From “Trotsky in Tijuana” to “Chernobyl”: Caution & Reason

“Chernobyl,” photographed by Jorge Fraganillo (Creative Commons Attribution 2.0)

Originally published on Perspectives on Anarchist Theory, 21 July 2022

The promise of historical and speculative fiction is the reconstruction of the past in the present, or of the present in the past, and the contemplation of what might have been, or of what might still be. As the psychoanalyst Sigmund Freud wrote, creative writers furnish “world[s] of [their] own” by “rearrang[ing] the things of [their] world in a new way which pleases [them].”[1] Between Dan La Botz’s novel Trotsky in Tijuana (2020) and Craig Mazin and Johan Renck’s HBO miniseries Chernobyl (2019), we find two fictionalized accounts bookending the tragic history of the Union of Soviet Socialist Republics (USSR), from the Bolshevik centralization of power following the anti-Tsarist Revolution of 1917 to what Rohini Hensman terms the “democratic anti-imperialist revolution” of 1991.

Trotsky in Tijuana is an intriguing and well-written book of alternate (or counter-) history, in which La Botz imagines Lev Davidovich Trotsky (1879–1940) surviving his assassination in Mexico City by the Spanish Soviet agent Ramón Mercader. In La Botz’s vision, the famed Ukraine-born Jewish Marxist then continues to organize against social-democratic reformism and Stalin’s Communist International through his organization, the Fourth International. This book combines neo-Trotskyist critique of Stalinism with libertarian-socialist themes as an imaginative “second world” to our own, illuminating divisions on the left among anarchists, Trots, and “tankies” (who support “anti-imperialist” dictators). Yet, as we shall see, despite the novel’s beauty and insights, Trotskyism appears to overpower anarchism in La Botz’s historical retelling.

For its part, the Chernobyl miniseries dramatizes the explosion that took place on April 26, 1986, within the core of the Vladimir I. Lenin Nuclear Power Plant, located near the cities of Pripyat and Chernobyl in northern Ukraine. Chernobyl lays bare the dangers of nuclear energy specifically and technological hubris more broadly, while implicitly critiquing Soviet State capitalism and, perhaps by extension, private forms of capitalism—like those we confront in the United States. Chernobyl shows how the combination of workplace hierarchy, high technology, hyper-masculinity, and the performance principle threatens our collective self-destruction.

On February 24, 2022, Russian military forces invaded Ukraine as part of a brutal campaign announced by President Vladimir Putin to supposedly “demilitarize and de-Nazify” the country. However, this “denazification” campaign in reality represents yet another instance of white Russians carrying out genocide. Having penetrated Ukraine’s northern border, the Russian army quickly overran the Chernobyl site, where, for over three weeks, the facility’s workers were forced by the occupiers to work nonstop. The radiation spike seen at Chernobyl at the start of the Russian invasion—a twenty-fold increase—can be explained by the churning of irradiated soils through the movement of military hardware.

On March 3 and 4, 2022, Russian shelling on the Zaporizhzhia Nuclear Power Plant in southeastern Ukraine—Europe’s largest nuclear plant—set an administrative building on fire. Fortunately, the site’s six reactors (better protected than their now-deactivated counterparts at Chernobyl) remained undamaged, and as of early March, local levels of radioactivity were normal. Even so, we should bear in mind the warning of Professor Kate Brown, author of Manual for Survival: A Chernobyl Guide to the Future (2019), that “any […] nuclear even[t]” cannot be “isolated within sovereign borders,” owing to the physics involved. In this light, although Russian forces withdrew from the Chernobyl region in early April, Putin’s threats of nuclear blackmail following the invasion remain unsettling.

In this article, I will review Trotsky in Tijuana and Chernobyl from an anti-authoritarian perspective by exploring some of the overlap with, and divergences from, anarchism in these artistic works. I will also present an overall critique of nuclear energy, to contrast with the ideological support Chernobyl’s screenwriter, Mazin, provides to the industry—regardless of the scope of the disaster he portrays.

Trotsky in Tijuana

In Trotsky in Tijuana, Natalia Ivanovna Sedova, Trotsky’s second wife, fatefully questions the man she knew as Frank Jacson’s choice to wear a heavy raincoat during a visit to their fortress-home in Coyoacán on August 20, 1940. However, in La Botz’s counternarrative, Sedova’s doubts do not go unheard. Historically, Mercader wore this same coat to cover up the ice ax he would use to fatally injure the exiled communist revolutionary, as the latter reviewed an essay with which his counterpart sought to distract him. Yet, in La Botz’s imagination, Ralph Bucek, a fictional US-American guard of the “Old Man,” enters his charge’s office and hits the Spaniard in the head with a baseball at the last moment, saving the day.

Rather than replay Trotsky’s murder—as John P. Davidson’s novel The Obedient Assassin (2014), Antonio Chavarrias’s film El Elegido (The Chosen, 2016), and the Russian TV miniseries on Trotsky (2017) do—La Botz’s book envisions the founder of the Red Army escaping this brush with death through exile to Baja California, where he continues to theorize about current events, especially World War II, and even find time for erotic love.

Not long after Trotsky, Sedova, and their retinue resettle in the so-called Cantú house in Tijuana, Trotsky’s own anarchistic secretary, Jan van Heijenoort, abandons Mexico for Europe, plotting a long-term mission to assassinate Stalin. La Botz imagines that Van’s plan dovetails with the “doctors’ plot” of 1953, when Soviet Jewish physicians had supposedly conspired with Western imperial powers to murder Stalin, his propagandist Andrei Zhdanov, and other party bosses. In retaliation for the discovery of this “plot,” Stalin ordered the arrests of hundreds of Soviet Jews and/or physicians, and planned to expand the Gulag to imprison more Jews, in a final homage to his “frenemy,” Adolf Hitler. Yet, just as a possible second Holocaust and nuclear war between the USSR and the West are threatened, La Botz’s depiction of Van’s assassination plot succeeds. The same day, the Soviet agent “Étienne” (Mark Zborowski)—who had murdered Trotsky and Sedova’s son, Lev Sedov, in Paris, and then boldly posed (in La Botz’s imagination) as Trotsky’s new secretary in Tijuana—kills Lev Davidovich by poisoning.[2]

While La Botz is sympathetic to his martyred subject, he is not uncritical toward the Bolshevik leader’s legacy. He surely does not shy away from depicting Trotsky’s narcissistic, delusional, and dogmatic tendencies. Rather, he insinuates the need for twenty-first-century updates to the brightest ideas of this “polymath,” who was “lost in time.” These ideas include class struggle, the united front, and the permanent revolution. Historically speaking, Trotsky adapted the last of these from the French anarchist Élisée Reclus, who asserted in 1899 that “[a]s long as iniquity endures, we, international anarcho-communists, will remain in a state of permanent revolution.”[3]

This dynamic only reinforces the anarchist hypothesis that Marxists aim to appropriate revolution for themselves and their bureaucratic franchises, rather than the liberation of the working classes and humanity—as Marx’s own expulsion of Mikhail Bakunin and James Guillaume from the First International in 1872, and Lenin and Trotsky’s crushing in 1921 of the Kronstadt Commune and of the peasant-anarchist Revolutionary Insurgent Army of Ukraine, prove. While the mutiny by Red sailors at Kronstadt demanded that the Russian Revolution advance without the dead weight of the Communist Party, the Revolutionary Insurgent Army was cofounded by the Ukrainian peasant guerrilla Nestor Makhno, who also organized with the Nabat (Tocsin) anarchist confederation after the fall of Tsar Nicholas I in 1917. Despite the Makhnovists’ proclamation of free soviets and their actions that arguably saved the Revolution through their fierce resistance to the reactionary White armies during the Civil War (1918–21), just as the Kronstadt sailors had previously served the cause at key points, forces loyal to Red Army commander Trotsky crushed both groups.

Notably, La Botz does not acknowledge that Lev Davidovich Bronstein adopted the surname Trotsky in 1898, after his jailer in Odessa. Psychoanalytically, this choice suggests identification with the aggressor, which is consistent with sociopolitical authoritarianism.[4] Arguably in this sense, there is a direct line from Lev’s adoption of his prison warden’s name to his own atrocities in the Revolution. Indeed, Trotsky in Tijuana’s coverage of the Russian Revolution conveys its author’s neo-Trotskyism. For instance, throughout the novel, the totality of the revolution is reduced to the Bolsheviks’ October 1917 seizure of power, with little to no mention of the “people’s epic” from February 1917, which in fact began the earthquake. This elision amounts to a minimization of the role played, specifically, by the proletarian women who lit the spark in Petrograd that overthrew the Romanov Tsars. La Botz even suggests that “revolution” emanated from Lenin’s persona, as though this were his superpower. Likewise, in a 2015 column in New Politics, the author writes that in both “February and October 1917,” the “Bolshevik[s] led the Russian working class to overthrow the Czarist autocracy.” The only problem with this claim is that all of the Bolshevik leaders were in exile during February 1917.[5]

In reality, the book glosses over its subject’s wickedness, in a move that functions to boost Trotsky’s radical credentials. Although La Botz acknowledges that the Bolsheviks “incorporated […] Tsarist officers” into the Red Army early on, the mass murder of the insurgent Kronstadt sailors—overseen by Trotsky in March 1921—is not mentioned until the second half of the book. At that point, La Botz describes the war commissar as merely “support[ing] the decision” to suppress the mutineers, rather than supervising the ex-Tsarist officer Mikhail Tukhachevsky’s use of overwhelming force toward this end.[6] Neither Makhno nor the Makhnovshchina is mentioned at all.

In short, while La Botz’s historical counternarrative champions direct action and critiques bureaucratic authoritarianism, the author’s affection for the “Old Man” somewhat clouds the novel’s treatment of the period between 1917 and 1921. A more anarchist approach might have portrayed Lev Davidovich as haunted by the counterrevolutionary brutality he oversaw and carried out during that time. Although La Botz’s condemnation of Stalinism is most apt—especially in light of “tankie” support for Putin’s war crimes in Syria and Ukraine—and despite the author’s good-natured satire of the titular character, the story neither adequately questions the role of “revolutionary” authority nor proclaims that it is the workers and peasants, not the party, who drive revolutionary change.

“Control room of the Chernobyl Nuclear Power Plant,” Carl A. Willis (Creative Commons Attribution 3.0)

What Happened at Chernobyl in 1986?

Like Marx, Lenin, and Stalin, Trotsky was an enthusiast of bourgeois principles of management, political centralism, and the domination of nature. When crystallized in high-risk technologies such as nuclear energy, it is unsurprising that such Promethean social ideologies, imaginaries, and institutional structures would result in disasters like the one experienced at the Vladimir I. Lenin Nuclear Power Plant, featured in Chernobyl.[7]

The basic idea of nuclear fission is this: uranium, after having been mined and enriched, is subjected to neutron bombardment in a nuclear plant’s reactor core. This leads to the fission, or splitting, of the nuclei of uranium, and the resulting production of intense heat, or radiation. This radiation is then combined with coolant to produce high-pressure steam, which in turn moves turbines, thus producing electricity.[8] The RBMK-type reactor used at Chernobyl, as in many other Soviet nuclear power plants, shared this basic function with the Western light-water reactors (LWRs) presently in use. One of the major differences between the two designs, however, is that RBMK reactors lacked the steel-reinforced containment shields surrounding the core found in LWRs.

On April 26, 1986, a safety test was scheduled to be performed within Chernobyl’s reactor number 4 during the day shift. However, to accommodate the needs of Soviet state capitalism, the test was delayed by ten hours, leaving it to the less-experienced night shift. As part of this experiment, the plant’s crew deactivated the automatic safety and warning systems, including the emergency cooling system. They also removed most of the control rods from the reactor core, lowering energy output far below normal. Accordingly, without adequate power to pump water into the reactor to either remove excess heat or produce electricity, the core became unstable.[9]

At this point, Chernobyl depicts several of the plant’s workers, all of whom present as cisgender men, as protesting the idea of proceeding with the safety test. Nevertheless, reflecting toxic masculinity and the phenomenon of abusive supervision, Anatoli Dyatlov, the plant’s chief engineer, orders the experiment to proceed. Linking megalomania and the performance principle (or the compulsion to keep the capitalist machine going) with the masculine derogation of femininity, Dyatlov bullies his subordinates, Aleksandr Akimov and Leonid Toptunov, into obedience. He does so by threatening their jobs, and specifically by associating Toptunov with his mother, due to his youthful and androgynous appearance.[10] Then, when the test goes haywire, Akimov engages the emergency shutdown system known as AZ-5, thus introducing graphite-tipped rods into the reactor core. This unexpectedly increases reactivity, leading to a chain reaction that causes a critical buildup of steam, a partial meltdown, and a core explosion that would irradiate much of Ukraine, Belarus, Russia, and the rest of Europe.

Chernobyl tells the dramatic tale of this experiment gone awry, together with some of the responses taken by the state, individuals, and collectives to this unprecedented catastrophe. Mazin and Renck portray desperate scenes of exploited labor, as firefighters and helicopter pilots struggle to douse the numerous fires set off by the explosion, miners are forced at gunpoint to build a tunnel beneath the reactor to accommodate a heat exchanger, and human “bio-robots” are used to clear radioactive debris from the facility’s roof. Notoriously, the firefighters who initially responded were neither warned of the risks of exposure, nor provided any sort of protective equipment. As a result, many of these working-class heroes died of acute radiation syndrome. Still, this grisly story foregrounds the state capitalist domination of (cis) men: with the exceptions of female nurses attending to irradiated patients and the fictional Soviet physicist Uma Khomyuk, who is an amalgam of the scientists investigating the incident, women are mostly absent from Chernobyl.

“Monument to Those Who Saved the World,” photographed by Martin Cígler (Creative Commons Attribution 3.0)

Trotsky and Chernobyl’s Critiques of Party-Boss Despotism

In terms of understanding the destruction of the Russian Revolution, the Chernobyl nuclear disaster, and the subsequent collapse of the Soviet Union, we might benefit from contemplating the close relationship between Leninism and Stalinism. In Trotsky in Tijuana, La Botz includes Trotsky’s insightful prediction that the Bolshevik Party would come to be dominated by Lenin, simply due to the pyramidal structure he proposed for it. The author portrays Stalin, as Lenin’s successor, being haunted by Trotsky’s accusation from 1927 that he was the “gravedigger of the Revolution!” Still, he entertains the idea that it was only Grigory “Zinoviev’s military Bolshevism,” a “Bolshevism characterized by authoritarianism and intolerance,” that had “created Stalinism”[11]—thus letting Lenin and Trotsky off the hook.

Even so, almost approaching Paul Mattick’s left-communist critique, La Botz explicitly acknowledges how wrong Trotsky was to consider the USSR a “workers’ state” of any kind.[12] As outlined in The Revolution Betrayed (1937) and other writings, the exiled theorist’s self-serving position about Stalin’s USSR being a “degenerated workers’ state” is perhaps understandable, but it is nonetheless delusional. Indeed, Trotsky’s own responsibility for the suppression of the Kronstadt Commune and the Makhnovist peasant-anarchist movement in Ukraine paved the way for his rival’s takeover. As the Bolshevik autocracy eliminated the most radical elements among workers, peasants, and fighters, it sealed the fate of the Revolution: namely, to give rise to a Communist hell.[13]

Along these lines, Chernobyl can be seen as a visual exploration of the horrors of bureaucracy, state capitalism, and high technology. To protect the reputation and power of the Communist Party of the Soviet Union (CPSU), the Politburo executives covered up and downplayed the news from Chernobyl from the start. Reflecting the lack of freedom of the press, free speech, or freedom of movement evident in the Soviet Union, authorities forced Western correspondents to remain in Moscow in the aftermath of the accident. Meanwhile, the KGB filtered information flows from the disaster site. In reality, the “two million residents of Kyiv,” located eighty miles from the plant, “were not informed despite the fallout danger, and the world learned of the disaster only after heightened radiation was detected in Sweden.” Mikhail Gorbachev, the CPSU’s last general secretary, did not publicly acknowledge the reality of the situation until May 14, well over two weeks after the explosion. In fact, despite Ukrainian appeals to the contrary, Gorbachev ordered the 1986 May Day march to proceed in Kyiv, so as to feign that the explosion posed no health risk to the public—this, despite the fact that the winds were then carrying fallout toward the city.[14]

The injustice of the situation is accentuated by Con O’Neill’s almost mafioso performance as Viktor Bryukhanov, Chernobyl’s manager. Shielded from the risks faced by workers, Bryukhanov keeps a lid on vital information as he sacrifices first responders. Echoing not only tsarist times, when St. Petersburg was constructed on wetlands using the mass conscription of serf labor, but also Stalin’s deportations, forcible collectivization, and the “Great Patriotic War” against the Germans, the CPSU mobilized over six hundred thousand so-called “liquidators” to deal with the fallout from Chernobyl. A 2005 report from the Irish Times finds that since 1986, twenty-five thousand liquidators had died, and that seventy-thousand had been permanently disabled.

While it set the stage for the collapse of the Soviet Union, as Gorbachev later admitted, the Chernobyl nuclear disaster caused 350,000 people to be permanently resettled, and its radioactive emissions have coincided with a regional increase in childhood thyroid cancer rates. While Mazin conveys a death toll of between four thousand and ninety-three thousand owing to the accident, Kate Brown estimates that “[b]etween 35,000 and 150,000 people died from cancers, heart problems, [and] autoimmune disorders” resulting from the disaster. Plus, as the recent movements of Russian units have reminded us, the soils surrounding Chernobyl remain highly irradiated. Ominously, less than a month into the all-out war, forest fires began to erupt, sending airborne radiation levels skyrocketing.

Chernobyl, Eros, and Anarchism

Perhaps surprisingly for an HBO series, Chernobyl features themes sympathetic to queerness, anarchism, and their intersections. For instance, as Akimov confronts the moral distress of carrying out Dyatlov’s unreasonable orders to proceed with the safety test, he gently whispers to Toptunov: “I’m with you.” We can draw a parallel here to Herman Melville’s Moby Dick (1851), which proposes homoerotic union among the crew of the Pequod against the deranged Captain Ahab, who is leading them toward a watery grave. Tragically, in both cases, the crew do ultimately perish, in an allegory of the self-destructive tendencies of capitalism, the domination of nature, and toxic masculinity. In parallel, the miners from the Donbas region who are conscripted to build a tunnel under the stricken plant are shown as especially defiant to the authorities, in a way that may recall the Ukrainian peasant-anarchist movement led by Makhno. Though the miners agree to the CPSU’s terms, Mazin and Renck depict them as doing so proudly, in terms of laboring to save humanity. Furthermore, they are shown performing their communal work in the nude, and this verbal image suggests free love as a means to dissolving hierarchy, or what the late researcher Christopher Chitty refers to as “sexual anarchy.”[15]

On the one hand, Chernobyl celebrates the heroic labor and mutual aid performed during and after the disaster by workers, including engineers, first responders, nurses, miners, and scientists. On the other, it portrays party bosses, from Bryukhanov to Gorbachev, as parasites and autocrats. With this dichotomy in mind, in his review for the New York Times, Mike Hale complains about the miniseries’ “one-dimensional heroes and villains.” Perhaps Mazin and Renck exaggerate a bit, but then again, the bureaucratic authoritarianism exhibited by Dyatlov and his superiors follows from the Soviet context, established by “Red hangmen.”[16] After all, the Soviet political system was based on a combination of the Tsarist “administrative utopia” and the “revolutionary statism” preached by Marx and Lenin.[17] Though he ended up killing Trotsky, Stalin “copied and far surpassed” his rival’s plan for the militarization of labor.[18]

In this sense, despite Chernobyl’s production by HBO, the visual narrative may well be influenced by Mazin’s own apparent solidarity with the struggle against class society. In his review on Red Flag (Australia) of the miniseries as an “anti-capitalist nuclear horror story,” Daniel Taylor observes that “the disaster we’re seeing is transpiring in, and largely a product of, a bureaucratic, managerial society divided into rulers and ruled, bosses and workers.”[19] Therefore, “strip away the Stalinist veneer and it is easy to recognise the system we have today: a managerial society run by bosses and bureaucrats who lie and kill to maintain their social dominance, and who threaten the whole world as long as they remain in power.” Taylor is right, but let us radicalize the implications beyond the nostalgia he expresses for Lenin and Trotsky. By focusing on the intersection of the exploitation of labor and ecological disaster, Mazin may be conveying implicit and/or unconscious sympathies with green syndicalism and social ecology, beyond democratic concerns about political dictatorship.

In parallel, we can draw lines from Trotsky and his Stalinist assassin Étienne, in La Botz’s presentation, to Dyatlov. Both Trotsky and Étienne are portrayed as automatons incapable of friendship, who typically view others only as tools, to be treated as either subordinates or superiors within a military hierarchy.[20] Such depictions, when juxtaposed with Mazin and Renck’s illustration of Dyatlov’s megalomania, communicate the continuities between Marxism-Leninism and bourgeois society—thus questioning what progress the Russian Revolution really brought. Indeed, in a chilling echo from the past, the blatant lie perpetrated by Trotsky and Lenin that the Kronstadt revolutionaries were led by tsarist officers—which subsequently inspired Stalin during his show trials—is now being reproduced by Putin’s regime, when it claims absurdly that Ukrainians are neo-Nazis.

Conclusion

Proponents of nuclear energy are often quick to dismiss the Chernobyl disaster as an aberration that reflects the flaws of both the reactor’s design and the Soviet autocracy, rather than any problems with nuclear fission as such. While the reactors in use today may be safer than the earlier Soviet designs, the 2011 disaster at the Fukushima Daiichi Nuclear Power Plant in Japan, provoked by a tsunami, still tells us that the lessons of Chernobyl have been neither learned nor applied. Moreover, besides the immediate safety issues owing to the risk of core meltdown, most nuclear fission plants in operation today share Chernobyl’s problems of radioactive waste disposal, dependence upon mining, and proliferation of materials usable in a nuclear weapon.[21] Much of this would also be true for the much-hyped hypothetical form of energy production known as nuclear fusion. Like the region surrounding Chernobyl, Diné (Navajo) lands and water-sources in the southwestern United States have been made into sacrifice zones for uranium mining concessions, resulting in radiation sickness and unusually high cancer rates among the Diné. Moreover, it is clear that nuclear energy has no role to play in averting catastrophic climate change.

Such critical thoughts, taken together with reflections on Mazin and Renck’s miniseries, may reveal the systemic nature of our predicament, linking Chernobyl with the Hiroshima and Nagasaki bombings, the Fukushima disaster, global warming, the current war by Russia on Ukraine, and ongoing nuclear brinkmanship. Both Chernobyl and Trotsky in Tijuana are cautionary tales and appeals to reason. While the former highlights “the dangers posed by Stalinism as a uniquely bureaucratic system of social organization,” the latter serves as a call for a united front among “all of us on the left who oppos[e] both Hitler and Stalin,” plus their contemporary followers.[22] While La Botz may not be as critical of Trotsky’s authoritarianism as I might like, his counter-history does recognize the importance of anarchism within revolutionary struggle. Looking to the future, the same mechanisms of social hierarchy, aggressive hyper-masculinity, and adherence to the performance principle that have driven catastrophes like Chernobyl and Russia’s war on Ukraine could be opposed and perhaps overcome by autonomous class struggle; internationalist, anti-militarist, and feminist resistance; and a global transition to wind, water, and solar energy.

Notes

[1] Sigmund Freud, “Creative Writers and Daydreaming,” Collected Papers, vol. 4, trans. Joan Riviere et al., ed. Ernest Jones (New York: Basic Books, 1953), 421.

[2] Dan La Botz, Trotsky in Tijuana (St. Petersburg, FL: Serge Books / BookLocker, 2020), 82–85, 91–92, 185–91, 422–50.

[3] Ibid., 24, 62, 196–69, 242–44, 305, 324, 328–29, 347.

[4] Sigmund Freud, Three Essays on the Theory of Sexuality, trans. Ulrike Kistner (London: Verso, 2016), 71–72.

[5] Ibid., 66, 308; Voline, The Unknown Revolution (Montreal: Black Rose Books, 1975), 136–37.

[6] La Botz, Trotsky in Tijuana, 57, 297.

[7] Irvin Sam Schonfeld and Chu-Hsiang Chang, Occupational Health Psychology: Work, Stress, and Health (New York: Springer, 2017), 9; Richard Stites, Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution (Oxford: Oxford University Press, 1989), 50–52; John P. Clark, The Impossible Community: Realizing Communitarian Anarchism. New York: Bloomsbury, 2013), 3.

[8] G. Tyler Miller, Living in the Environment: Principles, Connections, and Solutions, 12th ed. (Belmont, CA: Wadsworth / Thomson Learning, 2002), 345–46.

[9] Ibid., 350.

[10] Schonfeld and Chang, Occupational Health Psychology, 206–7; Jessica Benjamin, The Bonds of Love: Psychoanalysis, Feminism, and the Problem of Domination (New York: Pantheon, 1988).

[11] La Botz, Trotsky in Tijuana, 20, 289, 311.

[12] Paul Mattick, “Bolshevism and Stalinism,” in Bloodstained: One Hundred Years of Leninist Counterrevolution, eds. Friends of Aron Baron (Chico, CA: AK Press, 2017), 259–72.

[13] Stites, Revolutionary Dreams, 171–72.

[14] Serhii Plokhy, The Gates of Europe: A History of Ukraine (New York: Basic Books, 2015), 310–11.

[15] Christopher Chitty, Sexual Hegemony: Statecraft, Sodomy, and Capital in the Rise of the World System (Durham, NC: Duke University Press, 2020). See the discussion on group marriage in Friedrich Engels’s The Origin of the Family, Private Property, and the State (1884).

[16] Alexandre Skirda, Nestor Makhno: Anarchy’s Cossack (Oakland: AK Press, 2004), 389.

[17] Stites, Revolutionary Dreams, 19.

[18] Mattick, “Bolshevism and Stalinism,” 259–60; Stites, Revolutionary Dreams, 242.

[19] Daniel Taylor, “Chernobyl: an anti-capitalist nuclear horror story,” RedFlag, June, 9, 2019. Available at: https://redflag.org.au/node/6814.

[20] La Botz, Trotsky in Tijuana, 384.

[21] Miller, Living in the Environment, 349.

[22] La Botz, Trotsky in Tijuana, 317.

