Posts Tagged ‘Raj’

John le Carré: A Radical Spy Novelist Playing with the System

March 2, 2019


“I am not a nihilist. I am a humanist. If it is given to us to play a part for the future, we must play it.” – Katya Orlova, The Russia House (1989)

Spanning five decades, from the Cold War to the present, John le Carré’s best-selling collection of spy novels are well-known for the way they immerse the reader in the world of international relations, espionage, and statecraft. The author’s aptitude for transporting his audiences in this way stems at least partly from the six years he worked in British Intelligence, both MI5 and MI6 (1958-1964). Yet, while le Carré—or David Cornwell, to use his given name—was a spy and focuses his literary output mostly on spying and the State intrigue, he shows himself in his fictional writings to also be highly critical of the hegemony of State and capitalism.

In a dialectical sense, le Carré “plays” with his novels to similarly “play” the system: while, at first glance, readers of le Carré are suffused with the ruthless worlds of statist power plays, militarism, and realpolitik, soon they are confronted with grand indictments of the domination of capitalism, imperialism, and the State over humanity. The novelist’s political perspective is generally anti-authoritarian, rationalist, and humanist—like that of Katya Orlova from The Russia House, who is an enthusiast of the anarchist Alexander Herzen, the “father of Russian socialism” and Populism—and it was opposed to both sides of the Cold War during its existence, just as the author has been critical of the persistence of capitalist hegemony that has followed during the past two-plus decades. In a sense, le Carré’s writings may be considered a sort of Trojan Horse within the capitalist citadel, but we can’t be sure exactly how much his subversive attitudes concretely influence or have influenced ongoing or future revolt against the system.

From Call for the Dead (1961) to The Mission Song (2006), le Carré weaves stories and conflicts that lay bare the dehumanization, instrumentalization, and super-exploitation underpinning capitalist society—accomplishing this precisely through gaming the system, by setting such critique within mass-, seemingly mainstream media. Absolute Friends (2003), a novel about two revolutionary anarchists, British and German, may come closest to le Carré’s own views—or if not, we can at least say that he is very sympathetic to such ideas.

To investigate how le Carré presents his social critique in discreet and then increasingly fervent fashion over the course of his career, this essay summarizes the pertinent details of the plots of 11 of the author’s novels, and then passes to a discussion and conclusion about the militant perspectives found therein, being like collectivities of free radicals joyously roaming to destabilize unjust structures.

Call for the Dead and The Spy Who Came In From the Cold

The story of Call for the Dead (1961) revolves around one Samuel Fennan, a former Marxist and Communist Party member working in the British Foreign Office (FO), who unexpectedly dies in his home by gunshot, presumably due to suicide. Yet le Carré’s hero George Smiley, an MI6 officer who had just met with Fennan hours before his death, probes more deeply into the case, only to discover that he was in fact murdered by Hans-Dieter Mundt, a hitman working under Dieter Frey. Dieter is an operative of the Abteilung—the East German Security Service1—and a former radical student of Smiley’s whose father had been killed by the Nazis and who himself concretely resisted Fascism by bursting into the British consulate in Dresden during World War II, demanding that the Allies do more to protect the Jews. The cover-up of Samuel’s murder is assisted by his wife Elsa, who herself is Jewish.

Dieter orders Fennan’s murder out of suspicion that he had become Smiley’s agent after seeing the two together, afraid that the Abteilung’s operation in Britain had been compromised. While Fennan had been sharing intelligence with the German Democratic Republic (GDR) as a continuation of sorts of his former Marxism and anti-fascism, Smiley discovers that he had to some degree cooled in his fervor for sharing information in the months leading up to his death, possibly reflecting disillusionment with the USSR after its suppression of the Hungarian Revolution of 1956. This finding leads Smiley to realize that it was really Elsa who was spying for East Germany, and that Samuel had initiated contact with him precisely to raise the point. Although her performance sustaining the lie that Fennan had indeed killed himself does not in the end save her from being sacrificed by Dieter as he tries to escape a trap set by Smiley—one that ends with the East German agent dying at Smiley’s hands, drowned in London’s Thames River—the British spy concludes that her support for the GDR could not be divorced from her desire for world peace as well as her immediate horror at a resurgent, militaristic West Germany. Dieter and Mundt, on the other hand, come in for criticism for their established Lenino-Stalinist tendency to violate the means toward the end of realizing socialism, as seen in their disregard for the lives of Samuel and Elsa Fennan, among others.

The Spy Who Came In From the Cold (1963) continues depicting the struggle between MI6 and the Abteilung. It opens with the British protagonist, Alec Leamas, head of MI6 in Berlin, watching as an East German agent of his is shot dead while trying to escape the Eastern Sector. This is the fourth agent of Leamas’ murdered in succession by the GDR—precisely on the orders of Mundt, the new head of the Abteilung’s Counter-Espionage division, following his return after having escaped Britain. These killings lead Leamas to be declared useless to British Intelligence, and he falls into a downward spiral of alcoholism and illness. Yet this disregard for self is to some degree feigned, a ploy to attract the attention of the Abteilung within the larger goal of vengeance and the destruction of Mundt. In their conversation discussing this mission, Leamas and Control—MI6 chief—acknowledge the similarity in methods used by the Soviet and Western powers. Referring to Mundt, Control observes:

“‘He is a very distasteful man. Ex-Hitler Youth and all that kind of thing. Not at all the intellectual kind of Communist. A practitioner of the cold war.’

“’Like us,’ Leamas observed drily.”

After formally leaving MI6, Leamas briefly works at a library in London, there to meet the Communist Elizabeth Gold. The two become lovers. Yet Leamas cuts the relationship off to proceed with his mission, which sees him imprisoned for three months for having assaulted a grocer who denied him credit—with all of this being part of his cover. Just after his release, Leamas is recruited by the East Germans, who take him to the Netherlands and then to the GDR to be “debriefed” regarding the secrets he knows. After passing into the GDR, Leamas is interrogated by Fiedler, a prominent German-Jewish member of the Abteilung and the son of Marxist refugees from WWII, who explains to him the Stalinist view that human life is but a means toward the end of the construction of Party Socialism, thus delineating his theoretical differences with Christianity, which the Western authorities putatively follow but in reality utterly ignore.2 Leamas reveals to Fiedler that the latter’s superior, Mundt, is in fact a British agent, and that he was allowed to leave Britain following the various murders he committed after coming to an agreement with MI6, which has been sending him vast quantities of money in exchange for information from the East German State. Mundt becomes aware of this plot to oust him, and orders the arrest of both Leamas and Fiedler—with the latter receiving “special treatment” by Mundt the former Nazi for being Jewish—but not before Fiedler had applied to the State for a warrant to arrest Mundt as an imperialist agent.

Thereafter follows a dramatic tribunal at which Fiedler argues his case, detailing the ease with which Mundt turned to murder “in the name of the people to protect his fascist treachery and advanc[e] his own career,” whereas the defense accuses Fiedler in turn of collaborating with imperialism to undermine GDR security, claiming the prosecution’s evidence to be merely circumstantial. The counter-coup is completed, nonetheless, when Mundt’s counsel calls Liz Gold as a witness—Gold having been mysteriously and suddenly “invited” as a member of the British Communist Party to visit the GDR—to have her reveal how George Smiley in fact had supported her financially following Leamas’ disappearance. Smiley, it would seem, did so specifically to discredit the accusations against Mundt and so allow for the elimination of his subordinate Fiedler, who had been suspecting the British mole for some time. As the tables are turned and Fiedler comes to be the one to be immediately executed, MI6’s “filthy, lousy operation to save Mundt’s skin” is revealed. The saved Mundt then provides Leamas and Gold with the means to escape to the West. During this journey, Gold becomes le Carré’s voice, which critiques the authoritarian instrumentalization of life carried on by East and West alike: the supposed opposites are seen to converge in their grossly inhuman behavior, discarding Fiedler to uphold an ex-Nazi double agent. Ultimately, as Leamas and Gold arrive at the Berlin Wall and attempt to scale it, they are shot dead by GDR sentries.

