Posts Tagged ‘fascism’

On Syria, Fascism, Authoritarianism, and Hong Kong: Upcoming Panels and Film Screening at the 2019 International Herbert Marcuse Society Conference and Left Coast Forum

September 17, 2019

Please find below an announcement of upcoming panels and a film screening I am helping to organize and will be participating in at the 2019 International Herbert Marcuse Society conference and the Left Coast Forum. Hope to see you at either conference, or both!

At the eighth biennial International Herbert Marcuse Society conference, “Critical Theory in Dark Times: The Prospects for Liberation in the Shadow of the Radical Right,” to be held at the University of California Santa Barbara (UCSB):

Syria, the Eros Effect, and Pseudo-Anti-Imperialism (Saturday, October 12, 2019, 8:30-10am)

Lara El Kateb​, “Local Councils in Syria: Formations and Limitations”

Javier Sethness​, “Eros and Thanatos in the Syrian Revolution”

Rohini Hensman​, “Syria: Freedom and solidarity versus pseudo-anti-imperialism”

Terry Burke​, “Syria Disinformation Targeting the Left”

Wagner, Bakunin, and Antisemitic Propaganda: Then and Now (Saturday, October 12, 2019, 2:45-4:15pm)

María Castro​, “Feminism, Anti-Feminism, and Anti-Capitalism in Wagner’s ​Ring”

Javier Sethness​, “Wagner and Bakunin’s ‘Dangerous Minds’ Amid Fascist Resurgence Today”

Bill Weinberg​, “Ilhan Omar, Antisemitism and Propaganda”

Also, at the third annual Left Coast Forum, to be held at Occidental College in Los Angeles:

Sunday, 13 October 2019, 9:30 a.m.-12p.m. Film screening of No. 1 Chung Ying Street (2018).

This film compares the 1967 Hong Kong Leftist Riot with the ongoing the Mainland China-Hong Kong conflict. Discussion to follow with the director (to be confirmed)

And on Sunday, 13 October 2019, 1-2:15 p.m. Today’s Challenges for the Left: Stopping Fascism Globally and Standing against Authoritarian Regimes – Rocio Lopez and myself

John le Carré: A Radical Spy Novelist Playing with the System

March 2, 2019


“I am not a nihilist. I am a humanist. If it is given to us to play a part for the future, we must play it.” – Katya Orlova, The Russia House (1989)

Spanning five decades, from the Cold War to the present, John le Carré’s best-selling collection of spy novels are well-known for the way they immerse the reader in the world of international relations, espionage, and statecraft. The author’s aptitude for transporting his audiences in this way stems at least partly from the six years he worked in British Intelligence, both MI5 and MI6 (1958-1964). Yet, while le Carré—or David Cornwell, to use his given name—was a spy and focuses his literary output mostly on spying and the State intrigue, he shows himself in his fictional writings to also be highly critical of the hegemony of State and capitalism.

In a dialectical sense, le Carré “plays” with his novels to similarly “play” the system: while, at first glance, readers of le Carré are suffused with the ruthless worlds of statist power plays, militarism, and realpolitik, soon they are confronted with grand indictments of the domination of capitalism, imperialism, and the State over humanity. The novelist’s political perspective is generally anti-authoritarian, rationalist, and humanist—like that of Katya Orlova from The Russia House, who is an enthusiast of the anarchist Alexander Herzen, the “father of Russian socialism” and Populism—and it was opposed to both sides of the Cold War during its existence, just as the author has been critical of the persistence of capitalist hegemony that has followed during the past two-plus decades. In a sense, le Carré’s writings may be considered a sort of Trojan Horse within the capitalist citadel, but we can’t be sure exactly how much his subversive attitudes concretely influence or have influenced ongoing or future revolt against the system.

From Call for the Dead (1961) to The Mission Song (2006), le Carré weaves stories and conflicts that lay bare the dehumanization, instrumentalization, and super-exploitation underpinning capitalist society—accomplishing this precisely through gaming the system, by setting such critique within mass-, seemingly mainstream media. Absolute Friends (2003), a novel about two revolutionary anarchists, British and German, may come closest to le Carré’s own views—or if not, we can at least say that he is very sympathetic to such ideas.

To investigate how le Carré presents his social critique in discreet and then increasingly fervent fashion over the course of his career, this essay summarizes the pertinent details of the plots of 11 of the author’s novels, and then passes to a discussion and conclusion about the militant perspectives found therein, being like collectivities of free radicals joyously roaming to destabilize unjust structures.

Call for the Dead and The Spy Who Came In From the Cold

The story of Call for the Dead (1961) revolves around one Samuel Fennan, a former Marxist and Communist Party member working in the British Foreign Office (FO), who unexpectedly dies in his home by gunshot, presumably due to suicide. Yet le Carré’s hero George Smiley, an MI6 officer who had just met with Fennan hours before his death, probes more deeply into the case, only to discover that he was in fact murdered by Hans-Dieter Mundt, a hitman working under Dieter Frey. Dieter is an operative of the Abteilung—the East German Security Service1—and a former radical student of Smiley’s whose father had been killed by the Nazis and who himself concretely resisted Fascism by bursting into the British consulate in Dresden during World War II, demanding that the Allies do more to protect the Jews. The cover-up of Samuel’s murder is assisted by his wife Elsa, who herself is Jewish.

Dieter orders Fennan’s murder out of suspicion that he had become Smiley’s agent after seeing the two together, afraid that the Abteilung’s operation in Britain had been compromised. While Fennan had been sharing intelligence with the German Democratic Republic (GDR) as a continuation of sorts of his former Marxism and anti-fascism, Smiley discovers that he had to some degree cooled in his fervor for sharing information in the months leading up to his death, possibly reflecting disillusionment with the USSR after its suppression of the Hungarian Revolution of 1956. This finding leads Smiley to realize that it was really Elsa who was spying for East Germany, and that Samuel had initiated contact with him precisely to raise the point. Although her performance sustaining the lie that Fennan had indeed killed himself does not in the end save her from being sacrificed by Dieter as he tries to escape a trap set by Smiley—one that ends with the East German agent dying at Smiley’s hands, drowned in London’s Thames River—the British spy concludes that her support for the GDR could not be divorced from her desire for world peace as well as her immediate horror at a resurgent, militaristic West Germany. Dieter and Mundt, on the other hand, come in for criticism for their established Lenino-Stalinist tendency to violate the means toward the end of realizing socialism, as seen in their disregard for the lives of Samuel and Elsa Fennan, among others.

The Spy Who Came In From the Cold (1963) continues depicting the struggle between MI6 and the Abteilung. It opens with the British protagonist, Alec Leamas, head of MI6 in Berlin, watching as an East German agent of his is shot dead while trying to escape the Eastern Sector. This is the fourth agent of Leamas’ murdered in succession by the GDR—precisely on the orders of Mundt, the new head of the Abteilung’s Counter-Espionage division, following his return after having escaped Britain. These killings lead Leamas to be declared useless to British Intelligence, and he falls into a downward spiral of alcoholism and illness. Yet this disregard for self is to some degree feigned, a ploy to attract the attention of the Abteilung within the larger goal of vengeance and the destruction of Mundt. In their conversation discussing this mission, Leamas and Control—MI6 chief—acknowledge the similarity in methods used by the Soviet and Western powers. Referring to Mundt, Control observes:

“‘He is a very distasteful man. Ex-Hitler Youth and all that kind of thing. Not at all the intellectual kind of Communist. A practitioner of the cold war.’

“’Like us,’ Leamas observed drily.”

After formally leaving MI6, Leamas briefly works at a library in London, there to meet the Communist Elizabeth Gold. The two become lovers. Yet Leamas cuts the relationship off to proceed with his mission, which sees him imprisoned for three months for having assaulted a grocer who denied him credit—with all of this being part of his cover. Just after his release, Leamas is recruited by the East Germans, who take him to the Netherlands and then to the GDR to be “debriefed” regarding the secrets he knows. After passing into the GDR, Leamas is interrogated by Fiedler, a prominent German-Jewish member of the Abteilung and the son of Marxist refugees from WWII, who explains to him the Stalinist view that human life is but a means toward the end of the construction of Party Socialism, thus delineating his theoretical differences with Christianity, which the Western authorities putatively follow but in reality utterly ignore.2 Leamas reveals to Fiedler that the latter’s superior, Mundt, is in fact a British agent, and that he was allowed to leave Britain following the various murders he committed after coming to an agreement with MI6, which has been sending him vast quantities of money in exchange for information from the East German State. Mundt becomes aware of this plot to oust him, and orders the arrest of both Leamas and Fiedler—with the latter receiving “special treatment” by Mundt the former Nazi for being Jewish—but not before Fiedler had applied to the State for a warrant to arrest Mundt as an imperialist agent.

Thereafter follows a dramatic tribunal at which Fiedler argues his case, detailing the ease with which Mundt turned to murder “in the name of the people to protect his fascist treachery and advanc[e] his own career,” whereas the defense accuses Fiedler in turn of collaborating with imperialism to undermine GDR security, claiming the prosecution’s evidence to be merely circumstantial. The counter-coup is completed, nonetheless, when Mundt’s counsel calls Liz Gold as a witness—Gold having been mysteriously and suddenly “invited” as a member of the British Communist Party to visit the GDR—to have her reveal how George Smiley in fact had supported her financially following Leamas’ disappearance. Smiley, it would seem, did so specifically to discredit the accusations against Mundt and so allow for the elimination of his subordinate Fiedler, who had been suspecting the British mole for some time. As the tables are turned and Fiedler comes to be the one to be immediately executed, MI6’s “filthy, lousy operation to save Mundt’s skin” is revealed. The saved Mundt then provides Leamas and Gold with the means to escape to the West. During this journey, Gold becomes le Carré’s voice, which critiques the authoritarian instrumentalization of life carried on by East and West alike: the supposed opposites are seen to converge in their grossly inhuman behavior, discarding Fiedler to uphold an ex-Nazi double agent. Ultimately, as Leamas and Gold arrive at the Berlin Wall and attempt to scale it, they are shot dead by GDR sentries.

The Karla Trilogy

Tinker, Tailor, Soldier, Spy (1974) concerns the fall of Control and dismissal of Smiley following a botched mission in Czechoslovakia, the ascendancy to top MI6 positions of four officers suspected of being double-agents, and Smiley’s counter-mobilization to investigate and defeat these moles. The text introduces Karla, the Soviet intelligence chief, who is shown to have penetrated MI6 through the recruitment of Bill Haydon, head of London Station. Smiley continues to face off against his Soviet counterpart in the next two volumes of the so-called Karla trilogy.

