeli siege first-hand and commits herself to the Anti-Imperialist Revolution, having become enamored by the beauty of the Palestinians’ sumoud, or steadfastness. Among other things, Charlie’s Commander Tayeh teaches her to distinguish between anti-Zionism and anti-Semitism—echoing Salim and Khalil’s view that anti-Semitism is a Christian invention (as well as Hamad Dabashi’s emphasis on the common Judeo-Islamic philosophical tradition).

After being recalled from Beirut, Charlie finally meets Khalil, who convinces her to accept a mission to assassinate the Jewish Professor Minkel, a public advocate of Israeli withdrawal from the Occupied Territories who does not agree with the Palestinian demand for a single, bi-national State. As he is a “moderate,” Minkel must be eliminated, according to Khalil, who believes in an extreme employment of counter-violence by Palestinians against both Israel and all Jews. Charlie ruthlessly delivers the suitcase-bomb to Minkel before he is scheduled to give a public address, presumably killing him and several others off-stage. Subsequently, Charlie presents Mossad with its coup, for she meets the delighted Khalil again and reveals his position, leading Joseph and company to burst in and kill him in cold blood. Charlie then returns to the UK, where the Mossad has once again made inquiries with the police to ensure that she need fear no prosecution, in addition to giving her access to the inheritance of a recently deceased friend, just as the Israeli war-machine assassinates Tayeh and invades Lebanona development that, as le Carré summarizes, “meant roughly that bulldozers were brought in to bury the bodies and complete what the tanks and artillery bombing raids had started.”

The book’s title is a reference to Bertolt Brecht’s depiction in Mother Courage and Her Children (1939) of Kattrina, one of Anna Fierling’s three children, all of whom perish over the course of the Thirty Years’ War (1618-1648): Kattrina most courageously by constantly drumming to inspire the peasants’ defense of the town of Halle from the Emperor’s troops, leading to her targeted assassination.

The Russia House

The Russia House (1989) tells the story of the publisher-spy B. Scott Blair, or Barley, and his intrigues in the USSR with Katya Orlova, a romantic revolutionary, and Yakov Savelyev, a dissident Soviet nuclear physicist known as “Goethe” to his friends. During the gradualist period of glasnost and perestroika overseen by Mikhail Gorbachev beginning in 1985, Savelyev/Goethe writes a manuscript detailing Soviet military secrets in order to precipitate the collapse of the arms race between the US/NATO and the USSR. Orlova acts as his go-between with Barley, specifying that the first-hand report Goethe has composed reveals Soviet research into the development of particularly atrocious weapons of mass destruction, makes public Soviet strategic nuclear-weapons policy, and explores various other vast ethical failures of the “Red Tsars” in the Cold War. Goethe, whose father was killed while participating in an uprising at the Vorkuta Gulag, is said to primarily be influenced by a certain nineteenth-century Russian known as Vladimir Pecherin, though this may well be a pseudonym for Mikhail Bakunin, for Pecherin “hates [his] native land and avidly await[s] its ruins,” and in the prospect of these “discern[s] the dawn of universal renaissance.”

In seeking to make public the nuclear secrets to which he has special access, Goethe aims at cutting short the Cold War, thus putting an end to the grave threat posed by nuclear weapons amidst highly militaristic competition between the superpowers.iv In this way, he expresses his belief in the revolutionary potential of science without borders—his “frantic dream of unleashing the forces of sanity.”

Barley, whose father was a Fabian socialist publisher who promoted Soviet literature, is a bit of a rogue himself. During his first meeting with Goethe, he tells his counterpart, presumably in good faith, that the Western States consciously accelerated the arms race to try to bankrupt the USSR, and that such imperial militarism in turn served as the pretext for the Soviets to continue “run[ning] a garrison state.” Barley scoffs at the hegemonic Western idea that the concept of “mutually assured destruction” (MAD) through nuclear annihilation had “kept the peace” since Hiroshima and Nagasaki, pointing to the wars on Korea, Vietnam, and Afghanistan. He expresses clearly his belief that all Westerners have a duty to “start the avalanche” that does away with militarism, imperialism, and the “elective dictatorship” of parliamentary capitalism. He thus finds a willing partner and co-conspirator in Orlova, as she wishes to “move together to destroy the destruction and castrate the monster we have created”—this, by facilitating the publication of Goethe’s manuscript. Indeed, when faced with Barley’s inquiries into Orlova’s national pride and love for her two children in light of her participation in this plot, the militant replies by saying that she and Goethe prefer the fall of the USSR to the destruction of the world, and that she must think of all the world’s children, not just her own, when considering her choices. Her courageous commitment is likely inspired to some degree by her uncle Matvey, a revolutionary follower of Lev Tolstoy.

The tragic hero Goethe is ultimately discovered by the Soviet authorities and summarily executed. Barley is similarly arrested and imprisoned as a political prisoner, but he escapes death and saves Katya and her family in exchange for divulging secrets of British intelligence to his tormentors.

Modern Trilogy

Le Carré’s Tailor of Panama (1996) is set in a Panama City marred by gross social inequality, with the “cocaine towers” of the financial district overlooking vast swathes of impoverished proletarian districts in this riverine environment. The action takes place after the U.S. invasion (1989-1990) to depose Manuel Noriega—a former CIA agent—in the run-up to the transfer of control of the Panama Canal from the U.S. military to local authorities that occurred in 1999.

Andy Osnard, a former MI6 agent assigned to the country by a revanchist conglomerate of private interests tasked with the mission of preventing the Canal from being sold off to any rivals of the West, coercively recruits Harry Pendel, a British expatriate tailor with a past history of imprisonment in the UK for insurance fraud, into being his source among the Panamanian elite he serves. Threatened by Osnard with having his criminal past revealed to his wife and children, Pendel learns from the Panamanian president of a Japanese plot to purchase the Canal and communicates this to his handler, setting in motion a joint mobilization by the British and U.S. military-security apparatuses to reinvade Panama and thus ensure continued neocolonial control.

Toward this end, Osnard exploits Pendel’s largely invented idea of a “Silent Opposition” to be led by personal friends who previously had organized against Noriega, including the tailor’s assistant Marta and his comrade Mickie. When Mickie in turn takes his life out of fear of returning to political imprisonment after the authorities, having become aware of the propagation of Pendel’s fantasies, increasingly harass him, the U.S. and British use the pretext of his execution for renewed military intervention. Osnard then appropriates for himself the $15 million destined emergently by the U.S. and Britain governments for the operations of the spectral oppositional group, fleeing in a private jet to Switzerland as U.S. attack helicopters initiate their assault on Panama City.

The Constant Gardener (2001) revolves around the partnership of Tessa Abbott, a British radical, and Justin Quayle, a British diplomat stationed in Kenya. The book opens with the announcement that Tessa has been found murdered with her medical colleague, Dr. Bloom, near Lake Turkana. Justin investigates the killings, ultimately discovering that the victims had co-authored a report exposing medical experimentation carried out by KDH, a Western pharmaceutical corporation, in the Kibera slum of Nairobi and submitted it to the British government—only to meet precisely this fate as a consequence. Fatally, Justin learns that, while Dr. Bloom sought to publish the findings directly, Tessa had insisted that they go through official channels first, in deference to her husband’s example. She did not consider the possibility that the State might be captured by these same corporate interests.

Quayle determines that dozens of Kenyans had died in the trials for Dypraxa, a tuberculosis drug, and that KDH covered up this “side effect” to press forward with the medication’s development, thus avoiding the costs of redesign and further delay. After all, KDH expected a considerable futures market for multidrug-resistant tuberculosis (MDR-TB) in the twenty-first century. In the end, Quayle makes Tessa and Dr. Bloom’s findings known, exposing the scandal and State-corporate nexus, but meets the same fate they did on the very shores of Lake Turkana.