The Karla Trilogy

Tinker, Tailor, Soldier, Spy (1974) concerns the fall of Control and dismissal of Smiley following a botched mission in Czechoslovakia, the ascendancy to top MI6 positions of four officers suspected of being double-agents, and Smiley’s counter-mobilization to investigate and defeat these moles. The text introduces Karla, the Soviet intelligence chief, who is shown to have penetrated MI6 through the recruitment of Bill Haydon, head of London Station. Smiley continues to face off against his Soviet counterpart in the next two volumes of the so-called Karla trilogy.

In The Honourable Schoolboy (1977), le Carré portrays a shaken British Intelligence being resurrected by Smiley, as he focuses on the new MI6 chief’s machinations to avenge the “fall” engineered by Karla through his compromise of Haydon. In his study of Haydon’s treason, Smiley discovers a “gold seam” of half a million dollars run by Karla to a bank in Vientiane, Laos. The journalist Jerry Westerby, an aristocrat by origin and a Southeast Asia correspondent, is dispatched to begin investigating in British-occupied Hong Kong. There, amidst the raging U.S. war on Vietnam, Cambodia, and Laos, Westerby discovers that the gold seam is being directed to Drake Ko, a prominent exiled Chinese capitalist and former Kuomintang (KMT) conscript, whose brother Nelson, having fought the KMT as a Communist in Shanghai and thereafter studied shipbuilding in the USSR, is a high-ranking insider within the Chinese Defense Ministry and an agent of Karla’s (that is, Soviet intelligence). The gold seam sent to Drake, then, represents the sum to be paid to Nelson if he can manage to escape China. Continuing his investigation, Westerby travels to a Phnom Penh besieged by the Khmer Rouge to learn that Drake had commissioned a Mexican pilot, Ricardo—himself a collaborator with the U.S. military in its wars on the region—to run opium into Red China in exchange for extracting his brother. Though this plan didn’t come to fruition, Westerby suggests to Ricardo that MI6 will use this information to blackmail Drake—and shortly thereafter his fellow journalist Luke is assassinated, having been mistaken for Westerby.

At the same time, MI6 and its CIA “Cousins” learn that Drake is imminently orchestrating a new operation to extract his brother, this time by sea. The Western spy agencies’ plans to instead capture Nelson for exploitative purposes, taken together with Luke’s murder, lead Westerby to rebel and warn Drake as Nelson’s fleet of fishing junks approach the rendezvous point on Po Toi Island, south of Hong Kong. Yet this intervention proves useless, for MI6 and the CIA launch a joint strike involving helicopters to interdict Nelson and kill Westerby just as the former’s sampans reach shore—with the hope of reuniting the brothers thus crushed. Once the honorable schoolboy is eliminated, the CIA proceeds to transfer Nelson to the U.S. for thorough interrogation, and the MI6 chief is awarded retirement for having secured a major agent of Karla’s.

Smiley’s People (1979) brings the titular character out of retirement following the murder in London of General Vladimir, a former Soviet general who had been Smiley’s agent. Vladimir, the Estonian believer in communism, is killed on Karla’s orders after having been written by the Soviet émigré Maria Andreyevna Ostrokova regarding contact she had had with a Soviet agent who suggested that she could soon be reunited with her daughter Alexandra if she would only apply for French citizenship on her behalf. Yet as Smiley discovers through his probe into Vladimir’s murder, this entreaty was made as an unprofessional attempt by Karla himself to secure treatment in Switzerland for his mentally ill daughter Tatiana, alias Alexandra, who was diagnosed politically in the USSR with schizophrenia. In parallel, Tatiana’s own mother and Karla’s mistress had been purged for holding that “history had taken the wrong course” in the Soviet Union, and for not being “obedient to history.” It was presumably to avoid a similar fate for his daughter as a psychical non-conformist that led Karla to smuggle her to a hospital abroad.

As Soviet agents relentlessly pursue Maria Ostrokova to silence her once and for all and so complete the cover-up of General Vladimir’s murder, Smiley mobilizes to counter Karla, ultimately presenting him with an ultimatum whereby he could defect to the West and save his daughter’s life or remain in the Soviet Union as MI6 released this information to the Soviet authorities, inexorably leading to Karla’s destruction and presumably Tatiana’s as well. How ironic that the top Soviet spy master would be compromised through love for his daughter! Smiley and le Carré alike recognize this gambit as representing the utter ruthlessness by which is secured relative superiority and hegemony in the Cold War in particular and international relations generally. This is commentary that clearly critiques the infamous “prisoners’ dilemma” of game theory, which has been used by the ‘experts in legitimation’ to excuse militarism and oppression.

The Little Drummer Girl

The Little Drummer Girl (1983) depicts a Mossad operation to use Charlie, a young radical British actress, to penetrate and disrupt a militant group called Palestine Agony, being comprised of two brothers, Salim and Khalil. The context is a series of deadly bombings against Israeli and Jewish targets in Europe ordered by Khalil in reprisal for the ongoing Occupation of Palestine and the intensifying bombardment of the positions of exiled Palestinian groups in Lebanon. Salim and Khalil’s family themselves had been displaced first from Palestine to Jordan, then to Syria, and lastly Lebanon.

Following a new Mossad directive to diversify the identity of its operatives beyond being exclusively Jewish, the Israeli agent Joseph kidnaps Charlie on vacation in Mykonos and transports her to his handlers, Martin Kurtz and Litvak, who exploitatively subject her to interrogation, psychologically manipulating her—an anti-apartheid activist, pacifist, nuclear marcher, anti-vivisectionist, anti-fascist, and critic of Israel—into becoming the very opposite of who she believes herself to be. After having thus been broken, Charlie is guided through her transition by her captor Joseph, who takes the protagonist on a journey of discovery of Palestine, whereby he becomes Salim and she plays the part of his lover.

Though this education is imparted by an Israeli oppressor rather than a Palestinian survivor, le Carré makes clear that the entire colonialist project of Israeli State-building is built on the dispossession of the Palestinian population, and that with each act of counter-violence taken by Palestinian militants, the Israeli military takes the lives of dozens times more Palestinians. Yet her first mission as an Israeli-Palestinian double agent is to drive a car laden with explosives from Greece through Yugoslavia to Austria. This same car explodes after arriving to its destination, while Salim is driving it to Munich with an accomplice.

Fleeing to the UK after this naked assassination, which is entirely consistent with established Israeli policy,3 Charlie learns that she is under investigation by the Home Office for being an Israeli agent—only that, while her house is ransacked by the police, she is allowed to leave the place unharmed. She then activates emergency channels with Khalil’s group, and clandestinely she is sent to Beirut, where she experiences Israeli siege first-hand and commits herself to the Anti-Imperialist Revolution, having become enamored by the beauty of the Palestinians’ sumoud, or steadfastness. Among other things, Charlie’s Commander Tayeh teaches her to distinguish between anti-Zionism and anti-Semitism—echoing Salim and Khalil’s view that anti-Semitism is a Christian invention (as well as Hamad Dabashi’s emphasis on the common Judeo-Islamic philosophical tradition).