In The Honourable Schoolboy (1977), le Carré portrays a shaken British Intelligence being resurrected by Smiley, as he focuses on the new MI6 chief’s machinations to avenge the “fall” engineered by Karla through his compromise of Haydon. In his study of Haydon’s treason, Smiley discovers a “gold seam” of half a million dollars run by Karla to a bank in Vientiane, Laos. The journalist Jerry Westerby, an aristocrat by origin and a Southeast Asia correspondent, is dispatched to begin investigating in British-occupied Hong Kong. There, amidst the raging U.S. war on Vietnam, Cambodia, and Laos, Westerby discovers that the gold seam is being directed to Drake Ko, a prominent exiled Chinese capitalist and former Kuomintang (KMT) conscript, whose brother Nelson, having fought the KMT as a Communist in Shanghai and thereafter studied shipbuilding in the USSR, is a high-ranking insider within the Chinese Defense Ministry and an agent of Karla’s (that is, Soviet intelligence). The gold seam sent to Drake, then, represents the sum to be paid to Nelson if he can manage to escape China. Continuing his investigation, Westerby travels to a Phnom Penh besieged by the Khmer Rouge to learn that Drake had commissioned a Mexican pilot, Ricardo—himself a collaborator with the U.S. military in its wars on the region—to run opium into Red China in exchange for extracting his brother. Though this plan didn’t come to fruition, Westerby suggests to Ricardo that MI6 will use this information to blackmail Drake—and shortly thereafter his fellow journalist Luke is assassinated, having been mistaken for Westerby.

At the same time, MI6 and its CIA “Cousins” learn that Drake is imminently orchestrating a new operation to extract his brother, this time by sea. The Western spy agencies’ plans to instead capture Nelson for exploitative purposes, taken together with Luke’s murder, lead Westerby to rebel and warn Drake as Nelson’s fleet of fishing junks approach the rendezvous point on Po Toi Island, south of Hong Kong. Yet this intervention proves useless, for MI6 and the CIA launch a joint strike involving helicopters to interdict Nelson and kill Westerby just as the former’s sampans reach shore—with the hope of reuniting the brothers thus crushed. Once the honorable schoolboy is eliminated, the CIA proceeds to transfer Nelson to the U.S. for thorough interrogation, and the MI6 chief is awarded retirement for having secured a major agent of Karla’s.

Smiley’s People (1979) brings the titular character out of retirement following the murder in London of General Vladimir, a former Soviet general who had been Smiley’s agent. Vladimir, the Estonian believer in communism, is killed on Karla’s orders after having been written by the Soviet émigré Maria Andreyevna Ostrokova regarding contact she had had with a Soviet agent who suggested that she could soon be reunited with her daughter Alexandra if she would only apply for French citizenship on her behalf. Yet as Smiley discovers through his probe into Vladimir’s murder, this entreaty was made as an unprofessional attempt by Karla himself to secure treatment in Switzerland for his mentally ill daughter Tatiana, alias Alexandra, who was diagnosed politically in the USSR with schizophrenia. In parallel, Tatiana’s own mother and Karla’s mistress had been purged for holding that “history had taken the wrong course” in the Soviet Union, and for not being “obedient to history.” It was presumably to avoid a similar fate for his daughter as a psychical non-conformist that led Karla to smuggle her to a hospital abroad.

As Soviet agents relentlessly pursue Maria Ostrokova to silence her once and for all and so complete the cover-up of General Vladimir’s murder, Smiley mobilizes to counter Karla, ultimately presenting him with an ultimatum whereby he could defect to the West and save his daughter’s life or remain in the Soviet Union as MI6 released this information to the Soviet authorities, inexorably leading to Karla’s destruction and presumably Tatiana’s as well. How ironic that the top Soviet spy master would be compromised through love for his daughter! Smiley and le Carré alike recognize this gambit as representing the utter ruthlessness by which is secured relative superiority and hegemony in the Cold War in particular and international relations generally. This is commentary that clearly critiques the infamous “prisoners’ dilemma” of game theory, which has been used by the ‘experts in legitimation’ to excuse militarism and oppression.

The Little Drummer Girl

The Little Drummer Girl (1983) depicts a Mossad operation to use Charlie, a young radical British actress, to penetrate and disrupt a militant group called Palestine Agony, being comprised of two brothers, Salim and Khalil. The context is a series of deadly bombings against Israeli and Jewish targets in Europe ordered by Khalil in reprisal for the ongoing Occupation of Palestine and the intensifying bombardment of the positions of exiled Palestinian groups in Lebanon. Salim and Khalil’s family themselves had been displaced first from Palestine to Jordan, then to Syria, and lastly Lebanon.

Following a new Mossad directive to diversify the identity of its operatives beyond being exclusively Jewish, the Israeli agent Joseph kidnaps Charlie on vacation in Mykonos and transports her to his handlers, Martin Kurtz and Litvak, who exploitatively subject her to interrogation, psychologically manipulating her—an anti-apartheid activist, pacifist, nuclear marcher, anti-vivisectionist, anti-fascist, and critic of Israel—into becoming the very opposite of who she believes herself to be. After having thus been broken, Charlie is guided through her transition by her captor Joseph, who takes the protagonist on a journey of discovery of Palestine, whereby he becomes Salim and she plays the part of his lover.

Though this education is imparted by an Israeli oppressor rather than a Palestinian survivor, le Carré makes clear that the entire colonialist project of Israeli State-building is built on the dispossession of the Palestinian population, and that with each act of counter-violence taken by Palestinian militants, the Israeli military takes the lives of dozens times more Palestinians. Yet her first mission as an Israeli-Palestinian double agent is to drive a car laden with explosives from Greece through Yugoslavia to Austria. This same car explodes after arriving to its destination, while Salim is driving it to Munich with an accomplice.

Fleeing to the UK after this naked assassination, which is entirely consistent with established Israeli policy,3 Charlie learns that she is under investigation by the Home Office for being an Israeli agent—only that, while her house is ransacked by the police, she is allowed to leave the place unharmed. She then activates emergency channels with Khalil’s group, and clandestinely she is sent to Beirut, where she experiences Israeli siege first-hand and commits herself to the Anti-Imperialist Revolution, having become enamored by the beauty of the Palestinians’ sumoud, or steadfastness. Among other things, Charlie’s Commander Tayeh teaches her to distinguish between anti-Zionism and anti-Semitism—echoing Salim and Khalil’s view that anti-Semitism is a Christian invention (as well as Hamad Dabashi’s emphasis on the common Judeo-Islamic philosophical tradition).

After being recalled from Beirut, Charlie finally meets Khalil, who convinces her to accept a mission to assassinate the Jewish Professor Minkel, a public advocate of Israeli withdrawal from the Occupied Territories who does not agree with the Palestinian demand for a single, bi-national State. As he is a “moderate,” Minkel must be eliminated, according to Khalil, who believes in an extreme employment of counter-violence by Palestinians against both Israel and all Jews. Charlie ruthlessly delivers the suitcase-bomb to Minkel before he is scheduled to give a public address, presumably killing him and several others off-stage. Subsequently, Charlie presents Mossad with its coup, for she meets the delighted Khalil again and reveals his position, leading Joseph and company to burst in and kill him in cold blood. Charlie then returns to the UK, where the Mossad has once again made inquiries with the police to ensure that she need fear no prosecution, in addition to giving her access to the inheritance of a recently deceased friend, just as the Israeli war-machine assassinates Tayeh and invades Lebanona development that, as le Carré summarizes, “meant roughly that bulldozers were brought in to bury the bodies and complete what the tanks and artillery bombing raids had started.”

The book’s title is a reference to Bertolt Brecht’s depiction in Mother Courage and Her Children (1939) of Kattrina, one of Anna Fierling’s three children, all of whom perish over the course of the Thirty Years’ War (1618-1648): Kattrina most courageously by constantly drumming to inspire the peasants’ defense of the town of Halle from the Emperor’s troops, leading to her targeted assassination.

The Russia House

The Russia House (1989) tells the story of the publisher-spy B. Scott Blair, or Barley, and his intrigues in the USSR with Katya Orlova, a romantic revolutionary, and Yakov Savelyev, a dissident Soviet nuclear physicist known as “Goethe” to his friends. During the gradualist period of glasnost and perestroika overseen by Mikhail Gorbachev beginning in 1985, Savelyev/Goethe writes a manuscript detailing Soviet military secrets in order to precipitate the collapse of the arms race between the US/NATO and the USSR. Orlova acts as his go-between with Barley, specifying that the first-hand report Goethe has composed reveals Soviet research into the development of particularly atrocious weapons of mass destruction, makes public Soviet strategic nuclear-weapons policy, and explores various other vast ethical failures of the “Red Tsars” in the Cold War. Goethe, whose father was killed while participating in an uprising at the Vorkuta Gulag, is said to primarily be influenced by a certain nineteenth-century Russian known as Vladimir Pecherin, though this may well be a pseudonym for Mikhail Bakunin, for Pecherin “hates [his] native land and avidly await[s] its ruins,” and in the prospect of these “discern[s] the dawn of universal renaissance.”

In seeking to make public the nuclear secrets to which he has special access, Goethe aims at cutting short the Cold War, thus putting an end to the grave threat posed by nuclear weapons amidst highly militaristic competition between the superpowers.iv In this way, he expresses his belief in the revolutionary potential of science without borders—his “frantic dream of unleashing the forces of sanity.”

Barley, whose father was a Fabian socialist publisher who promoted Soviet literature, is a bit of a rogue himself. During his first meeting with Goethe, he tells his counterpart, presumably in good faith, that the Western States consciously accelerated the arms race to try to bankrupt the USSR, and that such imperial militarism in turn served as the pretext for the Soviets to continue “run[ning] a garrison state.” Barley scoffs at the hegemonic Western idea that the concept of “mutually assured destruction” (MAD) through nuclear annihilation had “kept the peace” since Hiroshima and Nagasaki, pointing to the wars on Korea, Vietnam, and Afghanistan. He expresses clearly his belief that all Westerners have a duty to “start the avalanche” that does away with militarism, imperialism, and the “elective dictatorship” of parliamentary capitalism. He thus finds a willing partner and co-conspirator in Orlova, as she wishes to “move together to destroy the destruction and castrate the monster we have created”—this, by facilitating the publication of Goethe’s manuscript. Indeed, when faced with Barley’s inquiries into Orlova’s national pride and love for her two children in light of her participation in this plot, the militant replies by saying that she and Goethe prefer the fall of the USSR to the destruction of the world, and that she must think of all the world’s children, not just her own, when considering her choices. Her courageous commitment is likely inspired to some degree by her uncle Matvey, a revolutionary follower of Lev Tolstoy.

The tragic hero Goethe is ultimately discovered by the Soviet authorities and summarily executed. Barley is similarly arrested and imprisoned as a political prisoner, but he escapes death and saves Katya and her family in exchange for divulging secrets of British intelligence to his tormentors.

Modern Trilogy

Le Carré’s Tailor of Panama (1996) is set in a Panama City marred by gross social inequality, with the “cocaine towers” of the financial district overlooking vast swathes of impoverished proletarian districts in this riverine environment. The action takes place after the U.S. invasion (1989-1990) to depose Manuel Noriega—a former CIA agent—in the run-up to the transfer of control of the Panama Canal from the U.S. military to local authorities that occurred in 1999.