Reading Tolstoy’s “Sevastopol Sketches” against Russia’s Wars on Syria and Ukraine

“War is such an unjust and evil thing that those who wage it try to stifle the voice of conscience within them.”¹

“Art should cause violence to cease.”²

“Anti-Fascist Resistance” logo, targeting the “Z” symbol of the Russian military

Originally published on New Politics, 20 March 2022

Count Lev Nikolaevich Tolstoy (1828-1910) was a globally renowned White-Russian prose poet, journalist, ethicist, and Christian-anarchist critic. Though he fought as a cadet in the Eastern Caucasus and became an artillery officer in the Imperial Russian army as a young man, he would resign as a first lieutenant in 1856, after two years.³ Rather than affirm Tsarist colonialism or jingoist pan-Slavist ideologies, as did the celebrated novelist Fëdor Dostoevsky (1821-1881), Lev Nikolaevich from the start of his writing career expressed critical views of imperial violence and dispossession. This can be gleaned from “The Raid” (1853), the “Sevastopol Sketches” (1855), The Cossacks (1863), and War and Peace (1869). In its dual rejection of the exaltation of violence and the worship of power, the writer’s humanist war correspondence is motivated by the utopian hope that lending a voice to those who suffer the most in armed conflict might “drastically reduce its incidence” in the future.⁴

Written as eyewitness accounts of the siege of the Russian naval base by British, French, and Turkish forces during the Crimean War (1853-1856), the “Sevastopol Sketches” portray such scenes of devastation that “shake [one] to the roots of [one’s] being.”⁵ As such, Count Tolstoy’s purpose in these reports runs parallel to Siddhartha Gautama Buddha’s teaching from two and a half millennia ago: that awakening begins through acknowledgment of the traumatic reality.⁶ Establishing himself in these “Sketches” as a “seer of the flesh,” both living and dead, who interweaves poetry and truth, Tolstoy contests those liberal and radical thinkers who focus on the “achievements and ferocious power of the state” while ignoring the “horrific consequences of this power for millions.”⁷ He repudiates the “galactic” view of existence that would regard Earth from above, and see humanity as a tool to manipulate, manage, and destroy.⁸ The artist parts company with those who would portray combat as romantic by communicating the straightforward ideas that militarism is based on male sadism and vanity, and that war constitutes murder and ultraviolence.⁹

No surprise, then, that Tolstoy remains excommunicated within Vladimir Putin’s Russia. Indeed, just last month, the megalomaniacal Russian president ordered a full-scale invasion of Ukraine. Employing projection and pretext, Putin announced a “special military operation” to “demilitarize and de-Nazify” the country. In reality, this former KGB spy and director of the post-Soviet FSB, embittered by the collapse of the Soviet Union, is overseeing a genocidal assault on the Ukrainian people. Brutal violence has long been Putin’s favored approach: the security analyst Anna Borshchevskaya discusses the possibility that he ordered the FSB to bomb apartment buildings in three Russian cities in September 1999. Whether or not he was responsible, Putin blamed these acts of terror on Chechen rebels, while exploiting them both to launch a Second Chechen War (1999-2009) and to secure the presidency in 2000.¹⁰ Since then, the Russian despot has led “anti-humanitarian interventions” in Georgia, Syria, Kazakhstan, and Ukraine. Now, nearly a month into his ill-fated foray into Ukraine, the Russian leader mimics his ally Donald Trump by hosting a self-congratulatory fascist rally.

In this essay, we will examine Tolstoy’s “Sevastopol Sketches,” emphasizing its tragic realism, anti-militarism, and anti-authoritarianism. Afterward, in the spirit of the Russian artist, we will meditate on parallel war crimes that have been carried out in Syria over the past decade-plus by forces loyal to Putin and Bashar al-Assad. In this sense, we agree with free Syrians and Human Rights Watch director Kenneth Roth, who alike see in Russia’s 2015 military intervention in Syria a clear precedent for the current offensive against Ukraine. Ominously, a spokesperson for the Russian Ministry of Defense has likened the Ukrainian resistance to “international terrorists in Syria.” So far, it is clear that the Russian military is using the same atrocious tactics in Ukraine as in Syria, including the direct targeting of hospitals, journalists, bakeries, and residential areas.¹¹ While millions of Ukrainians flee the country or shelter in basements, just as Syrians do and did, the Assad regime is recruiting thousands of mercenaries to fight in Ukraine, now that Russia’s initial blitzkrieg has failed.

Mural for Ukraine painted by Aziz Al-Asmar in Idlib, Syria, February 2022 (Middle East Eye/Bilal al-Hammoud)

The Sevastopol Sketches

Lev Nikolaevich Tolstoy’s “Sevastopol Sketches” are comprised of three short first-hand reports on the besiegement and fall of the main Russian-occupied port city of Sevastopol during the Crimean War, between October 1854 and September 1855. These “Sketches” constitute unsettlingly realistic dispatches from the front lines that might have their equivalent today in emergency news reports from Syria, Palestine, Yemen, Ethiopia, Afghanistan, or Ukraine which depict suffering with compassion, demanding immediate remedial action.¹² Written as “anti-war” correspondence, the “Sketches” are the product of Tolstoy’s commission as an artillery officer in 1854, and of his experiences in the embattled port-city following his transfer there as a second lieutenant the following year.¹³ Regardless of his humanistic bent, though, Tolstoy erases the important role played by Muslim Crimean Tatars in the city’s defense, in keeping with his silence over their colonial dispossession, which began with Tsarina Catherine II’s annexation of Crimea in 1783.¹⁴ At present, Crimean Tatars are courageously taking up arms against Putin’s “special military operation.”

Published in the literary journal The Contemporary that had been co-founded by Alexander Pushkin (1799-1837), Russia’s national poet, the same “Sketches” which ironically brought the young Tolstoy celebrity were the product of his autonomous mental labor, following the moribund Tsar Nicholas I’s denial of the lieutenant’s proposal to launch a weekly forces newspaper.¹⁵ Significantly, the writer employs narrative realism in the “Sevastopol Sketches” not to mystify or endorse inter-state violence, but rather to defamiliarize or ‘estrange’ the suffering and exploitation demanded by war and militarism before his audience, who accordingly become spectators once-removed from the scene of desolation. In the “Sketches” and subsequently in The Cossacks and War and Peace, the artist at once defamiliarizes, reviles, and deprovincializes warmongering and statist ideologies. He does so by repudiating the resigned acceptance of such destructiveness while providing “intimacy at a distance.” In this way, he seeks to restore the humanity of war’s victims, and to encourage cosmopolitan-internationalist sensibilities in his readers.¹⁶

In 1853, Nicholas I declared war on the Ottoman Empire, seeking to take control of its European territories in the Balkans and “liberate” its Orthodox Christian subjects. In response, the British and French allied with the Turks to invade the Crimean Peninsula and assault Sevastopol. Their aim was to capture the Russian naval base, the principal port for the Tsar’s Black Sea fleet, toward the end of neutralizing regional Russian expansionism.¹⁷ Subjected, then, to a merciless assault by the French and their allies, the soldiers, sailors, and civilian populace of the port-city experience “a total absence of the human and of any prospect of salvation.” Tolstoy observes that, in Sevastopol, “everywhere [one] perceive[s] the unpleasant signs of a military encampment.” Like Virgil in Dante’s Inferno (1320), the writer takes his readers on a tour of a world comprised of the fortress and its eight bastions. The story begins in December 1854 in the Assembly of Nobles, which has been transformed into a makeshift field hospital.¹⁸

Showing compassion for the war-wounded in this effective slaughterhouse, the onlooking narrator demonstrates Tolstoy’s commitment to the politics of pity, defined by scholar Lilie Chouliaraki as the “symbolic mechanism[s…] by means of which various media […] construe the spectator-sufferer relationship via emotions of empathy and enunciation or aesthetic contemplation.” Centering the agora—or the realm of reflection and argument—and the theater—or the realm of fellow-feeling, identification, and agency—in these “Sketches,” Lev Nikolaevich Tolstoy seeks to convince readers not only of the immorality of warfare, but also of the urgent need to overcome their status as voyeuristic spectators who may just be “sit[ting] back and enjoy[ing] the high-adrenaline spectacle.” Implicitly, he enjoins audiences to channel their emotional reactions into protesting against militarism and social hierarchy.¹⁹

Approaching a young wounded warrior, Tolstoy’s guide asks him about his injuries. In response, the youth betrays the self-surrender expected of a soldier (or worker): that “[t]he main thing […] is not to spend too much time thinking about it.” The narrator witnesses a sailor whose chest is “blown away” by a mortar contritely apologizing to his comrades as he perishes. Likewise, surgeons “with pale, gloomy physiognomies” are shown operating effective (dis)assembly lines to amputate the limbs of injured soldiers. One of these surgeons, performing triage, records over five-hundred thirty admissions to the field hospital in a single day in May 1855.²⁰ Besides physicians, 163 Russian female nurses, supervised by the proto-feminist surgeon Nikolai Pirogov (1810-1881), served in front-line field hospitals in Crimea, where they courageously attended to the injured and dying while exposed to artillery barrages and typhus.²¹ From the other side of the line of control, British nurse Florence Nightingale’s (1820-1910) statistical findings on the causes of death in Allied hospitals showed that “far more men died of disease, infection, and exposure than in battle.”²²

Overwhelmed by agony, the factitious Russian Prince Galtsin cannot stand more than a moment in Tolstoy’s bleak Assembly Hall. Seemingly everywhere, intermixed with the mire, can be found “shell splinters, unexploded bombs, cannonballs and camp remains,” and one is assaulted by a ceaseless hail of bullets and shells. For this reason, war is depicted not as “a beautiful, orderly and gleaming foundation,” as the authorities would prefer, but rather, according to the politics of pity, “in its authentic expression—as blood, suffering, and death.”²³

Franz A. Rombaud, detail of Sevastopol Panorama (1904)

Estimates suggest that the casualties incurred during the final attack on Sevastopol reached twenty-four thousand on both sides, or about one-tenth of the total from all causes over the course of the siege.²⁴ In contemplating the mass-casualties experienced during this time, Tolstoy’s narrator wonders whether it would not have been more just for two representatives of the warring sides to have dueled, and the conflict’s outcome to have been based on that result. For war as it is practiced is “madness.”²⁵ Through these “quixotic musings” about duels as an alternative to full-blown wars, Tolstoy “dispute[s] the rationality and morality of violence in general.” He does so by implicitly disavowing his landowning class and identifying with anti-militarist values expressed by Russian peasants. In reality, many muzhiki (male peasants) believed that World War I should have been resolved through a village brawl, rather than through mass-slaughter.²⁶ These peasants had an important point: the suffering and death of even one soldier in war “symbolizes [the] ‘universal’ human state of existence” of objectification and brutalization. In other words, to humanize the victims of war, we must treat every casualty as a person.²⁷

In Tolstoy’s Sevastopol, Prince Galtsin and the Polish Lieutenant Nieprzysiecki harass wounded soldiers for retreating, whereas the enthusiastic, newly arrived volunteer Lieutenant Kozeltsov, anticipating “the laurels of immoral glory,” confronts demoralization and horror upon learning the reality of the situation. Alongside soldiers, civilians suffer, too. A sailor’s widow and her ten-year old daughter remark on the sight of a French artillery barrage at night. The girl cries, “Look at the stars, the stars are falling!” while her mother laments the impending destruction of their home, cursing the “devil” for “blazing away” and bringing “horrible things.” The adjutant Kalugin adds that “sometimes [it’s] impossible to tell which are shells and which are stars!”²⁸

Tolstoy further defamiliarizes the scene by focusing on the responses of a ten-year old boy to all this devastation, contrasting his instinctual horror, based on natural goodness (in accordance with Jean-Jacques Rousseau’s ideas), against the statist-militarist normalization of such destructiveness. The scholar Liza Knapp hypothesizes that

Tolstoyan pacifism has its seeds here, where Tolstoy makes the boy, and the reader, pay attention to the corpses, to the sight, smell, and feel of them, and where Tolstoy points to the basic contradiction between the brotherly love that the soldiers at Sevastopol profess […] and the killing that they practice.²⁹

Echoing this point, officer Kalugin thinks to himself that he should amount to something more than the “cannon fodder” to which soldiers are reduced in combat. In this moment, he anticipates how Prince Andrei Bolkonsky similarly laments the reduction of young men to pawns in War and Peace.³⁰ At the end of his account from May 1855, Tolstoy juxtaposes the dystopian sight of hundreds of corpses, or “the bodies of men who two hours earlier had been filled with all manner of hopes and desires,” and the thousands injured between the Allied and Russian positions with the beauty of the stars, the “thundering” sea, and the “mighty, resplendent” sun, as though to decry the betrayal and denial of “joy, love and happiness” owing to war. After all, such tense dynamics are not limited to the nineteenth century. As we know from history and the present, when talks among states fail, “cannons start firing, and people, with all their aspirations and potential, begin to die in droves.”³¹

Franz A. Rombaud, detail of Sevastopol Panorama (1904)

Anti-War Meditations, from Crimea to Syria, Ukraine, and Palestine

Tolstoy’s disturbing albeit realistic presentation of the horrors of warfare in the “Sevastopol Sketches” certainly has its echoes today. Though the “Sketches” were published more than a century and a half ago, the problems of war, imperialism, dehumanization, and ultraviolence continue in our own day, considering that the State and capitalism persist as the dominant global forms of social organization—as in the nineteenth century. At the same time, whereas the “Sketches” illustrate an inter-imperialist conflict involving the British, French, Ottoman, and Russian Empires, Putin’s ongoing assault on Ukraine threatens an independent nation with reconquest by the former imperial power. Seen from an Enlightenment rationalist perspective, the Crimean War, the Syrian counter-revolution, and the Russo-Ukrainian War are senseless, ruthless, and reactionary. They speak to our predicament of being “stuck” within ossified relations of domination. It is indeed telling that so many Russian soldiers who have surrendered to the Ukrainian military since the offensive began should say they don’t know why they had been obeying orders in this fratricidal conflict. Likewise, one of Tolstoy’s alter egos, Prince Andrei, admits in War and Peace not to know why he is fighting, either.³²

Furthermore, the gloomy surgeons amputating Russian soldiers en masse in Sevastopol eerily bring to mind the thousands of Palestinian protesters, mostly youth, whom the Israeli military injured and killed during the “Great Return March” demonstrations that began in March 2018. As of late 2019, at least six hundred of these protesters who were shot in the legs had developed osteomyelitis, a bone infection that can threaten the viability of limbs. Over three hundred such protesters have died in Gaza. It is also striking to consider how closely the comments of the sailor’s widow and her ten-year old daughter in the “Sketches” echo the desperate realities confronted by millions of courageous Syrians who have risen up against Bashar al-Assad’s fascist regime—only for this regime and its Russian and Iranian backers to have murdered hundreds of thousands, and possibly over a million, of people in response.

If Terry Eagleton is right that “[t]he traumatic truth of human history is a mutilated body,” and if John P. Clark is right that meditation on a corpse is “one of the most ancient and most useful meditative practices,” then perhaps meditation on the vast war casualties from the Syrian counter-revolution can be similarly useful, according to a tragic-humanist framework, toward the end of alleviating future episodes of suffering and exclusion—as the Ukraine invasion has starkly shown.³³

As the members of The Lancet-American University of Beirut Commission on Syria note, “[t]he conflict in Syria has caused one of the largest humanitarian crises since World War 2.”³⁴ In reality, in a 2021 report, the UN Commission of Inquiry found evidence of “the most heinous of violations of international humanitarian and human rights law perpetrated against the civilian population” in the country, including genocide. Plus, in an unprecedented March 2021 report on violations of international law perpetrated by the Russian military since its September 2015 intervention in Syria, Russian human-rights groups lament how State-controlled media have blocked out the vast human costs of the war—just as Putin has now prohibited that the war on Ukraine be described as anything other than a “special military operation.” To contest State brutality, these groups seek to “present the perspective of ordinary people who experienced bombing and hunger and who saw their relatives die.”

Along similar lines, journalist Rania Abouzeid reports on how the aunts of the eleven-year old girl Ruha, living in Saraqeb, Idlib province, suffered mass-bombardment in 2013 by the Assad regime’s air force, which resembled seemingly ceaseless “raining fire.” In like manner, scholar Yasser Munif describes the grim panoply of technologies employed by the regime to suppress the Syrian Revolution: “starvation, torture, siege, indiscriminate bombing, chemical attacks, massacres, assassinations, etc…”³⁵ Anthropologist Charlotte al-Khalili highlights the “vast inequality” in the balance of forces:

peaceful and later lightly-armed revolutionaries, on the one hand, versus a heavily-armed regime on the other, supported by its Russian and Iranian allies, using a wide range of weapons up to and including barrel bombs and chemical weapons to exterminate the people living in revolutionary bastions and liberated areas.

The anxiety expressed by the young girl in Sevastopol about the shells resembling stars can be considered to echo the fears of millions of displaced Syrian civilians residing in Idlib, who have been subjected to an indiscriminate campaign of mass-aerial and artillery bombardment by the Assad regime and its allies for years. Equally, they bring to mind the millions of city-dwelling Ukrainians, including children, currently seeking refuge in metro stations, basements, and other bomb shelters targeted by the Russian military. In Idlib, siege tactics have included the use of white phosphorus to set alight crops, destroy agricultural production, worsen malnutrition and starvation, and ultimately force the civilian population into submission. In parallel, Putin’s forces are employing the same cluster munitions and ballistic missiles in Ukraine that they have used in Syria.

Remarkably, Waad al-Kateab and Edward Watts’s 2019 documentary film For Sama chronicles the Syrian Revolution and the retaliatory siege of East Aleppo by the Assad-regime axis. Al-Kateab’s documentation of the interplay of joy over the life of her daughter with the plague of war can be seen from the feature’s very first scene, filmed in the Al-Quds Hospital, which was founded in November 2012 by her husband, Dr. Hamza al-Kateab. For Sama begins with a lovely dialogue between the titular infant and her mother which conveys interrelationality—only to be interrupted by an artillery barrage that provokes the flight of al-Kateab with her child through the basement of the hospital. The infernal aspects of this scene, allegorical and real at once, are but the opening salvo in Waad’s illuminating account that bears witness to the devastation perpetrated by Assad and Putin against Syrian revolutionaries. Interviewed on Democracy Now in March 2022 about echoes of Syria in Ukraine, al-Kateab conveyed shock over Putin’s belligerence: “What [is] the world waiting for? What more [do] you need to see? How many hospitals should be more bombed?”

Syrian director Waad al-Kateab interviewed on Democracy Now, March 17, 2022

Assad and Putin’s Counter-Revolutionary Aggression

Over the past decade-plus, the combined forces of the Syrian, Russian, and Iranian States and affiliated paramilitaries have committed heinous crimes in pursuit of their counter-revolutionary goal of suppressing the popular Syrian uprising, which began in March 2011.

Due to their viciousness, both in Syria and Ukraine, Assad and Putin recall the historical figures Generals Sergei Bulgakov (?-1824) and Alexei Yermolov (1777-1861), butchers of the Caucasus, as well as the French General de Ségur (1780-1873). In his function as Napoleon Bonaparte’s underling during the Grand Armée’s invasion of Russia (1812), Comte de Ségur sought to rationalize the extermination of the Muscovites as a necessity for “civilization.”³⁶ Moreover, Putin and Assad’s crimes recall the aggression of the “new high-velocity m[e]n,” Red Army Commander Lev Trotsky (1879-1940) and Soviet Marshal M. N. Tukhachevsky (1893-1937), who crushed the Kronstadt and Tambov Communes in 1921, using overwhelming and relentless force of rapid maneuver.³⁷ After all, the Assad regime’s prison system—described by the former political prisoner Mustafa Khalifeh as a central aspect of Syria’s topology of violence—builds on the French colonialists’ imposition of their carceral system on the country a century ago, as well as on the Soviet Gulag, which was itself inspired by Tsarist military colonies. In fact, the one-party dictatorship which Bashar’s father Hafez al-Assad imposed in 1970 was modeled after the Stalinist regime, and today, ideological and political partisans of Ba’athism openly seek a “USSR 2.0.”

Moreover, Putin and Assad’s employment of mass-aerial bombardment of civilians follows from the Swiss-French imperialist Le Corbusier’s (1887-1965) macabre avowal of air power to “redesign” the Casbah, or citadel, of Algiers, together with the surrounding Old City.³⁸ As well, these autocrats’ use of “vertical power” follows the grim model of the Luftwaffe’s destruction of the Basque town of Guernika in April 1937, within the context of the Spanish Civil War—not to mention US atrocities in World War II, or the Korean, Vietnam, and Iraq Wars. If the Russian incendiaries and arsonists who sought to thwart the Grand Armée’s capture of Moscow in 1812 anticipated the pétroleuses of the 1871 Paris Commune, who aimed at burning down buildings symbolizing France’s despotic past and “block[ing] the Versailles invaders with a barrier of flames,” the Syrian anarchist Omar Aziz (1949-2013) was surely right to emphasize that his revolutionary compatriots’ struggle against the Assad regime is “no less than [that of] the workers of the Paris Commune.”³⁹

Conclusion: Justice for Syria and Ukraine

July 2014 banner from Syrian revolutionaries in Kafranbel in solidarity with Ukrainians under attack by Russia

As Munif and al-Kateab morosely chronicle, by all means, the Assad regime-axis has directed special retaliatory violence against autonomous and resistant communities, journalists, and medics in Syria.⁴⁰ Healthcare workers who render aid to communities outside regime control risk being branded “enemies of the state,” and consequently being detained, tortured, and killed, in accordance with the regime’s strategy of “medical genocide.”⁴¹ The annihilatory tactics used by this regime and its allies—mimicking those employed by Western European imperialists, Nazis, and Stalinists alike—reproduce the “unconscious past” of the Soviet Gulag system, which inspired Ba’athist brutalism.⁴² In the same way, Assad and Putin’s brazen counter-revolution has arguably paved the way for not only the genocidal abuses being carried out by the Chinese Communist Party against millions of Uyghur, Kazakh, and Hui Muslims in Xinjiang, but also the Burmese junta’s coup of February 2021 and subsequent scorched-earth approach to dissent, as well as the ghastly ongoing attack on Ukraine.

Over six years into Russia’s military intervention to stabilize Bashar’s regime as Putin’s only client State in the “far abroad,” Russia has secured bases in the Eastern Mediterranean and destroyed regional Islamist groups by “turn[ing] the liberated areas into death zones.” Still, the pathos of children murdered by Assad and Putin’s bombs and shells in Syria and Ukraine is no less than that of Palestinian children murdered by the Israeli military.⁴³ Echoing Israel’s tactics in Gaza, the Syrian and Russian air forces have targeted markets and up to fifty hospitals, as New York Times reporters have shown. In February 2021, seeking to market the lethality of its weaponry, the Russian military proudly released video of one of its Iskander ballistic missiles hitting Azaz National Hospital, north of Aleppo. On the Ukrainian front, as we have seen, the main enemy is the same.

In the continuities between the Tolstoyan scenes and sequences from the “Sevastopol Sketches” and War and Peace which center wounded and dying soldiers, the mass-displacement of civilians, and the urbicidal devastation of entire cities like Smolensk and Moscow during the Crimean and Napoleonic Wars on the one hand with the destruction of Syrian and Ukrainian cities like East Aleppo, Eastern Ghouta, Khan Sheikhoun, Mariupol, Kharkiv, and Kyiv on the other, we perceive constancy in the fundamentally brutal exercise of State power. We must face these tragedies with Tolstoyan realism and compassion by doing our best to stop Putin, Assad, and their enablers; avoiding an escalation from fratricidal to nuclear war; and supporting revolutionaries, protesters, refugees, and victims of militarism across borders.

“Stop Putin, Stop the War”: street protest in London, March 19, 2022 (Courtesy Paula Erizanu)

Footnotes

1 Leo Tolstoy, Tolstoy’s Diaries, ed. and translated by R. F. Christian (London: Flamingo, 1985), 54.

2 Aylmer Maude, The Life of Tolstoy: Later Years (Oxford: Oxford University Press, 1987), 378.

3 Donna Tussing Orwin, “Chronology,” in The Cambridge Companion to Tolstoy, ed. Donna Tussing Orwin (Cambridge: Cambridge University Press, 2002), 4-6.

4 Rosamund Bartlett, Tolstoy: A Russian Life (New York: Houghton Mifflin, 2011), 246-9; Nicolas Berdyaev, Slavery and Freedom (San Rafael: Semantron Press, 2009), 66; Kenneth N. Waltz, Man, the State, and War: A Theoretical Analysis (New York: Columbia University Press, 2001), 101.

5 Leo Tolstoy, The Cossacks and Other Stories, trans. David McDuff and Paul Foote (London: Penguin Books, 2006), 192 (emphasis added).

6 John P. Clark, Between Earth and Empire: From the Necrocene to the Beloved Community (Oakland: PM Press, 2019), 194.

7 Алексей и Владимир Туниманов Зверев, Лев Толстой. Вступ. статья. В. Я. Курбатова (Moscow: Youth Guard, 2006), 12; Dmitry Shlapentokh, “Marx, the ‘Asiatic Mode of Production,’ and ‘Oriental Despotism’ as ‘True’ Socialism,” Comparative Sociology 18 (2019), 508; Richard Sokoloski, “Tolstoy’s The Death of Ivan Ilych: First and Final Chapter,” Tolstoy Studies Journal, vol. 9 (1997), 51; Peter Kropotkin, Russian Literature: Ideals and Realities (Montreal: Black Rose Books, 1991), 118.

8 Irvin D. Yalom, Existential Psychotherapy (New York: Basic Books, 1980), 478-80; James Hillman, A Terrible Love of War (New York: Penguin, 2004), 51.

9 Andrei Zorin, Critical Lives: Leo Tolstoy (London: Reaktion Books, 2020), 31; Liza Knapp, “The development of style and theme in Tolstoy,” The Cambridge Companion to Tolstoy, ed. Donna Tussing Orwin (Cambridge: Cambridge University Press, 2002), 172; Berdyaev 157; Gunisha Kaur, “From torture to ultraviolence: medical and legal implications,” The Lancet, 6 April 2021.

10 Anna Borshchevskaya, Putin’s War in Syria: Russian Foreign Policy and the Price of America’s Absence (London: I. B. Tauris, 2022), 42.