After being recalled from Beirut, Charlie finally meets Khalil, who convinces her to accept a mission to assassinate the Jewish Professor Minkel, a public advocate of Israeli withdrawal from the Occupied Territories who does not agree with the Palestinian demand for a single, bi-national State. As he is a “moderate,” Minkel must be eliminated, according to Khalil, who believes in an extreme employment of counter-violence by Palestinians against both Israel and all Jews. Charlie ruthlessly delivers the suitcase-bomb to Minkel before he is scheduled to give a public address, presumably killing him and several others off-stage. Subsequently, Charlie presents Mossad with its coup, for she meets the delighted Khalil again and reveals his position, leading Joseph and company to burst in and kill him in cold blood. Charlie then returns to the UK, where the Mossad has once again made inquiries with the police to ensure that she need fear no prosecution, in addition to giving her access to the inheritance of a recently deceased friend, just as the Israeli war-machine assassinates Tayeh and invades Lebanona development that, as le Carré summarizes, “meant roughly that bulldozers were brought in to bury the bodies and complete what the tanks and artillery bombing raids had started.”

The book’s title is a reference to Bertolt Brecht’s depiction in Mother Courage and Her Children (1939) of Kattrina, one of Anna Fierling’s three children, all of whom perish over the course of the Thirty Years’ War (1618-1648): Kattrina most courageously by constantly drumming to inspire the peasants’ defense of the town of Halle from the Emperor’s troops, leading to her targeted assassination.

The Russia House

The Russia House (1989) tells the story of the publisher-spy B. Scott Blair, or Barley, and his intrigues in the USSR with Katya Orlova, a romantic revolutionary, and Yakov Savelyev, a dissident Soviet nuclear physicist known as “Goethe” to his friends. During the gradualist period of glasnost and perestroika overseen by Mikhail Gorbachev beginning in 1985, Savelyev/Goethe writes a manuscript detailing Soviet military secrets in order to precipitate the collapse of the arms race between the US/NATO and the USSR. Orlova acts as his go-between with Barley, specifying that the first-hand report Goethe has composed reveals Soviet research into the development of particularly atrocious weapons of mass destruction, makes public Soviet strategic nuclear-weapons policy, and explores various other vast ethical failures of the “Red Tsars” in the Cold War. Goethe, whose father was killed while participating in an uprising at the Vorkuta Gulag, is said to primarily be influenced by a certain nineteenth-century Russian known as Vladimir Pecherin, though this may well be a pseudonym for Mikhail Bakunin, for Pecherin “hates [his] native land and avidly await[s] its ruins,” and in the prospect of these “discern[s] the dawn of universal renaissance.”

In seeking to make public the nuclear secrets to which he has special access, Goethe aims at cutting short the Cold War, thus putting an end to the grave threat posed by nuclear weapons amidst highly militaristic competition between the superpowers.iv In this way, he expresses his belief in the revolutionary potential of science without borders—his “frantic dream of unleashing the forces of sanity.”

Barley, whose father was a Fabian socialist publisher who promoted Soviet literature, is a bit of a rogue himself. During his first meeting with Goethe, he tells his counterpart, presumably in good faith, that the Western States consciously accelerated the arms race to try to bankrupt the USSR, and that such imperial militarism in turn served as the pretext for the Soviets to continue “run[ning] a garrison state.” Barley scoffs at the hegemonic Western idea that the concept of “mutually assured destruction” (MAD) through nuclear annihilation had “kept the peace” since Hiroshima and Nagasaki, pointing to the wars on Korea, Vietnam, and Afghanistan. He expresses clearly his belief that all Westerners have a duty to “start the avalanche” that does away with militarism, imperialism, and the “elective dictatorship” of parliamentary capitalism. He thus finds a willing partner and co-conspirator in Orlova, as she wishes to “move together to destroy the destruction and castrate the monster we have created”—this, by facilitating the publication of Goethe’s manuscript. Indeed, when faced with Barley’s inquiries into Orlova’s national pride and love for her two children in light of her participation in this plot, the militant replies by saying that she and Goethe prefer the fall of the USSR to the destruction of the world, and that she must think of all the world’s children, not just her own, when considering her choices. Her courageous commitment is likely inspired to some degree by her uncle Matvey, a revolutionary follower of Lev Tolstoy.

The tragic hero Goethe is ultimately discovered by the Soviet authorities and summarily executed. Barley is similarly arrested and imprisoned as a political prisoner, but he escapes death and saves Katya and her family in exchange for divulging secrets of British intelligence to his tormentors.

Modern Trilogy

Le Carré’s Tailor of Panama (1996) is set in a Panama City marred by gross social inequality, with the “cocaine towers” of the financial district overlooking vast swathes of impoverished proletarian districts in this riverine environment. The action takes place after the U.S. invasion (1989-1990) to depose Manuel Noriega—a former CIA agent—in the run-up to the transfer of control of the Panama Canal from the U.S. military to local authorities that occurred in 1999.

Andy Osnard, a former MI6 agent assigned to the country by a revanchist conglomerate of private interests tasked with the mission of preventing the Canal from being sold off to any rivals of the West, coercively recruits Harry Pendel, a British expatriate tailor with a past history of imprisonment in the UK for insurance fraud, into being his source among the Panamanian elite he serves. Threatened by Osnard with having his criminal past revealed to his wife and children, Pendel learns from the Panamanian president of a Japanese plot to purchase the Canal and communicates this to his handler, setting in motion a joint mobilization by the British and U.S. military-security apparatuses to reinvade Panama and thus ensure continued neocolonial control.

Toward this end, Osnard exploits Pendel’s largely invented idea of a “Silent Opposition” to be led by personal friends who previously had organized against Noriega, including the tailor’s assistant Marta and his comrade Mickie. When Mickie in turn takes his life out of fear of returning to political imprisonment after the authorities, having become aware of the propagation of Pendel’s fantasies, increasingly harass him, the U.S. and British use the pretext of his execution for renewed military intervention. Osnard then appropriates for himself the $15 million destined emergently by the U.S. and Britain governments for the operations of the spectral oppositional group, fleeing in a private jet to Switzerland as U.S. attack helicopters initiate their assault on Panama City.

The Constant Gardener (2001) revolves around the partnership of Tessa Abbott, a British radical, and Justin Quayle, a British diplomat stationed in Kenya. The book opens with the announcement that Tessa has been found murdered with her medical colleague, Dr. Bloom, near Lake Turkana. Justin investigates the killings, ultimately discovering that the victims had co-authored a report exposing medical experimentation carried out by KDH, a Western pharmaceutical corporation, in the Kibera slum of Nairobi and submitted it to the British government—only to meet precisely this fate as a consequence. Fatally, Justin learns that, while Dr. Bloom sought to publish the findings directly, Tessa had insisted that they go through official channels first, in deference to her husband’s example. She did not consider the possibility that the State might be captured by these same corporate interests.

Quayle determines that dozens of Kenyans had died in the trials for Dypraxa, a tuberculosis drug, and that KDH covered up this “side effect” to press forward with the medication’s development, thus avoiding the costs of redesign and further delay. After all, KDH expected a considerable futures market for multidrug-resistant tuberculosis (MDR-TB) in the twenty-first century. In the end, Quayle makes Tessa and Dr. Bloom’s findings known, exposing the scandal and State-corporate nexus, but meets the same fate they did on the very shores of Lake Turkana.