Andy Osnard, a former MI6 agent assigned to the country by a revanchist conglomerate of private interests tasked with the mission of preventing the Canal from being sold off to any rivals of the West, coercively recruits Harry Pendel, a British expatriate tailor with a past history of imprisonment in the UK for insurance fraud, into being his source among the Panamanian elite he serves. Threatened by Osnard with having his criminal past revealed to his wife and children, Pendel learns from the Panamanian president of a Japanese plot to purchase the Canal and communicates this to his handler, setting in motion a joint mobilization by the British and U.S. military-security apparatuses to reinvade Panama and thus ensure continued neocolonial control.

Toward this end, Osnard exploits Pendel’s largely invented idea of a “Silent Opposition” to be led by personal friends who previously had organized against Noriega, including the tailor’s assistant Marta and his comrade Mickie. When Mickie in turn takes his life out of fear of returning to political imprisonment after the authorities, having become aware of the propagation of Pendel’s fantasies, increasingly harass him, the U.S. and British use the pretext of his execution for renewed military intervention. Osnard then appropriates for himself the $15 million destined emergently by the U.S. and Britain governments for the operations of the spectral oppositional group, fleeing in a private jet to Switzerland as U.S. attack helicopters initiate their assault on Panama City.

The Constant Gardener (2001) revolves around the partnership of Tessa Abbott, a British radical, and Justin Quayle, a British diplomat stationed in Kenya. The book opens with the announcement that Tessa has been found murdered with her medical colleague, Dr. Bloom, near Lake Turkana. Justin investigates the killings, ultimately discovering that the victims had co-authored a report exposing medical experimentation carried out by KDH, a Western pharmaceutical corporation, in the Kibera slum of Nairobi and submitted it to the British government—only to meet precisely this fate as a consequence. Fatally, Justin learns that, while Dr. Bloom sought to publish the findings directly, Tessa had insisted that they go through official channels first, in deference to her husband’s example. She did not consider the possibility that the State might be captured by these same corporate interests.

Quayle determines that dozens of Kenyans had died in the trials for Dypraxa, a tuberculosis drug, and that KDH covered up this “side effect” to press forward with the medication’s development, thus avoiding the costs of redesign and further delay. After all, KDH expected a considerable futures market for multidrug-resistant tuberculosis (MDR-TB) in the twenty-first century. In the end, Quayle makes Tessa and Dr. Bloom’s findings known, exposing the scandal and State-corporate nexus, but meets the same fate they did on the very shores of Lake Turkana.

This work title alludes to Voltaire’s always-germane conclusion to Candide (1759), a parody of optimism à la Leibniz (and, by extension, contemporary conservatives and apologists): “We must cultivate our gardens.”

Sharing affinities with the previous two works, The Mission Song (2006) is centered around the plot of a shadowy international Syndicate nominally dedicated to providing agricultural equipment to African countries which conspires to finance an armed uprising in eastern Congo to plunder the region’s mineral resources: coltan, gold, and oil. Bruno Salvador, or Salvo, who is half-Congolese and a graduate of languages at the School of Oriental and African Studies (SOAS), interprets the planning meeting set up between the Syndicate and representatives of two militias and a trading family from the Democratic Republic of Congo (DRC)—Dieudonné, Franco, and Haj, respectively—on a remote island in the North Sea. Naturally, the ruling Rwandan invaders, who have gravely exploited the eastern Congo since overrunning it two decades ago, having fled the coming to a power of a Tutsi-led government that put an end to the Rwandan genocide of 1994 by Hutus of Tutsis and “moderate” Hutus, were excluded from this meeting.

The Syndicate proposes to the Congolese warlords staging an insurgency that would disrupt the existing “peace” in order to create a crisis that would result in the installation of the Mwangaza, an aging semi-messianic figure who promises to unite all of Kivu, or eastern Congo, against the Rwandan militias and armies as well as central control from the capital city, Kinshasa. The Mwangaza speaks about installing an interim government that would expel the Rwandans and take control of the airport, mines, and cities of Kivu, though it is clear that, above all, he desires political power, and is willing to endorse the Syndicate’s proposal to amply supply arms, ammunition, and mercenaries toward this end. Indeed, part of the contract negotiated during these talks stipulates that the Syndicate would be granted special investment access after the coup’s success in exchange for its contributions up front to bringing the war about, while the Kinshasa government is to be bought off using the revenue extracted from Kivu’s mines that was supposed to be set aside as “The People’s Portion.”

Salvo does not take this plan lightly, however. He discreetly manages to appropriate seven cassettes of recordings of the meeting and keeps his own notes upon return to London. Then, unsure of whom to turn to, he first approaches Lord Brinkley, a distinguished “friend of Africa” in the British Parliament, with the idea of bringing the plans to light so as to prevent their execution—only to find Brinkley conspiring to have Salvo’s evidence destroyed or secured so that the coup can proceed. After taking leave of Brinkley, though, Salvo and his partner Hannah, a Congolese nurse, approach the Mwangaza’s London-based aide, Baptiste, who completely denies the possibility of the Mwangaza participating in such a plot. Salvo then meets with Mr. Anderson, his contact at MI6 who first assigned him to the clandestine meeting as interpreter, to express his concerns, only to find Anderson reacting much the same way as Brinkley—even going so far as to rationalize the plundering of Africa’s mineral wealth as based on the prerogatives of supposedly more highly civilized European peoples.

Upon escaping from Anderson, Salvo resorts to contacting his ex-wife’s colleague in the press about running the story before the coup is staged, yet he finds that the two most important cassettes have been taken by Hannah to be recorded and sent to Haj to disrupt the plans once and for all. This courageous effort that finally breaks with Salvo’s “misguided loyalty” to the system indeed saves Kivu from a new war, as the mercenaries’ conspiracy is foiled, but it leads Hannah immediately to be deported to Congo, while Salvo is stripped of his British citizenship and placed in a migrant camp similarly to await deportation to central Africa.

Absolute Friends

Absolute Friends (2003) is likely le Carré’s most openly subversive and radical spy novel. In this work, le Carré depicts the life-long friendship of the British subject Ted Mundy and Sasha, a German anarchist. Mundy, the son of a Scottish military officer and Irish maid born in British-occupied India, begins his “radical reappraisal” of Britain and the Raj in childhood due to the horrors of Partition (1947) and his sense, as suggested later by his father, that the British authorities were largely responsible for these atrocities, and specifically the deaths of the entirety of the family members of his beloved Muslim nurse, Ayah. In adolescence, the protagonist further develops his critical perspective in concert with Dr. Mandelbaum, his radical German-language and cello tutor, who suggests that, “as long as [humanity] is in chains, maybe all good people in the world are also refugees.” The development of Ted’s radical spirit continues precipitously at Oxford University, where he enrolls to deepen his knowledge of German and meets Ilse, his first partner and a militant anarchist. They participate in demonstrations against the Vietnam War and the junta of Greek colonels, and then decide to go study together at the Free University of Berlin. The only problem is that Ilse reneges at the last moment, but not before referring Ted to Sasha, a well-known revolutionary in Berlin. As Mundy departs by train from Waterloo Station in London, the narrator regards him and asks:

“Is he an anarchist? It will depend. To be an anarchist one must have a glimmer of hope.”

Certainly, both Mundy’s anarchism and radical hope are considerably nourished upon making the acquaintance of Sasha in Berlin. Listening to Mundy’s answer to the question of what the meaning of revolution is at their first meeting, Sasha at once tells Mundy that “[a]ll authority is irrational” and inquires into his knowledge of Herbert Marcuse and Max Horkheimer’s writings. Their relationship of fraternal love is thus immediately forged, and they become roommates. Le Carré shows how Mundy’s participation in the radical youth movement in Berlin represents an epoch of self-realization for him, as he becomes “part of a brave new family determined to rebuild the world.” Such immersion leads Mundy to rejoice: “So many brothers and sisters everywhere! So many comrades who share the dream!” The author clearly acknowledges that this militant movement, impelled by the children of the Auschwitz generation, sought to purge from the world the “multiple diseases of fascism, capitalism, militarism, consumerism, Nazism, Coca-Colonization, imperialism, and pseudo-democracy.”

At the Free University, Sasha is depicted giving a speech at an action denouncing the Vietnam War, specifically demanding that the Nuremburg Tribunal be reconvened to prosecute the “fascist-imperialist American leadership […] on charges of genocide and crimes against humanity.” Le Carré then shows the West German State brutally suppressing the demonstration, with Mundy valiantly rescuing Sasha from the riot police and becoming injured, hospitalized, and deported in the process.

After his formative time in Berlin, Mundy spends some years wandering: he briefly works at a journalist in the East Midlands, until he publishes an unauthorized exposé of labor conditions for Asian workers at a local cannery itself owned by the newspaper’s owner; he tries life as an artist in Taos, New Mexico; he gets married with Kate Andrews, a dedicated Labor Party member who wishes to rout the Trotskyists, Communists, and “closet anarchists” she sees as threatening the Party’s future, and fathers a son with her; and he himself secures employment with the British Council.

As part of this work, Mundy once again meets Sasha in East Germany, and the militant reveals to him intelligence vital to GDR security—a move that speaks to the anarchist’s integration into the State, yet also his continued dialectical commitment to destabilizing it. By sharing this information in turn with MI6 upon return to West Berlin, Mundy himself becomes an agent, and so begins a new phase in this “absolute friendship” whereby Mundy handles Sasha’s efforts to undermine what the latter considers to be the “Red Fascist” State. For Sasha, in so compromising the GDR and the USSR, it is not a matter of serving Western interests, but rather of fighting “tyranny wherever I have found it, with whatever weapons were available to me.”

The conclusion of Absolute Friends is contemporary, set in the run-up to the March 2003 invasion of Iraq. Mundy mobilizes against this mad plot, encouraging his son to organize protests at his university, but can find no concrete way for himself to do so until Sasha approaches him with a proposal to join a mysterious billionaire known as Mr. Dimitri from the New Planet Foundation in his ploy to supposedly create a global “Counter-University” and advance the revolutionary cause through the creation of “intellectual guerrillas” who will resist the “insane [capitalist] concept of limitless expansion on a limited planet, with permanent conflict as its desired outcome” (orig. emphasis). Yet Dimitri is not all he seems: following 9/11, the CIA claims, he increasingly comes to insist on an “alliance” between European anarchists and Islamist terrorists—given the view imputed to him that “[t]hese Al Qaeda boys have brought off just about everything Mikhail Bakunin ever dreamed of [sic]”—and he uses Mundy to rent out a school in Heidelberg at which the Brit used to teach for the first “demonstration project” for the Counter-University.

Though Mundy increasingly suspects Dimitri, Sasha faithfully does not doubt the sincerity of the project. Ultimately, one evening, as Mundy is preparing the shipments that he understands to be filled with books for the Counter-University’s Heidelberg campus, he realizes that he and Sasha have been set up: he discovers boxes of grenades, bomb-making devices, and so on. Just then, a massive police-military operation descends on the school, and the friends are killed off as putative terrorists who had been planning to attack the U.S. airbase at Heidelberg.

