You’re invited to the 8th Los Angeles Anarchist Book Fair! It will take place on Saturday, August 12, 2023, at Art Share LA.
We are now taking applications for tablers and vendors, as well as for speakers and panelists! The deadline for tablers is July 4th, and for workshops and panels, it will be on July 8th.
Contact us at laabf@proton.me, and check out the website for more details!
Thanks!
From an online conversation hosted by the Bureau of General Services–Queer Division, 22 March 2023
Joe Scheip: Lev Tolstoy, Leo Tolstoy, Count Tolstoy, or any other of the many names and titles of Lev Nikolaevich Tolstoy, was as diverse in being as in his many names. Complex and sometimes hypocritical, Lev was not just known in his time as a great author and poet, but also as a visionary and a revolutionary in ethics and politics: a believer in Christian anarchism. He challenged power, in all its forms.
Lev Tolstoy lived from 1828 to 1910. He was contemporaneous in his own country with Russian Tsars Alexander II and Alexander III, and later in life, with Nicholas II. He was born into some wealth and rank. Russia at the time was a quasi-feudal capitalist society, with deep disparity in social classes, the scourge of imperial rule, and the horrors of serfdom.
Tolstoy’s life has many epochs: first, a young adulthood that included eventful and traumatizing experiences in the military; then, Tolstoy the great author, writing best sellers even in his own time. Also, Tolstoy the social experimenter: using his homebase Yasnaya Polyana as a springboard for radical experimentation in education, eating, and social ranking. This was a place where holy fools, mystics, seekers and the like would come and stay, to attempt to create new worlds—much to his wife Sofia Tolstaya’s chagrin.
And we shouldn’t leave out Sofia here—as Tolstoy did, deciding to meditate amongst the honeybees during the pregnancy of their first child. Sofia should be credited, amongst many other things, with the countless hours spent copywriting and editing Tolstoy’s work—invisible labor, much like the labor of mothering their 13 children.
And Tolstoy’s hypocrisies and contradictions only continue from there. Yet he seemed to be fully aware. He writes in The Kingdom of God is Within You:
“We are all brothers—yet every morning a brother or sister must empty the bedroom slops for me. We are all brothers, but every morning I must have a cigar, a sweetmeat, an ice, and such things, which my brothers and sisters have been wasting their health in manufacturing, and I enjoy these things and demand them… We are all brothers, but I take a stipend for preaching a false Christian religion, which I do not myself belief in, and which only serves to hinder men from understanding true Christianity… The whole life of the upper classes is a constant inconsistency. The more delicate a man’s conscience is, the more painful this contradiction is to him.”
And while there are many things to examine in Lev’s life, Javier’s project—Queer Tolstoy: A Psychobiography (2023)—focuses on uncovering the both overt and subliminal queerness in Tolstoy’s life and work, and to link his erotic dissidence with his anarchist politics.
Was Tolstoy queer? In the sense of his lack of integration with mainstream society, the answer can only be a resounding yes. Was Tolstoy homosexual? The answer is more complicated. There are, however, many things that point to Tolstoy’s homosexual and homosocial gravitations, including his own words in his diary and Sofia’s later words, asking forgiveness for being the barrier to his encounters with other men.
Along with Javier’s historical, psychological, and social commentary, the book includes a queer reading of War and Peace, which unveils homosexual and double entendres galore.
On queer and queerness: what drove your interest in studying this under-researched area of Tolstoy’s life?
Javier Sethness: My mother María Castro, who is an art historian, would often tell me in childhood that art is usually autobiographical. The filmmaker Federico Fellini agreed. Take Ernest Hemingway or George Orwell’s volunteering in the Spanish Civil War, which yielded such classic books as For Whom the Bell Tolls and Homage to Catalonia. Or consider Steven Spielberg’s films—Schindler’s List, Saving Private Ryan—and Octavia Butler’s novels, The Parable of the Sower and Parable of the Talents. In much the same way, Lev Nikolaevich Tolstoy’s art is highly autobiographical. The count drew from personal and family experiences to create most of his best-known artworks, from the “Sevastopol Sketches” to The Cossacks, War and Peace, Anna Karenina, “The Death of Ivan Ilych,” and Hadji Murat, among others. So when I write that queerness permeates Tolstoyan art, I am also suggesting that this artistic queerness represents autobiographical disclosure, as I engage in a kind of self-analysis—to see how queerness influences my own life, along with Tolstoy’s biography and artworks, plus the human condition.
Initially, I had simply planned to analyze Tolstoy’s artistic critique of war and militarism, which is realistic, humanistic, and anti-authoritarian, while considering some of the implications for left-wing internationalism today, especially in light of the resurgence of fascism and neo-Stalinism. But I was struck in my readings by the palpable homoeroticism that pervades Tolstoyan art, so I refocused the project into a psychoanalytical examination of the links between the artist’s erotic dissidence and his anarchist politics: in other words, of his queer anarchism.
Besides Tolstoy’s writings and biographies, this journey led me to research, among others, Bruce Perry’s findings about Malcolm X’s youthful gay relationships, Edward Carpenter’s progressive studies of homosexuality, Russian and Ukrainian LGBTQ history, the lesbian attractions that Tolstoy’s wife Sofia Andreevna Tolstaya includes in her own art, the lesbian and bisexual women’s participation in the Easter Rising of 1916, comrade-love in the Paris Commune and the Russian Revolution, and what the late Chris Chitty describes as the “ancient association of same-sex eroticism with the hatred of tyranny,” which dates back at least to classical Greece.
With time, I noticed that intimate emotional bonds with other men were constants in Tolstoy’s “psychogeography,” both in terms of his life and his imagination, as expressed artistically. Besides including a brief review, in Perry’s style, of the subject’s homoerotic life, Queer Tolstoy features Freudian, Frommian, and Marcusean lenses, in the sense that I apply Sigmund Freud’s concepts of infantile sexuality, universal bisexuality, and polymorphous perversity; Erich Fromm’s critique of necrophilia and authoritarianism and simultaneous promotion of meaning and freedom; and Herbert Marcuse’s championing of Eros, or the life drive, to interpret Tolstoy’s life and art within its political and historical context.