This work title alludes to Voltaire’s always-germane conclusion to Candide (1759), a parody of optimism à la Leibniz (and, by extension, contemporary conservatives and apologists): “We must cultivate our gardens.”

Sharing affinities with the previous two works, The Mission Song (2006) is centered around the plot of a shadowy international Syndicate nominally dedicated to providing agricultural equipment to African countries which conspires to finance an armed uprising in eastern Congo to plunder the region’s mineral resources: coltan, gold, and oil. Bruno Salvador, or Salvo, who is half-Congolese and a graduate of languages at the School of Oriental and African Studies (SOAS), interprets the planning meeting set up between the Syndicate and representatives of two militias and a trading family from the Democratic Republic of Congo (DRC)—Dieudonné, Franco, and Haj, respectively—on a remote island in the North Sea. Naturally, the ruling Rwandan invaders, who have gravely exploited the eastern Congo since overrunning it two decades ago, having fled the coming to a power of a Tutsi-led government that put an end to the Rwandan genocide of 1994 by Hutus of Tutsis and “moderate” Hutus, were excluded from this meeting.

The Syndicate proposes to the Congolese warlords staging an insurgency that would disrupt the existing “peace” in order to create a crisis that would result in the installation of the Mwangaza, an aging semi-messianic figure who promises to unite all of Kivu, or eastern Congo, against the Rwandan militias and armies as well as central control from the capital city, Kinshasa. The Mwangaza speaks about installing an interim government that would expel the Rwandans and take control of the airport, mines, and cities of Kivu, though it is clear that, above all, he desires political power, and is willing to endorse the Syndicate’s proposal to amply supply arms, ammunition, and mercenaries toward this end. Indeed, part of the contract negotiated during these talks stipulates that the Syndicate would be granted special investment access after the coup’s success in exchange for its contributions up front to bringing the war about, while the Kinshasa government is to be bought off using the revenue extracted from Kivu’s mines that was supposed to be set aside as “The People’s Portion.”

Salvo does not take this plan lightly, however. He discreetly manages to appropriate seven cassettes of recordings of the meeting and keeps his own notes upon return to London. Then, unsure of whom to turn to, he first approaches Lord Brinkley, a distinguished “friend of Africa” in the British Parliament, with the idea of bringing the plans to light so as to prevent their execution—only to find Brinkley conspiring to have Salvo’s evidence destroyed or secured so that the coup can proceed. After taking leave of Brinkley, though, Salvo and his partner Hannah, a Congolese nurse, approach the Mwangaza’s London-based aide, Baptiste, who completely denies the possibility of the Mwangaza participating in such a plot. Salvo then meets with Mr. Anderson, his contact at MI6 who first assigned him to the clandestine meeting as interpreter, to express his concerns, only to find Anderson reacting much the same way as Brinkley—even going so far as to rationalize the plundering of Africa’s mineral wealth as based on the prerogatives of supposedly more highly civilized European peoples.

Upon escaping from Anderson, Salvo resorts to contacting his ex-wife’s colleague in the press about running the story before the coup is staged, yet he finds that the two most important cassettes have been taken by Hannah to be recorded and sent to Haj to disrupt the plans once and for all. This courageous effort that finally breaks with Salvo’s “misguided loyalty” to the system indeed saves Kivu from a new war, as the mercenaries’ conspiracy is foiled, but it leads Hannah immediately to be deported to Congo, while Salvo is stripped of his British citizenship and placed in a migrant camp similarly to await deportation to central Africa.

Absolute Friends

Absolute Friends (2003) is likely le Carré’s most openly subversive and radical spy novel. In this work, le Carré depicts the life-long friendship of the British subject Ted Mundy and Sasha, a German anarchist. Mundy, the son of a Scottish military officer and Irish maid born in British-occupied India, begins his “radical reappraisal” of Britain and the Raj in childhood due to the horrors of Partition (1947) and his sense, as suggested later by his father, that the British authorities were largely responsible for these atrocities, and specifically the deaths of the entirety of the family members of his beloved Muslim nurse, Ayah. In adolescence, the protagonist further develops his critical perspective in concert with Dr. Mandelbaum, his radical German-language and cello tutor, who suggests that, “as long as [humanity] is in chains, maybe all good people in the world are also refugees.” The development of Ted’s radical spirit continues precipitously at Oxford University, where he enrolls to deepen his knowledge of German and meets Ilse, his first partner and a militant anarchist. They participate in demonstrations against the Vietnam War and the junta of Greek colonels, and then decide to go study together at the Free University of Berlin. The only problem is that Ilse reneges at the last moment, but not before referring Ted to Sasha, a well-known revolutionary in Berlin. As Mundy departs by train from Waterloo Station in London, the narrator regards him and asks:

“Is he an anarchist? It will depend. To be an anarchist one must have a glimmer of hope.”

Certainly, both Mundy’s anarchism and radical hope are considerably nourished upon making the acquaintance of Sasha in Berlin. Listening to Mundy’s answer to the question of what the meaning of revolution is at their first meeting, Sasha at once tells Mundy that “[a]ll authority is irrational” and inquires into his knowledge of Herbert Marcuse and Max Horkheimer’s writings. Their relationship of fraternal love is thus immediately forged, and they become roommates. Le Carré shows how Mundy’s participation in the radical youth movement in Berlin represents an epoch of self-realization for him, as he becomes “part of a brave new family determined to rebuild the world.” Such immersion leads Mundy to rejoice: “So many brothers and sisters everywhere! So many comrades who share the dream!” The author clearly acknowledges that this militant movement, impelled by the children of the Auschwitz generation, sought to purge from the world the “multiple diseases of fascism, capitalism, militarism, consumerism, Nazism, Coca-Colonization, imperialism, and pseudo-democracy.”

At the Free University, Sasha is depicted giving a speech at an action denouncing the Vietnam War, specifically demanding that the Nuremburg Tribunal be reconvened to prosecute the “fascist-imperialist American leadership […] on charges of genocide and crimes against humanity.” Le Carré then shows the West German State brutally suppressing the demonstration, with Mundy valiantly rescuing Sasha from the riot police and becoming injured, hospitalized, and deported in the process.

After his formative time in Berlin, Mundy spends some years wandering: he briefly works at a journalist in the East Midlands, until he publishes an unauthorized exposé of labor conditions for Asian workers at a local cannery itself owned by the newspaper’s owner; he tries life as an artist in Taos, New Mexico; he gets married with Kate Andrews, a dedicated Labor Party member who wishes to rout the Trotskyists, Communists, and “closet anarchists” she sees as threatening the Party’s future, and fathers a son with her; and he himself secures employment with the British Council.

As part of this work, Mundy once again meets Sasha in East Germany, and the militant reveals to him intelligence vital to GDR security—a move that speaks to the anarchist’s integration into the State, yet also his continued dialectical commitment to destabilizing it. By sharing this information in turn with MI6 upon return to West Berlin, Mundy himself becomes an agent, and so begins a new phase in this “absolute friendship” whereby Mundy handles Sasha’s efforts to undermine what the latter considers to be the “Red Fascist” State. For Sasha, in so compromising the GDR and the USSR, it is not a matter of serving Western interests, but rather of fighting “tyranny wherever I have found it, with whatever weapons were available to me.”