Meanwhile, Dimitri is revealed as enjoying Witness Protection in Montana for having warned the authorities about the radical friends’ non-existent terrorist plot, and the heist is shown as amounting to a “second burning of the Reichstag,” whereby an ex-CIA operative representing a coalition of oil barons, arms dealers, and security executives framed Mundy and Sasha as extremists who were preparing to bomb the air-force base precisely in order to silence the opposition from the German and French States to the U.S. drive to war on Iraq and thus expanded profits for such corporate sectors. Le Carré depicts the Heidelberg siege as blunting the Germans’ criticisms of Bush and company, whereas Russia is seen as capitalizing on the terrorized Zeitgeist to clamp down on protests and intensify its terrible war on Chechnya.

Conclusion: Let’s Start the Avalanche

We can see, then, that le Carré is a very serious and astute thinker and commentator about a number of pressing socio-economic, political, and ethical issues of recent history and our day. Yet it is evident that le Carré wields his critique of Statism, authoritarianism, and exploitation in an ironic fashion: generally speaking, it is not from an external standpoint, such as that of a protester or victim of militarism, that such critique issues in le Carré’s novels, but rather through the operation of the internal dynamics governing the system. Le Carré’s writings are therefore unexpected or “playful” in the sense that, unlike an external critique of the system raised for example by anarchists who want to take down that system, they typically begin from inside the system and move outward, developing into condemnations of the same. Clearly, le Carré’s spy writings are quite apart from those by Ian Fleming or Tom Clancy, novelists who start from within the State-capitalist system and have no wish to critique or overthrow it. This is another reason why the author’s art-works are consciously ironic, for the genre of espionage generally connotes mainstream, statist perspectives, not critical ones.

While le Carré achieves his purposes of entertainment and enlightenment by “playing” in a certain way, the content of his art is clearly very serious. More often than not, the protagonists of his novels serve as martyrs who are sacrificed by the State or capital to ensure stability and expanded profitability in the Cold War and subsequent neoliberal period: there are Samuel and Elsa Fennan in Call for the Dead; Fiedler, Leamas, and Gold in The Spy Who Came in from the Cold; Jerry, Luke, and Nelson in The Honourable Schoolboy; Salim and Khalil in The Little Drummer Girl; Savelyev in The Russia House; Mickie in The Tailor Panama; Tessa, Dr. Bloom, and Justin in The Constant Gardener; Salvo and Hannah in The Mission Song; and Mundy and Sasha in Absolute Friends. Within his earlier Cold War-era novels, le Carré advances a critique of the bureaucratic “grey men” on both sides, showing the way forward as developing through the courageous and tragic resistance of people like Savelyev and Katya Orlova, who dream of a better world as they labor to undermine the system; a very similar analysis could be made of Absolute Friends. The question which Katya poses to Barley about his intentions to publish Savelyev’s manuscript underpin much of le Carré’s subversive commentary throughout his oeuvre:

“Ask them which is more dangerous to [humanity]: to conform like a slave or resist like a [person]?”

As part of this dynamic of submission versus resistance, le Carré clearly acknowledges the extensive participation of former Nazi officers in the Western intelligence and security services after World War II, and he communicates the hegemonic Western concept that, once Hitler had been defeated, the rest of the West could get back to the “real war” against the Soviet Union and the “Red Menace.” Indeed, Absolute Friends opens with Mundy announcing to his tour group that Britain and the U.S. initially did not oppose Hitler, and indeed saw in him an attack-dog to be unleashed on the Reds. Moreover, our author does not shy from illustrating mainstream British anti-Semitic and bourgeois prejudices or depicting an MI6 officer making a Nazi salute. In The Little Drummer Girl, le Carré adopts the view of the Palestinian resistance that the Zionist State is fascist and genocidal, and in The Honourable Schoolboy, he has Ricardo’s fellow pilot express the thanotic imperative that drives individual capitalists and the system as a whole:

“hear me? They kill me, they kill Ricardo, they kill you, they kill the whole damn human race!”

In sum, then, le Carré, through his critical plots and his alter egos (Smiley, Gold, Barley, Mundy), examines the violence of despotism, brilliantly revealing the depths of nihilism and destruction for which the ruling class is responsible. In his more contemporary works, our author forthrightly points to the capitalist super-exploitation of the non-Western world, as Western firms and powers mobilize to extract evermore resources through militarism and genocide. The results are plain for all to see, or they should be; keeping these in full view, le Carré denounces the system as a whole. In parallel, he identifies the State’s established tendency to crush the possibilities of liberation, as seen in The Russia House, The Constant Gardener, Absolute Friends, and The Mission Song, and even the authorities’ willingness to exploit radicalism to promote reaction, as we see in The Little Drummer Girl.

Yet le Carré strongly endorses Barley’s view that all Westerners have a duty to “start the avalanche” that abolishes militarism, imperialism, and capitalism. The author even depicts this type of non-cooperation in a number of his works, especially in his illustration of State officials who defect, rebel, or otherwise sabotage their work. Nonetheless, the critique he raises against the State for instrumentalizing human life applies also to movements resisting oppression: that the Israelis, British, Soviets, or Americans cannot cease violating the means toward the ends they seek does not justify those who oppose them doing the same, even if the revolutionary end is superior to the end of maintaining the status quo. The Little Drummer Girl’s plot makes this clear. Like Lev Tolstoy and Albert Camus, then, le Carré is concerned about the replication of nihilism and authoritarianism within resistance movements, and he advises us—quite rightly, I think—to do all we can to harmonize means and ends. Quite like Tolstoy, le Carré declares through Barley that “[w]e must cut down the grey men inside ourselves, we must burn our grey suits and set our good hearts free, which is the dream of every decent soul, and even—believe it or not—of certain grey men too.”

Works Cited

1 Compare the East German Abteilung with the Sturmabteilung (SA), the Nazi brownshirts, followers of the Strasser brothers, who were purged by the Waffen SS on Hitler’s orders. Is this etymological similitarity between the names of the respective State agencies just coincidental, or actually reflective of red-brown cross-over?

2 Compare Lev Trotsky’s declaration in Terrorism and Communism: A Reply to Karl Kautsky (1920), published in response to Kautsky’s criticisms of Bolshevik repressiveness and the brutality of the Russian Civil War: “As for us, we were never concerned with the Kantian-priestly and vegetarian-Quaker prattle about the ‘sacredness of human life.’”

3 See Eyal Weizman, Hollow Land: Israel’s Architecture of Occupation (London: Verso, 2007), especially ch. 9, “Targeted Assassinations: The Airborne Occupation.”

“Radical Media & the Blurred Lines of ‘Red’ Fascism”

January 13, 2019

anti-assadist action

Courtesy Joey Ayoub

Many thanks to the anarchist Freedom Press (UK) for republishing my critical analysis of a former comrade platforming Assadist fascist Vanessa Beeley on KPFK! The editors have chosen a new (and fitting) title for it: “Radical Media & the Blurred Lines of ‘Red’ Fascism.”

Javier Sethness looks at the modern rise of “red-brown” politics and its infection of the left through the lens of a recent Indy Media on Air showing with prominent radical media figure Chris Burnett, wh[o] gave Assadist hardliner Vanessa Beeley a platform offering oddly softball questions.

This piece was originally published on the blog of Coalition for Peace, Revolution, and Social Justice (CPRSJ), and was then reposted here.

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Kafranbel, Idlib province, September 2018

At Left Coast Forum in Los Angeles on August 25th: Panels on Wagner and Bakunin as Nationalist vs. Anarchist Revolutionists, Imperialism vs. Anti-Imperialism, and the CPRSJ as a New Anti-War Coalition

August 8, 2018

I am excited to announce my participation in three panels at the Left Coast Forum at the Los Angeles Trade Tech College (LATTC) on Saturday, August 25, 2018:  “Wagner and Bakunin: Advocates of Nationalist or Anarchist Revolution?”, “Imperialism and Anti-Imperialism: What Is Internationalist Socialist Solidarity?”, and “One Year of the CPRSJ: A New Kind of Anti-War Coalition.”

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The first of these, on Richard Wagner and Mikhail Bakunin, will run from 10am until 11:15am. My co-panelists include María Castro and Alexander Reid Ross. Our description follows:

In this presentation, we will explore the philosophical and political affinities between the composer Richard Wagner and the militant philosopher Mikhail Bakunin, beginning with their joint action on the barricades of revolutionary Dresden in 1849. We consider Wagner’s Ring cycle as depicting the Proudhonian idea of theft and the figures of Siegfried and Brünnhilde as Bakuninist-Feuerbachian heroes. By examining Wagner and Bakunin’s common anti-Semitism, feminism and anti-feminism, and revolutionism, we discuss how anarchism and anti-theism influenced the creation of The Ring as an epic opera that depicts the rise and fall of capitalism. Nevertheless, in light of the anti-Semitism that drives The Ring, we cannot overlook the undeniable Aryanist, national-anarchist, and proto-fascist aspects of Wagner’s approach, which represent disturbing lines that connect typically left-wing notions of anti-statist and anti-capitalist upheaval with ultranationalist myth.

To delve into these matters, we will consider how the fascist creep applies to Wagner and Bakunin and compare the “dangerous minds” of Friedrich Nietzsche and Martin Heidegger to those of the pair in question.

anti-imp true

The second panel, on imperialism, anti-imperialism, and internationalism, takes place from 11:30am until 12:45pm. It is hosted by the Coalition for Peace, Revolution, and Social Justice. I will be moderating and facilitating this session: panelists include Frieda Afary, John Reimann, Alexander Reid Ross, and Sina Zekavat. The description follows:

In light of the fate of the Syrian Revolution, which has been crushed by the bloody counter-revolution carried out by Bashar al-Assad together with his Russian, Iranian, and Lebanese allies, there has debate in the global left about the meanings of imperialism and anti-imperialism, and the political implications these carry. Many authoritarians claiming leftism cross-over with the white-supremacist right’s open support for the Assad Regime by denying its crimes and overlooking the imperialist role played by Russia and Iran in Syria, focusing exclusively on the U.S.’s supposed opposition to Assad’s rule.

This tendency is a worrisome development, suggestive as it is of a red-brown alliance (or axis) that is not consistently anti-imperialist but rather, only opposed to U.S. Imperialism. It also fails analytically to see how the U.S. has increasingly accommodated Assad’s counter-revolution. In contrast to such approaches, participants on this panel will present anti-authoritarian class analyses of militarism and imperialism. Panelists will discuss the red-brown alliance (or axis) as recalling the “Holy Alliance” and fascism; the concept and reality of imperialism in the Middle East; the current wave of popular protests in Iran; left and right interpretations of geopolitics and political geography both historically and today; the lessons of the Bosnian genocide; and the tragedy of the Syrian Revolution.

Anti-war

The third panel in which I’m participating, on the Coalition for Peace, Revolution, and Social Justice, runs from 5pm until 6:15pm. My co-panelists include Mimi Soltysik and Kevin B. Anderson.