Of these concepts, let me briefly explain Freud’s ideas about universal bisexuality and polymorphous perversity. Freud, the father of psychoanalysis, hypothesized that we are all bisexual, in the sense of both integrating male and female elements, and having pansexual attractions. (By the way, Charles Darwin would appear to agree with the former point, considering his view that “every man & woman is hermaphrodite.”) In Three Essays on the Theory of Sexuality (1905), Freud proposes that human beings are sexual from birth, and that our libido (or sex-drive) expresses itself in “polymorphous-perverse” ways. I for one believe that our attachments and attractions manifest in wide-ranging, kaleidoscopic, and, yes, polymorphous fashion. So, while Freud and many of his followers were not necessarily friendly with the LGBTQ community—two of the notable exceptions here being Marcuse and the anarchist psychiatrist Otto Gross—I believe that some Freudian concepts can still be useful to us.
Moreover, by writing Queer Tolstoy, I sought to resist the heterosexist presumption that LGBTQ people and experience should remain invisible, together with the Russian State’s aggressive homonegativity. This is despite its official boosting and opportunistic use of some of Tolstoy’s lyricism, regardless of his excommunication by Russian Orthodox Church. President Vladimir Putin’s queerphobia is crystallized in the criminalization of “non-traditional” sexual relations and gender presentations—previously limited to minors, but now extended to the entire population. The Russian LGBT Network has been officially branded a “foreign agent.” This is not to mention genocidal crimes committed against the LGBTQ community in Chechnya, under Putin’s satrap Ramzan Kadyrov.
I struggle with the word queer, with its history as a pejorative, but preserving the word queer seems crucial in counter balancing the weaponization of terms like traditional family values, and other, related terms that used to suppress sensuality, art, love, and new ways of being. Tell me about your reaction to the term queer? Why do you think it is fitting word to describe Tolstoy?
I hear that concern, although I suspect that there might be a generational gap here. A recent letter to the editors of the Guardian, apparently written by a 55-year old gay man, requested that the paper not use the “Q-word” because he found it “insulting and derogatory.” By contrast, the queer identity resonates more among younger people from the LGBTQ community, of which I am a part.
In the book, I use “queer” to refer both to “sexual deviance and freely chosen LGBTQ+ desire and experience,” as well as the intersection of LGBT experience and political radicalism. Going back to Freud and Marcuse, I believe “queerness” to be a synonym for “polymorphous perversity” and Eros. Along these lines, I emphasize the “lesbian continuum” hypothesized by Adrienne Rich, together with Freud’s ideas about a parallel gay continuum tying together the homosocial, homophilic, and homosexual worlds, while remaining critical of the toxic masculinity often exhibited by gay, bisexual, and straight men—Tolstoy not excluded!
As you rightly pointed out in your introductory comments, Joe, Tolstoy was not homosexual per se. By no means do I mean to erase his long marriage with Sofia Andreevna, who gave birth to thirteen of their children, much less his sexual relationships with other women. If I had to classify the count, I would say he was bisexual (in keeping, indeed, with Freudian theory). With this in mind, plus considering his dikost—a Russian word which means “daring,” “wildness,” or “iconoclasm”—I thought the title Queer Tolstoy was fitting.
In the introduction to my book, which is now available open-access, I briefly review nineteen same-sex relationships that I could glean from Tolstoy’s homoerotic biography. These include bonds with the Chechen Sado Miserbiyev, the revolutionary Russian youth Vasily Alexeev, the Ukrainian Jewish peasant Itzhak Feinermann, the Russo-Ukrainian composer Peter Tchaikovsky, the Indian independence leader Mohandas K. Gandhi, and the self-aggrandizing Tolstoyan proprietor Vladimir Chertkov, among others. Lev Nikolaevich himself admits to eight other gay attachments early on in his diaries. Considering the artist’s hyper-sexual impulses, these likely only represent the proverbial “tip of the iceberg” for Tolstoy’s same-sex experiences.
Nina Nikitina, senior researcher at Yasnaya Polyana, writes that Tolstoy “read love signs all the time and was in their power.” He certainly sought love as mutual recognition and connection, as is emphasized by humanistic psychoanalysts like Jessica Benjamin. Such themes feature especially in War and Peace, a canvas on which Tolstoy’s alter egos discover spontaneous same-sex attractions on the battlefields and behind the front lines as comrades collectively resisting Emperor Napoleon Bonaparte’s onslaught. These include platonic, deeply felt lesbian and gay bonds between Princess Marya Bolkonskaya and Julie Karagina on the one hand, and between Prince Andrei Bolkonsky and Captain Tushin on the other. Plus, as during World War I, soldiers will fraternize homoerotically and agree to cease-fires across the lines of control.
Tolstoy is known for bringing the realities of war and imperialism home to Russians. He was critical of the idea of the strong man, the leader who will bring his people glory. This seems to be very fitting, given the current tragedy of Ukraine and the despotism of Putin. What would Tolstoy say today about the current situation?
As Piro Subrat explains in Invertidos y Rompepatrias (2019), a history of the Spanish LGBTQ community, Tolstoy supported the mission of the Scientific-Humanitarian Committee, which was founded by the German physician and sexologist Magnus Hirschfeld in 1897. This committee, the first LGBT rights organization in history, sought to repeal Paragraph 175 of the German criminal code, which was used to criminalize male homosexuality from 1871 to 1994. In this light, Tolstoy would likely have been horrified by Putin’s war on the queer community, which has resonated with Republicans in the US.
Both of these conservative-authoritarian power-groups are dehumanizing and inciting violence against us, with the Daily Wire commentator Michael Knowles even calling at this year’s CPAC (Conservative Political Action Conference) for trans* people to be “eradicated from public life entirely.” The state of Tennessee has now criminalized drag. Meanwhile, Patriarch Kirill, head of the Russian Orthodox Church, has sought to cast Russia’s invasion of Ukraine as retribution for the LGBTQ pride marches the country has hosted—just as Putin’s forces have wielded wanton sexual violence against the LGBT+ community in occupied Ukraine. I believe that Lev Nikolaevich would have spoken out against such queerphobic hatred and ultra-violence.