11 Yasser Munif, The Syrian Revolution: Between the Politics of Life and the Geopolitics of Death (London: Pluto, 2020), 37-40.

12 Lilie Chouliaraki, The Spectatorship of Suffering (London: Sage, 2006), 18, 76, 118.

13 Christopher Bellamy, “Tolstoy, Count Leo,” The Oxford Companion to Military History, ed. Richard Holmes (Oxford: Oxford University Press, 2001), 914; Orwin 4.

14 Serhii Plokhy, The Gates of Europe: A History of Ukraine (New York: Basic Books, 2015), 348; Catherine Evtuhov et al., A History of Russia: Peoples, Legends, Events, Forces (Boston: Houghton Mifflin, 2004), 399.

15 Zorin 26-7; Bartlett 109-11.

16 Knapp 171; Chouliaraki 21-43, 71 (emphasis in original); Charles Reitz, Ecology and Revolution: Herbert Marcuse and the Challenge of a New World System Today (Routledge: New York, 2019), 84-5.

17 Zorin 29; Evtuhov et al. 367-70; Christopher Bellamy, “Sevastopol, sieges of,” The Oxford Companion to Military History, ed. Richard Holmes (Oxford: Oxford University Press, 2001), 821.

18 Tolstoy 2006: 304, 187, 192.

19 Chouliaraki 38-9, 44-52, 85-93, 119-121, 124-48.

20 Tolstoy 2006: 190, 192, 200, 228-9 (emphasis in original).

21 Richard Stites, The Women’s Liberation Movement in Russia: Feminism, Nihilism, and Bolshevism, 1860-1930 (Princeton: Princeton University Press, 1990), 30-1.

22 Natasha McEnroe, “Celebrating Florence Nightingale’s bicentenary,” The Lancet, vol. 395, no. 10235, 2020), 1477.

23 Tolstoy 2006: 192, 196, 227-8).

24 Evtuhov et al. 370.

25 Tolstoy 2006: 204.

26 Rick McPeak, “Tolstoy and Clausewitz: The Duel as a Microcosm of War,” eds. Rick McPeak and Donna Tussing Orwin (Ithaca, New York: Cornell University Press, 2012), 116; Orlando Figes and Boris Kolonitskii, Interpreting the Russian Revolution: The Language and Symbols of 1917 (New Haven: Yale University Press, 1999), 148).

27 Chouliaraki 124; Hillman 49.

28 Tolstoy 2006: 221, 223-4, 227, 268-9.

29 Lisa Knapp, “The development of style and theme in Tolstoy,” The Cambridge Companion to Tolstoy, ed. Donna Tussing Orwin (Cambridge: Cambridge University Press, 2002), 170.

30 Tolstoy 2006: 236-7; Leo Tolstoy, War and Peace, trans. Louise and Aylmer Maude (Oxford: Oxford University Press, 2010), 756.

31 Tolstoy 2006: 247-8, 25; McPeak 115.

32 Tolstoy 2010: 27, 677.

33 Terry Eagleton, Reason, Faith, and Revolution: Reflections on the God Debate (New Haven: Yale University Press, 2009), 27, 168; Clark 187.

34 Samer Jabbour et al. “10 years of the Syrian conflict: a time to act and not merely to remember,” The Lancet, vol. 397, issue 10281 (2021), P1245-8.

35 Rania Abouzeid, No Turning Back: Life, Loss, and Hope in Wartime Syria (New York: W. W. Norton and Company, 2018), 182-3; Munif 9.

36 Alexander M. Martin. “Moscow in 1812: Myths and Realities.” Tolstoy On War, eds. Rick McPeak and Donna Tussing Orwin (Ithaca, New York: Cornell University Press, 2012), 42-58.

37 Richard Stites, Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution (Oxford: Oxford University Press, 1989), 161; Christopher Bellamy, “Tukhachevskiy, Marshal Mikhail Nikolaeyich,” The Oxford Companion to Military History, ed. Richard Holmes (Oxford: Oxford University Press, 2001), 924-5; Neil Croll, “The role of M.N. Tukhachevskii in the suppression of the Kronstadt Rebellion,” Revolutionary Russia, (17) 2 (2004), 10-14.

38 Munif 43-6, 90.

39 Robert Graham, We Do Not Fear Anarchy; We Invoke It (Oakland: AK Press, 2015), 6-7; David A. Shafer, The Paris Commune: French Politics, Culture, and Society at the Crossroads of the Revolutionary Tradition and Revolutionary Socialism (New York: Palgrave Macmillan, 2005), 95, 159.

40 Munif 33-6.

41 Jabbour et al.

42 Nancy Chodorow, The Power of Feelings (New Haven: Yale University Press, 1999).

43 Borshchevskaya 169.

Science Fiction as Protest Art (Part III): On The Shores of Communist H(e)avens

The U.S.S. Enterprise in Earth orbit (Star Trek: The Next Generation)

In this concluding part of our analysis of speculative fiction as protest art, we will wrap up the discussion of ‘capitalist hells’ from parts I and II; consider a few cases of art-works combining utopian and dystopian elements, including Elysium, Octavia’s Brood, and Palestine +100; and then pivot to contemplating the ‘communist heavens’ and ‘alternative’ and/or ‘anti-modern utopias’ envisioned by William Morris, Ursula K. Le Guin, Gene Roddenberry, and Kim Stanley Robinson, among others.

First published on The Commoner, 21 November 2021. Feel free to support them via their Patreon here

Correction to part II: Pardot Kynes, from Frank Herbert’s Dune (1965), is an imperial, not Fremen, ecologist; in the novel, he is father to Liet-Kynes, and grand-father to Chani. Liet is played by Max von Sydow in David Lynch’s 1984 film adaptation, Karel Dobry in the 2000 Sci-Fi edition, and Sharon Duncan-Brewster in Denis Villeneuve’s 2021 version.

So far, in this three-part series on visionary fiction, we have considered some of the critical functions that protest art may serve, in terms of the links between the imagination and political resistance. Against the ruling ‘master symbols’ that impart unreason and brutality, ‘countersymbols may arise,’ as reflections of ‘an ideal community of the imagination.'[1] In the anarchist tradition, such counter-symbols include red and black color schemes and flags, the circle A, the idea of ‘One Big Union,’ and songs such as ‘The Internationale,‘ ‘Solidarity Forever,‘ and ‘A Las Barricadas.‘ Anti-authoritarians have also long used photography, poetry, theater, novels, journals, essays, periodicals, comics, zines, and films to convey our hopes for better futures. Indeed, writer Jesse Cohn observes that we anarchists ‘practice culture as a means of mental and moral survival in a world from which [we] are fundamentally alienated.’[2]

In their much-anticipated new study, The Dawn of Everything (2021), the archaeologist David Wengrow and the late anthropologist David Graeber affirm the ethnologist Claude Lévi-Strauss’s idea that ‘mythological thought […] is better conceived as a kind of ‘neolithic science’ inseparable from our humanity, from the very beginning. For this reason, Wengrow and Graeber celebrate the cultural phenomena of carnival and inversion, which feature in speculative fiction and protest art: ‘In carnival, women might rule over men and children [might] be put in charge of government. Servants could demand work from their masters, ancestors could return from the dead, ‘carnival kings’ could be crowned and then dethroned, giant monuments like wicker dragons built and set on fire […].’ They find such festivals significant, because they remind participants and observers alike that ‘other arrangements are feasible,’ compared to what is dominant at any given time.

Even so, while celebrating how artistic counter-symbols sustain the mental and physical possibilities of ‘striv[ing] to realize [anarchist] communit[ies] in actuality’ by ‘evok[ing] a sense of possible worlds worth fighting for,'[3] we must recognize that verbal and visual images critical of capital and authority have been thoroughly commodified in popular media. As voiced by Thomas Wilson Jardine, the concern is that this phenomenon of recuperation will merely function as a safety valve which ultimately ends up serving the end of social control, besides generating investors in the entertainment industry a great deal of profit.

Along these lines, at the end of The Matrix Revolutions (2003), the conclusion to the original cyberpunk trilogy The Matrix (1999-2003), the protagonist Neo responds to his nemesis Smith’s query as to why he persists in his seemingly hopeless struggle by saying, ‘Because I choose to.’ While this is not the same as disclosing that he is driven by some radical duty or cause, Neo’s reply nonetheless echoes the U.S. anarchist poet Hayden Carruth’s observation that:

‘the real revolutionary is the one who can see
all dark ahead and behind, [their] fate
a need without a hope: the will to resist.’ [4]

Be that as it may, the trilogy’s anti-systemic messianism champions the epic hero of Western iconography, emblematically centers masculinity and whiteness, and emphasizes individual over collective action. After all, Trinity and Morpheus are mere supporting characters for Neo in the original films, and it remains to be seen whether the much-anticipated The Matrix Resurrection (2021) will improve on this dynamic. Like Dune, these movies remind us that subversiveness cuts both ways—sometimes, simultaneously—to portend both recuperation into male authority and racial capitalism, as well as the creation of liberatory counter-publics.

With this dynamic in mind, we will defend anti-authoritarian subversiveness and visionary existentialism in this concluding part of our series on speculative fiction as protest art, wherein we consider “capitalist hells,” “communist heavens,” and “alternative” and/or “anti-modern utopias.”

Visionary Fiction, from the Turn of the Twenty-First Century to Present

Still from Deus Ex: Human Revolution (2011)

Deus Ex (1999-2016): Although the various role-playing games in the cyberpunk Deus Ex universe are relatively open-ended, they jointly communicate Kafka-esque, Orwellian, and ‘negative-anarchist’ visions of totally administered worlds.[5] In the original Deus Ex (1999) and in its more recent iterations, Human Revolution (2011) and Mankind Divided (2016), the main characters, who are vaguely queer-coded cyborg super-soldiers, undergo thematic journeys of self-discovery and exile, as they encounter political corruption, inequality, ultra-violence, homelessness, medical abuse, and discrimination as ‘Augs.’ Players begin Deus Ex on the side of the police and the State, but—echoing Blade Runner (1982) and Blade Runner 2049 (2017)—these ‘red detective[s]’ slowly realize the folly of power by bearing witness to the conspiratorial brutality of the authorities and the lies of the mass-media. Players end up defecting to anti-systemic resistance movements.[6] (The alternative options, admittedly, are to serve the ‘Illuminati’ [an anti-Semitic trope], or oneself.)

At their best, the augmented playable characters in Deus Ex are ‘Anarchist Action M[e]n’ who recall Alex Murphy at the end of RoboCop (1987), Douglas Quaid in Total Recall (1990), the T-800 from Terminator 2 (1991), and Neo from The Matrix. Furthermore, they are reminiscent of Miguel Cervantes’ classic knight-errant Don Quixote, ‘a figure sincerely beloved by anarchists’ for his idealism and commitment to direct action.[7] Although only in Deus Ex: Invisible War (2003) can gamers choose to play as a female heroine, thus reflecting and perpetuating the toxic masculinity for which the industry is notorious, the Deus Ex series not only creatively satirizes many of the social, political, and economic ills of our time, but also allows players the virtual choice to perpetuate or contest these.

Sid Meier’s Alpha Centauri (1999): This innovative computer strategy game, which builds on the well-known Civilization series, imagines human groups settling on ‘Chiron’ in the Alpha Centauri star system, located 4 light-years from Earth. Having reached Alpha Centauri in the twenty-second century, the interstellar travelers break up into numerous political factions upon planet fall. Gamers can choose to play as the Green ‘Gaia’s Stepdaughters,’ the fundamentalist ‘Lord’s Believers,’ the capitalist ‘Morgan Industries,’ or the despotic-collectivist ‘Human Hive,’ among others. The expansion pack Alien Crossfire (1999) adds the syndicalist ‘Free Drones,’ cyborgs, ‘Data Angels,’ and two indigenous alien factions. With a highly customizable interface that permits mod-ability, includes an expansive technology tree, and integrates astute speculation on the future course of humankind, Alpha Centauri makes for a unique experiment in the digital construction of new societies that goes beyond the typical one-dimensional game. Indeed, as we shall see below, an unacknowledged source for the makers of Alpha Centauri may have been Kim Stanley Robinson’s original Mars (1992-1996) trilogy.

In parallel to the game, back on Earth, anarchists are divided among ourselves, and we confront numerous enemy forces, from the State to capitalists, fascists, and Stalinists. Hopefully, we can unite and find allies to propel global anti-authoritarian and ecological revolution, before world leaders lead humanity to our doom through war, future pandemics, totalitarian takeovers, and/or ecological catastrophe.

Cover image of Elysium

Elysium (2013), Sleep Dealer (2008): Elysium, written and directed by District 9’s director Neil Blomkamp, is a slice of life from the apocalyptic landscape of Los Angeles in 2154, juxtaposed with the orbiting space-station Elysium, which is home to the affluent capitalist overlords of the future. While on Elysium there are many green, open spaces, with mansions adorned by pools and maintained by servant-bots—akin, perhaps, to the humanoid ‘Tesla Bots‘ recently announced by Elon Musk—Earth-dwellers confront veritably infernal conditions. In fact, the “Earth” scenes were filmed in the Bordo Poniente landfill in Mexico City (one of the largest in the world, before its closure), while the Elysium scenes were shot in Vancouver, British Columbia.

The film’s protagonist, Max (played by Matt Damon), is seriously injured by a workplace accident in LA, due to negligence and pressure from his supervisor. With mere days to live, Max tries desperately to find a way aboard the remote and highly fortified space station, where highly advanced therapeutic machines hold out the promise of freeing the body from all ailments and disease. With the help of his mostly Latin@ comrades, Max overwhelms Elysium’s defenses and sacrifices himself to ensure that all Earth residents become Elysian citizens, and so are allowed free, life-saving medical treatment.

In its internationalism, its cosmopolitan focus on migration, and its concern with militarism and labor exploitation, Elysium shares many themes with its fellow dystopian social science-fiction film Sleep Dealer, which envisions Mexican proletarians renting themselves out digitally to work as labor-bots in factories on the other side of the U.S.-Mexico border—which is closed, and patrolled by killer drones—all while remaining in their home country. This is something that U.S. Vice President Kamala Harris has urged. Both films therefore critique borders, inequality, and labor in a manner consistent with anarchist principles, calling to mind the ongoing importance of class struggle, humanism, cross-border organizing, and migrant solidarity.

Cover of Octavia’s Brood

Octavia’s Brood: Science Fiction Stories from Social Justice Movements (2015): This striking volume of visionary fiction, written mostly by people of color, renders homage to Octavia Butler’s profound contributions to the development of anarcha-feminist and anti-racist themes in sci-fi and protest literature. In ‘Revolution Shuffle,’ Bao Phi imagines Asian- and Arab-Americans, ‘Pacific Islanders, Native Americans, Chicanos, and Black people’ thrown into concentration camps by the authorities en masse, as guerrillas look on, contemplating launching a war ‘that might just turn into something like a revolution.'[8] In her contribution, co-editor Walidah Imarisha imagines an itinerant, avenging Black Angel who rescues Palestinians and Mexicans from marauding neo-Nazis and ICE agents, respectively, using overwhelming force. Having been expelled from heaven for questioning God’s complicity with wickedness, A. seeks to be one of the righteous ones ‘who fight against [oppression], who push the forces of destruction back.’[9]

In a similar vein, disability activist Mia Mingus envisions a commune of people with disabilities (‘UnPerfects,’ or ‘U.P.s’) finding solace in autonomous life on a distant planet, far from Earth, where a new wave of annihilatory attacks on ‘U.P.s’ recalls the horrors of Nazi Germany.[10] In an excerpt from Aftermath (1997), LeVar Burton, of Roots and Star Trek: The Next Generation, foresees the Black Dr. Rene Reynolds inventing a ‘Neuro-Enhancer’ that could cure all disease, but then being enslaved by traffickers who target dark-skinned people. Grimly, these slavers turn around and sell the skins of their victims of color to whites for the purposes of grafting, or ‘skin fusion,’ to protect the latter against cancer, in light of the catastrophic depletion of the ozone layer.[11] Notably, as well, Octavia’s Brood includes an excerpt from Terry Bisson’s Fire on the Mountain (1988), an alternate utopian history of the U.S., wherein slaves and abolitionists successfully liberate the South from Confederate rule, leading to the founding of the independent Black socialist State of Nova Africa. Octavia’s Brood therefore represents a timely and intersectional intervention that can animate a politics of resistance and decolonization against white supremacy, fascism, and ableism, in keeping with Black Lives Matter, Antifa, and disability-justice movements.

Palestine + 100 (2019): In this collection of speculative stories about Palestine’s future a century after the Nakba—the ethnic cleansing of up to three-quarters of a million Palestinians, on which Israel was founded in 1948—Palestinian writers defamiliarize and question their everyday lives, which under Occupation amount to ‘a kind of a dystopia,’ according to editor Basma Ghalayini. Contributors Saleem Haddad and Selma Dabbagh report that they found the writing process to have been therapeutic, and unexpectedly liberating. Along these lines, Palestine + 100 has the power to ‘ope[n] up a whole [new] world’ for writers and audiences alike, proclaims Dabbagh. In her review of the volume, Ramona Wadi observes that the volume’s fiction ‘offers an alternative to imagine and communicate these fantastical forays into a not-so distant future, while never forgetting about the historical trauma impacting generations since the Nakba.’ Indeed, in June 2021, following another shooting war between Israel and Hamas that took the lives of at least 248 Palestinians and 12 Israelis, Palestinians attested to the centrality of the radical social imaginary in their ongoing struggle for justice by dreaming online of life as if the Occupation had ended, using the hashtag #TweetLikeItsFree.

Heavenly Communism

Alongside the “capitalist hells” from history and present that pervade sci-fi, visionary fiction also features previews of “communist heavens” at the terrestrial, interplanetary, and galactic levels. Inspired by the Russian Marxist Alexander Bogdanov’s Red Star (1908), a two-volume novel set three hundred years in the future in a ‘Martian-Marxian society’ observing full communism, Russian science-fiction writers from the early Soviet period lyrically explored modernization, ‘the outer reaches of technical innovation,’ and the use of science to dominate nature, while proclaiming ‘the ultimate triumph of the shining pravda [truth] of social justice over the dark krivda [wickedness] of greed and power hunger.’ In this sense, in contrast to the pessimism of the Fabian socialist H. G. Wells, author of The War of the Worlds (1897), Soviet speculative writers marshaled revolutionary ideology and critical sociology to optimistically envision utopian futures—in turn, presumably moving Ursula K. Le Guin, Gene Roddenberry, and Kim Stanley Robinson to do much the same, as we shall see.[12]

Along these lines, in April and May 2021, artists from the Middle East and North Africa (MENA) region publicly mused about the future through the prism of sci-fi. For this series, the Egyptian novelist Ahmad El Fakharany exclaims that ‘Heaven is the world’s motor, the mirage it needs. We will never lose its effects. We will never stop pursuing it.’ Likewise, the Egyptian poet Khadija Al-Saadi identifies fiction as a ‘certain reality that contributes to change and transformation—what I think about, I work on. Ideas are free and roam different worlds.’ She adds that ‘[s]cience fiction is accessible to anyone who thinks about it in depth, calmly and methodically. After thinking, the images come, and then answers.’

William Morris & Co., ‘The Orchard’ (1890; courtesy Albert and Victoria Museum, 2021-2026)

To this point, the British eco-socialist poet and designer William Morris (1834-1896) wrote News From Nowhere (1891) as an ‘Epoch of Rest’ and a ‘Utopian Romance.’ Although this novella depicts communist h(e)avens, it may more accurately be classified as an anti-modern utopia integrating Romantic, pastoral, and even proto-solarpunk themes.[13] Recalling Tao Qian’s ‘Peach Blossom Spring‘ (421 C.E.), Morris’ alter ego, William Guest, awakens the morning after a discussion at the Socialist League about the ‘Morrow of the Revolution,’ only to find himself in a paradoxically future-medieval London, set in 2102, from which the factories and associated pollution have disappeared. Remarkably, he discovers that poverty and class have been eliminated, that workers are healthy in body and mind, and that the people’s social character is warm, joyous, and humanistic, such that they resemble a ‘bed of tulips in the sun.’ In place of a ‘country of huge and foul workshops,’ railways, and robber barons, England and its fields have become ‘a garden, where nothing is wasted and nothing is spoilt,’ and ‘made for the pleasure as well as the livelihood of all.’ In this liberated world, capitalism, industrialism, and Puritanism have been overthrown, and ‘mastery has changed into fellowship.'[14]

During a boat ride down the Thames River, Guest and his fellow dreamer Ellen encounter ‘a mill […] as beautiful in its way as a Gothic cathedral,’ and amidst the sounds of blackbirds, doves, rooks, and swifts, they visit an old house built by peasants from Guest’s timeline, and there jointly contemplate what the psychoanalyst Nancy Chodorow might term the ‘living’ or ‘unconscious past.'[15] Ellen presents socialist-feminist reflections on how she would have been ‘wrecked and wasted […] either by penury or by luxury,’ had she had the misfortune of being born in the nineteenth rather than twenty-second century.[16] Yet, soon after joining his friends for a communal feast at a medieval church, Guest awakens, hoping passionately that his reveries could become a political vision for the future.

The importance of Morris’ Romantic-revolutionary outlook should not be underestimated. All of it remains relevant today. In Cohn’s words, the message of News from Nowhere speaks to a ‘key component of anarchist dreaming’: that is, ‘the process of reconciliation and reintegration that would constitute a society of equals without producing another Terror.'[17] In Spaces of Hope (2000), David Harvey employs the motif of falling asleep amidst a bout of political despair to envision a radically different, non-repressive future society. The film Total Recall (1990)—starring Arnold Schwarzenegger as a disaffected worker who either goes to Mars to lead a successful planetary insurrection against the capitalist overlords, or merely fantasizes about doing so—relies on a very similar premise. Riffing off Morris’ communalist anti-industrialism, Paul Glover’s eco-utopian Los Angeles: A History of the Future (1984) envisions the peoples of Santa Monica and Boyle Heights reaching self-sufficiency and replacing car-centric urban planning designs with orchards that are communicated by bikeways and solar-powered rail.[18]

Hopefully, with greater movement toward unionization of the U.S. working class during the COVID-19 pandemic, as well as the ‘Great Resignation‘ of laborers quitting ‘bullshit jobs‘ en masse, the power of State and capital can be further destabilized, so that workers and communities come to replace the State and capital as decision-makers in the future. Green and community syndicalism hold more promise for reaching a sustainable, egalitarian future, when compared to the gross negligence that has been exhibited by world leaders for decades, in the face of the collective death sentence posed by global warming.

In a similar vein to News from Nowhere, Alexander V. Chayanov’s 1920 fictional work, My Brother Alexei’s Journey into the Land of Peasant Utopia, begins with a proletarian leaving his job one night in 1921, ‘disgusted at the mechanical extremism of the socialist regime in which he lives.’ He falls asleep, awakening over sixty years later in a future Russia wherein the Bolsheviks have been overthrown by the Socialist Revolutionaries, and large cities and the centralized State destroyed. Self-evidently, such a vision deviates radically from Marxist prescriptions for the future. That having been said, for envisioning an agrarian society that would be self-governed by cooperatives, but not necessarily opposed to private ownership or traditional peasant culture, Chayanov perished in Stalin’s GULAG in the early 1930’s.[19]

Le Guin’s Ambiguously Utopian Futures

Cover of Ursula K. Le Guin’s The Dispossessed

The visionary anarcha-feminist Ursula K. Le Guin’s award-winning novels The Dispossessed (1974) and Always Coming Home (1985) combine elements of heavenly communism with anti-modern and alternative utopianism to contemplate possible anti-authoritarian futures for humanity. Following in the steps of her parents, the ethnologists A. L. and Theodora Kroeber, Le Guin (1929-2018) uses anthropological approaches to narrate these “ambiguous utopias.”

The Dispossessed describes a future anarcho-communist society in the Tau Ceti solar system being constructed on the desolate moon Anarres, whose courageous inhabitants have broken away from the bourgeois-patriarchal society based on the more ecologically bountiful home planet of Urras. Led by the prophetess Odo, the Anarresti resist socio-political authoritarianism by engaging in cooperation, encouraging free love and sexuality (including LGBTQ dimensions), and creating a new language that lacks possessives, thus consciously building what Le Guin terms ‘the most idealistic, and […] the most interesting, of all political theories.’ The Anarresti physicist Shevek, the work’s protagonist, visits Urras, only to encounter class divisions, sexual repression, and militaristic State violence. By contrast, Shevek’s experience in the capitalist hell of Urras does not mean that life on Anarres is perfect, for Le Guin warns of the risks of group conformity and stagnation, even among mindful anti-authoritarians who have consciously overcome many of the problems faced by the Urrasti.

The novel’s title is likely a play on Fëdor Dostoevsky’s The Possessed (1871-1872),[20] and its plot presents a critique of the opportunistic and deranged social character which Dostoevsky imputes to anarchists in his reactionary satire. In this sense, when the Marxist literary commentator Fredric Jameson criticizes the links Le Guin traces among ‘institutionalized warfare, centralization and psychic aggression’ as ‘preoccupations of a characteristically liberal type,’ he merely tells on himself, while echoing Dostoevsky and Marx’s authoritarian caricatures of anarchism—not to mention those propagated by neo-Stalinists in the twenty-first century.[21]

Beyond the political novel of The Dispossessed, Always Coming Home synthesizes speculative ethnology with poetry, parables, music, spiritual journeys, and emblematic memoirs to construct the world of the so-called Kesh, an egalitarian people who institute a society based on anarcha-feminism, free love, communal horticulture, and the gift economy in ‘the Valley’ of California in the deep future. In ecological terms, this future-world is marked by capital’s infernal devastation of the global climate. Implicitly speaking to the threat of sea-level rise posed by the melting of the world’s glaciers and poles, a certain Grey Bull recalls a journey by boat to what must previously have been the San Francisco Bay Area, whose houses, buildings, streets, and roads now lie at ‘the bottom of the sea.'[22]

‘Under the mud in the dark of the sea there
books are, bones are […].
There are too many souls there.'[23]

Speculatively, there may be a connection between this estranging journey into the effects of global warming, and the premise of Kim Stanley Robinson’s New York 2140 (2017), which is set in a future wherein the polar ice caps have melted, and New York—like other low-lying cities—has been irreversibly inundated. In spite of the ecological constraints imposed not only by climate catastrophe, but also by past chemical pollution of the environment, Le Guin’s sympathetic portrayal of Kesh society in Always Coming Home arguably constitutes an (an)archaeology of the future: a vision, in other words, of ‘what [we] can become.'[24] The Kesh and their mysteriously advanced allies, ‘the Exchange,’ use soft technologies, including cybernetics and solar energy, to decentralize industry and society—thus integrating the past visions of Peter Kropotkin, Marshall Sahlins, Morris, and Lev Tolstoy.[25] The climate is fortunately stable enough to support horticulture. Through the practice of ‘heyiya,’ or the recognition of the links between the sacredness and interconnection of life, they institute Hermann Cohen’s vision of a ‘religion of reason.’