The conclusion of Absolute Friends is contemporary, set in the run-up to the March 2003 invasion of Iraq. Mundy mobilizes against this mad plot, encouraging his son to organize protests at his university, but can find no concrete way for himself to do so until Sasha approaches him with a proposal to join a mysterious billionaire known as Mr. Dimitri from the New Planet Foundation in his ploy to supposedly create a global “Counter-University” and advance the revolutionary cause through the creation of “intellectual guerrillas” who will resist the “insane [capitalist] concept of limitless expansion on a limited planet, with permanent conflict as its desired outcome” (orig. emphasis). Yet Dimitri is not all he seems: following 9/11, the CIA claims, he increasingly comes to insist on an “alliance” between European anarchists and Islamist terrorists—given the view imputed to him that “[t]hese Al Qaeda boys have brought off just about everything Mikhail Bakunin ever dreamed of [sic]”—and he uses Mundy to rent out a school in Heidelberg at which the Brit used to teach for the first “demonstration project” for the Counter-University.

Though Mundy increasingly suspects Dimitri, Sasha faithfully does not doubt the sincerity of the project. Ultimately, one evening, as Mundy is preparing the shipments that he understands to be filled with books for the Counter-University’s Heidelberg campus, he realizes that he and Sasha have been set up: he discovers boxes of grenades, bomb-making devices, and so on. Just then, a massive police-military operation descends on the school, and the friends are killed off as putative terrorists who had been planning to attack the U.S. airbase at Heidelberg.

Meanwhile, Dimitri is revealed as enjoying Witness Protection in Montana for having warned the authorities about the radical friends’ non-existent terrorist plot, and the heist is shown as amounting to a “second burning of the Reichstag,” whereby an ex-CIA operative representing a coalition of oil barons, arms dealers, and security executives framed Mundy and Sasha as extremists who were preparing to bomb the air-force base precisely in order to silence the opposition from the German and French States to the U.S. drive to war on Iraq and thus expanded profits for such corporate sectors. Le Carré depicts the Heidelberg siege as blunting the Germans’ criticisms of Bush and company, whereas Russia is seen as capitalizing on the terrorized Zeitgeist to clamp down on protests and intensify its terrible war on Chechnya.

Conclusion: Let’s Start the Avalanche

We can see, then, that le Carré is a very serious and astute thinker and commentator about a number of pressing socio-economic, political, and ethical issues of recent history and our day. Yet it is evident that le Carré wields his critique of Statism, authoritarianism, and exploitation in an ironic fashion: generally speaking, it is not from an external standpoint, such as that of a protester or victim of militarism, that such critique issues in le Carré’s novels, but rather through the operation of the internal dynamics governing the system. Le Carré’s writings are therefore unexpected or “playful” in the sense that, unlike an external critique of the system raised for example by anarchists who want to take down that system, they typically begin from inside the system and move outward, developing into condemnations of the same. Clearly, le Carré’s spy writings are quite apart from those by Ian Fleming or Tom Clancy, novelists who start from within the State-capitalist system and have no wish to critique or overthrow it. This is another reason why the author’s art-works are consciously ironic, for the genre of espionage generally connotes mainstream, statist perspectives, not critical ones.

While le Carré achieves his purposes of entertainment and enlightenment by “playing” in a certain way, the content of his art is clearly very serious. More often than not, the protagonists of his novels serve as martyrs who are sacrificed by the State or capital to ensure stability and expanded profitability in the Cold War and subsequent neoliberal period: there are Samuel and Elsa Fennan in Call for the Dead; Fiedler, Leamas, and Gold in The Spy Who Came in from the Cold; Jerry, Luke, and Nelson in The Honourable Schoolboy; Salim and Khalil in The Little Drummer Girl; Savelyev in The Russia House; Mickie in The Tailor Panama; Tessa, Dr. Bloom, and Justin in The Constant Gardener; Salvo and Hannah in The Mission Song; and Mundy and Sasha in Absolute Friends. Within his earlier Cold War-era novels, le Carré advances a critique of the bureaucratic “grey men” on both sides, showing the way forward as developing through the courageous and tragic resistance of people like Savelyev and Katya Orlova, who dream of a better world as they labor to undermine the system; a very similar analysis could be made of Absolute Friends. The question which Katya poses to Barley about his intentions to publish Savelyev’s manuscript underpin much of le Carré’s subversive commentary throughout his oeuvre:

“Ask them which is more dangerous to [humanity]: to conform like a slave or resist like a [person]?”

As part of this dynamic of submission versus resistance, le Carré clearly acknowledges the extensive participation of former Nazi officers in the Western intelligence and security services after World War II, and he communicates the hegemonic Western concept that, once Hitler had been defeated, the rest of the West could get back to the “real war” against the Soviet Union and the “Red Menace.” Indeed, Absolute Friends opens with Mundy announcing to his tour group that Britain and the U.S. initially did not oppose Hitler, and indeed saw in him an attack-dog to be unleashed on the Reds. Moreover, our author does not shy from illustrating mainstream British anti-Semitic and bourgeois prejudices or depicting an MI6 officer making a Nazi salute. In The Little Drummer Girl, le Carré adopts the view of the Palestinian resistance that the Zionist State is fascist and genocidal, and in The Honourable Schoolboy, he has Ricardo’s fellow pilot express the thanotic imperative that drives individual capitalists and the system as a whole:

“hear me? They kill me, they kill Ricardo, they kill you, they kill the whole damn human race!”

In sum, then, le Carré, through his critical plots and his alter egos (Smiley, Gold, Barley, Mundy), examines the violence of despotism, brilliantly revealing the depths of nihilism and destruction for which the ruling class is responsible. In his more contemporary works, our author forthrightly points to the capitalist super-exploitation of the non-Western world, as Western firms and powers mobilize to extract evermore resources through militarism and genocide. The results are plain for all to see, or they should be; keeping these in full view, le Carré denounces the system as a whole. In parallel, he identifies the State’s established tendency to crush the possibilities of liberation, as seen in The Russia House, The Constant Gardener, Absolute Friends, and The Mission Song, and even the authorities’ willingness to exploit radicalism to promote reaction, as we see in The Little Drummer Girl.

Yet le Carré strongly endorses Barley’s view that all Westerners have a duty to “start the avalanche” that abolishes militarism, imperialism, and capitalism. The author even depicts this type of non-cooperation in a number of his works, especially in his illustration of State officials who defect, rebel, or otherwise sabotage their work. Nonetheless, the critique he raises against the State for instrumentalizing human life applies also to movements resisting oppression: that the Israelis, British, Soviets, or Americans cannot cease violating the means toward the ends they seek does not justify those who oppose them doing the same, even if the revolutionary end is superior to the end of maintaining the status quo. The Little Drummer Girl’s plot makes this clear. Like Lev Tolstoy and Albert Camus, then, le Carré is concerned about the replication of nihilism and authoritarianism within resistance movements, and he advises us—quite rightly, I think—to do all we can to harmonize means and ends. Quite like Tolstoy, le Carré declares through Barley that “[w]e must cut down the grey men inside ourselves, we must burn our grey suits and set our good hearts free, which is the dream of every decent soul, and even—believe it or not—of certain grey men too.”

Works Cited

1 Compare the East German Abteilung with the Sturmabteilung (SA), the Nazi brownshirts, followers of the Strasser brothers, who were purged by the Waffen SS on Hitler’s orders. Is this etymological similitarity between the names of the respective State agencies just coincidental, or actually reflective of red-brown cross-over?