Although some of his descendants, like the “United Russia” representative Pëtr Tolstoy or Putin’s cultural adviser Vladimir Tolstoy are undoubtedly reactionaries, Lev Nikolaevich, were he alive today, would most likely be condemning Russia’s war on Ukraine and standing in solidarity with Ukrainian defenders and Russian protesters. Concretely, I imagine that he would also be involved with journalistic efforts to uncover the brutal realities of the war, in defiance of State media narratives, official censorship, and Putin’s megalomania, and that he would support war resistance, such as the sabotage taken up by the Combat Organization of Anarcho-Communists (BOAK), plus conscientious objection and desertion from the battlefield. He might have highlighted the disproportionate utilization of soldiers from Russia’s ethnic and indigenous communities as cannon fodder, or circulated news about all the land mines planted by the invaders in Ukraine’s agricultural fields. Like his great grand-daughter Maria Albertini, he would likely be involved in directly supporting Ukrainian refugees.
You may have seen that Putin’s regime has cynically used Tolstoy’s face to adorn a high fence set up around the Mariupol Drama Theatre in occupied Ukraine. This was the site of a horrific massacre perpetrated last March by the invading Russians. Up to six hundred Ukrainian civilians were killed as they took shelter there from the ruthless assault. The same month, in Mariupol, a Russian airstrike destroyed the Arkhip Kuindzhi Art Museum, which had hosted paintings by this renowned artist, born in the same city. (His “Rainbow” painting is included in my book.) Needless to say, Tolstoy, who inspired the Revolution so despised by Putin, and who remains excommunicated by the Russian Orthodox Church, would not conceivably have consented to such use of his image.
Considering the fate of Alexei Navalny, the main leader of the anti-Putin opposition, whose views are much more conservative than Tolstoy’s, and who is currently a political prisoner in a maximum-security facility outside Moscow (as Daniel Roher, the director of the Oscar-winning documentary about his poisoning, reminds us), Tolstoy probably would have been imprisoned or assassinated under Putin’s regime—as the critic Boris Nemstov and journalist Anna Politkovskaya, among many others, have been. Indeed, as I discuss in the book, Tolstoy very nearly was imprisoned and executed when the translation of an openly anarchist essay of his appeared in the English press in 1891. It was really only thanks to the intervention of his high-ranking cousin, courtier Alexandrine Tolstaya, that Lev Nikolaevich survived this incident.
It is crucial that Ukraine win this war against Russia, and liberate its occupied territories. As the Russian Socialist Movement points out, “Russian history is replete with examples of military setbacks abroad that have led to major change at home.” Tsar Nicholas I’s death from stress and/or suicide in 1855 as his Empire suffered setbacks in the Crimean War brought Alexander II’s formal abolition of serfdom closer, just as it opened up new possibilities for radical struggle from below. During World War I, Russian casualties, poor morale, and mass-desertion (blamed, in part, on Tolstoy’s ideas) contributed to the coming of the Revolution. Rather than continue to blackmail the world with nuclear weapons and mobilize lies about “Ukrainian Nazis” to rationalize his atrocities, Putin must be thoroughly defeated on the battlefield, so that his regime falls, too.
In his life and his works, Tolstoy points to history not being steered by leaders or great men, but by the people. His critical view on the idealization of the “strong man,” the leader who will bring his people glory, again has parallels to what we are witnessing today with Putin in Russia and the U.S. In contrast, he put his faith in “the People.”
Yes, that’s right. As he describes in A Confession (1882), it was the common people’s faith that saved him from taking his life during the spiritual crisis he experienced at the end of the 1870’s, after finishing Anna Karenina. When he was younger, as well, peasant women saved him from drowning in the Volga River, while his wet nurse was a serf woman named Avdotia Ziabreva. In reality, just before he passed away, Tolstoy was asking about the peasants.
In the book, I describe Tolstoy as a champion of anarcho-Populism, or the anarchist current of Narodnichestvo (also translated as Narodism). This was a revolutionary anti-Tsarist movement of the nineteenth and twentieth centuries that envisioned an agrarian-socialist future for Russia. Besides Tolstoy, its main proponents were Herzen, Bakunin, Chernyshevsky, and Lavrov. (This was before Plekhanov and Lenin introduced Marxism to the Empire.) Some forerunners of anarcho-Populism included “men of 1812” like Tolstoy’s distant cousin, General Sergei Volkonsky. These “men of 1812” were veteran officers from the 1812 war against Napoleon. Known as a “peasant prince,” Volkonsky was exiled with his wife Marya to Siberian exile for three decades for spearheading the Decembrist conspiracy to overthrow Tsarism in 1825. This man, whose life was spared (in contrast to other Decembrist leaders) only owing to his family’s great prestige—specifically, his mother’s intercession—served as the model on which Tolstoy based Prince Andrei Bolkonsky in War and Peace. (As a side note, the support of Bakunin’s mother was crucial in convincing Tsar Alexander II to commute the rebel’s prison term to Siberian exile, thus facilitating his escape from the Empire.)
In contrast to direction by “great men,” like the Romanov Tsars, Bonaparte, Trump, or Putin, Tolstoy proposes that history is built from below through the collective action of the People. In War and Peace, he presents several examples of collective resistance to Napoleon’s invasion of Russia which have present-day echoes. These include the need to support Ukraine’s legitimate self-defense against the Russian onslaught; the imperative of unionizing and socializing the global economy; and the necessity of a worldwide transition to wind, water, and solar energy (WWS).
It’s interesting, reconciling Tolstoy’s heroization of the collective resistance of the Russian people to expel Napoleon with his transition to advocate of non resistance. And not just any advocate, but an influencer of peaceful resistance of historic proportions…
You’re right. It is quite the contradiction. Tolstoy espoused pacifism in the wake of his ‘conversion’ to rationalist Christianity after suffering a crisis of depression and suicidality in the 1870’s—mirroring the decline of the radical anti-Tsarist movement under Alexander II. Non-resistance follows from Jesus’ command, made during the Sermon on the Mount, to “resist not the evildoer” (Matthew 5:39). While this directive appears to demand servility and passivity, and thus reproduce abusive dynamics, the Unitarian Universalist Adin Ballou interpreted it as meaning that “we are not to resist evil with evil,” but “[e]vil is to be resisted by all just means.” Gandhi, who corresponded with Tolstoy at the end of his life about this very concept (and founded the Tolstoy Farm in South Africa in 1910), likewise promoted civil disobedience as non-violent resistance to abuse, or Satyagraha, in the struggle against British imperialism in India. In turn, Martin Luther King, Jr., preached Gandhian and Tolstoyan non-cooperation in his dream for the non-violent, anti-racist transformation of U.S. society.