This work title alludes to Voltaire’s always-germane conclusion to Candide (1759), a parody of optimism à la Leibniz (and, by extension, contemporary conservatives and apologists): “We must cultivate our gardens.”

Sharing affinities with the previous two works, The Mission Song (2006) is centered around the plot of a shadowy international Syndicate nominally dedicated to providing agricultural equipment to African countries which conspires to finance an armed uprising in eastern Congo to plunder the region’s mineral resources: coltan, gold, and oil. Bruno Salvador, or Salvo, who is half-Congolese and a graduate of languages at the School of Oriental and African Studies (SOAS), interprets the planning meeting set up between the Syndicate and representatives of two militias and a trading family from the Democratic Republic of Congo (DRC)—Dieudonné, Franco, and Haj, respectively—on a remote island in the North Sea. Naturally, the ruling Rwandan invaders, who have gravely exploited the eastern Congo since overrunning it two decades ago, having fled the coming to a power of a Tutsi-led government that put an end to the Rwandan genocide of 1994 by Hutus of Tutsis and “moderate” Hutus, were excluded from this meeting.

The Syndicate proposes to the Congolese warlords staging an insurgency that would disrupt the existing “peace” in order to create a crisis that would result in the installation of the Mwangaza, an aging semi-messianic figure who promises to unite all of Kivu, or eastern Congo, against the Rwandan militias and armies as well as central control from the capital city, Kinshasa. The Mwangaza speaks about installing an interim government that would expel the Rwandans and take control of the airport, mines, and cities of Kivu, though it is clear that, above all, he desires political power, and is willing to endorse the Syndicate’s proposal to amply supply arms, ammunition, and mercenaries toward this end. Indeed, part of the contract negotiated during these talks stipulates that the Syndicate would be granted special investment access after the coup’s success in exchange for its contributions up front to bringing the war about, while the Kinshasa government is to be bought off using the revenue extracted from Kivu’s mines that was supposed to be set aside as “The People’s Portion.”

Salvo does not take this plan lightly, however. He discreetly manages to appropriate seven cassettes of recordings of the meeting and keeps his own notes upon return to London. Then, unsure of whom to turn to, he first approaches Lord Brinkley, a distinguished “friend of Africa” in the British Parliament, with the idea of bringing the plans to light so as to prevent their execution—only to find Brinkley conspiring to have Salvo’s evidence destroyed or secured so that the coup can proceed. After taking leave of Brinkley, though, Salvo and his partner Hannah, a Congolese nurse, approach the Mwangaza’s London-based aide, Baptiste, who completely denies the possibility of the Mwangaza participating in such a plot. Salvo then meets with Mr. Anderson, his contact at MI6 who first assigned him to the clandestine meeting as interpreter, to express his concerns, only to find Anderson reacting much the same way as Brinkley—even going so far as to rationalize the plundering of Africa’s mineral wealth as based on the prerogatives of supposedly more highly civilized European peoples.

Upon escaping from Anderson, Salvo resorts to contacting his ex-wife’s colleague in the press about running the story before the coup is staged, yet he finds that the two most important cassettes have been taken by Hannah to be recorded and sent to Haj to disrupt the plans once and for all. This courageous effort that finally breaks with Salvo’s “misguided loyalty” to the system indeed saves Kivu from a new war, as the mercenaries’ conspiracy is foiled, but it leads Hannah immediately to be deported to Congo, while Salvo is stripped of his British citizenship and placed in a migrant camp similarly to await deportation to central Africa.

Absolute Friends

Absolute Friends (2003) is likely le Carré’s most openly subversive and radical spy novel. In this work, le Carré depicts the life-long friendship of the British subject Ted Mundy and Sasha, a German anarchist. Mundy, the son of a Scottish military officer and Irish maid born in British-occupied India, begins his “radical reappraisal” of Britain and the Raj in childhood due to the horrors of Partition (1947) and his sense, as suggested later by his father, that the British authorities were largely responsible for these atrocities, and specifically the deaths of the entirety of the family members of his beloved Muslim nurse, Ayah. In adolescence, the protagonist further develops his critical perspective in concert with Dr. Mandelbaum, his radical German-language and cello tutor, who suggests that, “as long as [humanity] is in chains, maybe all good people in the world are also refugees.” The development of Ted’s radical spirit continues precipitously at Oxford University, where he enrolls to deepen his knowledge of German and meets Ilse, his first partner and a militant anarchist. They participate in demonstrations against the Vietnam War and the junta of Greek colonels, and then decide to go study together at the Free University of Berlin. The only problem is that Ilse reneges at the last moment, but not before referring Ted to Sasha, a well-known revolutionary in Berlin. As Mundy departs by train from Waterloo Station in London, the narrator regards him and asks:

“Is he an anarchist? It will depend. To be an anarchist one must have a glimmer of hope.”

Certainly, both Mundy’s anarchism and radical hope are considerably nourished upon making the acquaintance of Sasha in Berlin. Listening to Mundy’s answer to the question of what the meaning of revolution is at their first meeting, Sasha at once tells Mundy that “[a]ll authority is irrational” and inquires into his knowledge of Herbert Marcuse and Max Horkheimer’s writings. Their relationship of fraternal love is thus immediately forged, and they become roommates. Le Carré shows how Mundy’s participation in the radical youth movement in Berlin represents an epoch of self-realization for him, as he becomes “part of a brave new family determined to rebuild the world.” Such immersion leads Mundy to rejoice: “So many brothers and sisters everywhere! So many comrades who share the dream!” The author clearly acknowledges that this militant movement, impelled by the children of the Auschwitz generation, sought to purge from the world the “multiple diseases of fascism, capitalism, militarism, consumerism, Nazism, Coca-Colonization, imperialism, and pseudo-democracy.”

At the Free University, Sasha is depicted giving a speech at an action denouncing the Vietnam War, specifically demanding that the Nuremburg Tribunal be reconvened to prosecute the “fascist-imperialist American leadership […] on charges of genocide and crimes against humanity.” Le Carré then shows the West German State brutally suppressing the demonstration, with Mundy valiantly rescuing Sasha from the riot police and becoming injured, hospitalized, and deported in the process.

After his formative time in Berlin, Mundy spends some years wandering: he briefly works at a journalist in the East Midlands, until he publishes an unauthorized exposé of labor conditions for Asian workers at a local cannery itself owned by the newspaper’s owner; he tries life as an artist in Taos, New Mexico; he gets married with Kate Andrews, a dedicated Labor Party member who wishes to rout the Trotskyists, Communists, and “closet anarchists” she sees as threatening the Party’s future, and fathers a son with her; and he himself secures employment with the British Council.

As part of this work, Mundy once again meets Sasha in East Germany, and the militant reveals to him intelligence vital to GDR security—a move that speaks to the anarchist’s integration into the State, yet also his continued dialectical commitment to destabilizing it. By sharing this information in turn with MI6 upon return to West Berlin, Mundy himself becomes an agent, and so begins a new phase in this “absolute friendship” whereby Mundy handles Sasha’s efforts to undermine what the latter considers to be the “Red Fascist” State. For Sasha, in so compromising the GDR and the USSR, it is not a matter of serving Western interests, but rather of fighting “tyranny wherever I have found it, with whatever weapons were available to me.”

The conclusion of Absolute Friends is contemporary, set in the run-up to the March 2003 invasion of Iraq. Mundy mobilizes against this mad plot, encouraging his son to organize protests at his university, but can find no concrete way for himself to do so until Sasha approaches him with a proposal to join a mysterious billionaire known as Mr. Dimitri from the New Planet Foundation in his ploy to supposedly create a global “Counter-University” and advance the revolutionary cause through the creation of “intellectual guerrillas” who will resist the “insane [capitalist] concept of limitless expansion on a limited planet, with permanent conflict as its desired outcome” (orig. emphasis). Yet Dimitri is not all he seems: following 9/11, the CIA claims, he increasingly comes to insist on an “alliance” between European anarchists and Islamist terrorists—given the view imputed to him that “[t]hese Al Qaeda boys have brought off just about everything Mikhail Bakunin ever dreamed of [sic]”—and he uses Mundy to rent out a school in Heidelberg at which the Brit used to teach for the first “demonstration project” for the Counter-University.