Exposing and Defeating the Fascist Creep

April 7, 2017

Fascist Creep

Copyright, Truthout.org. Reprinted with permission. Originally published on 7 April 2017

In light of the fact that Donald Trump is president, and that his consigliere Steve Bannon has publicly expressed a favorable view of the Italian fascist and SS enthusiast Julius Evola; considering the possibility that the neofascist Marine Le Pen’s Front National could win the 2017 elections in France; and given the explosive violence targeting Muslims, Jews and people of color in the US since Trump’s election, the time is certainly right to read and widely discuss Alexander Reid Ross’s new book, Against the Fascist Creep (AK Press, 2017).

As the title suggests, Reid Ross is concerned here with the “fascist creep,” which is related to the idea of the “fascist drift,” or the disturbing attraction many 20th-century leftists felt for this new reactionary ideology. Fascists reject mainstream conservatism as decrepit and corrupt (see the contemporary alt-right’s repudiation of the GOP), and while they violently oppose liberalism, socialism and anarchism, they paradoxically wield left-wing notions, such as solidarity and liberation, as part of their ultranationalist schemes for a falsely classless society, which is to be characterized by “natural hierarchy.” Fascism also relies heavily on myth, in the sense that its proponents seek to restore a “golden age” that supposedly existed in the putatively heroic past by means of “national revolution” against the existing liberal-parliamentarian order. This romantic-revolutionary element represents another commonality in the creep between fascism and leftism, considering the nostalgia for the precapitalist “lost paradise” that sometimes drives left-wing passions. In fact, Reid Ross writes that fascists gain ground precisely by deploying “some variant of racial, national, or ethnocentric socialism,” opportunistically inverting the internationalist goals of socialism. Clearly, fascists and leftists differ principally on the question of egalitarianism, with the latter defending equality by organizing against capitalism, the state, borders, patriarchy and racism, while the former use these oppressive systems to reproduce inequality, domination and genocide.

As Reid Ross explains, US fascists rely on the “radical” or far right cesspool of authoritarian nativists, white supremacists, conservative “revolutionaries” and neoconservatives to mainstream their views, recruit, gain popularity and ultimately seize power. Indeed, we now confront a nightmarish playing-out of this scenario with Trump’s rise to power. Yet the situation is distinct in Europe, where fascists have drawn heavily from the revolutionary-leftist tradition to advance their aims. In this sense, Against the Fascist Creep is a clear warning to the left.

Fascist Origins

Reid Ross situates the historical origins of the fascist creep in imperialism, white supremacism and ableism, considering the models that prior Euro-American colonialists had handed down to Hitler and Mussolini, as during the “scramble for Africa” and the genocides of Indigenous peoples. Moreover, there was a clear connection between the Nazis’ mass murder of people with disabilities, the Holocaust (otherwise known as the Shoah), and Hitler’s plans to annihilate the Slavs and other non-Aryan peoples after defeating the Soviet Union. Jew-hatred, or anti-Semitism, characterizes fascism from its beginnings through to its Nazi embodiment and the present. Yet challengingly, Reid Ross demonstrates the “crossover” between fascism and revolutionary causes, such as syndicalism and ecology, as well. The latter is seen in the commonalities among Romanticism, völkisch ultranationalism and nature conservation — for both Hitler and his National Socialism devotee Savitri Devi [an Anglo-European who embraced Hinduism] were vegetarians who loved animals, and the German Democratic Ecology Party has promoted Holocaust denial, while Earth First! has at some times in its history bolstered white supremacism through its appeals to Nordic paganism. The overlap between fascism and syndicalism is illuminated by the example of the original fascist creep, Georges Sorel, a revolutionary enthusiast of the “myth” of the general strike, whom Mussolini would declare as “our master,” and who in turn supported Il Duce. Sorel’s followers, founders of the Cercle Proudhon, emphasized this French anti-Semitic anarchist’s anti-parliamentarianism while downplaying Proudhon’s relative egalitarianism, leading to the paradoxical creation of the ultranationalist idea of national syndicalism that partly inspired Italian Fascism. Reid Ross explains that Mussolini sought to integrate syndicalism into a corporate state while repressing the left and projecting an image of societal regeneration.

As is known, the “demonstration effect” of Mussolini’s seizure of power through the October 1922 March on Rome influenced Hitler and the Nazis to declare “national revolution” and lead the Munich “Beer Hall Putsch” against the Bavarian government. With Hitler imprisoned following this failed uprising, Gregor and Otto Strasser pushed Nazi ideology toward völkisch national socialism, proposing the mass deportation of Jews, the redistribution of property, and syndicalist integration. Following Hitler’s release, tensions raged between these competing factions — the SA (or Brownshirts) and SS (or Blackshirts) — as the Strassers, Ernst Röhm and the SA increasingly became a liability to the German ruling class, which sought to employ the Nazis against the workers. In 1930, Otto Strasser was expelled from the Nazi Party for supporting strikes, and he went on to found the “Black Front” and “Freedom Front” to undermine Hitler, but this “left faction” was eliminated with the SS’s assassination of Röhm, Gregor Strasser and other SA leaders on the Night of Long Knives in July 1934.

Meanwhile, the German Communist Party (KPD) considered a Nazi takeover preferable to the continuation of the Weimar Republic, and even in some ways worked with Hitler to undermine it, echoing the Stalinist conception that the social-democratic opposition was “social fascist.” Nevertheless, one must not overlook the courageous self-defense efforts of the communists and the social democrats in the Red Front Fighters’ Alliance (RFB) and Antifascist Action (AFA), as well as the Reichsbanner, respectively. The rest, from Hitler’s takeover in January 1933 to World War II and the Shoah, is well known history, though Reid Ross’s observation that Nazism in power served capitalism and tradition bears echoing, as it belies the fascist claim to revolutionism and commitment to workers’ interests. This dynamic is reflected well in the substantial investment and political support afforded to Hitler and Francisco Franco by US corporations.

Post-War Fascism

Unfortunately, the defeat of the Axis would not mark the end of fascist intrigue, as Nazi war criminals were rehabilitated in West Germany and served US imperialism in the Cold War. Evola, Otto Strasser and their followers continued to mobilize after WWII, particularly against NATO’s presence in Europe — so as to “liberate” the continent — and in favor of the “strategy of tension” to strengthen state power, as seen in Italy and Latin America. Strasser’s advocacy of a “third position” beyond capitalism and Stalinism influenced fascist and “national communist” movements in France and Italy, while the Evolian Alain de Benoist developed the theoretical underpinnings of the Nouvelle Droite (“New Right”), which opposes equality in favor of apartheid, “difference” and “diversity,” and calls for whites to mobilize pride for their ancestral, pagan past against the ostensible impositions of the Judeo-Christian, liberal-multicultural system.

Transitioning from the Cold War to the present, Reid Ross identifies several continuities between historical and contemporary fascist creep. This plays out in five theaters:

• The “Radical Right”: The non-fascist ethnocentric populism of the far right is crucial in the fascistization process. In the US, this has involved Willis Carto promoting the ideas of global racial apartheid in the Right journal and working with white and Black nationalists to oppose the supposed common enemy of Zionism. The resurgence of the Ku Klux Klan under David Duke’s leadership, accelerating settler-colonial fantasies about creating a “white homeland” in the Pacific Northwest, and the emergence of the neo-Nazi “Order” terrorist group represent other important historical examples of the cross-over between the far right and fascism in the US. Moreover, the Patriot and Minutemen movements — allies to Pat Buchanan, the Tea Party and Trump — are strongly tied to the idea of private property, while the collaboration of the “Chicago School” of market fanatics with Augusto Pinochet’s fascism is well known. An admirer of Pinochet and Franco, the rabid anti-Semite Jean-Marie Le Pen and his Front National, followers of the Nouvelle Droite, represent the French Radical Right, while the Austrian Freedom Party (FPÖ) — which narrowly lost the 2016 presidential elections — has advanced Holocaust denialism from its beginnings.

The Third Position: Neo-Nazi nostalgia for Strasserism as an alternative to Hitler was diffused in the 1980s through punk music, particularly that of the band Death in June and the general “Rock Against Communism” impetus that arose in response to the “Rock Against Racism” directed at skinheads. Strasserism also informed the White Aryan Resistance’s (WAR) efforts to instigate racial war in the US at this time, particularly in the idea of a “Wolfstadt” to be declared in the Pacific Northwest, as well as Troy Southgate’s concept of “national anarchism,” whereby left and right would unite against the State and create new decentralized societies based on strict racial separation.

• National Bolshevism: Though first suggested by Strasser, the unseemly idea of melding red and brown into “national Bolshevism” took off in Russia and Germany following the collapse of the USSR. The Evolian Alexander Dugin — a major ally of Vladimir Putin’s — hailed the “radically revolutionary and consistent fascist fascism” surging in post-Soviet Russia as ultranationalists mercilessly attacked foreigners in the streets and Boris Yeltsin and Putin leveled Grozny, capital of Chechnya. Fascists from all over Europe joined either side in the Yugoslavian Civil War as well. More recently, Dugin has promoted his “fourth political theory” — an amalgam of fascism, irrationalism and traditionalism — by uniting “anti-imperialists” with “national conservatives.”

• Fascists of the Third Millennium: The 1990s and early 2000s saw neofascist groups continue creeping by infiltrating the anti-globalization, ecology, animal rights and anarchist movements, attempting to reorient them into pro-fascist directions. This phenomenon of entryism has typified the national-anarchist, “pan-secessionist” and “autonomous-nationalist” tendencies (see below). During this time were born Golden Dawn (Greece) and Jobbik (Hungary), while the British National Party (BNP) swelled in popularity; all of these groups follow the Nouvelle Droite and the Third Position.

• Autonomous Nationalism: Perhaps the most bizarre neofascist formation is that of the “autonomous social nationalists,” who mimic their German anarchist predecessors the Autonomen in style and militancy, supporting syndicalism, radical ecology and insurrectional street-fighting tactics against capital and the State — only that they also violently target immigrants, Jews, leftists and Roma, seeking the creation of an “authentic” völkisch future for Germany. Autonomous nationalists have also been active in Bulgaria and Ukraine, particularly during the run-up to the “revolution” that occurred in the latter country in 2014.