Still, the theory of non-resistance has clear limits. If one takes the injunction not to “resist the evildoer” literally, then the Ukrainians would have to surrender to Putin; the Communards of Paris, the Kronstadt sailors, the Jews of the Warsaw Ghetto, and Haitians, Syrians, and Palestinians should not have risen up; and workers and minorities should not complain or organize—but simply grin and bear everything. This is a self-defeating current in Tolstoy’s thought that amounts to a “betrayal of the cause of the oppressed,” in the words of the Italian anarchist Errico Malatesta, and “an enclosure of his own position,” as my comrade Shon Meckfessel writes. Indeed, this tension may speak to Tolstoy’s war trauma and fragmented sense of identity. After all, throughout his life, he resisted abuse, and admired and enshrined resistance to authority.
As you put aptly in your book, “Alienation is universal under capitalism.” I’m all too familiar with the feelings of alienation, and while Tolstoy wasn’t under modern capitalism’s yoke per se, he lived under a system of extreme disparity and social restriction. In reaction to this, his life appeared to be a journey of seeking a better way, a kingdom of God here on earth. As such, he turned to an interesting form of spiritualism. Could you talk more about that?
Yes, of course. While fighting at the siege of Sevastopol during the Crimean War, Tolstoy experienced an epiphany just after the death of Tsar Nicholas. He then proposed the “stupendous idea” of founding a new religion based on the actual teachings of Jesus the Nazarene, rather than established church dogmas or mysticism. This dream-state expressed the artist’s therapeutic desire to contest the death-dealing authority of Church and State by promoting union. It is reproduced in War and Peace during Prince Andrei’s trance, as he lies injured at the battle of Austerlitz, and affirms the utopian desire for peace, while experiencing a psychedelic “queerpiphany.” Tolstoy’s passionate engagement with Christianity is based in the evangelical message of the Gospels, not church rituals. His was a non-orthodox Christianity: Tolstoy’s “new translation” of the Gospels (1881) ends with Jesus’ crucifixion at Golgotha and excludes most mentions of miracles, including above all the resurrection.
Although Tolstoy became more openly didactic after his spiritual crisis, his Christian anarchism can also be gleaned from his earlier writings, including War and Peace. In this work, Pierre Bezukhov, another Tolstoyan alter ego, becomes a Freemason after separating from his first wife, Hélène. By introducing this radical homosocial association, which anticipates Pierre’s joining the Decembrists at the book’s end, Tolstoy presents an interpretation of Christianity “freed from the bonds of State and church, a teaching of equality, brotherhood, and love.” Along these lines, the anarcho-communist Peter Kropotkin admired Freemasonry for advancing self-organization in Russia, while the Tsars feared precisely the freethinking and autonomy it stimulated.
In middle age, the count took up vegetarianism, renounced hunting, adopted strict pacifism, and condemned the libido—regardless of how unhappy this latter position would leave his wife Sofia Andreevna. Such ascetic changes may have resulted from Tolstoy’s encounters with death-anxiety as he aged; an intensification of underlying bipolar depression; a queer dissatisfaction with straight conventions; and/or the artist’s life-long attempt to observe his principles and so prefigure the Kingdom of God. While he did not succeed in meeting his goal of living simply and peacefully in an egalitarian community, much less of redistributing his lands and estates, these contradictions drove the tragic flight of this “proletarian lord” in October 1910.
You delve deeply into philosophy and psychology in Queer Tolstoy, as you have done in your other works, including in your previous work on Marcuse, Eros and Revolution. What gravitates you to these fields? And further, how can we connect Tolstoy’s philosophy to our own lives?
Like Lev Nikolaevich, I am a seeker: a Resident and Stranger. In my writings, I challenge the divisions that are often drawn between mind and body, idealism and materialism, and psychiatry and medicine. As Marcuse, Gross, and Tolstoy knew, these realms are actually connected.
I’m especially fascinated by Tolstoy as a “forerunner” of the Russian (and Mexican) Revolutions, the tragic experience of his followers in the Soviet Union (which confirms the counter-revolutionary nature of Leninism and Stalinism), and the ongoing relevance of Tolstoyan radicalism. I’m intrigued by the artist’s critiques of violence, hierarchy, and despotism; his work in popular education and famine relief; his engagements with Islam, Buddhism, and Daoism; his support for erotic, moral, and political self-determination; his existential emphasis on creating meaning in the face of death; his queerness (of course); and his inspiration of plant-based, pacifist communes guided by ideals of “peaceful revolution” and “universal brotherhood.”
Still, we must learn from Tolstoy’s mistakes: above all, his gross sexism, which is consistent with the toxic masculinity that is prevalent today in much of the gay community and beyond; his ambivalence sometimes expressed, particularly in War and Peace, about White-Russian chauvinism; his masochistic theory of non-resistance, which advises against resisting abuse; and, ironically, his gay timidity—notwithstanding the constraints imposed by Tsarism. The fates of Prince Andrei and Captain Tushin, and Princess Marya and Julie Karagina, reflect his ambivalence over the libido and queer desire. As Freud knew, this shyness only perpetuated his unhappiness!
Politically speaking, there are a myriad of ways that we can connect Tolstoy’s philosophy to the present day. In contrast to Pushkin and Lermontov’s poetry, Tolstoy’s writings about Transcaucasia—including “The Raid,” The Cossacks, Hadji Murat—are generally humanistic, internationalist, and critical of Tsarist regional expansionism. They can be read to highlight the historical continuum of White-Russian violence, which has taken the lives of hundreds of thousands of Chechens since the collapse of the Soviet Union over 30 years ago. In this vein, we must never forget that Tsarist imperialism annihilated the vast majority of the Circassian people, otherwise known as Adyghes, in the Caucasus in the eighteenth and nineteenth centuries. In this light, we should channel Tolstoyan anti-war realism (but not dogmatic pacifism) to reject the left-right alliance that is converging against Ukraine. Trump, DeSantis, Fox News hosts, and MAGA extremists in the House all proclaim the fascist slogan “America First” in calling for Ukraine to be cut off, while neo-Stalinists and pseudo-anti-imperialists demand that Ukraine surrender to Russia.