2 Compare Lev Trotsky’s declaration in Terrorism and Communism: A Reply to Karl Kautsky (1920), published in response to Kautsky’s criticisms of Bolshevik repressiveness and the brutality of the Russian Civil War: “As for us, we were never concerned with the Kantian-priestly and vegetarian-Quaker prattle about the ‘sacredness of human life.’”

3 See Eyal Weizman, Hollow Land: Israel’s Architecture of Occupation (London: Verso, 2007), especially ch. 9, “Targeted Assassinations: The Airborne Occupation.”

Ecology and Empire in Marx, Adorno, and Marcuse

November 20, 2013

cultural-marxists

NB: This is a slightly revised version of the paper I presented at the Fifth Biannual International Herbert Marcuse Society Conference at the University of Kentucky 

In essence, I wish to examine the treatment of imperialism and ecology in the thought of Karl Marx, Theodor W. Adorno, and Herbert Marcuse precisely because of the continued dire relevance of both such issues in our own day, some three decades now after Marcuse’s death. The importance of the philosophies of these three thinkers to my own development aside, I believe their critical-dialectical perspectives to hold great promise in positive and practical terms with regard to the ongoing struggle to overturn capitalism and so resolve the threats to oppressed humanity and non-human nature taken together. 

On Empire, or Imperialism

Marx’s views on imperialism are variable: though they generally can be said to be humanistic, they are also at times vague and outright problematic. For example, in The Communist Manifesto, Marx and Engels note that

“The bourgeoisie, by the rapid improvement of all instruments of production, by the immensely facilitated means of communication, draws all, even the most barbarian [sic] nations into civilisation. The cheap prices of commodities are the heavy artillery with which it batters down all Chinese walls, with which it forces the barbarians’ intensely obstinate hatred of foreigners to capitulate. It compels all nations, on pain of extinction, to adopt the bourgeois mode of production; it compels them to introduce what it calls civilisation into their midst, i.e., to become bourgeois themselves. In one word, it creates a world after its own image.”1

Similarly in Capital, Marx notes that the “more industrially developed country only shows, to the less developed, the image of its own future.”2 Thus is seen the modernist progressivism which underpins a great deal of Marx’s thought, from its early stages in 1848 to maturity some twenty years later. However, providing an alternative perspective in Capital, Marx definitively identifies the original brutality through which the capitalist system arose, as in his concept of primitive accumulation:

“The discovery of gold and silver in America; the extirpation, enslavement and entombment in mines of the aboriginal population; the beginning of the conquest and looting of the East Indies; the turning of Africa into a warren for the commercial hunting of black-skins signalised the rosy dawn of the era of capitalist production.”3

This insurrectional sort of humanism previously had informed some of the journalism Marx had engaged in for the New York Tribune from 1853 to 1858, when he examined from afar the dialectical processes taking place in British-dominated India. Though Edward W. Said famously included Marx’s articles on India within his condemnation of Orientalism, he seems indeed to have overlooked the humanism which pervaded Marx’s analyses in part: as Aijaz Ahmad notes, Marx was entirely precocious even compared with Indian nationalists in his call for an independence struggle against Britain in 1853, and he certainly welcomed the 1857-1858 Sepoy Mutiny.4 Indeed, as noted Indian Marxist E.M.S. Namboodiripad argues, in light of the putatively ongoing stagnation of Hindu society in the centuries before the Raj, British colonialism served as an “unconscious tool of history” which might have accelerated the dialectical negation of class and caste—this being a perspective he takes from Marx.5 In his writings on India, Marx was clearly influenced by Hegel, given his claim that life in India was “stagnatory and vegetative,” and that “Indian society has no history at all.”6 With regard to developments in India, Marx favorably welcomed the British introduction of the telegraph, the “free press,” “private property in land,” modern science, and railroads; moreover, he applauded the actions taken by individual British governors to suppress the sati custom, whereby Hindu wives were forced to commit suicide upon the death of their husbands.7 Elsewhere, though, Marx compared Britain’s victimization of Indians to that of the Irish under the British boot, and he claimed the “misery inflicted by the British on Hindostan [to be] of an essentially different and infinitely more intensive kind than all Hindostan had to suffer before.”8 Even before largely inverting his uncritical take on the Raj with the coming of the Sepoy Mutiny four years later, Marx would already see confirmed in British colonial rule in India the “inherent barbarism of bourgeois civilization.”9 Later in life, moreover, Marx committed himself to engaging in extensive anthropological and historical investigations of different regions of the world—Russia, India, Algeria, Indonesia, and ancient Greece, among others.10 In a famous exchange of letters with Russian militant Vera Zasulich (1881), Marx in fact endorses an alternative path to communism different from the seemingly deterministic model he had previously favored—that is, capitalist industrialization as pre-requisite for communism—in light of the regard in which he held the Russian mir.11 With Engels, Marx writes in the 1882 preface to the Russian edition of the Communist Manifesto that, to truly “pass directly to the higher form of Communist common ownership,” the Russian people must be aided by proletarian revolution in Western Europe.12 Given this comment, the two were rather prescient in forseeing the future of the Russian Revolution 35 years later, given the suppression of the German Revolution and numerous other antagonistic social movements in Central Europe in the years following WWI. On this point, whether Marx would have welcomed the ideology and tactics of Leninism and the course of the Russian Revolution before Stalin’s ascendancy is a debatable question, though I tend to hold that the anarchism which permeates Marx’s work—from the 1844 Manuscripts denouncing Hegel’s accommodation with State and capital to his libertarian analysis of the Paris Commune in The Civil War in France (1871)—would likely have led him to have some trepidations about the Bolshevik line.13

Adorno, though greatly marked by Marx’s work and Marxist critique, does not share the humanism which led Marx to take a dialectical view of imperialism, nor is it evident that he integrated much concern for the exercise of domination over non-European peoples in his day from other critical sources, such as Rosa Luxemburg. In general terms, it would seem that Adorno concerned himself principally with the question of anti-Jewish prejudice and violence amidst the evidently traumatic experience of the Nazi regime and the Shoah. If we consider Adorno’s psychological and sociological studies of prejudice and racism, moreover, his revolutionary contributions should not likely be doubted: with Horkheimer, he frames the fascist hatred of Jews as emanating from pre-existing liberal-capitalist society in Dialectic of Enlightenment (1944), and his later investigations into the Authoritarian Personality (1950) are similarly radical in anti-authoritarian and anti-capitalist terms. Hence it is somewhat strange that Adorno never extended his concern for racism and prejudice to analyses of global capitalism, material inequality, and the clearly brutal exercise of Euro-American power against non-European peoples in the two and a half decades following WWII, a timeframe corresponding to the remainder of Adorno’s lifetime. In Dialectic of Enlightenment, the continent of Africa is mentioned in a thoughtful reflection on the domination exercised against non-human animals—under imperial capitalism, herds of elephants and giraffes are reduced to mere “obstacles to the landing of bombers in the latest war”—yet Adorno and Horkheimer make no direct mention of Africa’s humans here.14 In a less than liberatory fashion, Adorno begins his 6 June 1967 lecture by mentioning the “terrible threat to Israel” and the “countless Jews [there] who have fled a horrifying fate” as posed by the beginning of the Six-Day War; it does not seem to occur to this critical theorist par excellence that the war in fact began with Israeli aggression against Egypt.15 But perhaps such a culturally nationalistic perspective could already be seen in his and Horkheimer’s denunciation of Gamel Abdel Nasser as the “fascist chieftain who conspires with Moscow” following the 1956 Suez Crisis.16 In less reactionary terms, though, two years after the Six-Day War Adorno discusses the “horror of the napalm bombs” dropped by the U.S. military in Vietnam, and in his lectures on metaphysics he clearly locates the U.S. devastation of that country and its people as being a crime which belongs within the fascist continuum responsible for Auschwitz.17 Such statements on Adorno’s part demonstrates the profound disregard in which he held U.S. militarism, and his position here is undoubtedly more legitimate than that of Horkheimer, who defended the U.S. war effort as a means of inhibiting the expansion of Maoist influence in the world. This is not to say that Adorno expressly supported the Vietnamese resistance, given his criticism of the “unspeakable Chinese-style tortures” performed by the Vietcong, as communicated in correspondence to Marcuse in 1969; unlike Marcuse, Adorno never translated his repulsion at the war in Vietnam into concrete resistance or activism.18 This marked failure on Adorno’s part may well have had to do with the tumultuous relationship he and Horkheimer were experiencing at that time with contemporary radical-left movements in Germany, which for their part overwhelmingly seem to have aligned themselves with the Vietnamese Communists. Then, in August 1969, Adorno died unexpectedly.