Contemporary Fascism and Resistance

In the book’s conclusion, Reid Ross examines several contemporary fascist trends that illustrate the text’s main concerns, including the overlap between the “American Third Position” and the neo-Nazi American Freedom Party vis-à-vis the US libertarian-propertarian movement, the contradictory support and repulsion for Israel expressed by neofascists, the Orientalist impetus for “CounterJihad” and the idea of Occupy Wall Street bringing left and right together against the system. The author also raises the morbidly fascinating tendency of some known white nationalists publicly supporting people of color rebelling against US police as a means of accelerating state collapse. This seemingly contradictory posturing in fact brings up the larger tendency of “pan-secessionism,” which is related to national anarchism, as its proponents seek to support Indigenous revolutionaries, Black militants, white supremacists and radical ecologists in organizing collective secession from the capital-state system. In point of fact, Reid Ross raises the case of Michael Schmidt, a Strasserite third-positionist and formerly well-known syndicalist historian whom the author courageously and rather controversially exposed in September 2015, as typifying these disturbing neoreactionary trends. Reid Ross also rightly identifies the contemporary alt-right’s approach as desiring to deepen the ongoing crisis so that the retrograde ideologies this phenomenon represents can “come out on top,” while knowingly observing — in an echo of Albert Camus — the crossover among post-anarchist nihilism, anti-civilizational deep ecological thought and neoreaction.

Reid Ross’s newest volume is an excellent and disconcerting study of fascism’s origins, development, present and possible futures. Against the Fascist Creep deserves the broadest possible audience. Hopefully, it can help to inspire a new mass movement to resist all authoritarian ideologies, whether emanating from the State or the “autonomous” grassroots. To overcome the severe threat that fascism and neofascism pose to the Earth and its peoples, only mutual aid and cooperation on a vast scale can succeed. We must press forward by struggling militantly against Trumpism, the “radical” right, Third Positionism, “autonomous nationalism” and authoritarian leftism alike. Against these myriad political and philosophical absurdities, let us advance global anti-authoritarian revolution.

Laurence Davis: “Only a Bold and Popular Left Radicalism Can Stop the Rise of Fascism”

March 11, 2017

Written by Laurence Davis and published on Open Democracy, 12 February 2017

Walter Benjamin’s observation that every rise of fascism bears witness to a failed revolution speaks poignantly to our current condition.

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Horkheimer is front left, Adorno front right, and Habermas is in the background, right, running his hand through his hair, Heidelberg, 1964. Wikicommons/Jeremy J. Shapiro at the Max Weber-Soziologentag. Some right reserved.

Two new worlds are now struggling to be born amidst the crumbling ruins of neoliberalism and market globalisation. The first is the waking nightmare now unfolding in the United States in the glare of the international media. A reality show with a cast of horrors, its politically successful mix of faux right-wing populism and neo-fascism has inspired and emboldened autocrats everywhere and threatens in the absence of an effective counter-power to become our new global reality.

The second, a just, compassionate, ecologically sound and democratically self-managed post-capitalist world, may be detected in what Colin Ward once described as scattered ‘seeds beneath the snow’. Deeply rooted in a rich soil of ideas and grounded utopian imagination nourished by countless counter-cultural critics of capitalism, industrialism and grow-or-die economics from William Morris, Peter Kropotkin and Elisée Reclus to Gandhi, Ivan Illich, Murray Bookchin and Ursula Le Guin – as well as a long history of popular movements from below working together to resist regimes of domination and develop progressive and sustainable alternatives to them – the tender shoots of another world are emerging all around us.

They are visible in a wide range of grassroots practices, movements, and practical utopias, from Buen Vivir in the Andes, Ubuntu in South Africa, Ecoswaraj in India, Zapatismo in Mexico, and the budding degrowth movement in Europe to solidarity economies, commoning activities, permaculture projects, re-localisation movements, community currencies, transition towns, co-operatives, eco-communities, worker occupied factories, indigenous people’s assemblies, alternative media and arts, human-scale technologies, basic and maximum income experiments, debt audit movements, radical democratic movements such as Occupy and democratic confederalism in Rojava, and emerging anti-fascist fronts and coalitions uniting immigrant solidarity groups, anti-racists, feminists, queers, anarchists, libertarian socialists and many others.

The great danger we now face is that newly empowered forces of reaction will use that power to repress progressive alternatives before they are able to coalesce as an effective counter-power, sowing seeds of hatred and intolerance instead.

Many commentators of a liberal democratic or centre-left political persuasion have dismissed such warnings as scare-mongering, and suggested that the most effective antidote to ‘populist politics’ is a renewed commitment to social democracy and market globalisation with a ‘human face’. Rather than seek to understand the complex mix of reasons why American citizens voted for a demagogue like Trump, they blame an undifferentiated ‘populism’ and advocate more elite democracy instead.

The breathtaking naivety of this commentary is perhaps matched in recent memory only by Francis Fukuyama’s equally naïve and now risible prediction in 1989 of an ‘end of history’, i.e. an end to mankind’s ideological evolution with the ‘universalisation of western liberal democracy as the final form of human government’.

Walter Benjamin, Paris, 1939

Now more than ever, it is vital that we recognise and articulate careful ideological distinctions between competing right and left wing varieties of populism, and that those of us committed to values like equality, democracy and solidarity take urgent action to oppose Trumpism and the rise of fascism not with more of the same failed elite-led liberal democracy, but with a bold left egalitarian and inclusive radicalism.

The Trump campaign gave voice to the ugly authoritarian and reactionary face of popular opposition to the political establishment. It castigated the elitism and corruption of the system, emphasised its ineffectuality in the face of sinister threats to national well-being posed by Muslims and illegal immigrants and other easily scapegoated ‘outsider’ groups, and maintained that Trump and Trump alone could ‘make America great again’. It succeeded by peddling false solutions and scapegoats for real social problems generated by the governance of interconnected political and economic elites.

By contrast, a bold and inclusive left populist radicalism would expose the real roots of festering social problems by speaking plainly and directly to ordinary people’s needs, without pandering to their worst prejudices and fears. It would offer a generous vision of a better world, and a sweeping programme for revolutionary social change that can be translated into everyday practice.

This will require a reconnection with revolutionary roots. Historically, revolutionary ideas and social movements have tended to emerge out of, and give ideological coherence to, popular democratic social forms. However, in our time once revolutionary ideologies and movements like socialism and anarchism have grown increasingly detached from their radical democratic roots, leaving a political vacuum that right-wing populists and demagogues have been quick to fill.

Walter Benjamin’s observation that every rise of fascism bears witness to a failed revolution speaks poignantly to our current condition. It may be interpreted not only as warning, but as a grimly realistic utopian hope that we still have a fleeting historical opportunity to act before it is too late.

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Review: Critical Marxism in Mexico

November 25, 2016

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Published on Marx and Philosophy25 November 2016

Stefan Gandler’s volume Critical Marxism in Mexico investigates the radical political philosophy of two twentieth-century exiles who became naturalized citizens of Mexico: the Spanish Marxist Adolfo Sánchez Vázquez (1915-2011) and the Ecuadorean leftist Bolívar Echeverría (1914-2010). Focusing on Latin America, this text places at its center the philosophical and practical critique of Eurocentrism. Indeed, the German Gandler envisions the book as being an initial step toward “overcoming Eurocentric bigotry,” and he declares that he is “profoundly convinced that Eurocentrism in its ‘philosophical’ and general forms […] is one of the principal reasons for the current disaster that humanity is living through at the global level,” considering its responsibility for vast material suffering and for repressing alternative forms of social organization. Given that Eurocentrism underpins capitalism, the critique of Eurocentrism in turn forms a central pillar of the “critical Marxism” developed by Sánchez Vázquez and Echeverría, in terms of their repudiation of the racism and positivism evinced at times by Marx, Engels, and many who have claimed Marxism. This alternative Marxism is critical also in that it is anti-Stalinist, non-Marxist-Leninist, relatively libertarian, and non-dogmatic.

Sánchez Vázquez is more practical, more revolutionary, and more based in Marx’s philosophical-humanist early writings than Echeverría, his fellow radical exile who took up residence in Mexico City in 1968, nearly three decades after Sánchez Vázquez arrived there as a refugee fleeing Franco’s victory in Spain. According to Gandler, the trajectory of Sánchez Vázquez’s life demonstrates that of the self-emancipation of a formerly orthodox socialist from intellectual error without his becoming a reformist or apologist or “forgetting the radical critique of everything existing which would be unthinkable without Marx.” For Sánchez Vázquez, theoretical knowledge depends on social transformation through praxis, defined by Marx in the “Theses on Feuerbach” as “revolutionary, practical-critical activity.” Theory, in Sánchez Vázquez’s view, “cannot exist […] without reference to praxis.” The Spanish thinker considers Marx’s very emphasis on praxis the German communist’s philosophical revolution, as summarized in the well-known final thesis: “The philosophers have only interpreted the world in various ways; the point is to change it.” Such immersion in Marx’s early writings strengthened Sánchez Vázquez’s resolve to resist the Soviet Union’s corruption of Marxism, as seen in the philosopher’s critique of Diamat in his 1955 masters thesis, and his resignation from the Communist Party following Khrushchev’s revelations at the Twentieth Soviet Congress (1956). The Cuban Revolution, the Soviet Union’s suppression of the Prague Spring, and the Mexican student movement of 1968 greatly moved Sánchez Vázquez. His doctoral dissertation and book Philosophy of Praxis (1967) provide a libertarian presentation of Marxism that is critical of Marx, Lenin, and their followers. Such an unorthodox interpretation led Sánchez Vázquez to be criticized precisely by Marxist-Leninists such as the Cuban Jorge Luis Acanda Gonzalez, who condemned the thinker in 1988 for denying the “importance of Lenin’s political & philosophical legacy” and advancing “practical and spontaneous conceptions of the revolution.” Yet Sánchez Vázquez’s very stress on praxis—echoing Marx—led him to become one of the foremost intellectuals of emancipation of his time. He engaged with the Sandinista Revolution in Nicaragua and focused his late efforts on Marxism and aesthetics, identifying the need for “a new sensibility, a new audience, a new aesthetic attitude” to be cultivated in post-revolutionary Cuba and more broadly. Sánchez Vázquez summarizes his philosophy in his 1985 autobiography, declaring that “socialism […] continues to be a necessary, desirable, and possible alternative.”

In contrast, Echeverría tells Gandler that, while he “agreed fully” with Sánchez Vázquez’s “critical vision of Marxism,” he was not his contemporary’s follower or disciple. Whereas Sánchez Vázquez privileges emancipatory consciousness and praxis, Echeverría focuses more on ordinary consciousness and is skeptical about the possibilities of praxis. For this reason, for him, it is more a “question of discovering political possibilities within alienation.” Influenced by Heidegger, Echeverría traveled to West Germany in 1961 to study with him, for he considered the phenomenologist to be “the true revolutionary” philosopher. Gandler rightly takes issue with Echeverría’s failure to recognize Heidegger’s enthusiasm for the 1933 Nazi takeover of Germany, in parallel to the thinker’s questionable reflections on the destruction of the Berlin Wall in 1989. In addition, Gandler discusses Echeverría’s questionably uncritical stance on the USSR, situating it as being typical of the Latin American left at the time, which considered the Soviet Union a necessary counterbalance to US imperialism. Nonetheless, despite these problematic aspects, Echeverría developed a revolutionary concept of the intellect, which he believed must “abandon the European-bourgeois principles and ideology to complete philosophically the definitive process of decolonization, which is demanded practically by the dominated classes.” In this sense, the Ecuadorean philosopher considered Marxism “the “philosophy of workers’ struggle, the culmination and overcoming of all metaphysical European traditions.”