History shows that Franco’s victory in the Spanish Civil War—which was achieved with the support of Hitler and Mussolini, Stalin’s betrayals, and the non-intervention policy of the Western democracies—set the stage for World War II. In much the same way, Putin’s “anti-humanitarian intervention” in 2015 to prop up Bashar al-Assad’s dictatorship from being swept away by the Syrian Revolution prepared the ground for the ongoing full-scale attack on Ukraine. Given the pressing need to stop Putin, I welcome his recent indictment by the International Criminal Court.
We chose the title “seeking the anarchism of love” as the title of our discussion, so I thought it fitting to pull this quote from War and Peace:
“Love hinders death. Love is life. All, everything that I understand. I understand only because I love. Everything is, everything exists, only because I love. Everything is united by it alone. Love is God, and to die means that I, a particle of love, shall return to the general and eternal source.”
But what about the anarchism of love? is love integral to anarchism? And is true love anarchic?
Certainly, love, connection, and attachment are integral to anarchism, understood as anarcho-syndicalism, anarcho-communism, anarcha-feminism, and Christian anarchism.
Throughout his life, beyond infancy, Lev Nikolaevich missed his mother, Princess Marya Volkonskaya, who passed away at the young age of thirty-nine. Still, he often yearned for her love, even as an old man, and it is evident how much her pro-social personality marked him. One of War and Peace’s main protagonists is based on her, and what is more, the real-life Marya’s unfinished family novel, Russian Pamela, deeply influenced the themes and characters Tolstoy features in his own prose poem. Akin to the British feminist Mary Wollstonecraft, Princess Marya—who received a classical education at Yasnaya Polyana, thanks to her progressive father—was an “unlikely revolutionary.”
In turn, like Leonardo da Vinci, whose mother may have been, according to new research, a trafficked Circassian, Tolstoy identified with his mother and aunts, together with traditionally “feminine” virtues like care and compassion. Plus, as a cadet in the Caucasus, Tolstoy was intensely attracted to the “God of Love and Reason” that he discovered among the natural beauty there, and the social and sexual freedom practiced by his Cossack hosts, at least within their in-group. He was certainly repelled by Cossack violence against the Muslim Chechens. Your apt quote from War and Peace, which appears just after Prince Andrei’s death due to injuries sustained at the battle of Borodino, frames love in Marcusean terms as Eros, eternally struggling against archaic forces and Thanatos (or the death drive).
Many times in War and Peace, we encounter scenes that recall bell hooks’ concept of the anarchism of love, whereby arousal and attachment contest hierarchy and convention, challenge abuse, and tear down walls. Hence, the spontaneous comrade-love that develops on the battlefield between Prince Andrei and Tushin; Pierre’s homoerotic bonds with his Freemason and peasant mentors and serf-soldiers at Borodino; plus Natasha Rostova’s prayer for “one community, without distinction of class, without enmity, united by brotherly love.” Likewise, if we think of Jessica Benjamin’s idea of love as mutual recognition, we can read War and Peace as an allegorical journey of transition and transformation—from the despotism and violence encoded by Tsarism and Bonapartism (reminiscent of biblical captivity in Egypt and Babylon), to a better future characterized by equality, peace, and freedom (that is to say, the Kingdom of God).
Such insurgent passions reverberated in the Russian Revolution, especially in the nearly 100 Tolstoyan communes and cooperatives founded soon after the fall of the Romanov dynasty, as well as in the Mexican Revolution, with the rebels Praxedis Guerrero, Ricardo Flores Magón, and General Emiliano Zapata looking to the Russian anarchist sage for inspiration.
Lastly, in the 1970’s, hippies from the Soviet counterculture rediscovered Tolstoy as a spiritual guide for their anti-authoritarian journeys and pilgrimages, experiments in pacifism and free love, and protests against the Soviet regime.
That’s all for now. Thanks for reading, and please don’t forget to donate what you can to Solidarity Collectives.
Links
Open-access introduction (chapter 2)
Leo Tolstoy archive (English translations)
Bureau of General Services–Queer Division
Michael Denner, “The ‘proletarian lord’: Leo Tolstoy’s image during the Russian revolutionary period” (2010). doi: 10.1017/CBO9780511676246.012
Irina Gordeeva, “Tolstoyism in the Late-Socialist Cultural Underground: Soviet Youth in Search of Religion, Individual Autonomy and Nonviolence in the 1970s–1980s” (2017)
—, “The Evolution of Tolstoyan Pacifism in the Russian Empire and the Soviet Union, 1900–1937” (2018)
Michael Kazin, “Reject the Left-Right Alliance Against Ukraine” (2023)
Mark Mola, “The Circassian Genocide” (2016).
In this concluding part of our analysis of speculative fiction as protest art, we will wrap up the discussion of ‘capitalist hells’ from parts I and II; consider a few cases of art-works combining utopian and dystopian elements, including Elysium, Octavia’s Brood, and Palestine +100; and then pivot to contemplating the ‘communist heavens’ and ‘alternative’ and/or ‘anti-modern utopias’ envisioned by William Morris, Ursula K. Le Guin, Gene Roddenberry, and Kim Stanley Robinson, among others.
First published on The Commoner, 21 November 2021. Feel free to support them via their Patreon here
Correction to part II: Pardot Kynes, from Frank Herbert’s Dune (1965), is an imperial, not Fremen, ecologist; in the novel, he is father to Liet-Kynes, and grand-father to Chani. Liet is played by Max von Sydow in David Lynch’s 1984 film adaptation, Karel Dobry in the 2000 Sci-Fi edition, and Sharon Duncan-Brewster in Denis Villeneuve’s 2021 version.