As is well-known, Marcuse for his part considered many of the national-liberation efforts of his day to be principal factors in the revolutionary struggle against capitalism. A number of his most famous books and addresses positively cite the revolutionary developments in Cuba and China as encouraging signs of progress—in this sense, it would be interesting to see how Marcuse might have reacted to the increased Stalinist/Maoist bureaucratization of those societies. Another question is to what extent Marcuse was aware of highly negating developments such as massive famine under Mao, or how well-known such realities were at the time—for this I have no answer. Self-evidently, Marcuse is very famous for his passionate activism against the Vietnam War during his tenure as professor at UCSD—an effort for which he suffered considerably, given the numerous death-threats directed against his person, which in fact led his graduate students to rotate shifts as his protection detail.19 On the question of Israel, Marcuse may well be termed a Zionist, though not in the fascist-aggressor sense we see today: for him, the foundation of Israel, which he felt sought to “prevent a recurrence of the concentration camps [and] the pogroms,” forms “part of the struggle for liberty and equality for all persecuted racial and national minorities the world over.”20 Marcuse visited historical Palestine with his wife Inge in 1971 to expressly study the Arab-Israeli conflict at first hand, and rather than limit themselves only to engaging with Israel and Israelis, the pair traveled to Nablus to discuss matters with Palestinian intellectuals under occupation.21 Raymonda Hawa Tawil, a Palestinian who observed these interactions, paraphrases Marcuse as saying that, though he “had always felt sympathy toward Jews suffering persecution,” he “could find no sympathy for Jews who persecute others.”22 Indeed, in the article which he composed for the Jerusalem Post after his visit, entitled “Israel is Strong Enough to Concede,” Marcuse clearly acknowledges the great “injustice done to the native Arab population” in the founding of the Israeli State: born through the “displacement of the Palestinian people,” the power of settler-colonial Zionism “proceeded without the rights and interests of the native population” in mind.”23 In this sense, Israel’s genesis was “not essentially different form the origins of practically all states in history: establishment by conquest, occupation, discrimination.”24 Moving forward in practical terms, Marcuse in this essay calls for a peace treaty between Israel and the United Arab Republic (Egypt & Syria) which would entail the latter’s recognition of Israel and a “settlement” of Palestinian refugees, whether that be in pre-1948 Palestine or in a Palestinian State existing alongside Israel.25 Though his terms for peace include full Western access to the Suez Canal, Marcuse’s recommendations are not the standard liberal-colonialist tripe of his day (or our own), for he argues that the shape and direction of a future Palestinian state must be decided through Palestinian self-determination. Marcuse sees his recommendations as “interim solutions,” and he ultimately expresses hope for an “optimal solution” whereby Arabs and Jews would live together as “equal partners” in a Middle Eastern “socialist federation.”26 Finally in these terms, one of Marcuse’s very last lectures in life was given in the Mexican bordertown of Mexicali—a destination which the septuagenarian Marcuse reached with his Mexican assistant after a “trip which few Norteños of any age would have made,” according to George Katsiaficas.27

Ecology and Nature

In recent years, a great deal of focus has been placed on Marx’s supposedly critical insights into environmentalism, his humanistic exposition of capitalist alienation and its dialectical transcendence through communism aside. The main theorist pushing this alternative reading of Marx has been John Bellamy Foster, author inter alia of Marx’s Ecology (2000), The Ecological Revolution (2009), and The Ecological Rift (2010). In my view, Foster’s argumentation is far from convincing in terms of claiming Marx as an ecologist. Notwithstanding the critical importance of the anti-capitalist analysis of environmental destruction which Foster advances, his assumptions seem greatly to exaggerate the extent to which Marx concerned himself with ecological questions. Most of Foster’s elucidations of Marx’s supposed contributions to environmentalism are composed of a few passing comments the communist theorist makes regarding the adverse effects capitalist agricultural processes have on soils—yet no attempt is made to supply more varied and consistent utterances on Marx’s part which concern themselves with environmental matters, because such an effort would prove largely fruitless.28 True, the young Marx does favorably cite Thomas Münzer’s declaration that, under the rule of private property, “all creatures have been turned into property,” while they must “become free”—he even argues that the capitalist “view of nature” implies “real contempt for, and practical debasement of, nature.”29 But this statement is rather peripheral to the argumentation in the essay in which it is found, “On The Jewish Question.” While Marx evidently defines communism in his 1844 Manuscripts as “the genuine resolution of the conflict between [humanity] and nature” as well as among humans, one should likely make a distinction between the young Marx and his mature self in these terms, for references to environmental issues account for only a tiny fraction if we consider Marx’s ouevre as a whole.30 In my view, communist humanism vastly outweighs concern for ecology in the primacy of Marx’s social philosophy. Instead of an ecologist, on my account, Marx was largely a Promethean who held a relatively positivist—that is, uncritical—view of industrialism; I believe Adorno was right to declare that Marx wanted to “turn the whole world into a giant workhouse.”31 It is not for nothing that Marx condemned the “brutalizing worship of nature” he claimed as being evident in the traditional village life of pre-Raj India; he was clearly offended that in Hindu society, “man, the sovereign of nature” would “f[a]ll down on his knees in adoration of Kanuman, the monkey, and Sabbala, the cow.”32 It is important not to confuse Marx’s modernist progressivism with the utopian romanticism of Charles Fourier or Friedrich Schiller.