As a foil to the Kesh, Le Guin introduces the Condor People, a nomadic group of marauding male-supremacists and propertarians, who practice militarism, ultra-misogyny, and cruelty toward animals. Accordingly, in this work, ‘[t]he patriarchal […] is identified with the imperialistic.'[26] Through their casteism, sexism, and ultra-violence, the Condor soldiers recall the Vikings, the Mongol empire, conquistadores, and Euro-American slaveowners of yore, as well as the Hindutva, Taliban, and Christian fundamentalists of today.

In sum, according to John P. Clark, Le Guin condemns ‘the manipulative world of domination we actually find ourselves in,’ while affirming ‘the cooperative world of freedom we are capable of creating.'[27]

Star Trek: Communism in Space

The U.S.S. Enterprise confronts a Borg cube (Star Trek: The Next Generation)

The various Star Trek series (1966-present), the brainchild of Gene Roddenberry (1921-1991), closely follow Morris and Le Guin, in that they mix visions of communist h(e)avens with high-tech utopianism to consider a ‘good future’ for humanity. This arrives through the United Federation of Planets, which is co-founded among Earth and the planets Vulcan, Andor, and Tellar in the year 2161, after victory against the Romulan Star Empire, which had launched a nuclear war on Earth six years prior. The Earth-Romulan war, in turn, comes a century after World War III, which similarly involved the use of atomic weapons.

In this sense, the backstory of Star Trek pays tribute to the Russian engineer V. D. Nikolsky’s epic In A Thousand Years (1927), which involves a journey via ‘chronomobile’ into the future that anticipates the victory of socialism and humanism over capitalist imperialism, following a desperate period of nuclear war and bourgeois dictatorship.[28] In turn, Roddenberry renders homage to the Argentine Trotskyist Juan Posadas, who adopted Michel Pablo’s concept of nuclear catastrophism, whereby the workers of the world would survive the ‘destruction of all bourgeois and bureaucratic institutions in nuclear war’ to rebuild the world as socialist. Such an optimistic, catastrophic spirit might be germane to our own time, beset as we are by COVID-19 and unchecked global heating.

Broadly speaking, Star Trek can be viewed as a rationalist Enlightenment narrative about humanity’s self-overcoming of infancy, mastery, and brutality. For instance, in ‘Past Tense,’ from Star Trek: Deep Space Nine (1995), we learn that the ‘Bell Riots‘ of San Francisco (2024) paved the way for the coming of the Federation, and Star Trek: The Next Generation (TNG, 1987) opens in the twenty-fourth century with the supernatural entity Q putting humanity on trial for the ‘multiple and grievous savageries of the species.’ Proving Q wrong, the crew of the U.S.S. Enterprise liberates an alien lifeform that had been imprisoned and exploited by the humanoid Bandi species at the Farpoint station. Such utopian visual images arguably connect to today’s Black Lives Matter, #MeToo, trade-unionist, climate-justice, and Total Liberation movements, not to mention the Syrian or Rojava Revolutions.

In The Original Series (TOS, 1966-1969) and TNG, the Federation and its military-exploratory wing, Starfleet, are shown as constantly at odds with the Romulans—who follow the classical despotism of the Romans, instituting an authoritarian State, reified law, and private property[29]—and the Klingons, who are reminiscent of the Mongol, Qin(g), and Japanese Empires. Klingon ‘Birds of Prey‘ could be likened to Bashar al-Assad, Vladimir Putin, and Recep Tayyip Erdoğan’s war planes, due to the cruel purposes they commonly serve, while the Romulans hold a mirror up to the sordid history of Western ‘civilization.’ For their part, the menacing, authoritarian-collectivist Borg may be meant to satirize Stalinist or Maoist state-capitalism, corporate capitalism, and/or the dangers of technology. In this sense, Roddenberry affirms Enlightenment and socialist humanism through the idea of the Federation struggling against the fascistic Borg, while conveying a future vision of the Third-Campist motto—devised by U.S. Trotskyists amidst the depths of the Cold War, and likely adapted from Shakespeare—of ‘A plague on both their houses’: namely, the U.S. and the U.S.S.R., or the Romulans and Klingons. In this vein, a similar critical analysis of present-day rivalries between the U.S.A. and the People’s Republic of China would be in order.

Whereas the Star Trek universe presents a cooperative, inter-species, post-capitalist future, wherein the peoples of Earth have abolished poverty, scarcity, and profit, it also resembles Le Guin’s ‘ambiguous utopias,’ as hierarchies of gender and race arguably persist in the Federation. The franchise’s representation of Klingons as invariably Asian and/or Black also reproduces white supremacy—especially, as in TOS, when these Klingons are played by Euro-American actors. At the same time, Black, Asian, and/or female characters and actors play productive roles in several Star Trek series, and so contest racism and sexism, in an implicit nod to the Civil Rights Movement (contemporary to TOS). Nonetheless, due to the machinations of producer Rick Berman, LGBTQ representation and feminist themes were hampered for decades over multiple series.

At its best, Star Trek helps defamiliarize and question mainstream politics. The TNG episode ‘Force of Nature’ (1993) foresees the Federation Science Council imposing fleetwide limitations on warp speeds, due to concern that further high-warp emissions would prove destructive to the fabric of space. In contrast, in our world, ‘the systems that were meant to validate and respond to’ the initial alert about COVID-19 ‘were too slow,’ and much the same could be said about the official response to the climate crisis, which threatens our future radically. To this point, although the third season of Star Trek: Discovery (2020) is set in an alternate future in the early fourth millennium, wherein the Federation has collapsed following a mysterious ‘Burn,’ anti-authoritarians and rebels committed to Starfleet principles still find each other and engage in high-tech communist insurrections. Likewise, the trailer for season 2 of Picard (2022) suggests that the crew of La Sirena goes back in time to our day to prevent a fascist takeover in an alternate future, without the Federation. Accordingly, the Star Trek franchise both encourages and profits from horizontalist politics and internationalist struggles.

The Mars Trilogy and Red Moon

‘[D]o the best you can! Help all good causes!'[30]

The progressive visionary Kim Stanley Robinson’s Mars trilogy—Red Mars (1993), Green Mars (1994), and Blue Mars (1996)—renders homage to Bogdanov’s Red Star in its portrayal of the near-future colonization of the red planet, and its subsequent terraforming into a green and then blue planet, laden with oceans. Robinson, or KSR, integrates a utopian blending of red and green figurative imagery and eco-political thought to envision a Martian cultural and political revolution against the capitalist despotism based on Earth.[30] Many of the place-names he invents for the red planet pay tribute to the German critical theorist Ernst Bloch’s Principle of Hope (1954-1959). In his own words, KSR was forever ‘changed’ by reading Le Guin, whom he described upon her passing in 2018 as ‘a complete person of letters and an important public intellectual.’

Among the scientists who settle Mars in 2026 in KSR’s imagination, certain characters stand for different socio-ecological alternatives. For example, the prophetess Hiroko Ai, a leader of the ‘Green’ movement, which seeks to terraform Mars, stands for ‘viriditas’ and life, while her foil, the geologist Ann Clayborne, initially avows a ‘Red’ position of ‘Mars First!’, which is radically opposing to any form of geoengineering. In contrast, Ann’s erstwhile colleague Phyllis Boyle stands for capitalist modernization and the death drive, whereas Arkady Bogdanov, whom she assassinates, symbolizes anarcho-syndicalism. The engineer Nadia Cherneshevsky, his partner—whose last name alludes to the Russian revolutionary Nikolai Chernyshevsky, author of the social utopia What Is To Be Done? (1863)—emphasizes the critique of violence and social reconstruction following Terran retaliation against the First Martian Revolution, which takes place at the end of Red Mars. Furthermore, the Trinidadian anarchist stowaway known as ‘Coyote’ plays a crucial role in propagating ‘eco-economics,’ utopian socialism, and the gift economy in Green Mars. Ultimately, the Martian colonists succeed in transforming the planet into a ‘second Earth’ which has abolished private property, patriarchy, and social violence. As Blue Mars closes, on the newfound beaches of the fourth planet from the sun, the transformed elder Ann Clayborne reflects proudly:

‘Beat on, heart. And why not admit it. Nowhere on this world were people killing each other, nowhere were they desperate for shelter or food, nowhere were they scared for their kids. There was that to be said.'[32]

Cover of Kim Stanley Robinson’s Red Moon

In Red Moon (2018), KSR contemplates similar themes in a compelling visionary thriller that features inter-imperialist rivalry between the U.S. and China, as well as resistance movements in both countries that contest capitalist authoritarianism for the sake of a better future. The year is 2047, and the Chinese Communist Party (CCP) has colonized much of the moon, integrating it into the State as a ‘Special Administrative Region’—akin to the internal colonies of Tibet, Xinjiang, Macau, or Hong Kong, among others (not to mention much-coveted Taiwan). Although nationalism explains much of the impetus for China’s lunar presence, KSR describes how the moon also serves as a site to which the most polluting industries could be transferred, as well as an untapped source of mineral extraction, and a launchpad to the rest of space. Through estrangement, KSR presents a dual critique of the ‘G2’ of China and the U.S. as mirror-image ‘[p]artners in crime,’ while he metaphorically ponders ‘what it will take to achieve escape velocity […] and fly off into a new space.'[33]

Red Moon ‘s main character is the revolutionary Chinese leader Chan Qi, a so-called ‘Party princess’ and daughter of the CCP’s finance minister, who is sympathetic to the New Left and a critic of Confucian sexism—but not a Party member. With the help of the U.S. quantum mechanic Fred Fredericks, Qi evades the nefarious bureaucratic forces that would capture or kill her, whether on Earth or the moon, to change the lunar-planetary system, by means of an inside-outside strategy. From her lunar hideout, Qi calls for an uprising in China, resulting in the popular occupation of Beijing. This mobilization for the ‘China Dream’ of a ‘just world’ in turn inspires a similar movement in Washington, D.C., galvanizing ‘a global people’s revolt,’ starting with a ‘G2 people’s revolt,’ that has ‘no leader.’ As in The Ministry for the Future (2020), such popular uprisings lead to significant governmental reforms, but also to the recovery and rehabilitation of State power. This paradox is reflected in the Daoist poet Ta Shu’s declaration—likely echoing KSR’s own contemporary views—that ‘[u]ltimately you need both’ pressure from below and top-down reforms to resist capitalism and combat global warming.[34]

While a grassroots strategy based in green and community syndicalism, feminism, and intersectionality may theoretically provide the best chance for radically mitigating climate destruction, overthrowing class society, emancipating humanity, and saving millions of other terrestrial and marine species from extinction, the ‘receiving sets‘ for such revolutionary transformation are arguably missing at present. Moreover, as critical theorists and psychoanalysts emphasize, capitalism and hierarchy tend to reproduce themselves both in mind and reality through children’s socialization and education, proletarians’ working lives, and the imperatives of the culture industry. Along these lines, COP26 has shown the world yet again that the only measures which can be contemplated by capital and the State on the most fundamental questions about climate catastrophe fall radically short of the basic demand—presumably shared by everyone—for a livable planet.

Conclusions

In this series on speculative fiction, we have seen numerous examples of the intimate connections binding radical artists, the social imaginary, visionary art, and revolutionary struggle across time and space. Utopian science fiction flourished in early Soviet Russia until Stalin banned it, according to his goal of figuratively performing a ‘fantasectomy’ of the revolutionary imagination, thus facilitating social control and the counter-revolutionary cause. As the German anarcho-syndicalist Rudolf Rocker argued, Stalinism and Fascism were ‘part of a transnational process reinforcing hierarchies in which the worker was inevitably reduced to an anonymous piece of machinery in mass society.'[35] As such, these totalitarian regimes had more in common with Fordist capitalism than not. It is not for nothing that Henry Ford and Hitler mutually admired each other, or that Ford and Stalin made a deal in 1929.

As opposed to the dystopias of capitalist and Communist hells alike, the competing emancipatory vision of exile, equality, and autonomy is conveyed by the Daoist dream of a ‘Peach Blossom Spring,’ Raúl Cruz’s imaginary Mayan steampunk creatures, and the egalitarian ‘new history of humanity‘ uncovered by David Graeber and David Wengrow. The cause of collective liberation resonates in several of the art-works we have examined in these three articles: for example, We, The Great Dictator, The Left Hand of Darkness, The Word for World is Forest, THX 1138, Star Wars, Terminator, The Parable of the Sower, Elysium, Octavia’s Brood, Palestine + 100, ‘Imagining the Future in the Middle East and North Africa,’ News from Nowhere, The Dispossessed, Always Coming Home, Star Trek, the Mars trilogy, and Red Moon.

Like Octavia Butler, who believed the ‘highest imperative’ to be ‘action to create change,’ Walidah Imarisha rightly declares that ‘[a]ll organizing is science fiction.'[36] For this reason, while Jardine is right to warn us to be wary of media corporations trying to sell us anti-authoritarianism and anti-capitalism and lull us into interpassivity, perhaps more importantly, we should be mindful of the immense power our imaginations have to break capital’s infernal grip—not only over the mind, but also over reality, from which it is inseparable. In this series, we have seen how visionary protest art permits explorations of social problems and creative solutions to the same in past, present, and future.[37] In this sense, we would do well to heed Pranav Jeevan P’s invitation for us to ‘revisit and re-imagine these visions, understand and imbibe the ideas behind them and work towards creating our [own] Begumpura,’ our Peach Blossom Spring, our global Federation.

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[1]Hans Gerth and C. Wright Mills, Character and Social Structure: The Psychology of Social Institutions (Routledge: London, 1954), 288.

[2]Jesse Cohn, Underground Passages: Anarchist Resistance Culture, 1848-2011 (Oakland: AK Press, 2014), 15 (emphasis in original). Some examples of anarchist protest art might include Колокол (‘The Bell,’ 1857-1867), War and Peace (1869), L’Homme et la Terre (‘Humanity and the Earth,’ 1905-1908), Regeneración (‘Regeneration,’ 1900-1918), ‘Written in Red’ (1911), Living My Life (1931-1934), Animal Farm (1945), The Rebel (1951), Viva Zapata! (1952), Salt of the Earth (1954), Can Dialectics Break Bricks? (1973), Libertarias (1996), La Commune (2000), Maggots and Men (2009), World War III Illustrated (1979-2014), and Processed World (1981-2005).

[3]Gerth and Mills 288; Cohn 269.

[4]Hayden Carruth, Brothers: I Loved You All: Poems, 1969-1977 (New York: Sheep Meadow Press, 1978), 93-4 (emphasis in original).

[5]Michael Löwy, Redemption and Utopia: Jewish Libertarian Thought in Central Europe (Stanford: Stanford University Press, 1988), 71-94.

[6]Richard Stites, Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution (Oxford: Oxford University Press, 1989), 172-3.

[7]Cohn 63, 287.

[8]Bao Phi, ‘Revolution Shuffle,’ in Octavia’s Brood, eds. Adrienne Marie Brown and Walidah Imarisha (AK Press/Institute for Anarchist Studies, 2015), 11, 14.

[9]Walidah Imarisha, ‘Black Angel,’ in Octavia’s Brood, 50 (emphasis in original).

[10]Mia Mingus, ‘Hollow,’ in Octavia’s Brood, 109-21.

[11]LeVar Burton, ‘Aftermath,’ in Octavia’s Brood, 215-23.

[12]Stites 32-3, 172.

[13]Stites 174.

[14]William Morris, News from Nowhere and Other Writings (London: Penguin, 2004), 43-8, 105, 211-6, 226, 228.

[15]Nancy Chodorow, The Power of Feelings (New Haven, CT: Yale University Press, 1999).

[16]Morris 215, 223.

[17]Cohn 209.

[18]Ibid, 322-4.

[19]Stites 185-6.

[20]Cohn 228.

[21]Fredric Jameson, Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions (Verso: London, 2005), 276; Rohini Hensman, Indefensible: Democracy, Counterrevolution, and the Rhetoric of Anti-Imperialism (Chicago: Haymarket Books, 2018).

[22]Ursula K. Le Guin, Always Coming Home (Berkeley: University of California Press, 1985), 138.

[23]Ibid, 390.

[24]Riane Eisler, The Chalice and the Blade: Our History, Our Future (New York: HarperCollins, 1987), 5.

[25]Le Guin 379-80.

[26]Jameson 67.

[27] John P. Clark. ‘On Living in the World: Always Coming Home Revisited.’ Fifth Estate, forthcoming.

[28]Stites 176-7.

[29]Martin Malia, Alexander Herzen and the Birth of Russian Socialism (New York: Universal Library, 1961), 301-9.

[30]Kim Stanley Robinson, Red Moon (New York: Orbit, 2018), 288.

[31]Jameson 409-16.

[32]Kim Stanley Robinson, Blue Mars (New York: Del Rey, 2017), 761.

[33]Robinson, Red Moon, 148, 181, 227, 232, 234-42.

[34]Ibid, 142, 157-9, 209, 231, 267 (emphasis in original), 268-9, 276-7, 327, 363-73, 410

[35]David Bernardini, ‘A different antifascism. An analysis of the Rise of Nazism as seen by anarchists during the Weimar period.‘ History of European Ideas (2021), 6.

[36]Tananarive Due, ‘The Only Lasting Truth,’ in Octavia’s Brood, eds. Adrienne Marie Brown and Walidah Imarisha (AK Press/Institute for Anarchist Studies, 2015), 270; Imarisha 3.

[37]Stites 189, 226.

A Critical Theory of Authority

These are my comments, presented on October 9, 2021, at the Ninth Biennial International Herbert Marcuse conference, on the panel “Marcusean Politics Today.” My co-panelists were Shon Meckfessel and Rocío Lopez.

In Character and Social Structure: The Psychology of Social Institutions (1954), the sociologists Hans Gerth and C. Wright Mills observe that, “from a psychological point of view, the crux of the problem of power rests in understanding the origin, constitution, and maintenance of voluntary obedience.” They add that “Authority, or legitimated power, involves voluntary obedience based on some idea which the obedient holds of the powerful or of his position” (Gerth and Mills 194-5). Indeed, in his Discourse on Voluntary Servitude (1577), Étienne de la Boetie came to much the same conclusion: namely, that authority persists because we allow it to. Although the reproduction of hierarchy under capitalism is not so simple as that, considering the threats of unemployment, imprisonment, starvation, and assassination for those who rebel, there is something to Jean-Paul Sartre’s comment about a kind of “complicity between the oppressor and the oppressed” (Sartre 338).

In turn, the models of sexual sadomasochism and socio-political authoritarianism developed in the twentieth and twenty-first centuries by Sigmund Freud, Erich Fromm, Herbert Marcuse, Jessica Benjamin, and Lynn Chancer highlight the psychodynamic dimensions of erotic frustration and gender and class oppression. In other words, under generalized relations of dependence on capital and male authority, the power of the boss, man, sadist, and/or ‘top’ is ultimately derived from the psychological self-subordination of the worker, woman, masochist, and/or ‘bottom.’ In this sense, the specter of revolt can function as a destituent power that reverberates throughout society, as we have seen on many occasions in history, up to and including the present.

At the same time, not all revolt is emancipatory, and “there is no theory of subversion that cannot also serve the cause of oppression” (Rancière xvii). In Reason and Revolution (1941), Marcuse controversially defends G. W. F. Hegel’s criticism of the “pseudo-democratic” opponents of the post-Napoleonic Restoration régime, likening them—in their xenophobia, anti-Semitism, and German nationalism—to precursors of the Nazis (Marcuse 1999: 179-81).¹ Along similar lines, Ze’ev Sternhell sees the fascist cultural and political revolt against Enlightenment values like humanism and rationalism not as anomalous to European history, but rather, as integral to it (Sternhell 3, 250-1). The anarcho-syndicalist Rudolf Rocker likewise saw in fascism a “reaction to progress […] rooted in German history but concerning the whole of Europe” (Bernardini 9). Unfortunately, as was confirmed not only by the descent of the Russian Revolution into a Stalinist nightmare, but also by the collaboration of revolutionary syndicalists in the birth of national socialism, the phenomenon of the “leftist right,” or what Jürgen Habermas termed a “left fascism,” certainly exists (Rancière 72; Gandesha). Both in the past, as in the present, we see “discourse[s] of order composed in the vocabulary of subversion” (Rancière 116). In this sense, the Russian Marxist Georgii Plekhanov was right to accuse Pierre-Joseph Proudhon, the “Father of Anarchy,” of having combined “extreme Radicalism of mind with extreme Conservatism of mind” (Plechanoff 57, 63). Along similar lines, the neo-Stalinism of the GrayZone bloggers and the Trumpists’ coup attempt at the Capitol in January 2021 are arguably just two sides of the same coin.

Thus, in this presentation, I will analyze the ‘reactionary rebellion’ of the revolutionary French syndicalist Georges Sorel (1847-1922), follower of Proudhon and mentor to Benito Mussolini, the first Fascist leader, whose 1922 March on Rome animated Adolf Hitler’s failed “beer hall putsch” (1923). I will also explore the bureaucratic anti-humanism of Louis Althusser (1918-1990), who sided with his Party (the French Communist, or PCF) in rejecting the May 1968 uprising. I will then conclude with an analysis of national-socialist currents among ‘anti-imperialists’ today, and offer some reconstructive, anti-authoritarian ideas for anarcho-syndicalists and critical theorists going forward.

Georges Sorel’s National Revolution

Perhaps ironically, George Sorel—who infamously synthesized revolutionary syndicalism with ultra-nationalism to inspire Fascism—shared some concerns with the anti-fascist Marxists of the Institute for Social Research, otherwise known as the Frankfurt School theorists. They commonly focused on symbols, emotions, and socio-political psychology in their respective intellectual projects, although admittedly, for vastly different reasons: Sorel sought to “mobilize the masses and to change the world” by annihilating bourgeois society while upholding the authority principle and the place of “revolutionary ‘élites,’” whereas the critical theorists aimed at a non-repressive, anti-authoritarian transformation of global society (Marcuse 2008: 105; Sternhell 59). Across different generations, both the Frankfurters and the Sorelians worried that the working classes of advanced-industrial societies had been integrated into capitalism. Sorel despaired that the French Confédération Générale du Travail (CGT) was more interested in reform than revolution, and Marcuse wrote One-Dimensional Man (1964) under the impression that workers in the U.S. would not rise up against capitalism (Sternhell 96). In the prologue to Negative Dialectics (1970), Theodor W. Adorno laments that “Philosophy […] remains alive, because the moment of its realization was missed,” given that “the transformation of the world failed.” Along similar lines, Sorel and Walter Benjamin shared a belief in the heroic potential of pessimism.

Of course, neither Adorno nor Marcuse (much less Benjamin) turned, as Sorel and Martin Heidegger did, to national socialism as a “new revolutionary path” (Sternhell 25, 123). Rather, as German-Jewish Marxists, they were forced to flee Nazi Germany and relocate to New York as refugees. After scaling the Pyrenees Mountains in late September 1940, Benjamin poignantly lost his life in the Spanish border town of Portbou, where he overdosed on morphine rather than be deported by Franco’s guards to the Nazi-collaborating Vichy régime. In the U.S., their newfound home, the surviving Frankfurt School theorists continued their principled anti-authoritarian analysis of society, rather than betray the cause, as Sorel so egregiously did.

According to Sternhell’s account in The Birth of Fascist Ideology (1989), fascism can be interpreted as a revolt against the principles of the Enlightenment (3). Certainly, this thesis can explain Heidegger’s own attraction to, and promotion of, Nazism. Like his intellectual mentor Friedrich Nietzsche, Heidegger sought to demolish the “post-1789 moral-political dispensation [and] replace it with a new radically illiberal and anti-egalitarian dispensation” (Beiner). In Reason and Revolution, Marcuse analyzes the Counter-Enlightenment philosophers who rejected German Idealism and inspired Nazism. In this sense, he highlights F. J. Stahl (1802-1861), who affirmed anti-rationalism, repudiated natural law, and sought to replace the category of reason with obedience (Marcuse 1999: 360-74). Likewise Sorel: “a horror of the Enlightenment [was] basic to his thinking” (Sternhell 69). Indeed, this devout Catholic had no truck with the anti-clerical cause. As a white supremacist, Sorel condemned what he saw as the Jacobins’ “recklessness” for “abruptly abolishing slavery in the colonies’”—particularly, in Haiti (Abromeit 396). Many of his followers encouraged Italy’s invasions of Libya (1911) and Ethiopia (1936) as “labor imperialist” projects. Like his protégé and fellow revolutionary syndicalist Mussolini, Sorel found Nietzsche’s ideas attractive, especially the philosopher’s contempt for “English ideas,” liberalism, and bourgeois society—and presumably, as well, the Nietzschean affirmation of slavery (Beiner; Sternhell 101, 110, 126, 196, 200). Sorel attacked the idealist tradition while hailing “proletarian ‘violence’” as a new form of authority (Marcuse 2008: 104).

Like Stahl, Nietzsche, and Heidegger, Sorel rejected rationalism, humanism, and natural law. His infamous “revision” of Marxism involved advocacy of the destruction of liberal democracy and parliamentary socialism through class struggle. Paradoxically, like Proudhon, Sorel “refused to touch private property and […] believed neither in equality nor in social justice […].” In reality, this “antidemocratic socialis[t]” envisioned the creation of a “producers’ civilization,” which would effectively function as a “revolutionary capitalism—[or] a capitalism of producers.” In this vein, the Sorelians “had nothing to put in place of capitalism and they did not conceive of a postcapitalist era.” As such, it is not hard to see how such a vision of stripping away liberal norms while retaining the capitalist mode of production could morph into Mussolini’s class-collaborationist, corporatist strategy (Sternhell 22, 28-9, 33, 37, 46-50, 69, 75, 80-2, 91, 117).