So far, in this three-part series on visionary fiction, we have considered some of the critical functions that protest art may serve, in terms of the links between the imagination and political resistance. Against the ruling ‘master symbols’ that impart unreason and brutality, ‘countersymbols may arise,’ as reflections of ‘an ideal community of the imagination.'[1] In the anarchist tradition, such counter-symbols include red and black color schemes and flags, the circle A, the idea of ‘One Big Union,’ and songs such as ‘The Internationale,‘ ‘Solidarity Forever,‘ and ‘A Las Barricadas.‘ Anti-authoritarians have also long used photography, poetry, theater, novels, journals, essays, periodicals, comics, zines, and films to convey our hopes for better futures. Indeed, writer Jesse Cohn observes that we anarchists ‘practice culture as a means of mental and moral survival in a world from which [we] are fundamentally alienated.’[2]
In their much-anticipated new study, The Dawn of Everything (2021), the archaeologist David Wengrow and the late anthropologist David Graeber affirm the ethnologist Claude Lévi-Strauss’s idea that ‘mythological thought […] is better conceived as a kind of ‘neolithic science’ inseparable from our humanity, from the very beginning. For this reason, Wengrow and Graeber celebrate the cultural phenomena of carnival and inversion, which feature in speculative fiction and protest art: ‘In carnival, women might rule over men and children [might] be put in charge of government. Servants could demand work from their masters, ancestors could return from the dead, ‘carnival kings’ could be crowned and then dethroned, giant monuments like wicker dragons built and set on fire […].’ They find such festivals significant, because they remind participants and observers alike that ‘other arrangements are feasible,’ compared to what is dominant at any given time.
Even so, while celebrating how artistic counter-symbols sustain the mental and physical possibilities of ‘striv[ing] to realize [anarchist] communit[ies] in actuality’ by ‘evok[ing] a sense of possible worlds worth fighting for,'[3] we must recognize that verbal and visual images critical of capital and authority have been thoroughly commodified in popular media. As voiced by Thomas Wilson Jardine, the concern is that this phenomenon of recuperation will merely function as a safety valve which ultimately ends up serving the end of social control, besides generating investors in the entertainment industry a great deal of profit.
Along these lines, at the end of The Matrix Revolutions (2003), the conclusion to the original cyberpunk trilogy The Matrix (1999-2003), the protagonist Neo responds to his nemesis Smith’s query as to why he persists in his seemingly hopeless struggle by saying, ‘Because I choose to.’ While this is not the same as disclosing that he is driven by some radical duty or cause, Neo’s reply nonetheless echoes the U.S. anarchist poet Hayden Carruth’s observation that:
‘the real revolutionary is the one who can see
all dark ahead and behind, [their] fate
a need without a hope: the will to resist.’ [4]
Be that as it may, the trilogy’s anti-systemic messianism champions the epic hero of Western iconography, emblematically centers masculinity and whiteness, and emphasizes individual over collective action. After all, Trinity and Morpheus are mere supporting characters for Neo in the original films, and it remains to be seen whether the much-anticipated The Matrix Resurrection (2021) will improve on this dynamic. Like Dune, these movies remind us that subversiveness cuts both ways—sometimes, simultaneously—to portend both recuperation into male authority and racial capitalism, as well as the creation of liberatory counter-publics.
With this dynamic in mind, we will defend anti-authoritarian subversiveness and visionary existentialism in this concluding part of our series on speculative fiction as protest art, wherein we consider “capitalist hells,” “communist heavens,” and “alternative” and/or “anti-modern utopias.”
Deus Ex (1999-2016): Although the various role-playing games in the cyberpunk Deus Ex universe are relatively open-ended, they jointly communicate Kafka-esque, Orwellian, and ‘negative-anarchist’ visions of totally administered worlds.[5] In the original Deus Ex (1999) and in its more recent iterations, Human Revolution (2011) and Mankind Divided (2016), the main characters, who are vaguely queer-coded cyborg super-soldiers, undergo thematic journeys of self-discovery and exile, as they encounter political corruption, inequality, ultra-violence, homelessness, medical abuse, and discrimination as ‘Augs.’ Players begin Deus Ex on the side of the police and the State, but—echoing Blade Runner (1982) and Blade Runner 2049 (2017)—these ‘red detective[s]’ slowly realize the folly of power by bearing witness to the conspiratorial brutality of the authorities and the lies of the mass-media. Players end up defecting to anti-systemic resistance movements.[6] (The alternative options, admittedly, are to serve the ‘Illuminati’ [an anti-Semitic trope], or oneself.)
At their best, the augmented playable characters in Deus Ex are ‘Anarchist Action M[e]n’ who recall Alex Murphy at the end of RoboCop (1987), Douglas Quaid in Total Recall (1990), the T-800 from Terminator 2 (1991), and Neo from The Matrix. Furthermore, they are reminiscent of Miguel Cervantes’ classic knight-errant Don Quixote, ‘a figure sincerely beloved by anarchists’ for his idealism and commitment to direct action.[7] Although only in Deus Ex: Invisible War (2003) can gamers choose to play as a female heroine, thus reflecting and perpetuating the toxic masculinity for which the industry is notorious, the Deus Ex series not only creatively satirizes many of the social, political, and economic ills of our time, but also allows players the virtual choice to perpetuate or contest these.
Sid Meier’s Alpha Centauri (1999): This innovative computer strategy game, which builds on the well-known Civilization series, imagines human groups settling on ‘Chiron’ in the Alpha Centauri star system, located 4 light-years from Earth. Having reached Alpha Centauri in the twenty-second century, the interstellar travelers break up into numerous political factions upon planet fall. Gamers can choose to play as the Green ‘Gaia’s Stepdaughters,’ the fundamentalist ‘Lord’s Believers,’ the capitalist ‘Morgan Industries,’ or the despotic-collectivist ‘Human Hive,’ among others. The expansion pack Alien Crossfire (1999) adds the syndicalist ‘Free Drones,’ cyborgs, ‘Data Angels,’ and two indigenous alien factions. With a highly customizable interface that permits mod-ability, includes an expansive technology tree, and integrates astute speculation on the future course of humankind, Alpha Centauri makes for a unique experiment in the digital construction of new societies that goes beyond the typical one-dimensional game. Indeed, as we shall see below, an unacknowledged source for the makers of Alpha Centauri may have been Kim Stanley Robinson’s original Mars (1992-1996) trilogy.
In parallel to the game, back on Earth, anarchists are divided among ourselves, and we confront numerous enemy forces, from the State to capitalists, fascists, and Stalinists. Hopefully, we can unite and find allies to propel global anti-authoritarian and ecological revolution, before world leaders lead humanity to our doom through war, future pandemics, totalitarian takeovers, and/or ecological catastrophe.