Though Mundy increasingly suspects Dimitri, Sasha faithfully does not doubt the sincerity of the project. Ultimately, one evening, as Mundy is preparing the shipments that he understands to be filled with books for the Counter-University’s Heidelberg campus, he realizes that he and Sasha have been set up: he discovers boxes of grenades, bomb-making devices, and so on. Just then, a massive police-military operation descends on the school, and the friends are killed off as putative terrorists who had been planning to attack the U.S. airbase at Heidelberg.

Meanwhile, Dimitri is revealed as enjoying Witness Protection in Montana for having warned the authorities about the radical friends’ non-existent terrorist plot, and the heist is shown as amounting to a “second burning of the Reichstag,” whereby an ex-CIA operative representing a coalition of oil barons, arms dealers, and security executives framed Mundy and Sasha as extremists who were preparing to bomb the air-force base precisely in order to silence the opposition from the German and French States to the U.S. drive to war on Iraq and thus expanded profits for such corporate sectors. Le Carré depicts the Heidelberg siege as blunting the Germans’ criticisms of Bush and company, whereas Russia is seen as capitalizing on the terrorized Zeitgeist to clamp down on protests and intensify its terrible war on Chechnya.

Conclusion: Let’s Start the Avalanche

We can see, then, that le Carré is a very serious and astute thinker and commentator about a number of pressing socio-economic, political, and ethical issues of recent history and our day. Yet it is evident that le Carré wields his critique of Statism, authoritarianism, and exploitation in an ironic fashion: generally speaking, it is not from an external standpoint, such as that of a protester or victim of militarism, that such critique issues in le Carré’s novels, but rather through the operation of the internal dynamics governing the system. Le Carré’s writings are therefore unexpected or “playful” in the sense that, unlike an external critique of the system raised for example by anarchists who want to take down that system, they typically begin from inside the system and move outward, developing into condemnations of the same. Clearly, le Carré’s spy writings are quite apart from those by Ian Fleming or Tom Clancy, novelists who start from within the State-capitalist system and have no wish to critique or overthrow it. This is another reason why the author’s art-works are consciously ironic, for the genre of espionage generally connotes mainstream, statist perspectives, not critical ones.

While le Carré achieves his purposes of entertainment and enlightenment by “playing” in a certain way, the content of his art is clearly very serious. More often than not, the protagonists of his novels serve as martyrs who are sacrificed by the State or capital to ensure stability and expanded profitability in the Cold War and subsequent neoliberal period: there are Samuel and Elsa Fennan in Call for the Dead; Fiedler, Leamas, and Gold in The Spy Who Came in from the Cold; Jerry, Luke, and Nelson in The Honourable Schoolboy; Salim and Khalil in The Little Drummer Girl; Savelyev in The Russia House; Mickie in The Tailor Panama; Tessa, Dr. Bloom, and Justin in The Constant Gardener; Salvo and Hannah in The Mission Song; and Mundy and Sasha in Absolute Friends. Within his earlier Cold War-era novels, le Carré advances a critique of the bureaucratic “grey men” on both sides, showing the way forward as developing through the courageous and tragic resistance of people like Savelyev and Katya Orlova, who dream of a better world as they labor to undermine the system; a very similar analysis could be made of Absolute Friends. The question which Katya poses to Barley about his intentions to publish Savelyev’s manuscript underpin much of le Carré’s subversive commentary throughout his oeuvre:

“Ask them which is more dangerous to [humanity]: to conform like a slave or resist like a [person]?”

As part of this dynamic of submission versus resistance, le Carré clearly acknowledges the extensive participation of former Nazi officers in the Western intelligence and security services after World War II, and he communicates the hegemonic Western concept that, once Hitler had been defeated, the rest of the West could get back to the “real war” against the Soviet Union and the “Red Menace.” Indeed, Absolute Friends opens with Mundy announcing to his tour group that Britain and the U.S. initially did not oppose Hitler, and indeed saw in him an attack-dog to be unleashed on the Reds. Moreover, our author does not shy from illustrating mainstream British anti-Semitic and bourgeois prejudices or depicting an MI6 officer making a Nazi salute. In The Little Drummer Girl, le Carré adopts the view of the Palestinian resistance that the Zionist State is fascist and genocidal, and in The Honourable Schoolboy, he has Ricardo’s fellow pilot express the thanotic imperative that drives individual capitalists and the system as a whole:

“hear me? They kill me, they kill Ricardo, they kill you, they kill the whole damn human race!”

In sum, then, le Carré, through his critical plots and his alter egos (Smiley, Gold, Barley, Mundy), examines the violence of despotism, brilliantly revealing the depths of nihilism and destruction for which the ruling class is responsible. In his more contemporary works, our author forthrightly points to the capitalist super-exploitation of the non-Western world, as Western firms and powers mobilize to extract evermore resources through militarism and genocide. The results are plain for all to see, or they should be; keeping these in full view, le Carré denounces the system as a whole. In parallel, he identifies the State’s established tendency to crush the possibilities of liberation, as seen in The Russia House, The Constant Gardener, Absolute Friends, and The Mission Song, and even the authorities’ willingness to exploit radicalism to promote reaction, as we see in The Little Drummer Girl.

Yet le Carré strongly endorses Barley’s view that all Westerners have a duty to “start the avalanche” that abolishes militarism, imperialism, and capitalism. The author even depicts this type of non-cooperation in a number of his works, especially in his illustration of State officials who defect, rebel, or otherwise sabotage their work. Nonetheless, the critique he raises against the State for instrumentalizing human life applies also to movements resisting oppression: that the Israelis, British, Soviets, or Americans cannot cease violating the means toward the ends they seek does not justify those who oppose them doing the same, even if the revolutionary end is superior to the end of maintaining the status quo. The Little Drummer Girl’s plot makes this clear. Like Lev Tolstoy and Albert Camus, then, le Carré is concerned about the replication of nihilism and authoritarianism within resistance movements, and he advises us—quite rightly, I think—to do all we can to harmonize means and ends. Quite like Tolstoy, le Carré declares through Barley that “[w]e must cut down the grey men inside ourselves, we must burn our grey suits and set our good hearts free, which is the dream of every decent soul, and even—believe it or not—of certain grey men too.”

Works Cited

1 Compare the East German Abteilung with the Sturmabteilung (SA), the Nazi brownshirts, followers of the Strasser brothers, who were purged by the Waffen SS on Hitler’s orders. Is this etymological similitarity between the names of the respective State agencies just coincidental, or actually reflective of red-brown cross-over?

2 Compare Lev Trotsky’s declaration in Terrorism and Communism: A Reply to Karl Kautsky (1920), published in response to Kautsky’s criticisms of Bolshevik repressiveness and the brutality of the Russian Civil War: “As for us, we were never concerned with the Kantian-priestly and vegetarian-Quaker prattle about the ‘sacredness of human life.’”

3 See Eyal Weizman, Hollow Land: Israel’s Architecture of Occupation (London: Verso, 2007), especially ch. 9, “Targeted Assassinations: The Airborne Occupation.”