In this sense, the birthplace of fascism was neither Italy nor Germany, but rather, France. Though Mussolini would not seize power until 1922, on Sternhell’s account, all the requisite conditions for the propagation of the fascist ideal were in place before the outbreak of World War I (1914-1918). In the years after the publication of his Reflections on Violence (1908), a volume that exhorted the proletariat to wield violence to annihilate the bourgeoisie, Sorel abandoned socialism in favor of ultra-nationalism and the “conservative revolution.” In turn, Sorel inspired the founding of the national-syndicalist Cercle Proudhon in late 1911 as a clearing house for “nationalists and leftist anti-democrats.” The futurists and Sorelians in this Cercle highlighted Proudhon’s defense of private property, militarism, traditionalism, sexism, and anti-Semitism. As champions of anti-rationalism, anti-humanism, pessimism, a “revolutionary” hatred of democracy, and fidelity to Sorel’s masculinist cult of violence, these left-right syncretists proclaimed their ideal “the nonproletarian revolution, the national revolution” (Sternhell 4, 7, 27-9, 69, 75, 78, 80, 86, 90, 124, 130). As Marcuse might say, the Sorelians failed to question, much less overcome, technical reason; instead, they inspired Mussolini and Hitler to build on Sorel’s vision of a future wherein the “cult of energy” and “authority would emerge victorious all along the line” (Sternhell 24-7, 129, 168, 236-7).

Crucially, Sternhell distinguishes between the theoreticians of revolutionary syndicalism and anarchists. For Sorel and his followers, “the principle of authority was never in question.” In fact, “Sorelism detested anarchism,” and the master’s right-hand man, Édouard Berth, “wrote that ‘a real abyss’ divided the ideas of the syndicalists from those of the anarchists.” Paradoxically, the Sorelians opposed the concept of self-management, whether individual or collective; effectively, they proposed a hierarchical and productivist society run by syndicates (Sternhell 31, 103-104, 127, 218-223). Ultimately, these revolutionary unionists were just used by the Fascists to seize power. After all, conceptually speaking, national syndicalism and corporatism utterly contradict the cause of worker autonomy. As we know from Franz Neumann’s Behemoth (1942), the Nazi regime was run in the interests of the industrialists, the bureaucracy, the military leaders, and the National Socialist Party (Neumann). Accordingly, Sternhell is right to conclude that fascists’ use of leftist discourse always has “’rightist’ results” (211), just as Rocker is right to denounce Stalinism and Fascism as totalitarian ideologies that “both grew on the same tree” (Bernardini 7).

Even so, the case of Sorel is a disturbing one, considering how it illuminates the overlap between left and right, which are categories that are often considered to be mutually exclusive. How can it be that Jacques Rancière describes Sorel (perhaps unfairly) as an anarcho-syndicalist, that Mussolini and the Sorelian George Valois had had anarchist sympathies before embracing national socialism, and that so many Italian revolutionary syndicalists became Fascists? (Rancière 61; Sternhell 96, 143) In reality, many leftists and fascists commonly emphasize direct action, energy, violence, heroism, and sacrifice, while championing the will to power and conquest and critiquing “moralism” (Sternhell 29, 176-9). Mussolini and the Nazis admired Bolshevik authoritarianism, and Stalin trusted and allied with Hitler—rather irrationally, it turns out (Arendt 308-9; Bernardini). Part of the appeal of Sorelianism to syndicalists and nationalists alike was (and remains) its claim that both groups share(d) common enemies in liberalism and parliamentarism. Especially in the wake of postmodernism, many self-proclaimed leftists share a reactionary commitment to anti-universalism (Sternhell 163, 250-1). Whether a century ago or now, it is apparent that Sorelians, neo-Stalinists, and national socialists merely seek the worst of all possible worlds: that is, capitalism without any rights at all (Hensman).

Althusser’s Lesson

In Althusser’s Lesson (1974), the French philosopher Jacques Rancière takes his former professor to task for siding with the Communist Party of France (PCF), which opposed the revolutionary student movement of May 1968 as “petit bourgeois.” In regurgitating the Party line, Althusser effectively defended the division between mental and manual labor, privileging the former over the latter, while affirming the “very model prescribed by the philosophy of educators: enlightened despotism.” (In contrast, Sartre supported May 1968.) Besides Althusser’s disgrace, Rancière’s volume is focused “on the much broader logic by which subversive thoughts are recuperated for the service of order” (Rancière xvi, 11, 19, 54).

In this vein, Rancière identifies Althusserianism as a discourse of order wrapped up “in the language of leftism.” He traces its origin to “the desire to combat the revisionist tendencies that had seeped into philosophy following the Twentieth Congress” of 1956, when Nikita Khrushchëv denounced the crimes of Stalin, his then-deceased predecessor. In other words, Althusser followed Mao Zedong and the Chinese Communist Party in their questionable defense of Stalin, announced during the Sino-Soviet split in the post-1956 context. Broadly speaking, for Rancière, Althusser’s career amounted to the “fight of a ‘communist philosopher’ against that which threatens both the authority of his Party and of his philosophy: [namely,] Cultural Revolution on a global scale.” Both Althusser and the PCF leadership were anxious about the discovery of Marx’s Economic-Philosophic Manuscripts of 1844, which so moved Fromm, Marcuse, Raya Dunayevskaya, and others, because they feared the creation of a “political authority other than the Party.” Accordingly, Althusser maligned these pieces as having been written during Marx’s “petit bourgeois” as opposed to “proletarian” communist phase—despite the fact that this distinction is entirely arbitrary. In terms of theory, Althusser insisted that “Marxism is a[n] anti-humanism,” proposing instead that humanism is “bourgeois idealism,” while championing Marxist-Leninist orthodoxies through his promotion of “an unofficial version of Stalinism” (Rancière xx, 9, 21, 23, 33, 72, 78-9, 83, 113, 116).

Indeed, by the time the May 1968 uprising began with student revolt, Althusser had long given up on any ideas he may have had about questioning and dissolving State power, factory despotism, or wage labor. His attacks on the syndicalist left, and his disgrace over May 1968, speak for themselves. Some of the reconstructive proposals that Rancière considers in closing are ideas about proletarian humanism, self-management, and the independence of labor leading to the autonomy of producers and “a world [re]made for and by the labour community.” At its best, society would operate as a network of cooperatives “which impos[e their] own rhythm on the work [through] non-hierarchical organization” and the democratic recognition of human equality (Rancière 37, 89-90, 93, 108, 117; May).

Conclusion: National Socialism, ‘Anti-Imperialism,’ and Anarcho-Syndicalism

Returning to the attempted Capitol putsch of 2021, we see that this disturbing neo-fascist moment united hyper-masculinity, white-male rage, anddirect action with anti-parliamentarian and anti-democratic politics. As Eric Alterman describes, “Trumpism’s release of suppressed sexual and aggressive drives is a far cry from [what Marcuse termed Eros]. Rather, it represents what Marcuse called the ‘political utilization of sex’ and aggression to reinforce social domination” (Alterman). That being said, this moribund marriage of opportunism with authoritarianism has not been limited in recent years to the far right. In the wake of the rise of self-described ‘leftist’ streamers and ‘anti-imperialist’ bloggers who claim independence from mainstream media while reproducing their brand competitiveness and associated ‘spins’ on reality, many neophyte ‘socialist celebrities’ have profited from “preach[ing] a contempt for democracy and parliamentarism,” as revolutionary syndicalists and ultra-nationalists did a century ago (Sternhell 108, 153).

Along these very same lines, the political comedian Jimmy Dore bases his appeal in a call for the left and the right to “join forces” against “the Establishment.” Likewise, the GrayZone conspiracy theorists deny the existence of concentration camps for Uyghurs and other ethno-religious minorities that are maintained by the Chinese Communist Party in Xinjiang. Appallingly, one of GrayZone’s main shticks is to deny Bashar al-Assad’s responsibility for hundreds of chemical-weapons attacks carried out against insurgents and civilian communities alike in Syria over the past decade. We shouldn’t, therefore, be surprised that Dore and GrayZone have now switched to promoting disinformation about COVID-19 vaccines, and agitating in favor of the use of ivermectin to treat COVID.

Rancière mentions the case of Pierre Daix (1922-2014), a journalist who first “denied the existence of labour camps in the Soviet Union [in 1949]; he never convinced anybody,” and then he resigned from the PCF in 1974, after having engaged with Solzhenitsyn’s GULAG Archipelago (1973) (Rancière 107). Given the profit and self-promotion involved, we cannot expect the GrayZone editors to argue in good faith about history or current events, much less renounce their absurd positions. The problem is that they do seem to convince their audiences, who admittedly may already be predisposed to aggressive, delusional, and sadistic thought-patterns and behaviors. Like Althusser over May 1968, ‘anti-imperialist’ authoritarians—ostensibly on the left—have built up their brands by denying the existence of the Syrian Revolution over the past decade on the one hand, and covering up the egregious atrocities carried out by the counter-revolutionary axis on the other: that is, Assad and his Russian and Iranian allies. With nearly a million Syrians murdered, and millions more displaced internally and across borders, the “line” of GrayZone and its sympathizers—of allying with the executioners—is a fundamental violation of leftist and Enlightenment principles around internationalism, humanism, and egalitarianism. In short, this ‘anti-imperialist’ discourse is merely another discourse of order and a “consecration of the [status quo] in the language of revolution” (Rancière 124).

Around Syria, the Trump regime, and COVID-19, we have seen a clear convergence between Stalinists and fascists who seek to marry revolution with tradition by advancing anti-rationalism, anti-humanism, and a hatred of democracy (Stites 250; Sternhell 240-1). The risk is that contrarian bloggers and streamers in touch with these currents are implicitly and paradoxically promoting neo-Nazism by espousing “an authoritarian and corporatist national revolution based on an ‘anticapitalist’ alliance” (Sternhell 248). Though this risk may seem exaggerated, the experience of four years of Trump, plus the resentment that persists over his electoral loss, show us just how much support the Counter-Enlightenment continues to enjoy.

Within this struggle, in the hopes of avoiding contributing to a reinvigorated fascism in our time, anarchists and anarcho-syndicalists should restate our opposition to private property, and our universal support for worker and community self-control of the economy and polity. Plus, we should revisit implicit or explicit futurism, anti-rationalism, and anti-humanism in the movement, and in our history, plus reconsider to what extent sharing a Nietzschean, Heideggerian, or Sorelian critique of liberal democracy is helpful. Furthermore, the cause of worker autonomy, which is realistically the only means of ensuring the preconditions for collective liberation and protection of the Earth from climate destruction, might greatly be assisted by integrating the insights from Critical Theory about the psychological dimensions of overcoming hierarchy, which ultimately is based on voluntary obedience, into labor organizing. Therefore, I conclude: anarcho-syndicalists and critical theorists, unite!

Works Cited

Abromeit, John. “Transformations of Producerist Populism in Western Europe.” Transformations of Populism in Europe, the United States and Latin America: History, Theories and Recent Tendencies. Ed. John Abromeit. Unpublished manuscript. 367-413.

Alterman, Eric 2021. “Altercation: Authoritarians Amok.” The American Prospect. Available online: https://prospect.org/politics/altercation-authoritarians-amok. Accessed 25 September 2021.

Arendt, Hannah 1968. The Origins of Totalitarianism. San Diego: Harcourt.

Beiner, Ronald 2021. “Dangerous Minds in Dangerous Times.” Thesis Eleven, vol. 163, no. 1. 29-42. doi:10.1177/07255136211005989.

Bernardini, David 2021. “A different antifascism. An analysis of the Rise of Nazism as seen by anarchists during the Weimar period.” History of European Ideas. DOI: 10.1080/01916599.2021.1963629.

Gandesha, Samir 2019. “The “Authoritarian Personality” Reconsidered: the Phantom of ‘Left Fascism.’” American Journal of Psychoanalysis. 79(4): 601-624. doi: 10.1057/s11231-019-09227-w. PMID: 31745203.

Hensman, Rohini 2018. Indefensible: Democracy, Counterrevolution, and the Rhetoric of Anti-Imperialism. Chicago: Haymarket Books.

Marcuse, Herbert 1999. Reason and Revolution: Hegel and the Rise of Social Theory. Amherst, NY: Humanity Books.

— 2008. A Study on Authority. Trans. Joris de Bres. London: Verso.

May, Todd 2008. The Political Thought of Jacques Rancière: Creating Equality. University Park, PA: Penn State University Press.

Neumann, Franz 1942. Behemoth: The Structure and Practice of National Socialism. London: Victor Gollancz.

Plechanoff, George 2014. Anarchism and Socialism. Trans. Eleanor Marx. Charleston, SC: CreateSpace.

Rancière, Jacques 2017. Althusser’s Lesson. Trans. Emiliano Battista. London: Bloomsbury.

Sartre, Jean-Paul 1983. Cahiers pour une morale. Paris: Gallimard.

Sternhell, Ze’ev 1994. The Birth of Fascist Ideology: From Cultural Rebellion to Political Revolution. Trans. David Maisel. Princeton: Princeton University Press.

1Marcuse comments: “Hegel wrote his Philosophy of Right as a defense of the state against this pseudo-democratic ideology, in which he saw a more serious threat to freedom than in the continued rule of the vested authorities” (1999: 180).

Repudiating the Stalinist Legacy: Critique of “A Marxist-Leninist Perspective” on Stalin (Part III/III)

“In a totally fictitious world, failures need not be recorded, admitted, or remembered. […] Systematic lying to the whole world can be safely carried out only under the conditions of totalitarian rule.” – Hannah Arendt¹

Lenin and Stalin in 1922 (courtesy Keystone/Getty Images)

So far, in parts I and II of this response to “A Marxist-Leninist Perspective on Stalin,” we have seen how the “Proles of the Round Table” and their host Breht Ó Séaghdha have systematically lied on their infamous ‘Stalin podcast’ about the history of the Soviet Union, from covering up the Barcelona May Days (1937), the GULAG slave-labor camp system, the Hitler-Stalin Pact (1939), and the NKVD’s mass-deportation of Muslim and Buddhist minorities during World War II to declaring mass-death through Stalin’s forced collectivization of the peasantry to have been “extremely successful.” It is clear why Jeremy and Justin confidently present such a fraudulent version of history: were they even to mention any of these realities, it would become clear that their presence as Stalin apologists on a radio show ostensibly dedicated to an examination of “revolutionary left” history and theory would be immediately revealed as absurd. Yet here we are.

In this final third of my critique of this travesty, we will examine Jeremy and Justin’s genocide denial and their enthusiasm for the Moscow Show Trials. In contrast to the “Proles of the Round Table,” we will explore how anti-Semitism, ultra-nationalism, and sexism are essential aspects of the Stalinist legacy. We will then close with some comments about Soviet ecocide and a critical analysis of neo-Stalinist international relations today, which cover for pseudo-anti-imperialist executioners.

Holodomor Denial

While the breadth of Jeremy and Justin’s Stalin’s apologia on this interview is quite astounding, few aspects are as vile as their denial of the genocidal Ukrainian famine of 1932-1933. Justin is very clear about their view: “there was no mass-famine,” and the idea of Holodomor (the “Great Ukrainian Famine”) is a “myth.” Jeremy jumps in to claim that “Ukrainian nationalists” sought to undermine Stalin and “intentionally starv[e] the Soviet Union.” First, let’s note that, in making the latter claim, Jeremy unwittingly admits that the Soviet Union was imperialist, and should be that way: the implication is that Ukraine and other former colonies of the Tsarist Empire exist to serve Russia, or, in this case, Stalin’s regime. Beyond that, certainly there was famine in Ukraine in 1932-1933: the “Proles of the Round Table” are almost unique among neo-Stalinists, in that, rather than claim that the reported Holodomor death-toll has somehow been exaggerated for political purposes, they claim that it never happened. In so doing, they quite literally ape Stalin’s refusal to accept the reality of famine in Ukraine in spring 1932 upon receiving word of it from Vlas Chubar, Bolshevik leader of Ukraine, after which the General Secretary denied famine relief and banned the use of the word from all official correspondence.² While climatic conditions played a part, it was arguably the unrealistic quotas for the extraction of grain from the Ukrainian peasantry following in the wake of the “extremely successful” experience of forced collectivization that tipped the peasants into the first famine (spring 1932); once Stalin doubled down on the confiscation of grain and cattle after hearing initial reports of the famine, adding reprisals against those villages that failed to meet production quotas by cutting them off, this exacerbated an already disastrous situation. The result was the death of nearly 4 million Ukrainians, more than 10% of the population, with an additional 1-2 million Caucasians, Russians, and Kazakhs succumbing as well.³ Unsurprisingly, Justin and Jeremy have nothing to say about these Central Asian and Caucasian Muslim victims of famine.

To advance their lies about Ukraine, the “Proles of the Round Table” rely on one Grover Furr, a Stalin propagandist who also denies the Holodomor by citing the work of Mark Tauger, a supposed historiographer who actually quite fraudulently argues against the idea that the British Empire or the Soviet Union were responsible for the Great Irish Famine or the Bengal Famine, in the former case, or Holodomor, in the latter. As Louis Proyect has shown, Tauger wants to exclusively blame “environmental conditions” for these devastating catastrophes, and thus hide the role of political economy, power relations, and imperialism. This is the kind of ideology that the “Proles of Round Table” hold up as legitimate historical investigation.

Following the argument of the Jewish Polish lawyer Raphael Lemkin, originator of the concept of genocide, historian Norman Naimark holds Stalin responsible for genocide, if we consider the term’s original definition, which meant to include social and political groups. In targeting the “kulaks” for elimination and thus provoking the Holodomor, Stalin certainly was genocidal. This conclusion becomes even clearer when we review Stalin’s imperialist policies, his regime’s concurrent purging of most of the Ukrainian Communist Party leadership for their putative “nationalism,” and his August 1932 letter to fellow Politburo member Lazar Kaganovich, in which the General Secretary “set [forth] the goal of turning Ukraine into a real fortress of the USSR, a truly model republic.”⁴

Apologism for the Moscow Show Trials and Terror

“The insane mass manufacture of corpses is preceded by the historically and politically intelligible preparation of living corpses.” – Hannah Arendt⁵

While we have examined the Purges in parts I and II, let us now focus specifically on Justin and Jeremy’s apologism for the infamous Moscow Trials of the “Old Bolsheviks” (1936-1938), which were clearly nothing more than show trials. Justin begins by mistaking the Bolshevik leader Gregory Zinoviev for “Alexander Zinoviev,” a Soviet philosopher, and then mentions Trotsky’s analysis of “Soviet Thermidor” without in any way clarifying its application to Stalinism in power: that is, with reference to its historical antecedent—the French Revolution—whereby the bourgeois Directory seized power after overthrowing the Jacobin leaders Maximilien Robespierre and Louis de Saint-Just. To be clear, Stalin’s counter-revolution is highly suggestive of the legacy of the Directory—which is not to suggest that either Lenin or Robespierre were revolutionaries. In parallel, the “Proles of the Round Table” will mention Trotsky’s analysis of Stalin’s guilt over Hitler’s rise—written years after his expulsion from the party—and somehow consider this as retroactive criminal evidence for Trotsky’s supposed conspiracy against the General-Secretary-to be (as in the Left and United Opposition). Yet tellingly, they will not present the actual content of Trotsky’s argument: namely, that Stalin’s Comintern policy on “social fascism” facilitated the Nazi takeover of Germany.

Continuing on, Justin states that Zinoviev and Lev Kamenev “recanted” following their joining with Trotsky in the United Opposition to Stalin—but no reason is given as to why. Certainly, as in the case of Nikolai Bukharin, Zinoviev and Kamenev feared for their lives and that of their loved ones, particularly after seeing the example made of Trotsky, who was expelled ignominiously first from the Communist Party, and then the Soviet Union altogether (in 1928). Instead of contemplating such factors, the “Proles of the Round Table” begin to attempt to explain “why […] the Purge [is] beginning to become a necessity [sic].” Attempting to insert a victim-blaming narrative, Justin and Jeremy suggest that not all the “Old Bolsheviks” were “Communists”—meaning Stalinists—and therefore imply the necessity of their liquidation—and, in many cases, that of their families, who were also murdered so as to prevent revenge attacks against the Party emanating from the “clan” of those executed.⁶

This is a positively ghoulish illogic—one that is reproduced in Jeremy and Justin’s distortions about Bukharin, another victim of the Terror, whom they portray as a “social democrat.” In the first place, Bukharin was not a social democrat. Social democracy is incompatible with dictatorship: as Karl Kautsky, the preeminent theoretician of orthodox Marxism and German Social Democracy, insisted, there can be “no Socialism without democracy.”⁷ As a “believer in party dictatorship, Bukharin was no democrat”: though he disagreed with Trotsky and Stalin in desiring a continuation of the New Economic Policy (NEP) and “peace with the villages” in place of rapid “super-industrialization,” he and his supporters, known as the ‘Right Opposition,’ had no plan to institute a participatory form of government in the Soviet Union.⁸ Therefore, it would appear that Justin and Jeremy are being rather dishonest about Bukharin’s ideology, claiming that he’s been “waging a counter-revolution for years,” in an attempt to prepare their rationalization of his execution following the Moscow Show Trials of 1938. They make much of Bukharin’s confession to the charges of being an agent of foreign, imperialist powers—but they do not admit the reality that Bukharin confronted credible threats against the lives of his young wife and baby if he failed to confess. As Catherine Evtuhov observes,

“The question of why the falsely accused confessed to the fantastic crimes is not really an intellectual puzzle: Some feared for the lives of loved ones […]. Others were subjected to unbearable torture. A few many may have been convinced of the rightness of false confession for a higher good: the future of communism.”⁹

Once again, then, we find the “Proles of the Round Table” lying to their audience: referring to Bukharin, they suggest, “it’s not like he had a gun at his head […].” Actually, he most certainly did. Yet such spurious ‘analysis’ of historical events is one with their expressed faith in the official transcripts of Bukharin’s trial, which, in being “thorough,” are somehow to be considered legitimate evidence against him. They mention how the U.S. ambassador to Moscow endorsed the Moscow Show Trials, but fail to note that the U.S. philosopher John Dewey wrote the report Not Guilty in defense of those falsely charged by Stalin.¹⁰

For a more honest perspective, consider that Jean-Paul Sartre had by 1947 in Les Temps Modernes identified Stalin’s Soviet Union as a class society based on a “concentration-camp system.”¹¹ According to Hannah Arendt, within totalitarian regimes, “th[e] place of positive laws is taken by total terror.”¹² Indeed, the Comintern’s efforts to propagate its top-down vision for “revolution” were greatly hindered by the disillusionment of many Western sympathizers in light of the Terror of the 1930s and, ironically, the execution of many foreign communist leaders who had previously taken refuge in the Soviet Union.¹³ Alongside killing an astonishing 90% of Soviet trade-union leaders, Stalin ordered the following far-reaching executions:

“The entire leadership of the Polish Communist Party fell victim, as did the many other foreign Communists and those who had served in Spain and China. Comintern activists were recalled to Moscow from all over the world and shot. Non-Russian nationalities were assailed; a large segment of the party leadership in Ukraine was annihilated.”¹⁴

Imagine framing these sweeping atrocities, as Jeremy does, as the “defense of the Revolution,” and denying that they served the ends of Stalin’s consolidation of power. Imagine unironically claiming that “Stalin was a critic of Stalin: he was able to self-criticize.” Such naked apologism represents nothing more than the regurgitation of Soviet State propaganda and the worship of power.

To accommodate fetishizing the Stalinist cult of personality in 2018—harkening back to a 1930’s view which sees the General Secretary as both “hero and father-protector”—Jeremy and Justin are fully prepared to falsify history and deny Stalin’s world-historical crimes.¹⁵

Repression of Tolstoyan Peasants

To demonstrate how terribly mistaken this view is, let us briefly consider the testimony of three Tolstoyan peasants who lived and worked in the “Life and Labor Commune,” which was founded in 1921 just outside Moscow and then relocated to Western Siberia in 1931. As Tolstoyans, these peasants followed the Christian anarchist Lev Tolstoy, who had proclaimed altruism, humanism, internationalism, anti-militarism, and vegetarianism in his late novels and essays.¹⁶ Yet in 1936, Stalin’s regime retaliated against the Commune for what might be termed excessive ‘idealism’: “You are building communism too soon [sic]; it is too early for you to refuse to support violence and murder,” declared the judge passing sentence on these pacifist stateless communists.¹⁷

Courtesy William Edgerton

Boris Mazurin, a Tolstoyan leader of the “Life and Labor Commune,” writes in his memoirs that NKVD agents arrested several comrades from the Commune on the arbitrary basis of Article 58 of the Soviet criminal code, which was utilized by the State to suppress anyone considered to be a threat. Between 1936 and 1940, sixty-five Tolstoyans detained by the NKVD for being “counter-revolutionaries” never returned; the loss of so many members destabilized the ability of the Commune to continue operating. In addition, more than a hundred male Tolstoyan communards were executed by the Soviet power for refusing military service in World War II.¹⁸ Ivan Dragunovsky, another communard whose father Yakov was executed by the State in 1938, elicits the frightful night in October 1937 when NKVD agents came to arrest him and several of his young comrades, most of them never to be seen again, simply because they were Tolstoyans.¹⁹

Dimitry Morgachëv, a peasant-intellectual from the “Life and Labor Commune,” recalls his experiences in the Cheremoshniki transfer prison:

“There was terrible despotism in that camp, the kind you might think would be inadmissible in a land of workers and peasants […]. More than thirty years have gone by, and it still makes my flesh crawl when I remember how we lived, not for hours or days but for whole years, in that savage, inhuman life where people died like flies in autumn from the hard labor, from starvation, from the smarting consciousness of our innocence and our undeserved infamy and punishment […]. Could this be done by the representatives of Communist power, whose ideal—the withering away of the state, and a society without violence—was dear to them and to me alike? Could all this be perpetrated by the same people who had grown so indignant about the savagery and arbitrary rule of the tsarist authorities over the common people?”²⁰

Defending an Anti-Semitic, Ultra-Nationalist, and Sexist Legacy

By interview’s end, Jeremy, Justin, and Ó Séaghdha all sound quite pleased with themselves. The host praises his guests’ uncritical take on the Soviet Union, which he claims to have represented “a socialist [sic] f*cking powerhouse” that was “so successful at so many things.” Right. That’s just as ideological as Jeremy and Justin’s denial of the charges of anti-Semitism and Russian chauvinism raised against Stalin which Ó Séaghdha meekly poses before the triumphant conclusion. In this section, we will examine Stalin’s anti-Semitism, ultra-nationalism, and misogyny—the latter being a category that goes virtually unmentioned by the “Proles of the Round Table” and Ó Séaghdha.