Adorno’s philosophy is manifestly permeated with concern for the destructive effects capitalism and civilization have had on non-human nature. In Dialectic of Enlightenment, Adorno and Horkheimer claim the effort to dominate external nature to have been central to the very emergence of human reason: subjected to the exercise of reason, nature is degraded to “mere material, mere stuff to be dominated.”33 The result is that the animal comes to “know only irrational terror and the urge to make an escape from which he is cut off”; subjected to human dominion, “[t]he whole earth bears witness to the glory of man [sic]”:

“Unreasoning creatures have encountered reason throughout the ages—in war and peace, in arena and slaughterhouse, from the lingering death-throes of the mammoth overpowered by a primitive tribe in the first planned assault down to the unrelenting exploitation of the animal kingdom in our own days.”34

Adorno and Horkheimer clearly express their disgust with vivisection, consumption of animal flesh, zoos, and loss of biodiversity; using the example of captive circus lions who perish in a fire, they denounce the instrumentalization of animal life, noting prevailing bourgeois standards to consider such deaths as mere “capital losses to their owners.”35 Adorno will carry on such critical animal-liberationist perspectives throughout his lifespan, coming to endorse vegetarianism in his 1963 summer lectures.36 Indeed, in his celebrated 1962 lecture “Progress,” Adorno presents a revolutionary definition of historical progress, whereby this is to be attained only once humanity experiences an “awakening” which allows it to “becom[e] aware of its own indigenousness to nature” and so “brin[g] to a halt the domination it exacts over nature.”37 Lastly, in his posthumously published Aesthetic Theory (1970), Adorno continues with these utopian socialist musings, noting that the experience of natural beauty “recollects a world without domination”; moreover, he notes that, “under transformed relations of production,” technology could be employed to “assist nature” by reversing its destruction and even “on this sad earth [to] help it to attain what perhaps it wants .”38

As Michael Löwy notes, Marcuse undoubtedly shares the “romantic revolutionary” perspectives of his comrade Walter Benjamin, and Adorno to a degree—for he expresses a “nostalgia for precapitalist Kultur” as a cipher which rejects industrial-capitalist technology and the destruction of nature.39 This concern can be clearly seen in Marcuse’s earliest written work, his dissertation on the German Artist Novel (1922). Though Marcuse seems to have suppressed environmental concern in some of his work in the 1930s—his treatment of the nature-domineering philosophy of René Descartes in “The Concept of Essence” (1936) is far from critical—it is very clearly evident in Eros and Civilization (1955), wherein Marcuse integrates Kant’s aesthetic theory with the mythological figure of Orpheus to suggest that, in a future emancipated society, nature and the non-human should be taken not as objects of exploitation and manipulation but rather as intrinsically valuable: they are simply to be treated as “’just what they are,’ ‘being-there,’ existing.”40 Marcuse is famous for his advancement of such a romantic image of liberation as advancing sensuousness and tranquility; it is indelibly linked to his concern for humanity’s reconciliation with nature. Like Adorno, Marcuse in One-Dimensional Man (1964) argues for overthrowing human cruelty to animals, naming their “ill-treatment” as part of the capitalist “Hell.”41 In Counterrevolution and Revolt (1972), Marcuse dedicates an entire chapter to the question of “Nature and Revolution”: here, he advances the puzzling idea that “to campaign for universal vegetarianism” would seem misguided amidst the depth of suffering “inflicted by man [sic] on man.”42 Yet he argues reasonably that “no free society is imaginable which does not […] make the concerted effort to reduce consistently the suffering which [humanity] imposes on the animal world.”43 Generally, Marcuse in “Nature and Revolution” comes to identify the non-human world as an “ally” in the struggle against the triple domination exercised by capitalism: that over self, other humans, and nature.44 Endorsing the concept of the “liberation of nature,” Marcuse joins Adorno in arguing for the re-orientation of science and technology toward the end of assisting it, and, though he clearly prefers the Marxian concept of a “human appropriation of nature” to capitalism’s destruction of it, he nonetheless criticizes Marx for reflecting a “hubris of domination” in considering nature as an object to be controlled.45 He here restates his Kantian alternative of a nonexploitative relationship with nature, as originally formulated in Eros and Civilization.

———————————————————————————————————-

1Karl Marx and Friedrich Engels, The Communist Manifesto (1848), available online at http://www.marxists.org/archive/marx/works/1848/communist-manifesto/ch01.htm.

2Karl Marx, “Preface to the First German Edition,” Capital Vol. 1 (1867), online at http://marxists.anu.edu.au/archive/marx/works/1867-c1/p1.htm#1b.

4Aijaz Ahmad, In Theory (London: Verso, 1992), 236.

5Ibid, 238.

6Karl Marx and Friedrich Engels, Collected Works, vol. 12 (New York: International Publishers, 1974-2004), 132, 217.

7Ibid, 218, 181.

8Ibid, 126.

9Ibid, 221.

10Kevin B. Anderson, Marx at the Margins: On Nationalism, Ethnicity, and Non-Western Societies (Chicago: University of Chicago Press, 2010), 196-236.

11Teodor Shanin, Late Marx and the Russian Road (New York: Monthly Review Press, 1983).

12Marx and Engels, “Preface to the 1882 Russian Edition,” online at http://www.marxists.org/archive/marx/works/1848/communist-manifesto/preface.htm#preface-1882

13Maximilien Rubel, “Marx, theoretician of anarchism” (1973), online at http://www.marxists.org/archive/rubel/1973/marx-anarchism.htm.

14Dialectic of Enlightenment, trans. John Cumming (New York: Herder and Herder, 1972), 251.

15Qtd. in Stefan Müller-Doohm, Adorno: A Biography (Cambridge, UK: Polity, 2005), 452.

16Ibid, 413.

17Theodor W. Adorno and Herbert Marcuse, “Correspondence on the German Student Movement,” New Left Review 1, no. 233 (January–February 1999): 127.; Adorno, Metaphysics: Concepts and Problems, trans. Edmund Jephcott, ed. Rolf Tiedemann (1965; repr., Stanford, CA: Stanford University Press, 2000), 101.

18Adorno and Marcuse, op. cit, 127.

19Herbert Marcuse, Collected Papers Volume 3, 93.

20Ibid, 54.

21Raymonda Hawa Tawil, My Home, My Prison (New York: Holt, Rinehart and Winston, 1979), 231-2.

22Ibid, 232.

23Marcuse, Collected Papers Volume 3, 54.

24Ibid, 54.

25Ibid, 56.

26Ibid, 56.

27Herbert Marcuse, Collected Papers Volume 3, p. 197.

28John Bellamy Foster, “Marx and the Global Ecological Rift,” MRZine, 28 November 2007, online at http://mrzine.monthlyreview.org/2007/foster281107.html

29“On the Jewish Question” (1844), available online: http://www.marxists.org/archive/marx/works/1844/jewish-question/

30Qtd. in Lawrence Wilde, “The creatures, too, must become free: Marx and the Animal/Human Distinction” (2000), available at http://marxmyths.org/lawrence-wilde/article.htm

31Martin Jay, The Dialectical Imagination (Berkeley, CA: University of California Press, 1973), 57.

32Marx and Engels, op. cit, vol. 12, 132.

33Max Horkheimer, Eclipse of Reason (New York: Oxford University Press, 1947), 97.

34Adorno and Horkheimer, op. cit, 245-6.

35Horkheimer and Adorno, Dialectic of Enlightenment: Philosophical Fragments, trans. Edmund Jephcott (Stanford, CA: Stanford University Press, 2002), 208-9.

36Adorno, Problems of Moral Philosophy (Stanford, CA: Stanford University Press, 2002)

37Adorno, “Progress,” in Benjamin: Philosophy, Aesthetics, History, ed. Gary Smith (1962; repr., Chicago: University of Chicago Press, 1989), 90-91.

38Adorno, Aesthetic Theory, trans. Robert Hullot-Kentor (London: Continuum, 1997), 66, 68.

39Michael Löwy,“Under the Star of Romanticism: Walter Benjamin and Herbert Marcuse,” in Revolutionary Romanticism, ed. Max Blechman (SF: City Lights, 1999), 209.

40Marcuse, Eros and Civilization: A Philosophical Inquiry into Freud (Boston: Beacon Press, 1955), 165.

41Marcuse, One-Dimensional Man (Boston: Beacon Press, 1964), 237.

42Marcuse, Counterrevolution and Revolt (Boston: Beacon Press, 1972), 68.

43Ibid, 68.

44Ibid, 59.

45Ibid, 61, 69.