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Book Review: Ronald Beiner’s Dangerous Minds: Nietzsche, Heidegger, and the Return of the Far Right

July 27, 2018

beiner

First published on Marx and Philosophy, 27 July 2018

This volume presents compelling critiques of Friedrich Nietzsche and Martin Heidegger as far-right agitators who inspired (Nietzsche) or actively supported Nazism (Heidegger). Author Ronald Beiner connects Nietzsche’s affinities for feudalism with the philosopher’s critique of compassion, morality, and egalitarianism, and he shows how such despotism of thought was reproduced by the Nazi enthusiast Heidegger as well. Beiner details Heidegger’s disturbing commitment to Nazism not only under Hitler, whom he wholeheartedly welcomed in his infamous inaugural address as Rector of the University of Freiburg, “The Self-Assertion of the Germany University” (May 1933), but also within the post-war context and for decades thereafter. In light of the menace posed by the neo-Nazi alt-right, Donald Trump, Vladimir Putin, Recep Tayyip Erdoğan, Viktor Orbán, and Narendra Modi, Beiner is rightly worried that the philosophies of Nietzsche and Heidegger, as anti-liberal critics of modernity, are coming back in a rude way. However, it is doubtful whether the Rawlsian or Habermasian liberal alternative Beiner endorses is the correct treatment for this diagnosis, or rather part and parcel of the same disastrous problematic that is driving the consolidation of neo-fascist forces.

Besides the acute political-philosophical commentary to be found in Dangerous Minds, the author reflects movingly on the inevitable difficulties related to death within the context of Heidegger’s identification of the everyday suppression of the recognition of our individual and social finitude, or finiteness, as raised in Being and Time (1927).

In Dangerous Minds, Beiner discusses the influence Nietzsche has had on notorious contemporary ultra-rightists such as the U.S.-based white supremacist Richard Spencer and the Russian neo-fascist Aleksandr Dugin, as well as the historical Italian fascist Julius Evola, who was an “explicit disciple of Nietzsche” (3). Like Evola, Spencer declares himself a Nietzschean, and Dugin swears by the iconoclast’s ominous statement that “man [sic] is something that should be overcome” (2, 12). These prominent figures of an increasingly powerful Fascist International find inspiration in Nietzsche’s aristocratic differentiation between the putatively “elect” and “unfit peoples” (4) as well as the philosopher’s anticipation of Nazism’s practice of große Politik (“great [or noble] politics”) in his militaristic critique of Otto von Bismarck from the right, as György Lukács points out in The Destruction of Reason (1952), and his “imperialistic critique of nationalism” (136n2). Today’s far-rightists also admire the Nazi Heidegger, who himself took a great deal from Nietzsche, particularly his critique of liberal modernity as nihilistic. To date, reports Beiner, Dugin has dedicated four volumes to discussing Heidegger, with “more to follow” (139n27).

Yet it has not just been the right which has found Nietzsche and Heidegger of use; in fact, Beiner endorses Geoff Waite’s view that Nietzsche also left his mark on the Frankfurt School critical theorists, Albert Camus, and post-structuralists like Michel Foucault, Félix Guattari, and Gilles Deleuze, among others. Whereas one finds few positive references to Nietzsche in Herbert Marcuse’s oeuvre, Max Horkheimer and Theodor W. Adorno admittedly incorporated a Nietzschean skepticism toward instrumental rationality, though they both, like the other Frankfurt School thinkers, held an overall more Hegelian view of rationality, viewing it as also having strong emancipatory potential. As for Camus, his position is ambiguous, given his view in The Rebel (1951) that, on the one hand, Nietzsche’s appropriation by the Nazis represented a great injustice to the philosopher, while also acknowledging that “Nietzscheism was nothing without world domination” and that, when “[p]laced in the crucible of Nietzschean philosophy, rebellion, in the intoxication of freedom, ends in biological or historical Caesarism” (Camus 1951, 75-80). For his part, Beiner illustrates the relevance of Foucault’s adoption of Nietzsche’s critique of truth as power, yielding “post-truth” and “fake news.” Notably, Foucault’s Nietzschean-Heideggerian preference for pre-modern alternatives to capitalist modernity may help to explain his uncritical support for the Khomeinist faction of the Iranian Revolution, whose seizure of power in 1979 effectively put an end to the revolutionary process, as Janet Afary and Kevin B. Anderson (2005) detail.

Crucially, Beiner clarifies Nietzsche and Heidegger’s philosophical critiques of the modern world as being reactionary assaults on the egalitarian legacy of the French Revolution which quite openly sought to entrench imperialistic domination and re-establish feudalistic modes of social organization. Hence, Beiner argues, we should take Nietzsche seriously when he endorses the ideas of social castes and slavery (18, 144n35), just as we should take seriously Heidegger’s explicit admission in 1948 to his former student Marcuse of his uncritical view of Nazism, from which he had reportedly “expected […] a spiritual renewal of life in its entirety, a reconciliation of social antagonisms, and a deliverance of western Dasein [‘Being’] from the dangers of communism” (Marcuse 1998, 265-7). Such pseudo-radical posturing by a thinker who sides with the Nazi dictatorship is precisely what many far-rightists find so attractive in Heidegger: this dramatic perspective, shared by Nietzsche, Dugin, and also the Counter-Enlightenment traditionalist and irrationalist Joseph de Maistre, amounts to the paradoxical concept of ‘conservative revolution,’ whereby the socio-political goal becomes the overthrow of liberal society, the cancellation of the ideas of the French Revolution, and even the abolition of Christianity due to the egalitarianism of the doctrine of Jesus the Nazarene.

Indeed, Beiner argues that, for Nietzsche, “repudiation of Christianity constitutes the necessary condition of a return to an aristocracy-centered culture” (27 emphasis in original). Little surprise, then, that his The Anti-Christ (1895) has been adopted by contemporary white supremacists as a neo-pagan tract—and that his celebration of the idea of the Supermen (Übermenschen) who would overthrow egalitarianism necessarily presupposes “subhumans” (Untermenschen), as the Nazis rather catastrophically put in practice. Moreover, neo-Nazi movements have appreciated Nietzsche’s classification of Judaism and Christianity as ‘slave religions,’ a position that is inseparable from the philosopher’s analysis of compassion as reflecting resentment and weakness—a view which is arguably itself a reflection of rightist resentment. Nietzsche’s explicit affirmation of the “protracted despotic moralities,” which on his account predominated in premodern contexts, demonstrates the degree to which his philosophy is an inversion of that of Arthur Schopenhauer, who emphasizes compassion as being the basis of morality (32 emphasis in original; 161n72). Steeping himself in irrationalism, Nietzsche expressly saw his philosophy as a wholesale destruction—or, to use contemporary parlance, ‘owning’—of “the left,” understood as German Idealism, the principles of the French Revolution, Christianity, and even Platonic and Socratic rationalism.

In contrast to Nietzsche, who died in 1900 and did not necessarily frame his concept of the Superman in ethno-racial terms, Heidegger clearly was a völkisch fascist, an enthusiastic Nazi, and a rabid anti-Semite, as the recently published Black Notebooks (1931-1938) attest. This so-called ‘intellectual’ displayed a swastika at the well outside his cabin in the Black Forest until the war’s end in 1945 (114), and we have already seen his view from 1948 as expressed to Marcuse above. Beiner correctly notes that “[o]nly a real Nazi […] could have written such a letter” to Marcuse, a left-wing German Jew (120). Moreover, in his 1947 response to Jean-Paul Sartre’s Existentialism is a Humanism, Heidegger’s “Letter on Humanism” contrasts the rationalism and humanism extending from Plato and Socrates to Johann Wolfang von Goethe and Friedrich Schiller with the supposedly nationalistic attitude found in Friedrich Hölderin which emphasizes the overthrow of contemporary “uncanniness” (otherwise known as ‘homelessness’) and the goal of establishing a strong homeland, or Heimat. He clearly considers the latter approach more authentic, two years after the end of World War II, regardless of the genocidal implications of Nazism.