Stalinist Anti-Semitism

Responding to Ó Séaghdha’s question about Stalin’s anti-Semitism, these “Proles of the Round Table” say that they “don’t know where you get the idea that he was anti-Semitic.” No? Let us count the ways.

• Vis-à-vis Kamenev, Zinoviev, and Trotsky’s United Opposition (1926), Stalin at the least took advantage of the anti-Semitic hatred among Party members directed against these men as Jews to outmaneuver and disarm them and expel Trotsky from the country in 1928;²¹
• The matter of conspiring to assassinate Trotsky (1940), exiled in Mexico;
• The Molotov-Ribbentrop, or Nazi-Soviet Pact, of August 1939, which partitioned Poland, home to Europe’s largest Jewish community before World War II, between the two totalitarian regimes: with the Hitler-Stalin Pact in mind, it’s simply untenable to pretend that Stalin bore no responsibility for the deaths of millions of Polish Jews at the hands of the Nazis, the question of the Comintern’s facilitation of Hitler’s coup to the side for the moment;
• Tellingly, Hitler clarified that the only man for whom he had “unqualified respect” was “Stalin the genius [sic],” in an echo perhaps of his earlier view (from the 1920’s) that “in our movement the two extremes come together: the Communists from the Left and the officers and the students from the Right,” and reflected as well in his May 1943 declaration that, “in this war bourgeois and revolutionary states are facing each other,” with ‘bourgeois’ meaning ‘Western’ and ‘revolutionary’ [sic] referring to Nazi Germany and the USSR;²²
• The murder of Shlomo (Solomon) Mikhoels in January 1948, as mentioned in part I, and the liquidation of the Jewish Anti-Fascist Committee (JAC) he had led later that year, resulting in at least twenty death sentences and nearly a hundred others being sent to the GULAG—as the historian Bożena Szaynok confirms, “Stalin personally supervised all activities directed against [the] JAC”;²³
• Gripped by fear and paranoia in the post-war environment regarding the possibility of a third world war, Stalin became increasingly suspicious of all elements considered “disloyal,” and, within the context of Politburo member Andrei Zhdanov’s triumphalist demand for the fetishization of nationalism in culture, his regime launched an anti-Semitic campaign that was first announced in Pravda in January 1949 against the “emissaries of rootless cosmopolitanism,” meaning Soviet Jewish artists and intellectuals, for their supposed Zionism and attendant lack of pride in the Soviet Union, leading often to their being replaced in the State sector by non-Jews, expelled from the Party and their professional organizations, and having their works censored;²⁴
• Stalinist repression against Yiddish-language newspapers and institutions in the Jewish Autonomous Region (JAR) located in Birobijan in the Soviet Far East, together with prison and death sentences for JAR leaders, accused of “anti-State activity, espionage, and attempts to create a Jewish state in the USSR”;²⁵
• In parallel to the shuttering of the Jewish Anti-Fascist Committee, the Jewish Labor Bund was dissolved in Soviet-occupied Poland in 1949;²⁶
• Whereas Stalin’s regime was the first country to recognize Israel in May 1948—in an attempt to undermine British imperial power—Soviet authorities regarded the Rosh Hashanah celebrations in Moscow in August 1948 which coincided with the visit of Israeli envoy Golda Meyerson (later Meir), who was received enthusiastically, as highly disloyal;²⁷
• The announcement in January 1953 in Pravda of the “discovery” of the supposed “Kremlin doctors’ plot,” whereby dozens of physicians, many of them Jewish, were accused of having conspired with Britain and the U.S. to murder Zhdanov by medical malpractice, and of planning to similarly murder Stalin.²⁸

Thankfully, Stalin died before this vile campaign could escalate into another Purge, this one exclusively targeting Jews. There is ominous evidence of orders for the construction of new concentration camps in the Soviet Far East from early 1953, confirming that “Soviet authorities were preparing for a large influx of new political prisoners at a time when few remained after World War II.” For Arendt, this shift from accusing Soviet Jews of Zionism to implicating them in a putative Jewish world conspiracy ultimately signals the true affinities between Hitler and Stalin:

“The open, unashamed adoption of what had become to the whole world the most prominent sign of Nazism was the last compliment Stalin paid to his late colleague and rival in total domination with whom, much to his chagrin, he had not been able to come to a lasting agreement.”²⁹

Stalinist Ultra-Nationalism

We have just seen how, toward the end of his life, Stalin contemptibly promoted open anti-Semitism and may well have been preparing another Holocaust. Yet even before this, as examined in parts I and II, Stalin combined Great Russian chauvinism, authoritarian high modernism, and a continuation of Tsarist imperialism from the beginning of his rule to “stabilize” his control over the Soviet Union and pursue its becoming a superpower. As such, “Stalinism was a deeply conservative structure of privilege for a ruling class that rejected many of the utopian ideals of the [Russian] revolution.”³⁰ The emergence of “national Bolshevism” as Stalinist ideology in the 1930’s owes much to nationalism within the Communist Party of the Soviet Union and the revision of Marxist principles—as reflected in the catastrophic Comintern policies not only to facilitate Hitler’s rise but also, in seeking to protect the Soviet Union by destabilizing imperialism, to order the Chinese Communist Party (CCP) to ally with the nationalist-feudalist Guo Min Dang (GMD), led by Chiang Kai-Shek, who promptly and murderously suppressed the Shanghai and Canton workers’ communes upon taking power with the CCP’s aid in 1927.³¹ Mao bitterly noted Stalin’s refusal to seriously assist the CCP during the Civil War against the GMD.³²

In 1934, Stalin, Kaganovich, and Zhdanov mandated nationalist revisions to the Soviet history curricula which would do away with what the General Secretary and his colleagues saw as an excessively “sociological” understanding of history that had, in promoting internationalism since 1917, supposedly failed to promote a unified sense of Soviet identity. Stalin and co. demanded a narrative emphasis on the “progressive interpretation” of centralizing and “state-building” Tsarist heroes such as Ivan IV (“the Terrible”), and an attendant de-emphasis on historically insurgent rebels such as Yemelyan Pugachëv and Stenka Razin; a focus on medieval Rus’ while excluding consideration of medieval Western Europe; and the communication of the ‘lesser evil theory’ to explain Russia’s colonization of Ukraine and Georgia, among other questions.³³ According to this rationale, Stalin essentially appealed to a continuity between his regime and the Tsarist Empire for legitimation: as such, Stalinist historiography “virtually ignored the history of Ukrainians and Belorussians, not to mention other, non-Slav peoples of the USSR.”³⁴ This was the age of ‘socialist realism,’ when Soviet novels were written without any conflict, and it was understood that music should be melodious, optimistic, exuberant, and nationalist: hence Zhdanov’s attacks on the composers Dmitri Shostakovich and Sergei Prokofiev for their putative “formalism,” which was supposedly related to an imitation of Western modernist styles.³⁵ Indeed, Sergei Eisenstein’s 1938 film Alexander Nevsky, which depicts the medieval war in the Baltic region between Nevsky’s forces and the German Teutonic Knights, incorporates classic Stalinist tropes regarding the “urgency of strong leadership, the courage of the Russian people, and the purported sadistic impulses of the German invader.”³⁶ As the historian Sheila Fitzpatrick observes, this ideological transformation from a discourse of internationalism to national-Bolshevism reflected Stalinism’s “shift in emphasis from the workers as the vanguard class of the Soviet experiment to the Russian people as its vanguard nation.”³⁷

In addition to the invasion and occupation of Georgia; forced collectivization, “dekulakization,” and Holodomor in Ukraine; and counter-insurgency, famine, and the imposition of ethno-linguistic divisions in Central Asia, Stalin was also responsible for occupying and then subordinating the ill-named Eastern European “People’s Democracies” following the Yalta Conference of February 1945. Though these countries remained formally independent of the USSR, they essentially were (with the exception of Yugoslavia) “Sovietized” after WWII, such that Purges and dictatorship rather than self-determination and democratic self-rule followed the end of the war for millions of Eastern Europeans.³⁸ Stalin’s end-of-life anti-Semitic campaign, then, noxiously spread to several of these “People’s Democracies,” particularly Poland and Czechoslovakia.³⁹

Stalinist Patriarchy

Ó Séaghdha begins this interview on an actually promising note: he emphasizes that he wants to get away from the “Great Man of History” narrative when discussing Stalin. As with his parallel introductory comment about combating anti-Semitism, however, this is a purely opportunistic assertion, given that he provides the “Proles of the Round Table” nearly three hours to espouse historical lies that are framed within this very same narrative about the singular importance of the General Secretary.

As a putative “Great Man of History,” it should not therefore be surprising that Stalin was quite a sexist and a traditionalist on the woman’s question: he was after all responsible for advancing an “authoritarian and patriarchal political culture that […] pervaded social relations.”⁴⁰ In 1930, the Zhenotdel, the women’s section of the Soviet Communist Party, which had been established by Alexandra Kollontai and others to promote female literacy and knowledge about marriage and property rights, was shuttered, and the perspectives of Communist feminists marginalized; in 1936, Stalin’s regime restricted divorce and abortion. Whereas the regime publicly recognized “Heroines of Motherhood” for bearing several children to serve the State, his officials engaged in rape campaigns in the GULAG camps and detention centers as a means of torture and humilation.⁴¹ When the Red Army entered Germany, moreover, toward the end of World War II, Soviet troops engaged in mass-rape of “thousands of females of all ages.”⁴² Additionally, in the wake of M. I. Ryutin’s appeal to depose Stalin in 1932, and following the General Secretary’s reprisals against Ryutin, Kamenev, and Zinoviev, his second wife, Nadezhda Allilueva, reportedly became very disillusioned with him; when Stalin rudely insulted her one evening at a dinner party, she was found dead the next morning, the result of an apparent suicide.⁴³

A Soviet mosaic in the Uzbek city of Bukhara (Courtesy The Guardian)

In Central Asia, otherwise known as Turkestan, Stalinist high modernism coupled with a paradoxical mix of Soviet feminism, imperialism, and Orientalism led authorities to attempt to promote sexual equality in the region beginning in the late 1920’s. This campaign “threatened a total abrogation of the primordial status system,” and in promoting it, Soviet officials “meant to pose a fundamental challenge to the structure and life style of local communities.”⁴⁴ Soviet family legislation in Turkestan sought to outlaw polygamy, allow women to divorce their husbands, establish a minimum age for marriage, and prevent arranged marriages, among other things; yet in response, many Muslim men divorced their wives, forcing them onto the streets. When some women employed the new rights afforded them by divorcing their husbands and publicly unveiling themselves, many Muslim men “responded with an explosion of hostility and violence apparently unequaled in scope and intensity until then on any other grounds.”⁴⁵ Prompted by clerics, many men began persecuting, assaulting, and murdering unveiled women, female activists and their families, and those related to these figures. This conservative backlash resulted not only in the reveiling of unveiled women but also the spread of veiling among women who had not previously been veiled. Even some men who had benefited from Soviet land redistribution turned against the regime after this imposition of sexual equality. Soviet authorities then doubled down against the emergence of such male-supremacist resistance, reconstituting crimes against women as counter-revolutionary, carrying the obligatory penalty of execution; outlawing not only the Islamic veil but all other forms of traditional dress; and beginning to exclude veiled women from Soviet programs. The result of such intensification proved to be rather counter-productive, as many men tended to become more resistant to efforts to emancipate women, more violent, and less cooperative with overall Soviet policy. Ultimately, Soviet officials realized that deeply embedded cultural norms could not be eradicated merely by decree, such that this policy of “feminism from above” was promptly reversed, with accommodation and stability coming to replace the pursuit of fundamental social changes in gender relations.⁴⁶

Courtesy Catherine Evtuhov et al.

Stalinist Ecocide

Though this critique of a “Marxist-Leninist Perspective” on Stalin is focused primarily on history and politics, I would be remiss not to at least mention some of the environmental depredations resulting from Stalinist industrialization and the USSR’s self-assertion as a superpower. Against Ó Séaghdha’s characterization of Soviet mass-industrialization as representing “proletarian beauty,” these ecological ill-effects range from persistent radioactivity resulting from Soviet nuclear tests, particularly in Kazakhstan, to the near-collapse of the Aral Sea as a viable ecosystem and natural-resource provider secondary to the industrial-scale expansion of cotton production in the USSR, which was based on the mass-diversion of water for irrigation from the Syr Darya and Amu Darya rivers that supply the Aral Sea, together with the Chernobyl nuclear catastrophe and the legacy of mass-chemical pollution.⁴⁷ These lamentable realities provide a stark reminder that “[s]ocieties that have abolished or statized private profit have not escaped the most brutal dimensions of the ecological crisis.”⁴⁸ Furthermore, a landmark 2013 study regarding historical responsibility for global warming which blames a sum total of 90 companies for fossil-fuel extraction holds investor-owned capitalist energy firms responsible for about one-fifth (21%) of carbon emissions since the Industrial Revolution, and Soviet State-owned oil, gas, and coal corporations responsible for just under 9% of total emissions.

Soviet women working on wartime production of tanks (courtesy David Goldfrank)

Neo-Stalinist International Relations: Siding with Executioners Globally

“The Nazis were well aware of the protective wall of incredulity which surrounded their enterprise.” – Hannah Arendt⁴⁹

Besides peddling historical lies to rehabilitate genocidal totalitarians of the past, neo-Stalinists notoriously run interference for authoritarian, neo-fascist, and (sub)imperialist States of today, if they judge them to be sufficiently “anti-imperialist”—by which these opportunists do not mean opposed to imperialism as such , but rather U.S. imperialism. Instead of internalizing Hensman’s critical points that “anti-imperialists [must] oppose all oppression by one country of another” and “understand that socialist internationalism demands solidarity with democratic revolutions, not with the counterrevolutions trying to crush them,” contemporary neo-Stalinists very typically adhere to a “campist” analysis, following Stalin’s identification of “the two camps” at the Potsdam conference of July 1945: the British and U.S. vs. the USSR.⁵⁰ Overlaying the various complexities of international relations with a manichean worldview, Western neo-Stalinists prioritize Karl Liebknecht’s identification of “the main enemy [being] at home”: whereas U.S. imperialism certainly must be opposed, their excessive attachment to this principle leads them often to the fallacious conclusion that popular uprisings against putative enemies of the U.S.—such as the Syrian Revolution, the Iranian revolt of late 2017 and early 2018, or the Ahwazi struggle for justice and self-determination—must be “CIA,” “Gulf,” or “Zionist” conspiracies. Given this framing, which is ideological rather than empirical or materialist, neo-Stalinists will implicitly—and evermore so recently, overtly—provide passive and/or active support for despots such as Bashar al-Assad, (the overthrown and now-defunct) Mu’ammar al-Gaddafi, Vladimir Putin, Xi Jinping, and the leaders of the Islamic Republic of Iran. As such, they side with executioners, hence violating the basic responsibility Howard Zinn and Noam Chomsky assigned to intellectuals—however much Chomsky himself appears to have violated this principle when it comes to the 1995 Srebrenica massacre of thousands of Muslim Bosniak men and boys by Serbian ultra-nationalists.⁵¹ In light of Stalin’s mass-deportation of Muslims during World War II, and considering also the vile, potentially genocidal anti-Semitic campaign launched by the General Secretary toward life’s end, it should be clear how much of a continuity the neo-Stalinist “analysis” of popular uprisings against reactionary, pseudo-anti-imperialist regimes represents relative to Stalin’s own attitude toward “fifth columns” and putatively “disloyal elements.”

Indeed, substituting formulaic scripts for actual investigation, many neo-Stalinists of today completely fail on an analytical level to understand U.S. policy toward Syria. They ignore clear collaboration between the U.S. and the Assad Regime, from Hafez al-Assad’s deployment of 1500 Syrian troops to fight in Desert Storm against Saddam Hussein’s forces to Bashar al-Assad’s torture of ‘terror suspects’ detained by the U.S. in the ‘War on Terror.’⁵² Since the beginning of the Syrian Revolution in March 2011, the U.S. has not been committed to overthrowing Assad and does not appear ever to have supported the democratic opposition against him. Yet prominent “tankies” in the media, including Ó Séaghdha himself, continue to hold that the U.S. empire seeks Assad’s downfall and his replacement with “Salafi-jihadists.” Yet this is the opposite of what the U.S. or Israel want. The “tank” zeal to blame the Syrian catastrophe on Western imperialism quite clearly overlooks the very obvious imperialist role played there by Russia, especially since September 2015, when Putin intervened decisively to save Assad’s Regime. Neo-Stalinists have nothing to say about the estimated 18,000 Syrian victims of Russian aerial bombardment, or the destruction of entire cities by the Russian air force. To accord with their campist perspective—and, indeed, continuing in their denialist pedigree regarding Stalin’s world-historical crimes—they deny Assad’s vast atrocities, from the extermination of detainees to the numerous occasions on which the Regime has resorted to using chemical weapons.

As such, they lend their support to neo-fascist and genocidal ruling classes, such as the Assad Regime, or as the neo-Stalinist propagandist and “Revolutionary Left Radio” veteran Ajit Singh does with regard to the Chinese Communist Party (CCP): in August 2018, he co-authored with Ben Norton an infamous article on the campist disinformation site Grayzone which denies the well-documented mass-internment of indigenous Muslim Uighurs. It is simply a non-sensical piece, given that the official Chinese State newspaper, The Global Times, had already defended the suppression of the Uighurs two weeks before the Grayzone article was published by alluding to the supposed need to prevent the Xinjiang province from becoming “China’s Syria” or “China’s Libya.” Moreover, in early October, the Xinjiang government legalized the camps. To date, the Grayzone article’s fraudulent title continues to be “No, the UN Did Not Report China Has ‘Massive Internment Camps’ for Uighur Muslims,” and it does not appear that either Singh or Norton has published an update or a correction; indeed, the article is still live. How telling that these Stalinist ‘journalists’ are comfortable with legitimizing the neo-fascist war on truth, as reflected in Donald Trump’s belittling of “fake news.”

Whereas for most neo-Stalinists, support for Palestinian self-determination against Israeli settler-colonialism is a matter of principle, Hensman clearly identifies their opportunism when she asks:

“How can anyone who feels anguish when Palestinian children are targeted and killed in Gaza not feel anguish when Syrian children are targeted and killed in Aleppo?”⁵³

This pointed question is implicitly raised in the new film A Private War (2018), which shows the American journalist Marie Colvin interviewing a Syrian mother with her young infant daughter in a bomb shelter in Homs in early 2012—sheltering, of course, from the Assad Regime’s indiscriminate bombardment of civilian areas. While we would consider it very difficult to deny human solidarity to this oppressed Syrian mother, just the same as an oppressed Palestinian woman, neo-Stalinists are “quite prepared to sacrifice everybody’s vital immediate interests to the execution of what [they] assum[e] to be the law of History.”⁵⁴ Everything else, from mass-death in Assad’s dungeons to mass-imprisonment of Uighurs in Chinese concentration camps, are details to them, whether historical or contemporary. Decisively, the CCP’s rationalization of its mass-internment of Muslim Uighurs very closely echoes Stalinist propaganda about and policy toward the supposedly “backward” Muslim peoples of Central Asia and the Caucasus Mountains: note that Uighur Muslims have been cut off from the Ummah, just as Soviet Muslims were in Stalin’s era, and that the CCP, in seeking to forcibly divorce the Uighur youth from Islam, has consciously sought to suppress Uighur nationalism and the related possibility of independence for Eastern Turkestan, as Xinjiang is also known.

A Soviet mosaic in Semey, Kazakhstan (Courtesy The Guardian)

In the U.S., it is the ill-named Party for Socialism and Liberation (PSL) and the Workers’ World Party (WWP), together with their front-groups, such as the Act Now to End War and Stop Racism (ANSWER) Coalition and the International Action Center (IAC), that propagate neo-Stalinist and campist approaches to international relations, which inevitably end up translating into passive and/or active support for pseudo-anti-imperialist executioners. Yet it is not only the PSL, the WWP, ANSWER, or IAC which do so in the U.S.: just on Sunday, November 11, 2018, in Los Angeles, members of the similarly ill-named Peace and Freedom Party picketed a presentation about the Syrian Revolution and the occupation of Syria by Russia and Iran that was given by the Syrian pro-democratic activist Samir Twair, whose 39-year old brother was murdered by Assad’s forces in the notorious Sednaya prison, and hosted by LA Jews for Peace. While these “tank” trolls’ aggressive booing, hissing, and intimidation of the speaker during his presentation and the discussion which followed was lamentable enough, the sign one of them brought to the event (shown below) itself speaks volumes to the naked opportunism, ruthlessness, and atrocity-denial that today grips a part of the Western so-called left, reflecting the persistence of the shameful Stalinist legacy.

As Theodor W. Adorno observed correctly, “the past that one would like to evade is still very much alive.”

Notes

1Arendt 388, 413.

2Plokhy 250-251.

3Ibid 253-254; Evtuhov 669.

4Evtuhov 675; Plokhy 252 (emphasis added).

5Arendt 447.

6Evtuhov 676.

7Lee 236.

8Evtuhov 642-644.

9Evtuhov 674.

10Ibid 674.

11Ian H. Birchall, Sartre against Stalinism (New York: Berghahn Books, 2004), 53.

12Arendt 464.

13Meyer 102.

14Evtuhov 675.

15Ibid 693.

16See for example Tolstoy’s The Kingdom of God Is Within You (1893), Resurrection (1899), or Hadji Murat (1912).

17Ivan Dragunovsky, “From the Book One of My Lives,” in Memoirs of Peasant Tolstoyans in Soviet Russia, trans. William Edgerton (Bloomington, Indiana: Indiana Univ. Press, 1993), 251.

18Boris Mazurin, “The Life and Labor Commune: A History and Some Reflections,” in Memoirs of Peasant Tolstoyans in Soviet Russia, trans. William Edgerton (Bloomington, Indiana: Indiana Univ. Press, 1993), 91-108; Dimitry Morgachëv, “My Life,” in Memoirs of Peasant Tolstoyans in Soviet Russia, trans. William Edgerton (Bloomington, Indiana: Indiana Univ. Press, 1993), 177.

19Dragunovsky 252-257.

20Morgachëv 166-167, 171 (emphasis added).

21Evtuhov 642.

22Arendt 309n12-13.

23Evtuhov 723; Boena Szaynok, “The Anti-Jewish Policy of the USSR in the Last Decade of Stalin’s Rule and Its Impact of the East European Countries with Special Reference to Poland,” Russian History, 29, nos. 2-4 (2002), 302.

24Evtuhov 722-723; Szaynok 302-303.

25Evtuhov 723; Szaynok 303.

26Szaynok 310.

27Evtuhov 723; Szaynok 304.

28Evtuhov 728-729; Syaznok 305.

29Arendt xxxix-xl.

30Evtuhov 729.

31D. L. Brandenberger and A. M. Dubrovsky, “’The People Need a Tsar’: The Emergence of National Bolshevism as Stalinist Ideology, 1931-1941,” Europe-Asia Studies, vol. 50, no. 5 (1998), 873; Liu 8-13.

32Evtuhov 721.

33Brandenberger and Dubrovsky 874-881.

34Ibid 879.

35Evtuhov 722-723.

36Ibid 693.

37Brandenberger and Dubrovsky 882 (emphasis in original).

38Evtuhov 716-720.

39Szaynok 305-315.

40Evtuhov 729.

41Ibid 686-687.

42Ibid 711.

43Ibid 671.

44Gregory J. Massell, The Surrogate Proletariat (Princeton: Princeton University Press, 1974), 250.

45Ibid 275

46Ibid 284, 316, 320-325, 351-354.

47Evtuhov 755.

48Jean-Paul Deléage, “Eco-Marxist Critique of Political Economy,” in Is Capitalism Sustainable: Political Economy and the Politics of Ecology, ed. Martin O’Connor (New York: Guilford, 1994), 45.

49Arendt 437n124.

50Hensman 15 (emphasis in original); Evtuhov 717.

51Hensman 283.

52Reese Ehrlich, Inside Syria: The Backstory of Their Civil War and What the World Can Expect (Amherst, Massachusetts: Prometheus Books, 2014), 71, 146-149.

53Hensman 284.

54Arendt 461.

What Were Stalin’s Real Crimes? Critique of “A Marxist-Leninist Perspective” on Stalin (Part II/III)

The meaning of forced collectivization: an irrigation project in Fergana, Eastern Kazakhstan, 1935 (courtesy David Goldfrank)

“It is in the nature of ideological politics […] that the real content of the ideology […] which originally had brought about the ‘idea’ […] is devoured by the logic with which the ‘idea’ is carried out.”

– Hannah Arendt¹

What’s the biggest problem with the “criticisms” of Stalin raised by the “Proles of the Round Table”? That they are so disingenuous and anemic. One of the three critiques raised—about Spain—in fact isn’t critical of Stalin, while we’ve seen (in part I) how the “criticism” on deportations is entirely misleading. A related question might be to ask how it looks for two presumably white U.S. Americans to criticize Stalin for some (1-2%) of his deportations of ethnic Germans, but not to do so when it comes to the dictator’s mass-deportations of Muslims, Buddhists, and other indigenous peoples. At least Mao Zedong judged Stalin as being “30 percent wrong and 70 percent right.”² For Jeremy and Justin, though, Stalin appears to have been at least 90%, if not 95%, right. Maybe we can soon expect the “Proles of the Round Table” Patreon to begin selling wearables proclaiming that “Stalin did nothing wrong.”

Besides the aforementioned Molotov-Ribbentrop Pact, the May Days, and the mass-deportations of ethnic minorities, let’s now consider five of Stalin’s real crimes.