Yet to the matter of the fall—or, rather, destruction—of the Berlin Wall that took place on November 9, 1989, Gandler criticizes Echeverría for his perceived celebration in the Cuadernos Políticos he edited of the smashing of the “anti-fascist protective barrier,” as it was known in East Germany, on the fifty-first anniversary of Kristallnacht. In contrast to the dominant narrative of that historical event as being liberatory or anti-authoritarian, Gandler frames it as the action of a hysterically reactionary, State-sanctioned mob that sought to tear down an “unwanted monument to the millions” murdered in impunity by the Nazis. This lucid and challenging assessment yields at times in the text to questionable endorsements of the claims made by Daniel Jonah Goldhagen in his book Hitler’s Willing Executioners (1996) regarding the putatively enthusiastic participation of tens of thousands of ordinary Germans in the genocide of the European Jews (Ha’Shoah), as based in the idea of an “eliminationist anti-Semitism” supposedly deeply-rooted in German civilization and Christianity. These historical distortions about German participation in the Holocaust have been refuted adroitly by Norman Finkelstein and Ruth Bettina Birn in their Nation on Trial (1997), and it is unfortunate to see Gandler resurrect them within a revolutionary analysis of genocide. Nevertheless, continuing in this sense, he shares Echeverría’s moving commentary on the Shoah as being, rather than merely “an accidental holocaust provoked by a madman,” the “result of a failure of the Left itself: the excessive sacrifice to be paid by the social body for the triumph of the anti-communist counter-revolution in the Europe of bourgeois civilization.”

In light of the genocides for which capitalism bears responsibility, the notion of praxis takes on a special urgency. In the “Theses on Feuerbach,” Marx defines praxis as revolutionary because it “transforms reality.” The stress that Sánchez Vázquez places on this category echoes that previously made by Gramsci, who referred to Marxism in his Prison Notebooks as the “philosophy of praxis” in order precisely to recognize the centrality of revolutionary activity to this philosophy. Praxis poses a great threat to authority, capital, and the State precisely because it represents the ever-present risk of the “spontaneous rebellion of the oppressed and exploited” beyond the strictures of the Iron Cage. As Gandler declares, “[t]he concept of praxis […] contains an element of rebellion against all those who, from their desk, from the Party headquarters, or from the workers’ fatherland, aspire to lead the activities of the rebels of all countries.”

In parallel to Sánchez Vázquez’s emphasis on praxis, Echeverría contributes to the deepening of a non-dogmatic Marxism by criticizing Marx, Engels, and many of their followers for their ethnocentrism, naïve progressivism, and determinism—this, while dialectically acknowledging the clearly emancipatory and revolutionary analyses pervading Marxian analysis. After all, as Gandler stresses, it was Marx’s horror at “the destruction of human existences, of children, of the populations of entire regions” that led him to “pic[k] up his pen and wr[i]te Capital” (1867). Yet Marx and Engels, particularly early on, held racist views that are not totally inseparable from their overall method: in 1849, after the U.S. defeated Mexico and appropriated the Southwest, Engels hailed the result, which he considered to have been “waged wholly and solely in the interest of civilization,” as California had been “taken away from the lazy Mexicans, who could not do anything with it.” Moreover, Marx and Engels employed anti-Slavic prejudice during their struggle against Mikhail Bakunin and the anarchists in the First International—doubtless in part in response to Bakunin’s own Germanophobia—while both Marx and Bakunin are known for their anti-Semitic comments, however much worse the latter’s were.

For his part, Echeverría uses Marxist analysis to theorize that the oppressed countries of the Global South are not in a “pre-capitalist phase,” but rather that they have been fully subjected to capitalism since its birth. In this sense, all the world’s countries are capitalist, but the system of accumulation requires differing levels of industrialization and political power for different regions. Moreover, the philosopher takes issues with the deterministic, mechanical interpretation of history that Marx and Engels bequeathed to the world, and he outright claims Revolution to be a modern myth and a mirror-image of bourgeois delusion. Thus, whereas he clearly identifies the twentieth century as the “era of unprecedented genocides and ecocides” and wishes for an egalitarian universalism of all peoples, Echeverría is left with only conceptually envisioning the chance for a non- or post-capitalist modernity.

Echeverría identifies four ethe, or cultural spirits, as upholding Eurocentrism and capitalist modernity.

  • The currently dominant realist ethos, which is associated with Nordic-Protestant Europe, defined as principally engaging in denial regarding the destructiveness of capitalism precisely while it pretends that production and consumption are more important than anything else. It also denies the possibility of an alternative world.
  • The classic ethos, associated with Western Europe, which differs from realism only in terms of its recognition of the tragedy but necessity of capital.
  • The romantic ethos, associated with Central Europe, which supposedly transforms all of life under capitalism into a great adventure wherein entrepreneurs become heroes.
  • The baroque ethos, associated with the Mediterranean region, Catholicism, and the Iberian conquest of the New World, which is said to identify some of the contradictions in capitalist society but not be able to conceive of the possibility of abolishing it.

Perhaps a combination in the surge of realistic-romantic sentiments can help explain the recent election of Trump, bolstered by white nationalism—while Clinton and Obama’s concession speeches could be considered expressions of the classic ethos. Yet Echeverría can justly be critiqued for reducing Romanticism to an approach that naturalizes capitalism and oppression, for it certainly has served to propagate liberatory impulses. Writing in the text’s prologue, Michael Löwy is right to declare that the Romanticism of Jean-Jacques Rousseau, Friedrich Hölderlin, William Morris, Ernst Bloch, and others is hostile to capitalism, not integral to it.

In sum, Gandler has provided his readers an illuminating investigation into critical Marxism, the necessity of praxis, and the critique of Eurocentrism. Yet the question must be raised, as the author does, of just how anti-Eurocentric it is to explore the thought of two intellectuals—one of them Spanish—who focused above all on European writers. This doubt notwithstanding, in a world in which the Western core-imperial societies are lurching evermore to right-wing reaction, fascism, and “open-self destruction,” it may well be the case, as Gandler asserts, that only movements from the periphery will be able to stop the capitalist death-train. It is to be hoped, then, that resistance elements in imperialist countries can join with their international comrades to advance the cause of critical Marxism or libertarian socialism, which “continues to be the most fertile theory for those of us who are convinced of the need to transform the world in which today there exists not only the exploitation and oppression of [humanity] and peoples, but also a mortal risk for the survival of humanity [and nature].”

Review: Foucault and the Iranian Revolution

September 15, 2016

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Copyright, Truthout.org. Reprinted with permission. Originally published on Sept. 13th, 2016

Janet Afary and Kevin B. Anderson’s Foucault and the Iranian Revolution presents a fascinating historical account of the process whereby the despotic Mohammad Reza Shah Pahlavi was overthrown by the Iranian masses in 1978-79, only to yield a dictatorial Islamist regime led by reactionary clerics. The transition to the Islamic Republic, ruled over by Grand Ayatollah Sayyid Ruhollah Mūsavi Khomeini, found the unlikely support of Michel Foucault, the French philosopher well-known for his anti-authoritarian critique of Western modernity, who expressed great enthusiasm for the Shi’ite Islamist elements of the Revolution in a number of public articles he wrote about the fall of the Shah, as based on the two visits he made to Iran in 1978.

Afary and Anderson observe that, while many progressives and leftists — both in Iran and elsewhere — favored the Revolution against the Shah but could not countenance the notion of an Islamic Republic replacing such despotism, Foucault was less critical toward Khomeini and the possibility of clerical rule. The authors argue that Foucault’s attitude in this sense — rather than signify some aberration or lapse in judgment — indeed follows from his post-structuralist political theorizing, which rejects the Enlightenment and despairs at the historical possibility of emancipation. As such, Foucault and the Iranian Revolution serves as an important warning for Western radicals and intellectuals vis-à-vis revolutionary movements, anti-imperialism and political authoritarianism in the rest of the world. Moreover, it raises questions about the liberatory potential of post-structuralism, detailing how that tendency’s preeminent spokesperson so clearly betrayed Iran’s workers, women, LGBTQ citizens, dissidents and religious and ethnic minorities by romanticizing what French leftist Maxime Rodinson refers to as “a type of archaic fascism.”

In their investigation of Foucault’s relationship with the Iranian Revolution, Afary and Anderson situate the philosopher’s writings within the context of the rejection of modernity he advances in works like Madness and Civilization (1961) and Discipline and Punish (1975). In this way, the authors hold that Foucault privileges pre-modernism, irrationalism and traditionalism — and therefore patriarchal domination. In fact, Foucault was not very attuned to feminist concerns, as is clearly seen in the October 1978 essay, “What Are the Iranians Dreaming About?” Here, the writer uncritically cites the vision of a future Iranian Islamic state in which there would supposedly not be any “inequality with respect to rights” between men and women, but “difference, since there is a natural difference.” Beyond this, in certain ways, the Grand Ayatollah Khomeini can be said to typify the “will to power” developed by Friedrich Nietzsche, the authoritarian irrationalist whose thought was central to Foucault’s worldview, as was that of Martin Heidegger, the Nazi-friendly phenomenologist whose concept of “being toward death” resonated with Foucault. The authors have a point, then, in observing that “Foucault’s affinity with the Iranian Islamists […] may also reveal some of the larger ramifications of his Nietzschean-Heideggerian discourse.”

Psychologically and philosophically, Foucault found the 1978 mass-demonstrations against the Shah that re-enacted the historical drama of the battle of Karbala (680 CE) and the martyrdom there of Hussein ibn Ali, the grandson of the Prophet Muhammad revered by Shi’ites, highly compelling. For Afary and Anderson, Foucault’s attraction to the Iranian Revolution can be explained by the common interests the philosopher shared with many of the insurgents in terms of traditionalism, anti-imperialism and death. During the Revolution, the mourning celebrations of Muharram and Ashura, which commemorate the death of Hussein ibn Ali, his family and followers at the hands of the Sunni Umayyad dynasty, saw Shi’ite Islam being interpreted to emphasize the righteousness of masses of people electing to give their lives for the cause of overthrowing the Shah. Indeed, the principal intellectual forerunner of the Iranian Revolution, Ali Shariati, stressed martyrdom as the defining element of Shi’ism: Alavid or “red Shi’ism” (that of Hussein ibn Ali) against Safavid (institutionalized) or “black Shi’ism.” Shariati’s view is that all generations are invited to give up their lives in the struggle if they cannot kill their oppressors.

While Shariati did not live to see the Revolution he inspired, the major uprisings of September 1978 followed his predictions, as scores of protesters were killed in the streets by the Shah’s security forces on “Black Friday” (September 8). Thereafter, general strikes were launched in various industries and the Shah’s end drew precipitously closer. Foucault was deeply struck by these mobilizations involving hundreds of thousands of people, seeing in them the total “other” of established Western society. Indeed, his enthusiasm for the advance of the Revolution through Islamist “political spirituality” led him to disregard the secularist and left-wing elements participating in the movement as less authentic than the expressly Shi’ite protestors, and in fact to declare that the collective political will of the Iranian people was entirely unified by political Islam and a generalized love for the exiled Ayatollah Khomeini.