As Beiner writes, “[o]ne feels compelled to say that here is a man who experienced political events without really experiencing them” (101). Yet this is perhaps too kind an assessment, as Heidegger could not deny what Nazism had wrought on the world. Marcuse for one had brought it up to him in his 1946 meeting with Heidegger in the Black Forest, and then again during their subsequent correspondence. Still, as Beiner relates, never once did the author of Being and Time apologize for his collaboration with Hitler’s regime, let alone concede any wrongdoing. On the contrary, he would continue to publicly defend National Socialism until at least 1966. His friend Rudolf Bultmann reports that Heidegger utterly ignored his request that the philosopher write a confession, like Augustine of Hippo (119).

Beiner’s “call to arms” to liberals and leftists about Nietzsche and Heidegger’s very “dangerous minds” and the resurgence of ‘conservative revolutionary’ rightism is certainly an important and relevant study. The author is justified in finding it “bizarre” that the Nazi Heidegger became one of the most influential philosophers of the twentieth century, and that several leftist intellectuals take after his thought and even describe themselves as Heideggerians (21). Nonetheless, in light of Heidegger’s fascism, Beiner has a point in arguing that left-Heideggerianism should “close up shop” (67). Considering in turn that Heidegger clarified how decisive Nietzsche’s influence was in his becoming a Nazi (111), ‘left-Nietzscheanism’ presumably should do the same. Hence, if Beiner were to be heeded, post-structuralism and postmodernism would likely have to be rethought and overhauled—as they arguably should be anyway, given the ties between these schools of thoughts and the ideas of Nietzsche and Heidegger in the first place. In this sense, Beiner’s volume recalls Richard Wolin’s The Seduction of Unreason: The Intellectual Romance with Fascism from Nietzsche to Postmodernism (2009), and has a similar critical force.

One qualification to this conclusion relates to Beiner’s ideological support for liberal capitalism as an alternative to Nietzsche and Heidegger’s ultra-reactionary actionism. The author of Dangerous Minds at times equates liberalism with egalitarianism, when clearly—as Marxists, anarchists, and other socialists have long noted—liberalism has in fact greatly violated egalitarian principles in upholding capitalism and its inevitably associated racial, gender, and labor hierarchies. Indeed, one cannot overlook Marcuse’s point in “The Struggle against Liberalism in the Totalitarian View of the State” (1934) that fascism grew out of liberal-bourgeois society itself; Lukács makes a similar point overall in The Destruction of Reason. The ongoing transnational resurgence of far-right authoritarianism shows this playing out in real time. Taking all of this into account, instead of the minimalist demands for social-democracy made by Rawls and Habermas and endorsed by Beiner, we should advance and support egalitarian and transformative anti-capitalist critique and social reorganization.

Works Cited

Afary, Janet and Kevin B. Anderson Foucault and The Iranian Revolution (Chicago: University of Chicago Press, 2005).

Camus, Albert. The Rebel: An Essay on Man in Revolt, trans. Anthony Bower (New York: Knopf, 1956).

Marcuse, Herbert. Technology, War, and Fascism: Collected Papers Volume 1, ed. Douglas Kellner (London: Routledge, 1998).

Wolin, Richard. The Seduction of Unreason: The Intellectual Romance with Fascism from Nietzsche to Postmodernism (Princeton: Princeton University Press, 2009).

 

Exposing and Defeating the Fascist Creep

April 7, 2017

Fascist Creep

Copyright, Truthout.org. Reprinted with permission. Originally published on 7 April 2017

In light of the fact that Donald Trump is president, and that his consigliere Steve Bannon has publicly expressed a favorable view of the Italian fascist and SS enthusiast Julius Evola; considering the possibility that the neofascist Marine Le Pen’s Front National could win the 2017 elections in France; and given the explosive violence targeting Muslims, Jews and people of color in the US since Trump’s election, the time is certainly right to read and widely discuss Alexander Reid Ross’s new book, Against the Fascist Creep (AK Press, 2017).

As the title suggests, Reid Ross is concerned here with the “fascist creep,” which is related to the idea of the “fascist drift,” or the disturbing attraction many 20th-century leftists felt for this new reactionary ideology. Fascists reject mainstream conservatism as decrepit and corrupt (see the contemporary alt-right’s repudiation of the GOP), and while they violently oppose liberalism, socialism and anarchism, they paradoxically wield left-wing notions, such as solidarity and liberation, as part of their ultranationalist schemes for a falsely classless society, which is to be characterized by “natural hierarchy.” Fascism also relies heavily on myth, in the sense that its proponents seek to restore a “golden age” that supposedly existed in the putatively heroic past by means of “national revolution” against the existing liberal-parliamentarian order. This romantic-revolutionary element represents another commonality in the creep between fascism and leftism, considering the nostalgia for the precapitalist “lost paradise” that sometimes drives left-wing passions. In fact, Reid Ross writes that fascists gain ground precisely by deploying “some variant of racial, national, or ethnocentric socialism,” opportunistically inverting the internationalist goals of socialism. Clearly, fascists and leftists differ principally on the question of egalitarianism, with the latter defending equality by organizing against capitalism, the state, borders, patriarchy and racism, while the former use these oppressive systems to reproduce inequality, domination and genocide.

As Reid Ross explains, US fascists rely on the “radical” or far right cesspool of authoritarian nativists, white supremacists, conservative “revolutionaries” and neoconservatives to mainstream their views, recruit, gain popularity and ultimately seize power. Indeed, we now confront a nightmarish playing-out of this scenario with Trump’s rise to power. Yet the situation is distinct in Europe, where fascists have drawn heavily from the revolutionary-leftist tradition to advance their aims. In this sense, Against the Fascist Creep is a clear warning to the left.

Fascist Origins

Reid Ross situates the historical origins of the fascist creep in imperialism, white supremacism and ableism, considering the models that prior Euro-American colonialists had handed down to Hitler and Mussolini, as during the “scramble for Africa” and the genocides of Indigenous peoples. Moreover, there was a clear connection between the Nazis’ mass murder of people with disabilities, the Holocaust (otherwise known as the Shoah), and Hitler’s plans to annihilate the Slavs and other non-Aryan peoples after defeating the Soviet Union. Jew-hatred, or anti-Semitism, characterizes fascism from its beginnings through to its Nazi embodiment and the present. Yet challengingly, Reid Ross demonstrates the “crossover” between fascism and revolutionary causes, such as syndicalism and ecology, as well. The latter is seen in the commonalities among Romanticism, völkisch ultranationalism and nature conservation — for both Hitler and his National Socialism devotee Savitri Devi [an Anglo-European who embraced Hinduism] were vegetarians who loved animals, and the German Democratic Ecology Party has promoted Holocaust denial, while Earth First! has at some times in its history bolstered white supremacism through its appeals to Nordic paganism. The overlap between fascism and syndicalism is illuminated by the example of the original fascist creep, Georges Sorel, a revolutionary enthusiast of the “myth” of the general strike, whom Mussolini would declare as “our master,” and who in turn supported Il Duce. Sorel’s followers, founders of the Cercle Proudhon, emphasized this French anti-Semitic anarchist’s anti-parliamentarianism while downplaying Proudhon’s relative egalitarianism, leading to the paradoxical creation of the ultranationalist idea of national syndicalism that partly inspired Italian Fascism. Reid Ross explains that Mussolini sought to integrate syndicalism into a corporate state while repressing the left and projecting an image of societal regeneration.

As is known, the “demonstration effect” of Mussolini’s seizure of power through the October 1922 March on Rome influenced Hitler and the Nazis to declare “national revolution” and lead the Munich “Beer Hall Putsch” against the Bavarian government. With Hitler imprisoned following this failed uprising, Gregor and Otto Strasser pushed Nazi ideology toward völkisch national socialism, proposing the mass deportation of Jews, the redistribution of property, and syndicalist integration. Following Hitler’s release, tensions raged between these competing factions — the SA (or Brownshirts) and SS (or Blackshirts) — as the Strassers, Ernst Röhm and the SA increasingly became a liability to the German ruling class, which sought to employ the Nazis against the workers. In 1930, Otto Strasser was expelled from the Nazi Party for supporting strikes, and he went on to found the “Black Front” and “Freedom Front” to undermine Hitler, but this “left faction” was eliminated with the SS’s assassination of Röhm, Gregor Strasser and other SA leaders on the Night of Long Knives in July 1934.