1. “Socialism in One Country”: Stalinist Ideology

His revision, together with fellow Bolshevik Nikolai Bukharin, of the tradition of socialist internationalism to the reactionary, ultra-nationalist idea of “socialism in one country.” Stalin and Bukharin arrived at this conclusion to compete against Lev Trotsky’s rival concept of “permanent revolution,” which calls first for a European and then global federation of socialist republics. This Stalinist doctrine, which demanded that the interests of the Soviet bureaucracy be considered first within the Third International (or Comintern), can explain both the General Secretary’s demand to crush the anarchists in Spain in 1937 and his effective facilitation of Hitler’s rise to power by means of the disastrous Comintern policy that considered the social-democratic (that is, non-Stalinist) opposition to Hitler to be “social-fascist.” The General Secretary would only reverse course and endorse a “Popular Front” strategy after Hitler had taken power.³ Stalinist ultra-nationalism finds contemporary purchase among neo-fascist, national-Bolshevik movements, whereas—perhaps ironically—the Comintern doctrine on “social fascism” has echoes today among ultra-leftists disdainful of coalition-building with more moderate political forces (e.g., as in the 2016 U.S. presidential election). Moreover, Stalin’s preference for “socialism in one country” can help us understand the Soviet Union’s continued sale of petroleum to Mussolini following this fascist’s military invasion of Abyssinia (Ethiopia) in 1935.⁴ Within this same vein, and anticipating the affinity of today’s neo-Stalinists for campist “analyses” of international relations, Moscow variously supported the feudalist Guo Min Dang (GMD) in China, the Turkish President Mustafa Kemal Atatürk, the Iranian Shah Mohammed Reza Pahlavi, the Afghan King Amanullah Khan, and Ibn al-Sa’ud (founder of Saudi Arabia) during this time on the grounds that these leaders staunchly opposed the West, despite their great distance from any kind of socialist paradigm.⁵

Courtesy Voline, The Unknown Revolution

2. Stalinist Imperialism

His “Great-Russian” chauvinism, as manifested in his brutally imperialist policies toward ethnic minorities—particularly the deportations of Muslims (as mentioned above in part I)—and other subject-peoples of the former Tsarist empire, whose colonial project Stalin enthusiastically embraced. Though Georgian by origin (his birth name was Ioseb Jughashvili), Stalin (whose Russian nom de guerre means “man of steel”) was “the most ‘Russian’ of the early leaders” who advanced not only “socialism in one country,’ but […] a socialism built on a predominantly Russian foundation.”⁶ According to Dunayevskaya, Stalin’s “national arrogance” was “as rabid as that of any Tsarist official.”⁷ In contrast to his mentor and supervisor Vladimir I. Lenin, who at least formally supported the right of self-determination for the oppressed nationalities of the Tsarist empire while greatly violating this principle in practice, Stalin was openly imperialist on the national question: according to the terms of this relationship, the colonies were to be “plundered for raw materials and food to serve the industrialisation of Russia.”8 It therefore remains clear that, under the Soviet Union, “Russia was not a nation state but an empire, an ideological state. Any definition as a nation-state would probably have excluded at least the non-Slavs, and certainly the Muslims.”⁹ Accordingly, the official history taught in Stalin’s USSR rehabilitated the mythical Tsarist narrative that the Russian “Empire had brought progress and civilisation to backward peoples.”¹⁰

Ethnographic map of the former Soviet Union. Date unknown

In Georgia, a former Tsarist-era colony located in the Caucasus Mountains, the social-democratic Menshevik Party declared independence in 1918 to found the Georgian Democratic Republic, otherwise known as the Georgian Commune, wherein parliamentary democracy and a relatively collaborative relationship among the peasantry, proletariat, and political leadership lasted for three years, until Stalin and his fellow Georgian Bolshevik Sergo Ordzhonikidze organized a Red Army invasion in 1921 which crushed this courageous experiment in democratic socialism. The errant ex-colony of Georgia was thus forcibly reincorporated into the ex-Tsarist Empire—by then, the “Transcaucasian Federated Soviet Republic,” part of the Soviet Union.¹¹ Besides Georgia, this “Transcaucasian Federated Soviet Republic” would include Azerbaijan and Armenia, which had also been occupied by the Red Army in 1920.¹²

In the Muslim-majority provinces of Central Asia, otherwise known as Turkestan, the poorest region of the former Tsarist Empire, Lenin and Stalin sided with the interests of the Russian settlers against the Muslim peasantry.¹³ In Orientalist fashion, the Bolsheviks considered Central Asia’s “Muslims as culturally backward, not really suitable to be communists and needing to be kept under a kind of tutelage.”¹⁴ Yet in light of the sustained Basmachi revolt waged by Muslim guerrillas against Soviet imperialism in the first decade after October 1917, Stalin also recognized the significant threat these colonized Muslims could pose to the Soviet Union—hence his active discouragement of pan-Islamism and pan-Turkism by means of cutting off the USSR’s Muslims “subjects,” many of them ethnically and linguistically Turkic, from the rest of the Ummah (Islamic global brotherhood or community) abroad. An early 1930’s law punishing unauthorized exit from the USSR made observation of hajj, or the pilgrimage to Mecca, quite impossible.¹⁵ The expulsion from the Communist Party (1923) and subsequent imprisonment (1928) of the Volga Tatar Sultan Galiev, a pan-Islamist “national-communist” who envisioned organizing the Turkic Muslims into a fighting force against Western imperialism, followed a similar logic.¹⁶

In the Stalinist conception, the numerous subject-peoples of the Soviet Union could be classified hierarchically according to their “stage of development,” as based on their mode of production and whether or not they had a written language, such that supposedly more ‘advanced’ peoples would qualify as ‘nations’ that were granted the status of “Soviet Socialist Republic” (SSR), whereas “less developed” peoples would be granted “Autonomous Soviet Socialist Republics” (ASSR), while those without written languages would be placed in “Autonomous Regions” (AR), or “National Territories” (NT). In 1953, the year of Stalin’s death, there existed 14 SSR’s, 20 ASSR’s, 8 AR’s, and 10 NT’s in the USSR.17

Map of Soviet administrative subdivisions, 1989. Notice the numerous ASSR subdivisions in Central Asia

This systematic atomization of oppressed nationalities followed Stalin’s “principle of the dual bridgehead,” whereby the State would favor those minorities that could assist the USSR in expanding its reach while repressing other minorities whose existence could serve as a “fifth column” for the USSR’s rivals. In part I of this critique, we saw how this rationale played out in Stalin’s mass-deportations: the General Secretary felt justified in forcibly transferring the Turkic Muslim Meskhetian people, among others, because they were supposedly too close to the Turkish State headed by Kemal Atatürk. Furthermore, this principle can be gleaned in the Soviet Communist Party’s initial favoring of Uzbeks over Tajiks beginning in 1924, followed by a 180° shift in perspective upon the overthrow of Afghanistan’s King Amanullah (a Pashtun) by Bacha-i Saqqao, a Tajik, in 1928—leading to the proclamation of the Tajikistan SSR in 1929.¹⁸ The capital city of Dushanbe was subsequently renamed as “Stalinabad.”¹⁹ In addition, whereas the Communist Party favored its own Kurdish minority, some of whom included refugees, because it could use them in the future as pawns against Iran and Turkey, it had refused to support Kurdish and Turkmen rebellions abroad against Turkey and Iran in 1925. Above all, Stalin’s nationalities policy achieved its greatest “success” in its complex partition of Turkestan by means of the drawing-up of borders that were defined along ethno-nationalist lines: just look at the region’s current borders (see map above), which are based on those concluded by Stalin’s regime. In thus pitting Central Asia’s mosaic of different ethno-linguistic groups against each other, Stalin definitively laid the pan-Islamist specter to rest.²⁰ Dunayevskaya’s observation here seems apt: it was in Stalin’s “attitude to the many [oppressed] nationalities” that the General Secretary’s “passion for bossing came out in full bloom.”²¹

A Soviet mosaic in Karaghandy, Kazakhstan (Courtesy The Guardian)

Stalin’s imperialist assertion of power over Central Asia, which imposed the collectivization of cattle herds and the nationalization of bazaars and caravans managed by indigenous peoples while promoting Russian settlements, resulted in famine and revolt.²² It involved a high-modernist assault on Islam in the name of emancipating women and remaking traditional patriarchal Turkic social relations, as we shall examine in more detail in the third part of this response.

Regarding Ukraine, see the section on Jeremy and Justin’s Holodomor denial in the third part of this response. Briefly, Jeremy’s Russian-chauvinist attitude toward all matters Ukrainian comes through at a fundamental linguistical level when he refers to Ukraine as “the Ukraine.” This formulation, like the Russian «на Украине» (“in the Ukraine”), is an imperialist way of referring to the country, which is not just a colony of Russia or the Soviet Union (as in, “the Ukrain[ian province]”). The proper way is to refer just to Ukraine, as in the Russian equivalent «в Украине» (“in Ukraine”).

Such attitudes are shared by Ó Séaghdha, who falsely claims Ukraine today to be a “bastion of the far right and neo-Nazism,” just as Justin compares “Ukrainian nationalists” to the U.S.-based Proud Boys. One’s mind is boggled: as of July 2018, the ultra-nationalist Svoboda Party had only 6 seats, or 1.3%, in Ukraine’s Verkhovna Rada, while in both rounds of elections held in 2014, Svoboda and Right Sector alike gained less than 5% of the vote.²³ In fact, Ukraine has held its first major LGBT Pride marches following the Euromaidan protests which overthrew the Putin-affiliated President Viktor Yanukovych in 2014. Meanwhile, by focusing on the supposedly ‘fascist’ Ukrainians,²⁴ Ó Séaghdha and his guests deny the global reach of Putin’s neo-Nazism, from his 2014 occupation of Crimea and invasion of Eastern Ukraine and his subsequent mass-detention of Crimean Tatar Muslims, including in psychiatric hospitals, to his regime’s criminalization of homosexuality, decriminalization of domestic violence, and genocidal intervention in support of the Assad Regime in Syria—to say nothing of his mutual affinities for the Trump Regime. How ironic is this misrepresentation, then, considering that Ukraine was the “centerpiece of Hitler’s vision of Lebensraum.”²⁵

A typically socialist-realist depiction of a collective farm celebration, by Arkady Plastov (1937): presumably, this is how neo-Stalinists and ‘Marxist-Leninists’ idealize the outcomes of forcible collectivization in the Soviet Union.

3. Stalinist State-Capitalism

His advocacy and implementation of state capitalism in the Soviet Union, whereby the basic relationship of exploitation between capital and labor persisted after the Russian Revolution, with the difference that capital in this case was managed and expanded by the Communist Party bureaucracy rather than the private capitalist class.²⁶ Upheld by the Army and police, the Soviet economy reduced workers to mere slaves: during the existence of the USSR, workers could not regulate, choose, or control their overseers and administrators, much less anticipate not having any, as through anarcho-syndicalist organization, or autogestion (самоуправление). In the USSR,

“[t]he State [wa]s [the worker’s] only employer. Instead of having thousands of ‘choices,’ as is the case in the nations where private capitalism prevails, in the U.S.S.R. (the U.S.C.R. [Union of State-Capitalist Republics: Voline]) the worker ha[d] only one. Any change of employer [wa]s impossible there.”27

Following the Revolution, “[f]or the Russian workers, […] nothing had changed; they were merely faced by another set of bosses, politicians and indoctrinators.”²⁸

Peasants under Stalin were similarly reduced to serfs, particularly during and following the forced collectivization process that began in 1928. Continuing with the precedent of the Bolshevik policy of “War Communism,” which had involved considerable extraction of grain and the conscription of young men from the peasantry, Stalin declared war on the countryside, expropriating all lands held by these peasants and concentrating these into kolkhozi, or “collective possessions,” and sovkhozi, or State farms, which were to be worked by the peasants in the interests of the State.²⁹ This nationalization did not discriminate between “rich” peasant, or kulak, and poor—in contrast to the misleading presentation Jeremy and Justin make of Stalin’s forcible collectivization campaign. The “Proles of the Round Table” deceptively explain the emergence of the “kulaks” by referring to the Tsarist Interior Minister Peter Stolypin’s land reforms of 1906, while saying nothing about Lenin’s “New Economic Policy” of 1921, which formally reintroduced private property. They also completely misrepresent Stalin’s collectivization policy, which proceeded at the points of bayonets, as a natural outgrowth of the traditional peasant commune (mir or obshchina), which had resisted the Tsarist State for centuries. In fact, it was arguably through Stalinist forcible collectivization that the Russian countryside fell under the control for the first time.³⁰ As peasant resistance to this “total reordering of a rural civilization from the top down” mounted, including an estimated 13,000 “mass disturbances” just in 1930, Stalin’s regime resorted to atrocious counter-insurgent tactics to bring the countryside to heel, including mass-executions, reprisals, and the resulting famines of 1931-1933 in Ukraine, South Russia, and Kazakhstan.³¹ The Stalinist regime conveniently expanded the definition of exactly who was a “kulak” from a class-based to a political definition, such that even poor peasants who opposed forcible collectivization could be labeled “kulaks” and deported to Siberia, the Far North, and Central Asia, as about 1.8 million peasants were in 1930-1931. As during the numerous other episodes of mass-deportations devised by Stalin, mortality rates among “dekulakized” peasants were high.³²

Puzzlingly, the “Proles of the Round Table” claim this collectivization to have been “extremely successful” in providing “stability” by the mid-1930’s, the resistance of at least 120 million peasants to the Terror campaign and the “excess mortality” of between 6 and 13 million people such Terror caused during this period notwithstanding. By precisely which standards can this campaign have said to have been “successful”? The historian Catherine Evtuhov observes: “From any humane perspective, the terrible costs were far greater than the rewards.”³³ In contrast, Jeremy and Justin either do not recognize the brutality of the Stalinist regime’s campaign, or they simply explain away mass-death during collectivization as resulting from natural disasters—thus ‘naturalizing’ the Soviet regime’s contributions to famines—and/or “kulak resistance.” By so easily dismissing mass-death, they imply that the millions of poor peasants who were destroyed as a result of forcible collectivization deserved such a fate.

Jeremy and Justin are very insistent on arguing that the deaths associated with collectivization were “not due” to Stalin’s policies—against both logic and evidence. They have nothing to say about Stalin’s reconstitution in 1932 of the Tsarist-era internal-passport system, or propiska, in order to tightly control the movements of the Soviet peasantry and proletariat during forced collectivization. Upon its proclamation in December 1932, such “passportization” was effected and mandated in “towns, urban settlements, district centers, and Machine and Tractor Stations, within 100-kilometer radiuses around certain large towns, in frontier zones, on building sites and state farms”: it thus openly revoked the freedom of movement of the majority of the Soviet population, including peasants and ethnic minorities.³⁴ With this in mind, it would appear that the “Proles of the Round Table” do not to want to concede the possibility—and reality—that Stalin’s “dekulakization” campaign involved the oppression and dispossession of many poor peasants, whether these were insurgents against whom the State retaliated for defending their communities against Stalinist incursion or simply peasants whom the parasitic bureaucracy considered mere objects of exploitation and either killed outright or left to die during forcible collectivization—thus reflecting the extent to which internal colonialism characterized the Stalinist State.³⁵

Indeed, Stalin’s “dekulakization” campaign followed a very clearly state-capitalist rationale, both requiring and (once established) providing mass-labor inputs. Based on the economic theory of Yevgeni Preobrazhensky, Stalin’s massive State project to centralize the peasantry so as to more deeply exploit it represented the phase of “primitive socialist accumulation” that was considered as necessary to finance a rapid industrialization of the Soviet Union. In parallel to the colonization of the New World, the enslavement of Africans, and the enclosure of the commons by which capitalism arose as a historical mode of production,³⁶ Preobrazhensky essentially argued that the Soviet State must exploit the peasants and use the surplus value extracted from them to accelerate the growth of capital and industry.³⁷ This brutally mechanistic logic, which has served as the model for similar industrialization processes in countries led by Stalinist bureaucracies such as Maoist China and Ethiopia under the Derg,³⁸ openly exhibits Marxist-Leninism’s fundamental bias against the peasantry, whether “kulak” or otherwise. Such bias was clearly on display on Ó Séaghdha’s podcast, given the embarrassing side-comments about “comrades cuddling” during the horrors of forced collectivization, and Jeremy and Justin’s astonishing conclusion that this collectivization which took the lives of millions of poor peasants had been “extremely successful.” These Stalinists thus appear to have no class analysis of the peasantry, instead considering them all as reactionaries and “capitalists” whose oppression and destruction signifies progress. They malign the peasants and laugh over their corpses while saying nothing about the conditions of “second serfdom”—represented by barshchina (State labor requirements), extraction, and low pay—that formed the basis of Stalinist industrialization.³⁹

Within Soviet class society, according to Voline (writing in 1947), there existed approximately 10 million privileged workers, peasants, functionaries, Bolshevik Party members, police, and soldiers (comprising approximately 6% of the population of the USSR/USCR), as against 160 million effectively enslaved workers and peasants (or 94% of the USSR/USCR’s population).⁴⁰ The basic structure of the Soviet Union, on Paul Mattick’s account, was “a centrally-directed social order for the perpetuation of the capitalistic divorce of the workers from the means of production and the consequent restoration of Russia as a competing imperialist power.”⁴¹ This ‘total State’ “resembled an army in terms of rank and discipline,” and atop it all “lived Stalin, moving between his Kremlin apartment and his heavily guarded dachas. He and his cronies indulged themselves night after night, in between issuing commands and execution orders, feasting and toasting in the manner of gangland chiefs.”⁴²

The meaning of forcible collectivization: child labor on an irrigation project in Fergana, Eastern Kazakhstan, 1935 (courtesy David Goldfrank)

4. The GULAG Slave-Labor Camp System

“The deaths of the conquered are necessary for the conqueror’s peace of mind.” – Chinggis Khan: a phrase of which Stalin was fond (Evtuhov 676)

His regime’s founding (in 1930), mass-expansion, and vast utilization of the GULAG slave-labor camp system, known officially as the “State Camp Administration,” which played a central role in the General Secretary’s “Great Purge,” otherwise known as his “Terror.” These purges served the goal of “ensur[ing] the survival of the regime and Stalin’s position as its supreme leader” by eliminating the remaining “General Staff of the [Russian] Revolution” as well as the workers, peasants, and intellectuals who resisted Stalin’s state-capitalist plans.⁴³ The General Secretary’s insistence on obedience, his paranoid vengefulness, his equation of any kind of opposition with treason, and the fear felt by Communists that the Soviet Union was militarily encircled, particularly in light of a newly remilitarized and fascist Germany, can help explain the Terror, which involved the arrest of at least 1.5 million people, the deportation of a half-million to camps, and the execution of hundreds of thousands. The total camp population reached 2.5 million in 1950.44

As Yevgenia Semënovna Ginzburg’s memoir Journey into the Whirlwind attests to, the GULAG system was designed in such a way as to partially recoup the financial losses involved in the mass-imprisonments which followed from Stalin’s Purges of the Communist Party of the Soviet Union: instead of summarily being executed or idly rotting away in prison, many detainees were forced to work for the State with little to no material compensation. Ginzburg shows as well that political prisoners suffered greater discrimination in access to health services, nutritional intake, shelter, and types of labor performed in the GULAG, relative to other convict groups: the ‘politicals’ were always assigned hard labor. Many GULAG prisoners died performing slave-labor, whether clearing forests or constructing railroads: such was the fate of numerous enslaved prisoners forced to construct the Moscow-Volga Canal from 1932-1937.⁴⁵ Within the Magadan camp located in Eastern Siberia where Ginzburg was held, the discrepancy between the housing conditions of Hut No. 8, a “freezing cold” “wild animals’ den” where the female political prisoners lived, and the abodes of those convicted for lesser offenses, in which lived individuals with “healthy complexions and lively faces” enjoying “blankets in check patterns” and “pillows with hemstitched linen covers,” clearly illustrates the discrimination.46 This same dynamic seems to explain the contrast in appearance—and physical comfort—among the female slave-labor teams assigned to the Kilometer 7 work site: the “peasant women” “had managed to keep their own coarse scarves” and some of the “ordinary criminals” had sheepskin coats, while the political prisoners “had not a rag of [their own]” and wore footwear which was “full of holes [and] let in the snow.”⁴⁷ Ginzburg’s fellow inmate Olga was therefore right to anticipate that Stalin’s regime would expand the use of “hard-labor camps” in the wake of the downfall of NKVD head Nikolai Yezhov in 1939, especially considering that the majority of those imprisoned by Stalin were of prime working age.⁴⁸

In a reflection of the maxims of Stalinist state-capitalism, Ginzburg reports that the slave-labor system to which she was subjected in the GULAG would dole out food only in proportion to the output that a given team would achieve. For teams like hers comprised of intellectuals and ex-Party officials who lacked experience with manual labor, then, this dynamic would result in a downward spiral of production—and welfare, since they were unable to achieve a basic threshold for production which would allow them access to the very food they needed to maintain and increase production in the future.⁴⁹ Yet slave-laborers were sometimes provided with food relief if mortality rates were deemed ‘excessive.’⁵⁰ Ginzburg’s memoirs thus suggest that, as far as political prisoners were concerned, the GULAG system was designed to torment such ‘politicals’ by maintaining them at a minimal level of sustenance, rather than starving or otherwise killing them outright.

On a more positive note, Stalin’s death in March 1953 brought “hope [to] the [inmates of the GULAG] camps,” inspiring both the June 1953 workers’ uprising against Stalinism, which not only overthrew State power in several cities and work-sites in East Germany but also involved workers’ liberation of prisons and concentration camps, and the unprecedented strike by political prisoners at the Vorkuta slave-labor camp which followed just two weeks later.⁵¹ Dunayevskaya comments in a manner that remains completely germane today that both of these episodes represented an “unmistakable affirmative” response to the question of whether humanity can “achieve freedom out of the totalitarianism of our age.”⁵²

5. Assassination of Trotsky

“What specific characteristics in a man enable him to become the receptacle and the executor of class impulses from an alien class[…]?” – Raya Dunayevskaya⁵³

His ordering of the assassination of Lev Trotsky, as carried out by the Spanish NKVD agent Ramón Mercader in Trotsky’s residence in Coyoacán, Mexico, in August 1940. Whereas there is little love lost between us and the “Old Man,” as Trotsky was known, given his status as the butcher of the Kronstadt Commune, the would-be executioner of Nestor Makhno, an advocate of the militarization of labor, and an apologist for State slavery⁵⁴—still, Stalin’s brazen attempts to assassinate him in Mexico City not once but twice remain shocking in their brutality to this day. They may well have inspired the commission of similar atrocities on the part of the C.I.A.,⁵⁵ the Israeli Mossad, and even Mohammed bin Salman’s recent murder of the journalist Jamal Khashoggi in the Saudi consulate in Istanbul.

First, on May 24, 1940, the Mexican surrealist and muralist David Alfaro Siqueiros led an assassination-squad in an assault on Trotsky’s fortified family residence, which the exiled Bolshevik leader had been granted by Mexican President Lázaro Cárdenas, who had afforded him asylum and personal protection. Mercader represented Stalin’s back-up plan. Having adopted an elaborate “deep-cover” false identity as “Jacques Mornard,” a Belgian aristocrat unconcerned with political questions, Mercader had seduced and used Sylvia Ageloff, herself a leftist Jewish intellectual from Brooklyn connected through her sisters to Trotsky, for two years to get close enough to facilitate both assassination attempts. While the complicity of “Jacques” in the first plot remained undetected, this was only possible because Siqueiros’ team captured and murdered Trotsky’s young American security guard Robert Sheldon Harte, whom Mercader knew and also used to gain access to Trotsky’s residence in the early morning of May 24. Yet a combination of luck; quick-thinking by Natalia Sedova, Trotsky’s wife, who isolated and shielded her partner’s body from the would-be assassin’s bullets; and the imprecise strategy to kill Trotsky that morning ensured his survival.⁵⁶ Nevertheless, following a dry-run to assassinate Trotsky in his study using an ice-pick on the pretext of discussing a political article he had begun to write, Mercader invited himself back to Trotsky’s residence on the hot summer day of August 20, 1940, to discuss some revisions he had supposedly made to improve the same article. Concealing his ice-pick under a heavy raincoat, Mercader provoked Natalia Sedova’s suspicions about his presentation:

“Yes, you don’t look well. Not well at all. Why are you wearing your hat and raincoat? You never wear a hat, and the sun is shining.”⁵⁷

Nevertheless, despite Natalia Sedova and Trotsky’s own intuitive misgivings, this Stalinist agent did ‘succeed’ in assassinating the exiled Bolshevik that day—precisely by burying an ice-pick into Trotsky’s head from behind, as the “Old Man” was distracted turning the page while reading the very essay Mercader had brought him:

“The moment was rehearsed. Wait until he finishes the first page, [NKVD officer] Eitington had coached. Wait until he is turning the page, when he will be most distracted.”⁵⁸

What a fitting allegory for Leninism and Stalinism: conflict-resolution according to the principle of “might makes right.”59 Trotsky’s fate also openly displays Stalin’s anti-Semitism: in so ruthlessly murdering his primary political rival, a world-renowned Bolshevik leader and Jewish dissident,⁶⁰ in Coyoacán, which lies approximately 6,000 miles (or 10,000 kilometers) from Moscow—after having exploited Sylvia Ageloff, a fellow Jewish intellectual, to gain access to the desired target—the “Man of Steel” flaunts his attitude toward the relationship between Jews and his false “Revolution.” Mercader’s assassination of Trotsky therefore illuminates the clear continuities between Stalin and the bourgeoisie, in terms of their shared instrumentalization of human life, and the “full-circle” development of the Russian Revolution, proving Voline’s point that “Lenin, Trotsky, and their colleagues [as Stalin’s predecessors] were never revolutionaries. They were only rather brutal reformers, and like all reformers and politicians, always had recourse to the old bourgeois methods, in dealing with both internal and military problems.”⁶¹

Notes

1Arendt 472.

2Elliott Liu, Maoism and the Chinese Revolution (Oakland: PM Press, 2016), 68).

3Evtuhov 697-698.

4Henry Wolfe, The Imperial Soviets (New York: Doubleday, 1940).

5Alfred Meyer, Communism (New York: Random House, 1984), 92-93.

6E. H. Carr, Socialism in One Country, 1924-1926, vol. 2 (Harmondsworth: Penguin, 1970), 195-196.

7Dunayevskaya 318.

8Hensman 36.

9Olivier Roy, The New Central Asia: The Creation of Nations (New York: New York University Press, 2005), 52.

10Hensman 53-60.

11Eric Lee, The Experiment: Georgia’s Forgotten Revolution, 1918-1921 (London, Zed Books, 2017). See a review here.