Elysium (2013), Sleep Dealer (2008): Elysium, written and directed by District 9’s director Neil Blomkamp, is a slice of life from the apocalyptic landscape of Los Angeles in 2154, juxtaposed with the orbiting space-station Elysium, which is home to the affluent capitalist overlords of the future. While on Elysium there are many green, open spaces, with mansions adorned by pools and maintained by servant-bots—akin, perhaps, to the humanoid ‘Tesla Bots‘ recently announced by Elon Musk—Earth-dwellers confront veritably infernal conditions. In fact, the “Earth” scenes were filmed in the Bordo Poniente landfill in Mexico City (one of the largest in the world, before its closure), while the Elysium scenes were shot in Vancouver, British Columbia.
The film’s protagonist, Max (played by Matt Damon), is seriously injured by a workplace accident in LA, due to negligence and pressure from his supervisor. With mere days to live, Max tries desperately to find a way aboard the remote and highly fortified space station, where highly advanced therapeutic machines hold out the promise of freeing the body from all ailments and disease. With the help of his mostly Latin@ comrades, Max overwhelms Elysium’s defenses and sacrifices himself to ensure that all Earth residents become Elysian citizens, and so are allowed free, life-saving medical treatment.
In its internationalism, its cosmopolitan focus on migration, and its concern with militarism and labor exploitation, Elysium shares many themes with its fellow dystopian social science-fiction film Sleep Dealer, which envisions Mexican proletarians renting themselves out digitally to work as labor-bots in factories on the other side of the U.S.-Mexico border—which is closed, and patrolled by killer drones—all while remaining in their home country. This is something that U.S. Vice President Kamala Harris has urged. Both films therefore critique borders, inequality, and labor in a manner consistent with anarchist principles, calling to mind the ongoing importance of class struggle, humanism, cross-border organizing, and migrant solidarity.
Octavia’s Brood: Science Fiction Stories from Social Justice Movements (2015): This striking volume of visionary fiction, written mostly by people of color, renders homage to Octavia Butler’s profound contributions to the development of anarcha-feminist and anti-racist themes in sci-fi and protest literature. In ‘Revolution Shuffle,’ Bao Phi imagines Asian- and Arab-Americans, ‘Pacific Islanders, Native Americans, Chicanos, and Black people’ thrown into concentration camps by the authorities en masse, as guerrillas look on, contemplating launching a war ‘that might just turn into something like a revolution.'[8] In her contribution, co-editor Walidah Imarisha imagines an itinerant, avenging Black Angel who rescues Palestinians and Mexicans from marauding neo-Nazis and ICE agents, respectively, using overwhelming force. Having been expelled from heaven for questioning God’s complicity with wickedness, A. seeks to be one of the righteous ones ‘who fight against [oppression], who push the forces of destruction back.’[9]
In a similar vein, disability activist Mia Mingus envisions a commune of people with disabilities (‘UnPerfects,’ or ‘U.P.s’) finding solace in autonomous life on a distant planet, far from Earth, where a new wave of annihilatory attacks on ‘U.P.s’ recalls the horrors of Nazi Germany.[10] In an excerpt from Aftermath (1997), LeVar Burton, of Roots and Star Trek: The Next Generation, foresees the Black Dr. Rene Reynolds inventing a ‘Neuro-Enhancer’ that could cure all disease, but then being enslaved by traffickers who target dark-skinned people. Grimly, these slavers turn around and sell the skins of their victims of color to whites for the purposes of grafting, or ‘skin fusion,’ to protect the latter against cancer, in light of the catastrophic depletion of the ozone layer.[11] Notably, as well, Octavia’s Brood includes an excerpt from Terry Bisson’s Fire on the Mountain (1988), an alternate utopian history of the U.S., wherein slaves and abolitionists successfully liberate the South from Confederate rule, leading to the founding of the independent Black socialist State of Nova Africa. Octavia’s Brood therefore represents a timely and intersectional intervention that can animate a politics of resistance and decolonization against white supremacy, fascism, and ableism, in keeping with Black Lives Matter, Antifa, and disability-justice movements.
Palestine + 100 (2019): In this collection of speculative stories about Palestine’s future a century after the Nakba—the ethnic cleansing of up to three-quarters of a million Palestinians, on which Israel was founded in 1948—Palestinian writers defamiliarize and question their everyday lives, which under Occupation amount to ‘a kind of a dystopia,’ according to editor Basma Ghalayini. Contributors Saleem Haddad and Selma Dabbagh report that they found the writing process to have been therapeutic, and unexpectedly liberating. Along these lines, Palestine + 100 has the power to ‘ope[n] up a whole [new] world’ for writers and audiences alike, proclaims Dabbagh. In her review of the volume, Ramona Wadi observes that the volume’s fiction ‘offers an alternative to imagine and communicate these fantastical forays into a not-so distant future, while never forgetting about the historical trauma impacting generations since the Nakba.’ Indeed, in June 2021, following another shooting war between Israel and Hamas that took the lives of at least 248 Palestinians and 12 Israelis, Palestinians attested to the centrality of the radical social imaginary in their ongoing struggle for justice by dreaming online of life as if the Occupation had ended, using the hashtag #TweetLikeItsFree.
Alongside the “capitalist hells” from history and present that pervade sci-fi, visionary fiction also features previews of “communist heavens” at the terrestrial, interplanetary, and galactic levels. Inspired by the Russian Marxist Alexander Bogdanov’s Red Star (1908), a two-volume novel set three hundred years in the future in a ‘Martian-Marxian society’ observing full communism, Russian science-fiction writers from the early Soviet period lyrically explored modernization, ‘the outer reaches of technical innovation,’ and the use of science to dominate nature, while proclaiming ‘the ultimate triumph of the shining pravda [truth] of social justice over the dark krivda [wickedness] of greed and power hunger.’ In this sense, in contrast to the pessimism of the Fabian socialist H. G. Wells, author of The War of the Worlds (1897), Soviet speculative writers marshaled revolutionary ideology and critical sociology to optimistically envision utopian futures—in turn, presumably moving Ursula K. Le Guin, Gene Roddenberry, and Kim Stanley Robinson to do much the same, as we shall see.[12]
Along these lines, in April and May 2021, artists from the Middle East and North Africa (MENA) region publicly mused about the future through the prism of sci-fi. For this series, the Egyptian novelist Ahmad El Fakharany exclaims that ‘Heaven is the world’s motor, the mirage it needs. We will never lose its effects. We will never stop pursuing it.’ Likewise, the Egyptian poet Khadija Al-Saadi identifies fiction as a ‘certain reality that contributes to change and transformation—what I think about, I work on. Ideas are free and roam different worlds.’ She adds that ‘[s]cience fiction is accessible to anyone who thinks about it in depth, calmly and methodically. After thinking, the images come, and then answers.’