Meanwhile, the German Communist Party (KPD) considered a Nazi takeover preferable to the continuation of the Weimar Republic, and even in some ways worked with Hitler to undermine it, echoing the Stalinist conception that the social-democratic opposition was “social fascist.” Nevertheless, one must not overlook the courageous self-defense efforts of the communists and the social democrats in the Red Front Fighters’ Alliance (RFB) and Antifascist Action (AFA), as well as the Reichsbanner, respectively. The rest, from Hitler’s takeover in January 1933 to World War II and the Shoah, is well known history, though Reid Ross’s observation that Nazism in power served capitalism and tradition bears echoing, as it belies the fascist claim to revolutionism and commitment to workers’ interests. This dynamic is reflected well in the substantial investment and political support afforded to Hitler and Francisco Franco by US corporations.

Post-War Fascism

Unfortunately, the defeat of the Axis would not mark the end of fascist intrigue, as Nazi war criminals were rehabilitated in West Germany and served US imperialism in the Cold War. Evola, Otto Strasser and their followers continued to mobilize after WWII, particularly against NATO’s presence in Europe — so as to “liberate” the continent — and in favor of the “strategy of tension” to strengthen state power, as seen in Italy and Latin America. Strasser’s advocacy of a “third position” beyond capitalism and Stalinism influenced fascist and “national communist” movements in France and Italy, while the Evolian Alain de Benoist developed the theoretical underpinnings of the Nouvelle Droite (“New Right”), which opposes equality in favor of apartheid, “difference” and “diversity,” and calls for whites to mobilize pride for their ancestral, pagan past against the ostensible impositions of the Judeo-Christian, liberal-multicultural system.

Transitioning from the Cold War to the present, Reid Ross identifies several continuities between historical and contemporary fascist creep. This plays out in five theaters:

• The “Radical Right”: The non-fascist ethnocentric populism of the far right is crucial in the fascistization process. In the US, this has involved Willis Carto promoting the ideas of global racial apartheid in the Right journal and working with white and Black nationalists to oppose the supposed common enemy of Zionism. The resurgence of the Ku Klux Klan under David Duke’s leadership, accelerating settler-colonial fantasies about creating a “white homeland” in the Pacific Northwest, and the emergence of the neo-Nazi “Order” terrorist group represent other important historical examples of the cross-over between the far right and fascism in the US. Moreover, the Patriot and Minutemen movements — allies to Pat Buchanan, the Tea Party and Trump — are strongly tied to the idea of private property, while the collaboration of the “Chicago School” of market fanatics with Augusto Pinochet’s fascism is well known. An admirer of Pinochet and Franco, the rabid anti-Semite Jean-Marie Le Pen and his Front National, followers of the Nouvelle Droite, represent the French Radical Right, while the Austrian Freedom Party (FPÖ) — which narrowly lost the 2016 presidential elections — has advanced Holocaust denialism from its beginnings.

The Third Position: Neo-Nazi nostalgia for Strasserism as an alternative to Hitler was diffused in the 1980s through punk music, particularly that of the band Death in June and the general “Rock Against Communism” impetus that arose in response to the “Rock Against Racism” directed at skinheads. Strasserism also informed the White Aryan Resistance’s (WAR) efforts to instigate racial war in the US at this time, particularly in the idea of a “Wolfstadt” to be declared in the Pacific Northwest, as well as Troy Southgate’s concept of “national anarchism,” whereby left and right would unite against the State and create new decentralized societies based on strict racial separation.

• National Bolshevism: Though first suggested by Strasser, the unseemly idea of melding red and brown into “national Bolshevism” took off in Russia and Germany following the collapse of the USSR. The Evolian Alexander Dugin — a major ally of Vladimir Putin’s — hailed the “radically revolutionary and consistent fascist fascism” surging in post-Soviet Russia as ultranationalists mercilessly attacked foreigners in the streets and Boris Yeltsin and Putin leveled Grozny, capital of Chechnya. Fascists from all over Europe joined either side in the Yugoslavian Civil War as well. More recently, Dugin has promoted his “fourth political theory” — an amalgam of fascism, irrationalism and traditionalism — by uniting “anti-imperialists” with “national conservatives.”

• Fascists of the Third Millennium: The 1990s and early 2000s saw neofascist groups continue creeping by infiltrating the anti-globalization, ecology, animal rights and anarchist movements, attempting to reorient them into pro-fascist directions. This phenomenon of entryism has typified the national-anarchist, “pan-secessionist” and “autonomous-nationalist” tendencies (see below). During this time were born Golden Dawn (Greece) and Jobbik (Hungary), while the British National Party (BNP) swelled in popularity; all of these groups follow the Nouvelle Droite and the Third Position.

• Autonomous Nationalism: Perhaps the most bizarre neofascist formation is that of the “autonomous social nationalists,” who mimic their German anarchist predecessors the Autonomen in style and militancy, supporting syndicalism, radical ecology and insurrectional street-fighting tactics against capital and the State — only that they also violently target immigrants, Jews, leftists and Roma, seeking the creation of an “authentic” völkisch future for Germany. Autonomous nationalists have also been active in Bulgaria and Ukraine, particularly during the run-up to the “revolution” that occurred in the latter country in 2014.

Contemporary Fascism and Resistance

In the book’s conclusion, Reid Ross examines several contemporary fascist trends that illustrate the text’s main concerns, including the overlap between the “American Third Position” and the neo-Nazi American Freedom Party vis-à-vis the US libertarian-propertarian movement, the contradictory support and repulsion for Israel expressed by neofascists, the Orientalist impetus for “CounterJihad” and the idea of Occupy Wall Street bringing left and right together against the system. The author also raises the morbidly fascinating tendency of some known white nationalists publicly supporting people of color rebelling against US police as a means of accelerating state collapse. This seemingly contradictory posturing in fact brings up the larger tendency of “pan-secessionism,” which is related to national anarchism, as its proponents seek to support Indigenous revolutionaries, Black militants, white supremacists and radical ecologists in organizing collective secession from the capital-state system. In point of fact, Reid Ross raises the case of Michael Schmidt, a Strasserite third-positionist and formerly well-known syndicalist historian whom the author courageously and rather controversially exposed in September 2015, as typifying these disturbing neoreactionary trends. Reid Ross also rightly identifies the contemporary alt-right’s approach as desiring to deepen the ongoing crisis so that the retrograde ideologies this phenomenon represents can “come out on top,” while knowingly observing — in an echo of Albert Camus — the crossover among post-anarchist nihilism, anti-civilizational deep ecological thought and neoreaction.

Reid Ross’s newest volume is an excellent and disconcerting study of fascism’s origins, development, present and possible futures. Against the Fascist Creep deserves the broadest possible audience. Hopefully, it can help to inspire a new mass movement to resist all authoritarian ideologies, whether emanating from the State or the “autonomous” grassroots. To overcome the severe threat that fascism and neofascism pose to the Earth and its peoples, only mutual aid and cooperation on a vast scale can succeed. We must press forward by struggling militantly against Trumpism, the “radical” right, Third Positionism, “autonomous nationalism” and authoritarian leftism alike. Against these myriad political and philosophical absurdities, let us advance global anti-authoritarian revolution.