12Ibid 160-166.

13Roy 50-51, 83.

14Ibid 50.

15Evtuhov 692.

16Roy 45-46, 52-53, 66.

17Ibid 64-65.

18Roy 67.

19Evtuhov 692.

20Roy 46, 68, 73.

21Dunayevskaya 318.

22Evtuhov 689-690.

23Hensman 88-89.

24This line is disturbingly close to that of the neo-fascist Aleksandr Dugin, who welcomed Russia’s 2014 invasion of Eastern Ukraine by calling for “genocide… of the race of Ukrainian bastards [sic].” Alexander Reid Ross, Against the Fascist Creep (Chico, Calif.: AK Press, 2017), 233.

25Plokhy 259.

26Wayne Price, Anarchism and Socialism: Reformism or Revolution? 3^rd ed. (Edmonton, Alberta: Thoughtcrime, 2010), 186-189; Cornelius Castoriadis, “The Role of Bolshevik Ideology in the Birth of the Bureaucracy,” in Bloodstained: One Hundred Years of Leninist Counterrevolution, eds. Friends of Aron Baron (Chicago, Calif.: AK Press, 2017), 282.

27Voline, The Unknown Revolution (Montreal: Black Rose Books, 1975), 359-361.

28Paul Mattick, “Bolshevism and Stalinism,” in Bloodstained: One Hundred Years of Leninist Counterrevolution, eds. Friends of Aron Baron (Chicago, Calif.: AK Press, 2017), 271.

29Voline 372-375.

30Evtuhov 670.

31Ibid 668; Voline 374.

32Evtuhov 668-669.

33Ibid 670.

34For a translation of the text of the December, 1932 decree of the USSR Central Executive Committee and the Council of People’s Commissars, see M. Matthews, Soviet Government: a Selection of Official Documents on Internal Policy, J. Cape, 1974, 74-77.

35Hensman 34-35; Plokhy 249-250.

36Karl Marx, Capital, vol. 1, trans. Ben Fowkes (Penguin: London, 1976), 873-904.

37Evtuhov 642.

38Jason W. Clay and Bonnie K. Holcomb, Politics and Famine in Ethiopia (Cambridge, Mass.: Cultural Survival, 1985).

39Evtuhov 685.

40Voline 380, 388.

41Mattick 264.

42Evtuhov 688, 730.

43Plokhy 255; Dunayevskaya 320.

44Evtuhov 671, 676, 693, 730.

45Ibid 675, 688.

46Eugenia Semyonovna Ginzburg, Journey Into the Whirlwind, trans. Paul Stevenson and Max Hayward (San Diego: Harcourt, 1967), 366, 368.

47Ibid 402.

48Ibid 258.

49Ibid 405-406.

50Ibid 415.

51Dunayaevskaya 325-329.

52Ibid 327-329.

53Ibid 317.

54Ida Mett, “The Kronstadt Commune,” in Bloodstained: One Hundred Years of Leninist Counterrevolution, eds. Friends of Aron Baron (Chicago, Calif.: AK Press, 2017), 185-190; Voline 592-600; Maurice Brinton, The Bolsheviks and Workers’ Control (London: Solidarity, 1970).

55Arendt xxn4.

56John P. Davidson, The Obedient Assassin (Harrison, NY: Delphinium Books, 2014), 48, 193-199.

57Ibid 274.

58Ibid 276.

59Voline 374.

60A dissident relative to Stalinism in power, that is, but not relative to anarchism or libertarian communism.

61Voline 431-432 (emphasis added).

“A Marxist-Leninist Perspective” on Stalin: Totalitarian Propaganda that Fails in Rationalizing his World-Historical Crimes (Part I/III)

“Today [in 1958], everyone knows Russian Communism as the greatest barbarism on earth. Stalin is the name which symbolizes this.”

– Raya Dunayevskaya¹

Marc (Moishe) Zakharovich Chagall, “Festive Design” (1918-9)

Breht Ó Séaghdha’s much-anticipated, “big,” and supposedly “spicy” interview on “Revolutionary Left Radio” with Justin and Jeremy from the “Proles of the Round Table” about Josef Stalin and the historical record is a sustained, nearly three-hour long fraud that above all insults the memory of Stalin’s millions of victims. Unfortunately for the host Ó Séaghdha, who misleadingly presents his guests Justin and Jeremy as following an “empirical and statistical approach” to the history of the Union of Soviet Socialist Republics (USSR), the reality is that he platformed neo-Stalinist propagandists on this episode, and either could not or would not challenge them on their myriad lies covering for what the Marxist-Humanist Raya Dunayevskaya rightly terms “the greatest counter-revolution in all history.”2 Given the friendly tone between Ó Séaghdha and his guests during this interview, as reflected in his admission at the outset of his “love and respect” for his “comrades and friends” Justin and Jeremy, his identification of the “Proles of the Round Table” as being “one of [his] go-to podcasts” represents a dangerous concession which reveals that he is following his guests’ lead when it comes to historical events.

Before analyzing and correcting the numerous distortions presented by Justin and Jeremy on this particular episode of “Revolutionary Left Radio,” I must express a very fundamental concern for Ó Séaghdha’s profession in the introduction of the need for leftists “always to show solidarity with our Jewish comrades,” given that not once in this three-hour interview does either the host or the guests discuss or even mention the Molotov-Ribbentrop, or Nazi-Soviet, Pact signed on August 23, 1939. Following in the wake of Hitler’s annexation of the Sudetenland in Czechoslovakia and the Anschluss with Austria, the terms of this non-aggression treaty, agreed initially to ten years, represented a ‘honeymoon’ for the two totalitarian dictators Hitler and Stalin, setting forth the terms by which Poland, Finland, and Lithuania, Latvia, and Estonia were to be divided after the Nazi invasion a week later.

In Tinísima, Elena Poniatowska depicts even so hardened a Stalinist as Tina Modotti, a nurse who worked in the Spanish Civil War (1936-1939) with Red Aid International, affiliated with the Third International (Stalin’s Communist International, or Comintern), as reacting to the news of the Nazi-Soviet Pact by refusing food, desiring death, and considering this “the betrayal of everything for which we’ve fought.” Arguing with her partner Vittorio Vidali, himself a high-ranking Comintern agent responsible for numerous assassinations of non-Stalinist supporters of the Spanish Republic, Modotti asks:

“And the dead? And the relatives of the dead—who will calm them down? You know how much I love and admire the Soviet Union; you know how I revere Stalin. Everything you say is fine, Toio [Vittorio], but an alliance with Hitler—never!”³

Indeed, as historian Catherine Evtuhov relates,

“The agreement stunned leftist intellectuals and workers, who had believed that Moscow was the vital center of international revolution and anti-Nazism. As Arthur Koestler recalled, the sight of the swastika flying at the Moscow Airport [to mark Ribbentrop’s visit] destroyed his allegiance to communism.”⁴

The Hitler-Stalin Pact not only carved up Poland and much of the rest of Eastern Europe, but also involved the NKVD and Gestapo exchanging political prisoners, including Communists, and Polish prisoners of war; trade in oil, wheat, and weaponry between the two hegemons; and Stalin publicly praising Nazi victories.⁵ Furthermore, between 1939 and 1941, Stalin’s regime deported a million and a half Poles, Ukrainians, Belorussians, Jews, Estonians, Latvians, and Lithuanians to the Far North, Siberia, and Central Asia; approximately one-fifth of those deported perished. Stalin’s forces were also responsible for executing at least 17,000 captive Polish officers in 1940.⁶

Cartoon in The Evening Standard (20 September 1939) depicting the partition of Poland between Hitler and Stalin at the dawn of World War II. Notice the Orientalist depiction of Stalin’s face.

With Stalin thus neutralized, Hitler received the green light with which he infamously launched World War II and, shortly thereafter, the Holocaust, or HaShoah, which accelerated in June 1941 when Hitler turned on his erstwhile ally by invading the Soviet Union. Alongside the estimated 25 million Soviet people who died in the war, at least 1 million Jews in Ukraine and five million other Jews were murdered in Poland, the Soviet Union, and other territories of Eastern Europe which were conquered by the German Wehrmacht for Hitler’s pathological, ultra-nationalist concept of Lebensraum (“living-space”).⁷ In fact, in January 1948, Solomon Mikhoels, chair of the Jewish Anti-Fascist Committee, was executed on Stalin’s orders by the Soviet Belorussian State police before he could bring to light documentation of the Nazi genocide of over 1.5 million Soviet Jews in these same territories conquered by the Wehrmacht “from the retreating Soviets”—territories which previously had been occupied by the Red Army, following Hitler and Stalin’s mutual agreement.⁸

When it came to actual war with Hitler, Stalin’s myopic incredulousness about the reported 84 intelligence warnings he received about German preparations for invasion led to the immediate destruction of one-fourth of the Soviet air force, effectively granting the Nazi Luftwaffe aerial supremacy during the beginning of “Operation Barbarossa.”⁹ Whereas the Red Army had “approximately the same number of men on the Soviet western border as the Germans and significantly more tanks, guns, and aircraft,” the USSR’s security was endangered for two important reasons: the Red Army was comprised of peasants who were often demoralized by collectivization and famine, and it was led by inexperienced officers who had effectively been promoted through Stalin’s devastating Purge of an estimated 90 percent of “the highest army commanders, all the admirals, about 90 percent of corps commanders,” and several “divisional and brigadier generals” just a year to two years before the start of World War II.¹⁰ That the General Secretary of the Central Committee of the Communist Party of the Soviet Union had ordered his troops to occupy the new territory gained through the Molotov-Ribbentrop Pact, which lacked any defensive fortifications, was not helpful, either.¹¹

Moreover, Stalin’s disagreement with and overriding of the “leading Soviet military strategist,” General Georgii Zhukov, led to multiple disasters. To name just a couple: first, in August 1941, when Stalin refused to withdraw Red Army divisions from Kyiv (Kiev), the Wehrmacht proceeded to encircle and imprison more than 3 million Soviet officers and troops by the end of the year;¹² and second, when, following the successful December 1941 counter-attack to rescue Moscow, Stalin hubristically enjoined offensives across the entire western front that “exhausted his troops and exposed them to Germany’s new campaign, this time aimed at the Caucasus and its oil fields.” Once Kyiv fell, the Nazis systematically murdered its Jewish population—some thirty-thousand men, women, and children—in the massacre known as Babi Yar.¹³

Beyond this, Stalin’s refusal to sign the Geneva Conventions (1929) governing the treatment of prisoners of war (POW’s) arguably greatly harmed his officers and troops captured by the Nazis, who, in contrast to Western POW’s, were initially generally refused food and medical treatment, if they were not summarily executed. In point of fact, it was on Soviet POW’s that the Nazis first “tested” Zyklon-B gas in the Auschwitz death-camp (September 1941). An estimated three million Soviet POW’s died in Nazi captivity.¹⁴ Hitler’s regime did not think to exploit Soviet POW’s as forced labor until November 1941, alongside the millions of Ukrainian and Polish Ostarbeiter slave laborers, though it had no reservations leaving intact collectivized farms in occupied Ukraine, thus “taking advantage of the Soviet invention for extracting resources from the rural population.”¹⁵

In light of these incredible omissions about the nearly two-year period of collaboration between Hitler and Stalin, the Holocaust, and the General Secretary’s numerous strategic blunders during World War II itself—which Jeremy and Justin outright ignore, mischaracterizing Hitler’s military defeat in May 1945 as Stalin’s “accomplishment”—it becomes clear that no one on this show has any credibility discussing the historical record.

To put it lightly, it is extremely problematic for anyone appealing to history to uncritically champion the genocidal and imperialist state-capitalist monster known as Stalin in 2018. As Rohini Hensman rightly points out, and as we shall explore more in part II of this response, “Stalin […] in his time had rehabilitated tsarist imperialism.”¹⁶ In 1927, Alexander Berkman identified Stalin’s rule as being equivalent to “Tsarist Socialism,” perhaps following Nestor Makhno’s lead in denouncing the “Bolshevik tsars” the previous year.¹⁷ According to Hannah Arendt’s analysis, class struggle and internationalism were absent within the politics of Stalinist totalitarianism, beyond merely opportunistic use as legitimating ideologies.¹⁸ Dunayevskaya correctly identified the Stalinist bureaucracy as “the most deadly, the most insidious, [and] the most dangerous enemy because it springs from the proletariat and cloaks itself in Marxist terminology.” So why on Earth would revolutionary leftists want to promote the legacy and supposed continued relevance of such decidedly counter-revolutionary distortions of socialism?

There is clearly something rotten in the heart of the Western left, for both neo-fascism and the red-brown alliance are on the rise. Indeed, “[t]his alliance between neo-Stalinists […] and neo-fascists […] is a twenty-first century version of the Hitler-Stalin pact.”¹⁹ It should not be surprising, then, to contemplate that Ó Séaghdha uncritically interviewed the pro-Assad propagandist and Russia Today correspondent Rania Khalek six months ago. Amidst such stark realities, I concur with Hensman that we must pursue and tell the truth as well as seek to bring morality and humanity into politics, among other critical tasks,²⁰ and it is in the spirit of these maxims that I respond critically to Ó Séaghdha’s “Stalin podcast.”

Vladimir Tambi (1906-1955), Tanks

What Did Stalin Do Wrong?

“The struggle for total domination of the total population of the earth, the elimination of every competing nontotalitarian reality, is inherent in the totalitarian regimes themselves; if they do not pursue global rule as their ultimate goal, they are only too likely to lose whatever power they have already seized.”

– Hannah Arendt ²¹

As if the host and his guests could be forgiven for covering up the Hitler-Stalin Pact—which they cannot—Jeremy and Justin’s ‘homage to Stalin’ comes through very clearly in their responses to Ó Séaghdha’s opening question, regarding which criticisms (if any) the “Proles of the Round Table” have of Stalin’s rule over the former Soviet Union. Still, even before responding here, Jeremy and Justin already have denied that Stalin was a dictator, instead suggesting that certain “people” could criticize him without fear of retaliation. Which people do they mean? Surely, they are not referring to M. I. Ryutin, the first Communist to openly denounce Stalin’s personal dictatorship and war on the peasantry in his 1932 appeal to the Central Committee, requesting Stalin’s deposition and an end to forced collectivization. Stalin responded by demanding Ryutin’s execution, yet, due to the objection of members of the Politburo (the highest-ranking body within the Communist Party), this renegade Communist was banished and only murdered five years later in the Purges. In addition, Stalin executed Ryutin’s sons, banished his wife to a prison camp, and temporarily exiled the Jewish Politburo members Lev Kamenev and Gregory Zinoviev for their supposed complicity in the affair—thus foreshadowing their ultimate fate in the Purges.²²

Evidently, the “Proles of the Round Table” rely on a misunderstanding of what dictatorship is—that is, centralized and effectively absolute power over the State and military apparatus. They miss Voline’s point that “dictatorship […] being universal and universally embraced, the way is open for fascist psychology, ideology and action.” With their comment on Stalin’s openness to criticism, they would consciously eliminate from history all the artists, intellectuals, dissidents, workers, and peasants who were imprisoned, tortured, and murdered in the Stalinist Terror, including the writer Isaac Babel, the renowned poet Anna Akhmatova’s son Lev Gumilyov (imprisoned in the GULAG slave-labor camps) and her husbands Nikolai Gumilyov, who was murdered by the CheKa (precursor to the NKVD, or Soviet Interior Ministry: Stalin’s secret police), and Nikolai Punin (who died in the GULAG), as well as the Russian Makhnovist Peter Arshinov, who was executed in the Terror in 1937 or 1938 on the charge of organizing to resurrect the anarchist movement in the Soviet Union—to say nothing of all the “Old Bolsheviks” killed in the Moscow Show Trials.

Jeremy and Justin therefore reject the historical reality that, following the expulsion in 1927 of his primary rival Lev Trotsky from the Communist Party of the Soviet Union, “there is little doubt that Stalin and a narrow circle of aides made all the historical decisions of the period.”²³ Kamenev and Zinoviev, who had joined with Trotsky (also Jewish) in 1926 to form a “United Opposition” to Stalin, quickly recanted following Trotsky’s forced exile in 1928. Lacking a base among either workers or peasants, these rivals of Stalin were outmaneuvered by the General Secretary’s construction of a vast bureaucracy.²⁴ The “Proles of the Round Table” thus omit Stalin’s internal liquidation of factions, his utter subordination of foreign Communist Parties to his arbitrary rule, and his war on the remnants of intellectual freedom in the USSR.²⁵ Like other authoritarian socialists, Justin and Jeremy misleadingly conflate the Communist Party bureaucracy with the proletariat and peasantry it exploited and dominated—a notion with which Ó Séaghdha concurs, insisting as he does that historical Stalinist bureaucracies have represented “mass-proletarian movements.” This is a classic exposition of “substitutionism,” whereby élites of intellectuals and/or bureaucrats rule over the working classes by proxy and in their supposed interests, though without any democratic participation on the part of workers and peasants. The ill-named concept of “democratic centralism” expresses the same dictatorial idea.

Therefore, rather than reflect thoughtfully on the history of the Russian Revolution and the Soviet Union, Jeremy and Justin vigorously defend Stalin’s technocratic and genocidal legacy of authoritarian high modernism, whereby the centralized power of the totalitarian State is employed “scientifically” and expeditiously to transform society not in the interests of humanity or the working classes, but the Party bureaucracy and state-capitalism.²⁶

According to the “Proles of the Round Table,” these were the three greatest mistakes or crimes for which Stalin is responsible during his three decades as General Secretary of the Soviet Union, from 1922-1952:

1. Justin argues that Stalin should have supported the Spanish Revolution more, although Jeremy is quick to clarify that he did not “betray” it. The pair detail the extent to which Stalin supplied arms and ammunition to the Republican forces in the Spanish Civil War—yet Jeremy suggests that, had Stalin provided greater assistance to the Republic, the Soviet Union might not have been able to resist Nazi and Japanese expansionism during World War II. Of course, he fails to mention the Hitler-Stalin Pact here; neither does he seem to consider that, had the Nationalist forces been defeated in Spain, Hitler may have been checked before even launching World War II. Jeremy and Justin contend that Stalin’s intervention in Spain was benign, and that it’s “patently false” that his Comintern agents “maliciously murdered anarchists […] in the streets.” Both claims are complete lies. Firstly, Stalin effectively looted the Republic’s gold reserves by vastly overcharging for the arms sold to it, as historian Gerald Howson has shown, and the Soviets would often send dysfunctional weapons that lacked ammunition. In addition, Stalin treated Spain as a colonial possession, dispatching NKVD and GRU (military-intelligence) agents there who reported to and acted under him, not the Republican government.²⁷ Even so pro-Soviet an historian as E. H. Carr recognized that the Republic ultimately had become “the puppet of Moscow.”²⁸ Secondly, the “Proles of the Round Table” appear willfully ignorant of the “Tragic Week” of May 1937, otherwise known as the “May Days,” when Stalinists from the Comintern-affiliated Partit Socialista Unificat de Catalunya (PSUC) in Barcelona struck out against the Confederación Nacional de Trabajo (CNT), the Unión General de Trabajadores (UGT), and the Partido Obrero de Unificación Marxista (POUM), in an effort to uphold “antifascist unity” while crushing the ongoing social revolution. In effect, the May Days “guaranteed the armed victory of the Stalinist-led counter-revolution,” which in turn allowed for the victory of Nationalist forces, following the rationale that “Stalin feared his leftist rivals in Spain more than he did Franco.”²⁹
2. The deportation to Irkutsk and Siberia of “10,000 Soviet citizens” from the Volga region who were ethnic Germans beginning in 1941, supposedly for fear of their being a “fifth column” vis-à-vis the invading Nazi military. For Jeremy, the error was that Stalin deported these Germans on an ethnic basis, though he definitely implies that the General Secretary would have been justified in deporting or exiling his opponents on a “class” or political basis—because, of course, for Jeremy and Justin, any political opposition to Stalin is “counter-revolutionary,” no matter its actual content, given their absurd view that the General Secretary represented the epitome of the Russian Revolution. In uttering such words, Jeremy unwittingly expresses his support for Stalin’s GULAG system of slave-labor camps on principle. He also underestimates the number of Volga Germans deported by Stalin’s regime by a factor of between 40 and 70.
3. Stalin’s imposition of Article 121, which criminalized male homosexuality with hard labor, following the Bolsheviks’ earlier suspension of Tsarist-era penal codes against homosexuality after October 1917. Though they criticize Stalin for this reactionary move, Justin and Jeremy try to contextualize the reversal by pointing out the supposedly perceived affinities between homosexuality and fascism at that time, and between homosexuality and pederasty, or pedophilia—thus unironically recalling today’s criminalization of homosexuality under Vladimir Putin. Ó Séaghdha assists by claiming such criminalization to have been standard practice “all over the world” at the time. Yet a fact check shows this not remotely to have been the case.

What’s the problem, then, with these supposed criticisms? For one, they reveal that Jeremy and Justin are not remotely arguing in good faith. To begin with, the guests chuckle when discussing the “shady” actions of NKVD agents “murdering anti-Soviet communists in the background” in Barcelona after Ó Séaghdha questions them about this. They are, moreover, quite dishonest about the overall meaning of Stalin’s intervention in the Spanish Civil War.

Furthermore, regarding deportations, Jeremy completely overlooks Stalin’s far more extensive and systematic ethnic cleansing of over a million ethnic minorities, mostly Muslim, during World War II: Chechens, Crimean Tatars, Kalmyks (Buddhists), Ingush, Balkars, Karachai, and Meskhetians. As there is no mention or discussion of these on the podcast, neither is there any discussion of precisely why Stalin and the Communist Party might have feared these minorities’ siding with the advancing Germans: namely, due to their oppression under the Soviet Union. Forcibly transferred by the NKVD to Central Asia, the Far North, and Siberia like the Cherokee people coerced onto the “Trail of Tears,” many of these oppressed peoples died either during the journey or in exile—leading to the logical conclusion that Stalin is guilty of genocide here beyond any reasonable doubt. Of course, these atrocious mass-deportations go unmentioned by Jeremy, who rather banally asserts that the Volga Germans “had it better” in exile in Russia’s Far North and Eastern Siberia than those Germans and German-Americans detained by the Franklin Delano Roosevelt administration in internment camps during World War II. For context, he will later add that he considers Lavrentiy Beria, the successor to the “Purged” Nikolai Yezhov as NKVD chief in 1939—a man responsible for the liquidation of Social Democrats in Georgia and Armenia, Old Bolsheviks in the Terror, and Polish officers captured after the Nazi-Soviet Pact—to have been a “liberal.”³⁰

So beyond proclaiming elitism and substitutionism; arguing in bad faith; and denying atrocities such as the Stalinist dictatorship, the Nazi-Soviet Pact, the May Days, Stalin’s mass-deportations of oppressed nationalities, and the GULAG slave-labor camp system (see part II of this response); Jeremy and Justin now present the classic argument of “whataboutism,” which seeks to distract from the issue at hand—Stalin’s totalitarian atrocities—by falsely claiming that that same issue is dwarfed by some similar issue that is ongoing elsewhere. A fact check shows just how dishonest this argument is: 11,000 Germans and German-Americans were interned in the U.S. during WWII, while Stalin’s regime deported at least 400,000 Volga Germans to Siberia and Irkutsk.³¹ (For reference, the U.S. interned about 120,000 Japanese-Americans during WWII.)

In sum, Jeremy is lying to his audience when he claims that Stalin wasn’t “just f*cking with people just to f*ck with them.”

Courtesy Asya Pereltsvaig

Notes

1Raya Dunayevskaya, Russia: From Proletarian Revolution to State-Capitalist Counter-Revolution, eds. Eugene Gogol and Franklin Dmitryev (Chicago: Haymarket Books, 2018), 317 (emphasis in original).

2Ibid.

3Elena Poniatowska, Tinísima (México, D.F.: Ediciones Era, 1992) 595-596 (my translation).

4Catherine Evtuhov et al., A History of Russia: Peoples, Legends, Events, Forces (Boston: Houghton Mifflin, 2004), 700.

5Ibid 702.

6Ibid 710.

7Ibid 705; Serhii Plokhy, The Gates of Europe (New York: Basic Books, 2015), 269-274.

8Timothy Snyder, Bloodlands: Europe Between Hitler and Stalin (London: Vintage, 2010), 340-345; Plokhy 269.

9Evtuhov 702-703.

10Ibid 673.

11Plokhy 264.

12Ibid 264-265.

13Evtuhov 703.

14Ibid 704-705.

15Plokhy 267-274.

16Rohini Hensman, Indefensible: Democracy, Counter-Revolution, and the Rhetoric of Anti-Imperialism (Chicago: Haymarket Books, 2018), 47.

17Alexander Berkman, “A Decade of Bolshevism,” in Bloodstained: One Hundred Years of Leninist Counterrevolution, eds. Friends of Aron Baron (Chicago, Calif.: AK Press, 2017), 122; Nestor Makhno, “The Idea of Equality and the Bolsheviks,” in Bloodstained: One Hundred Years of Leninist Counterrevolution, eds. Friends of Aron Baron (Chicago, Calif.: AK Press, 2017), 58.

18Hannah Arendt, The Origins of Totalitarianism (San Diego: Harcourt, 1968), xv, 362.

19Hensman 52.

20Hensman adds the political goals of struggling for democracy, centering internationalism, and advocating for the promotion of human rights and democracy through global institutions (279-302). Beyond this, reorganizing society toward popular power through self-organization in the labor, educational, and territorial sectors (on the social level) is an equally pressing task.

21Arendt 392.

22Evtuhov 671.

23Plokhy 245.

24Evtuhov 641-644.

25Arendt 379; Evtuhov 663.

26James C. Scott, Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed (New Haven, CT: Yale University Press, 1999).

27Spain Betrayed: The Soviet Union in the Spanish Civil War, ed. Ronald Radosh (New Haven, CT: Yale University Press, 2011), xvii-xviii.

28E. H. Carr, The Comintern and the Spanish Civil War (London: Pantheon, 1984), 31.

29Agustín Guillamón, Ready for Revolution: The CNT Defense Committees in Barcelona, 1933-38 (Oakland: AK Press, 2014), 189; Evtuhov 698.

30Evtuhov 692.

31Ulrich Merten, Voices from the Gulag (Lincoln, Nebraska: American Historical Society of Germans from Russia, 2015), 168-170.