In the aforementioned article regarding Iranian dreams, Foucault also embarrassingly reproduces a line from a cleric stipulating that Iran’s ethnic and religious minorities — Kurds, Jews, Baha’is, Zoroastrians — would be respected insofar as their lives did not “injure the majority.” This lapse, together with the anti-feminist sentiment Foucault reproduced in the same essay, led an Iranian woman named “Atoussa H.” to call him out publicly. In a letter to Le Nouvel Observateur published in November 1978, Foucault’s critic issued a warning about the philosopher’s romanticization of Islamism and the prospect of an Islamic State in Iran, noting that, “everywhere outside Iran, Islam serves as a cover for feudal or pseudo-revolutionary oppression.” Atoussa H. despaired at the prospect of having the reign of the bloody Shah merely yield to religious fanaticism. Foucault’s public reply to Atoussa H. was condescending and evasive — rather than respond to the woman’s concerns, Foucault accused her feminism of being Orientalist.

In his writings from late 1978, moreover, the intellectual provided significant ideological cover to Khomeinism, claiming the Shi’ite clergy to be non-hierarchical and reassuring his readers that “there will not be a Khomeini party” or a “Khomeini government.” Some months later, after the Shah’s abdication and the “victory” of the Revolution, Foucault announced that “religion’s role was [merely] to open the curtain,” and that now, “the mullahs will disperse.” Meanwhile, Rodinson publicly challenged Foucault’s delusions on Iran in Le Monde, arguing that the domination of the Revolution by clerical elements threatened to merely have one form of despotism be succeeded by another. In parallel, Iranian Marxists and the Fedayeen guerrillas made known their unease at the prospect of the same.

The oppressive nature of the clerical regime that Foucault had helped to legitimize became readily evident after February 1979. Upon his return from exile, Khomeini moved swiftly to overturn established laws protecting women’s rights, and on International Women’s Day, March 8, 1979, he announced that all Iranian women were obligated to wear the chador. Such actions led masses of women to mobilize on the very same day to denounce the incipient dictatorship, declaring ironically that, “In the Dawn of Freedom, We Have No Freedom.” Their courage as women rebelling against a new “revolutionary” order was hailed from afar by Simone de Beauvoir and Raya Dunayevskaya — but not by Foucault. Neither did the philosopher in question speak out after the new regime’s summary executions of political opponents and men accused of homosexuality became evident, to say nothing of the state’s attacks on the Kurds and Baha’is. Such silence led yet another critique of Foucault on Iran to be written, this time by Claudie and Jacques Broyelle. As they argue: “When one is an intellectual, when one works both on and with ‘ideas,’ when one has the freedom […] not to be a sycophantic writer, then one also has some obligations. The first one is to take responsibility for the ideas that one has defended when they are finally realized.”

Foucault’s public response to the Broyelles was as unsatisfying as his response to Atoussa H.: dismissive and opportunistic. While it is true that Foucault came in passing to acknowledge the chauvinistic and nationalistic aspects of the Iranian Revolution — and even questioned in the end whether it could be considered a Revolution, as it had installed a “bloody government of a fundamentalist clergy” — his stance toward Khomeini and the Islamic Republic was “fundamentally a stance of support,” as Afary and Anderson conclude. From June 1979, by which time the regressive nature of theocratic rule had become undeniable, to the time of his death in 1984, Foucault guarded silence on the question of Iran and the Revolution. Never did he recant his previous excitement about Shi’ite Islamism or plead forgiveness, much less express support for the Iranians who suffered so terribly under the very Islamic Republic for which he had served as an unwitting propagandist. On the contrary, Foucault in his writings on Iran advanced reactionary criticisms of human rights, democracy and feminism.

Post-Structuralism and Counterrevolution

The case of a renowned anti-authoritarian Western philosopher legitimizing the coming-to-power of a brutal theocratic ruling class in Iran raises a number of pressing questions. How could this have come to pass? In the first place, Afary and Anderson are right to observe that Foucault failed to grasp that “an anti-Western, religiously based system of power” could be as oppressive as fascism or Stalinism. His lapse in this sense owed in part to his ignorance and romanticization of political Islam in general and the thought of Ayatollah Khomeini in particular — for Khomeini in 1970 had already anticipated the despotism of the Islamic Republic with his text Velayat-e Faqih, which calls for clerical domination of the state. As has been mentioned above, as well, his attitude toward Iran was surely influenced by his affinities with traditionalist, non-Western elements.

In addition, nevertheless, Foucault’s unique philosophical proclivities likely played an important role. Post-structuralism rejects the “grand narratives” of socialism and historical progress, basing itself instead in the nihilist-irrationalist approach of Nietzsche, a thinker who argues in On the Genealogy of Morals that the French Revolution represented the victory of slave morality, ressentiment and the supposed power of “Judea” over Roman virility, centralism and imperialism. It is arguably Foucault’s pseudo-radical innovation of post-structuralism that set him apart from the rest of the global progressive movement on Iran; earlier that decade, in his debate with Noam Chomsky, the philosopher had already rejected anarcho-syndicalism. Moreover, according to Edward Said, he sided with Israel over the Palestinians, losing his close friend Gilles Deleuze in the process. In truth, one need only review Foucault’s shameful attitude toward a clerical-fascist regime that executed more than 20,000 citizens — many of them gay people and guerrillas — during the remainder of Khomeini’s lifetime to see the regressive qualities of his post-structuralism manifesting themselves clearly.

Beyond this, Afary and Anderson do recognize and commend Foucault’s activism and organizing in favor of prisoners, the Polish Solidarity Movement and the Vietnamese “boat people” fleeing Stalinist victory in Southeast Asia, but they argue that the Iranian Revolution formed a much more central commitment in the life of the philosopher. Foucault’s delusions regarding Iran mirror the serious errors expressed by several left-wing intellectuals in history — Albert Camus, for example, who rejected Algerian independence from the French Empire, or the numerous thinkers who lent their support to the Soviet Union and Maoist China — and they are well-critiqued by Dunayevskaya’s denunciation of observers of the Iranian Revolution who prioritized anti-imperialism over internal oppression. Such considerations remain very much germane today, particularly with regard to the catastrophe in Syria, where the Islamic Republic has played a most oppressive role together with Russia in propping up the fascistic Assad regime.

Kurdish Communities Union (KCK) Issues Statement on Coup Attempt in Turkey

July 17, 2016

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The following is a translation of a statement released by the Kurdish Communities Union (KCK) about the recent attempt at a coup against the ruling AKP in Turkey.

There has been a coup attempt by persons whose identity and purpose is yet not clear. This attempt comes just before the military council meeting, where Recep Tayyip Erdoğan was reportedly going to assign generals close to himself to the army’s top tier. Another striking dimension of the coup attempt is that it comes at a time when discussions about the fascist AKP government’s foreign policy, were taking place.

Coup attempt is proof of lack of democracy

No matter within which internal and external political factors and focuses, and for what reasons a power struggle is waged, this case is not a matter of defending or being against democracy. On the contrary, this situation is the proof of lack of democracy in Turkey. Such power struggles and attempts to seize power are witnessed in undemocratic countries where an authoritarian power makes coup attempts to overthrow another authoritarian power when conditions are appropriate. This is what has happened in Turkey.

A coup was staged on 7 June

A year ago, Erdoğan and the Palace Gladio (Erdoğan’s secret force), alongside the Nationalist Movement Party (MHP), all fascist circles, nationalist military powers (Ergenekon) and a part of the army, staged a coup. This was a palace (Erdoğan) coup against the democratic will of the people [which voted in the HDP and left the AKP short of a majority]. AKP fascism allied itself with all the fascist powers and a part of the army including the Chief of Staff in order to suppress the Kurdish Freedom Movement and democratic forces. The AKP’s fascism drove the army into Kurdish cities and towns, made them burn cities to the ground and massacre hundreds of civilians. Recently it has passed new laws that have give immunity to state forces, preventing trial for the crimes they have committed. In this way the AKP has become a government that has legitimised and made legal the military’s tutelage over democratic politics and society.

Coup attempt from one military faction against another

There was already military tutelage in Turkey before yesterday’s coup attempt; which makes the attempt a coup by one military faction against the existing one. This is why a section of the military has taken sides with Erdoğan, because there is already military tutelage in Turkey.

The fact that the MHP and chauvinistic nationalist circles took sides with the Palace Gladio (Erdogan) and its fascist allies reveals quite clearly that this is not an incident of struggle between those siding with democracy and those standing against it.

Portraying Erdoğan democratic is dangerous

Portraying Erdoğan and the fascist AKP dictatorship as if they were democratic after this coup attempt is an approach even more dangerous than the coup attempt itself. Portraying the fight for power among authoritarian, despotic and anti-democratic forces as a fight between the supporters and enemies of democracy will only serve to legitimise the existing fascist and despotic government.

Democracy forces do not side with either camp

Turkey does not have a civilian group in power, nor is this a struggle between democracy forces and putschists. The current fight is about who should lead the current political system, which is the enemy of democracy and the Kurdish people. Therefore, democracy forces do not side with either camp during these clashes.

The coup against democracy is the one carried out by the fascist AKP

If there is a coup against democracy, it is the one carried out by the fascist AKP government. The political power’s control over the judiciary, the implementation of fascist laws and policies through a parliamentarian majority, the removal of parliamentarians’ immunities, the arrest of co-mayors, the removal of co-mayors from their positions, and the imprisonment of thousands of politicians from the HDP and DBP constitute more of an actual coup. Kurdish people are under unprecedented genocidal, fascist, and colonialist attacks in Kurdistan.

AKP dragging Turkey into clashes

What has brought Turkey to this stage is the AKP government, which has transformed into a government of war against Kurdish people and the forces of democracy. With its monistic, hegemonic and anti-democratic character, it has kept Turkey in chaos and conflict. With its war against the Kurdish people and the forces of democracy, it has kept Turkey in a state of civil war. The latest coup attempt shows that Turkey needs to get rid of the fascist AKP government and have a democratic government. The recent developments make it urgent for Turkey to democratise and get rid of its monist, hegemonic and fascist government.

To sum up, the forces of democracy should confront the legitimisation of the fascist AKP government’s policies under the disguise of democracy, and create a democratic alliance that truly would democratise Turkey. This coup attempt makes it necessary for us to not slow down the struggle against the AKP’s fascism but to enhance it so that chaos and clashes in Turkey come to an end and a new and democratic Turkey emerges.”

KPFK Interview on Eros and Revolution

April 17, 2016

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On April 11, I was invited to speak with Chris Burnett, host of the Indymedia on Air program (KPFK 90.7, Los Angeles), about my forthcoming book, Eros and Revolution: The Critical Philosophy of Herbert Marcuse.  The recording of our conversation can be found below.