Review: Foucault and the Iranian Revolution

September 15, 2016

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Copyright, Truthout.org. Reprinted with permission. Originally published on Sept. 13th, 2016

Janet Afary and Kevin B. Anderson’s Foucault and the Iranian Revolution presents a fascinating historical account of the process whereby the despotic Mohammad Reza Shah Pahlavi was overthrown by the Iranian masses in 1978-79, only to yield a dictatorial Islamist regime led by reactionary clerics. The transition to the Islamic Republic, ruled over by Grand Ayatollah Sayyid Ruhollah Mūsavi Khomeini, found the unlikely support of Michel Foucault, the French philosopher well-known for his anti-authoritarian critique of Western modernity, who expressed great enthusiasm for the Shi’ite Islamist elements of the Revolution in a number of public articles he wrote about the fall of the Shah, as based on the two visits he made to Iran in 1978.

Afary and Anderson observe that, while many progressives and leftists — both in Iran and elsewhere — favored the Revolution against the Shah but could not countenance the notion of an Islamic Republic replacing such despotism, Foucault was less critical toward Khomeini and the possibility of clerical rule. The authors argue that Foucault’s attitude in this sense — rather than signify some aberration or lapse in judgment — indeed follows from his post-structuralist political theorizing, which rejects the Enlightenment and despairs at the historical possibility of emancipation. As such, Foucault and the Iranian Revolution serves as an important warning for Western radicals and intellectuals vis-à-vis revolutionary movements, anti-imperialism and political authoritarianism in the rest of the world. Moreover, it raises questions about the liberatory potential of post-structuralism, detailing how that tendency’s preeminent spokesperson so clearly betrayed Iran’s workers, women, LGBTQ citizens, dissidents and religious and ethnic minorities by romanticizing what French leftist Maxime Rodinson refers to as “a type of archaic fascism.”

In their investigation of Foucault’s relationship with the Iranian Revolution, Afary and Anderson situate the philosopher’s writings within the context of the rejection of modernity he advances in works like Madness and Civilization (1961) and Discipline and Punish (1975). In this way, the authors hold that Foucault privileges pre-modernism, irrationalism and traditionalism — and therefore patriarchal domination. In fact, Foucault was not very attuned to feminist concerns, as is clearly seen in the October 1978 essay, “What Are the Iranians Dreaming About?” Here, the writer uncritically cites the vision of a future Iranian Islamic state in which there would supposedly not be any “inequality with respect to rights” between men and women, but “difference, since there is a natural difference.” Beyond this, in certain ways, the Grand Ayatollah Khomeini can be said to typify the “will to power” developed by Friedrich Nietzsche, the authoritarian irrationalist whose thought was central to Foucault’s worldview, as was that of Martin Heidegger, the Nazi-friendly phenomenologist whose concept of “being toward death” resonated with Foucault. The authors have a point, then, in observing that “Foucault’s affinity with the Iranian Islamists […] may also reveal some of the larger ramifications of his Nietzschean-Heideggerian discourse.”

Psychologically and philosophically, Foucault found the 1978 mass-demonstrations against the Shah that re-enacted the historical drama of the battle of Karbala (680 CE) and the martyrdom there of Hussein ibn Ali, the grandson of the Prophet Muhammad revered by Shi’ites, highly compelling. For Afary and Anderson, Foucault’s attraction to the Iranian Revolution can be explained by the common interests the philosopher shared with many of the insurgents in terms of traditionalism, anti-imperialism and death. During the Revolution, the mourning celebrations of Muharram and Ashura, which commemorate the death of Hussein ibn Ali, his family and followers at the hands of the Sunni Umayyad dynasty, saw Shi’ite Islam being interpreted to emphasize the righteousness of masses of people electing to give their lives for the cause of overthrowing the Shah. Indeed, the principal intellectual forerunner of the Iranian Revolution, Ali Shariati, stressed martyrdom as the defining element of Shi’ism: Alavid or “red Shi’ism” (that of Hussein ibn Ali) against Safavid (institutionalized) or “black Shi’ism.” Shariati’s view is that all generations are invited to give up their lives in the struggle if they cannot kill their oppressors.

While Shariati did not live to see the Revolution he inspired, the major uprisings of September 1978 followed his predictions, as scores of protesters were killed in the streets by the Shah’s security forces on “Black Friday” (September 8). Thereafter, general strikes were launched in various industries and the Shah’s end drew precipitously closer. Foucault was deeply struck by these mobilizations involving hundreds of thousands of people, seeing in them the total “other” of established Western society. Indeed, his enthusiasm for the advance of the Revolution through Islamist “political spirituality” led him to disregard the secularist and left-wing elements participating in the movement as less authentic than the expressly Shi’ite protestors, and in fact to declare that the collective political will of the Iranian people was entirely unified by political Islam and a generalized love for the exiled Ayatollah Khomeini.

In the aforementioned article regarding Iranian dreams, Foucault also embarrassingly reproduces a line from a cleric stipulating that Iran’s ethnic and religious minorities — Kurds, Jews, Baha’is, Zoroastrians — would be respected insofar as their lives did not “injure the majority.” This lapse, together with the anti-feminist sentiment Foucault reproduced in the same essay, led an Iranian woman named “Atoussa H.” to call him out publicly. In a letter to Le Nouvel Observateur published in November 1978, Foucault’s critic issued a warning about the philosopher’s romanticization of Islamism and the prospect of an Islamic State in Iran, noting that, “everywhere outside Iran, Islam serves as a cover for feudal or pseudo-revolutionary oppression.” Atoussa H. despaired at the prospect of having the reign of the bloody Shah merely yield to religious fanaticism. Foucault’s public reply to Atoussa H. was condescending and evasive — rather than respond to the woman’s concerns, Foucault accused her feminism of being Orientalist.

In his writings from late 1978, moreover, the intellectual provided significant ideological cover to Khomeinism, claiming the Shi’ite clergy to be non-hierarchical and reassuring his readers that “there will not be a Khomeini party” or a “Khomeini government.” Some months later, after the Shah’s abdication and the “victory” of the Revolution, Foucault announced that “religion’s role was [merely] to open the curtain,” and that now, “the mullahs will disperse.” Meanwhile, Rodinson publicly challenged Foucault’s delusions on Iran in Le Monde, arguing that the domination of the Revolution by clerical elements threatened to merely have one form of despotism be succeeded by another. In parallel, Iranian Marxists and the Fedayeen guerrillas made known their unease at the prospect of the same.

The oppressive nature of the clerical regime that Foucault had helped to legitimize became readily evident after February 1979. Upon his return from exile, Khomeini moved swiftly to overturn established laws protecting women’s rights, and on International Women’s Day, March 8, 1979, he announced that all Iranian women were obligated to wear the chador. Such actions led masses of women to mobilize on the very same day to denounce the incipient dictatorship, declaring ironically that, “In the Dawn of Freedom, We Have No Freedom.” Their courage as women rebelling against a new “revolutionary” order was hailed from afar by Simone de Beauvoir and Raya Dunayevskaya — but not by Foucault. Neither did the philosopher in question speak out after the new regime’s summary executions of political opponents and men accused of homosexuality became evident, to say nothing of the state’s attacks on the Kurds and Baha’is. Such silence led yet another critique of Foucault on Iran to be written, this time by Claudie and Jacques Broyelle. As they argue: “When one is an intellectual, when one works both on and with ‘ideas,’ when one has the freedom […] not to be a sycophantic writer, then one also has some obligations. The first one is to take responsibility for the ideas that one has defended when they are finally realized.”

Foucault’s public response to the Broyelles was as unsatisfying as his response to Atoussa H.: dismissive and opportunistic. While it is true that Foucault came in passing to acknowledge the chauvinistic and nationalistic aspects of the Iranian Revolution — and even questioned in the end whether it could be considered a Revolution, as it had installed a “bloody government of a fundamentalist clergy” — his stance toward Khomeini and the Islamic Republic was “fundamentally a stance of support,” as Afary and Anderson conclude. From June 1979, by which time the regressive nature of theocratic rule had become undeniable, to the time of his death in 1984, Foucault guarded silence on the question of Iran and the Revolution. Never did he recant his previous excitement about Shi’ite Islamism or plead forgiveness, much less express support for the Iranians who suffered so terribly under the very Islamic Republic for which he had served as an unwitting propagandist. On the contrary, Foucault in his writings on Iran advanced reactionary criticisms of human rights, democracy and feminism.

Post-Structuralism and Counterrevolution

The case of a renowned anti-authoritarian Western philosopher legitimizing the coming-to-power of a brutal theocratic ruling class in Iran raises a number of pressing questions. How could this have come to pass? In the first place, Afary and Anderson are right to observe that Foucault failed to grasp that “an anti-Western, religiously based system of power” could be as oppressive as fascism or Stalinism. His lapse in this sense owed in part to his ignorance and romanticization of political Islam in general and the thought of Ayatollah Khomeini in particular — for Khomeini in 1970 had already anticipated the despotism of the Islamic Republic with his text Velayat-e Faqih, which calls for clerical domination of the state. As has been mentioned above, as well, his attitude toward Iran was surely influenced by his affinities with traditionalist, non-Western elements.

In addition, nevertheless, Foucault’s unique philosophical proclivities likely played an important role. Post-structuralism rejects the “grand narratives” of socialism and historical progress, basing itself instead in the nihilist-irrationalist approach of Nietzsche, a thinker who argues in On the Genealogy of Morals that the French Revolution represented the victory of slave morality, ressentiment and the supposed power of “Judea” over Roman virility, centralism and imperialism. It is arguably Foucault’s pseudo-radical innovation of post-structuralism that set him apart from the rest of the global progressive movement on Iran; earlier that decade, in his debate with Noam Chomsky, the philosopher had already rejected anarcho-syndicalism. Moreover, according to Edward Said, he sided with Israel over the Palestinians, losing his close friend Gilles Deleuze in the process. In truth, one need only review Foucault’s shameful attitude toward a clerical-fascist regime that executed more than 20,000 citizens — many of them gay people and guerrillas — during the remainder of Khomeini’s lifetime to see the regressive qualities of his post-structuralism manifesting themselves clearly.

Beyond this, Afary and Anderson do recognize and commend Foucault’s activism and organizing in favor of prisoners, the Polish Solidarity Movement and the Vietnamese “boat people” fleeing Stalinist victory in Southeast Asia, but they argue that the Iranian Revolution formed a much more central commitment in the life of the philosopher. Foucault’s delusions regarding Iran mirror the serious errors expressed by several left-wing intellectuals in history — Albert Camus, for example, who rejected Algerian independence from the French Empire, or the numerous thinkers who lent their support to the Soviet Union and Maoist China — and they are well-critiqued by Dunayevskaya’s denunciation of observers of the Iranian Revolution who prioritized anti-imperialism over internal oppression. Such considerations remain very much germane today, particularly with regard to the catastrophe in Syria, where the Islamic Republic has played a most oppressive role together with Russia in propping up the fascistic Assad regime.

Recommended Readings for May Day 2014

May 1, 2014

capitalismo

As in 2013, I would on the occasion of International Workers’ Day 2014 like to provide a number of links to particularly illuminating and challenging online articles that have been published of late.  The topics covered by the important investigations done by the writers of these pieces range from climate change to militarism, pollution, migration and migrant labor, non-human animals, astronomy, empire, resistance, and cooptation.  What is more, a few specific pieces dealing with the ongoing conflicts in Ukraine and Venezuela are included.

Best regards for this May 1st.

In solidarity

 

Sarah Boseley, WHO calls for urgent action to preserve power of antibiotics and make new ones.  Guardian, 30 April 2014.

Jessica Aldred, Human litter found in Europe’s deepest ocean depths.  Guardian, 30 April 2014.

Seamus Milne, It’s not Russia that’s pushed Ukraine to the brink of war.  Guardian, 30 April 2014.

John Vidal, Yasuni campaigners claim oil drilling petition results are being manipulated.  Guardian, 30 April 2014.

Tom Peters, Wall Street Journal outlines US military options against China.  World Socialist Web Site, 30 April 2014.

Julian Borger, Risk of nuclear accidents is rising, says report on near-misses.  Guardian, 29 April 2014.

Suzanne Goldenberg, Almost half of Americans live with unhealthy levels of air pollution.  Guardian, 29 April 2014.

Jeremy Brecher, The Working-Class Mini-Revolts of the Twenty-First Century.  Counterpunch, 28 April 2014.

Associated Press, Philippines agrees to 10-year pact allowing US military presence.  Guardian, 27 April 2014.

Patrick Martin, US sends Apache attack helicopters to Egyptian junta.  World Socialist Web Site, 25 April 2014.

Andre Vltchek, Unite Against Imperialism!  Counterpunch, 25 April 2014.

Benjamin Dangl, The Politics of Pachamama.  Counterpunch, 25 April 2014.

Carlos Zorrilla, The Struggle Over Sumak Kawsay in Ecuador.  Upside Down World, 22 April 2014.

Out of the Woods, Après moi le déluge! Fossil fuel abolitionism and the carbon bubble, part II.  Libcom, 21 April 2014.

Pablo Dávalos (trans. Danica Jorden), Latin America-Economic Socialism in the 21st Century: Neoliberalism “Pure and Simple.”  Upside Down World, 15 April 2014.

Elliot Sperberg, Climate Change as Crime Against Humanity.  Counterpunch, 15 April 2014.

Nina Lakhani, Surge in deaths of environmental activists over past decade, report finds.  Guardian, 15 April 2014.

Suzanne Goldenberg, UN: rate of emissions growth nearly doubled in first decade of 21st century.  Guardian, 11 April 2014.

Lizzy Davies, Italian intellectuals up in arms over hotel named after Antonio Gramsci.  Guardian, 10 April 2014.

Dan Roberts, White House defends soaring number of deportations for minor crimes.  Guardian, 7 April 2014.

Eric Holthaus, Why This Year’s El Niño Could Grow Into a Monster.  Mother Jones, 7 April 2014.

Noam Chomsky, The Prospects for Survival.  Truthout, 1 April 2014.

Naufrago, Opinión: Beware of the Anarchist Police.  Periódico El Libertario, 29 March 2014 (en Castellano).

Cory Morningstar, McKibben: Red, White, Blue and Gold(man Sachs).  Counterpunch, 28 March 2014.

Free From Harm Staff Writers, Eating Animals: Addressing Our Most Common Justifications.  Free From Harm, 27 March 2014.

Ian Sample, Dwarf planet discovery hints at hidden Super Earth in solar system.  Guardian, 26 March 2014.

Steve Early, Lettuce Picking and Left-Wing Organizing.  Counterpunch, 25 March 2014.

Jeffrey St. Clair, Camus in the Time of Drones.  Counterpunch, 21 March 2014.

Jon Hochschartner, The Vegetarian Communard.  Counterpunch, 19 March 2014.

Eric Zuesse, One Quarter of US Greenhouse Gases Come From Just 43 Companies.  Truthout (Buzzflash), 15 March 2014.

Suren Moodliar, No Middle Road on Venezuela.  Counterpunch, 14 March 2014.

Cory Morningstar, 350.org’s Friends on Wall Street.  Counterpunch, 14 March 2014.

Mark Karlin, Developed Nations Give Up on Stopping Climate Change, Turn to Mitigating Impact, Largely Abandoning Third World.  Truthout, 12 March 2014.

Douglas Valentine, Glenn Greenwald and the Myth of Income Inequality.  Counterpunch, 3 March 2014.

Alyce Santoro, Liberty, Equality, Geography: An Interview with John P. Clark on the Revolutionary Eco-Anarchism of Elisee Reclus.  Truthout, 4 March 2014.

Northwest Public Radio, How Farmworkers Experience A Warming Climate.  Oregon Public Broadcast, 27 September 2013.