To this point, the British eco-socialist poet and designer William Morris (1834-1896) wrote News From Nowhere (1891) as an ‘Epoch of Rest’ and a ‘Utopian Romance.’ Although this novella depicts communist h(e)avens, it may more accurately be classified as an anti-modern utopia integrating Romantic, pastoral, and even proto-solarpunk themes.[13] Recalling Tao Qian’s ‘Peach Blossom Spring‘ (421 C.E.), Morris’ alter ego, William Guest, awakens the morning after a discussion at the Socialist League about the ‘Morrow of the Revolution,’ only to find himself in a paradoxically future-medieval London, set in 2102, from which the factories and associated pollution have disappeared. Remarkably, he discovers that poverty and class have been eliminated, that workers are healthy in body and mind, and that the people’s social character is warm, joyous, and humanistic, such that they resemble a ‘bed of tulips in the sun.’ In place of a ‘country of huge and foul workshops,’ railways, and robber barons, England and its fields have become ‘a garden, where nothing is wasted and nothing is spoilt,’ and ‘made for the pleasure as well as the livelihood of all.’ In this liberated world, capitalism, industrialism, and Puritanism have been overthrown, and ‘mastery has changed into fellowship.'[14]
During a boat ride down the Thames River, Guest and his fellow dreamer Ellen encounter ‘a mill […] as beautiful in its way as a Gothic cathedral,’ and amidst the sounds of blackbirds, doves, rooks, and swifts, they visit an old house built by peasants from Guest’s timeline, and there jointly contemplate what the psychoanalyst Nancy Chodorow might term the ‘living’ or ‘unconscious past.'[15] Ellen presents socialist-feminist reflections on how she would have been ‘wrecked and wasted […] either by penury or by luxury,’ had she had the misfortune of being born in the nineteenth rather than twenty-second century.[16] Yet, soon after joining his friends for a communal feast at a medieval church, Guest awakens, hoping passionately that his reveries could become a political vision for the future.
The importance of Morris’ Romantic-revolutionary outlook should not be underestimated. All of it remains relevant today. In Cohn’s words, the message of News from Nowhere speaks to a ‘key component of anarchist dreaming’: that is, ‘the process of reconciliation and reintegration that would constitute a society of equals without producing another Terror.'[17] In Spaces of Hope (2000), David Harvey employs the motif of falling asleep amidst a bout of political despair to envision a radically different, non-repressive future society. The film Total Recall (1990)—starring Arnold Schwarzenegger as a disaffected worker who either goes to Mars to lead a successful planetary insurrection against the capitalist overlords, or merely fantasizes about doing so—relies on a very similar premise. Riffing off Morris’ communalist anti-industrialism, Paul Glover’s eco-utopian Los Angeles: A History of the Future (1984) envisions the peoples of Santa Monica and Boyle Heights reaching self-sufficiency and replacing car-centric urban planning designs with orchards that are communicated by bikeways and solar-powered rail.[18]
Hopefully, with greater movement toward unionization of the U.S. working class during the COVID-19 pandemic, as well as the ‘Great Resignation‘ of laborers quitting ‘bullshit jobs‘ en masse, the power of State and capital can be further destabilized, so that workers and communities come to replace the State and capital as decision-makers in the future. Green and community syndicalism hold more promise for reaching a sustainable, egalitarian future, when compared to the gross negligence that has been exhibited by world leaders for decades, in the face of the collective death sentence posed by global warming.
In a similar vein to News from Nowhere, Alexander V. Chayanov’s 1920 fictional work, My Brother Alexei’s Journey into the Land of Peasant Utopia, begins with a proletarian leaving his job one night in 1921, ‘disgusted at the mechanical extremism of the socialist regime in which he lives.’ He falls asleep, awakening over sixty years later in a future Russia wherein the Bolsheviks have been overthrown by the Socialist Revolutionaries, and large cities and the centralized State destroyed. Self-evidently, such a vision deviates radically from Marxist prescriptions for the future. That having been said, for envisioning an agrarian society that would be self-governed by cooperatives, but not necessarily opposed to private ownership or traditional peasant culture, Chayanov perished in Stalin’s GULAG in the early 1930’s.[19]
The visionary anarcha-feminist Ursula K. Le Guin’s award-winning novels The Dispossessed (1974) and Always Coming Home (1985) combine elements of heavenly communism with anti-modern and alternative utopianism to contemplate possible anti-authoritarian futures for humanity. Following in the steps of her parents, the ethnologists A. L. and Theodora Kroeber, Le Guin (1929-2018) uses anthropological approaches to narrate these “ambiguous utopias.”
The Dispossessed describes a future anarcho-communist society in the Tau Ceti solar system being constructed on the desolate moon Anarres, whose courageous inhabitants have broken away from the bourgeois-patriarchal society based on the more ecologically bountiful home planet of Urras. Led by the prophetess Odo, the Anarresti resist socio-political authoritarianism by engaging in cooperation, encouraging free love and sexuality (including LGBTQ dimensions), and creating a new language that lacks possessives, thus consciously building what Le Guin terms ‘the most idealistic, and […] the most interesting, of all political theories.’ The Anarresti physicist Shevek, the work’s protagonist, visits Urras, only to encounter class divisions, sexual repression, and militaristic State violence. By contrast, Shevek’s experience in the capitalist hell of Urras does not mean that life on Anarres is perfect, for Le Guin warns of the risks of group conformity and stagnation, even among mindful anti-authoritarians who have consciously overcome many of the problems faced by the Urrasti.
The novel’s title is likely a play on Fëdor Dostoevsky’s The Possessed (1871-1872),[20] and its plot presents a critique of the opportunistic and deranged social character which Dostoevsky imputes to anarchists in his reactionary satire. In this sense, when the Marxist literary commentator Fredric Jameson criticizes the links Le Guin traces among ‘institutionalized warfare, centralization and psychic aggression’ as ‘preoccupations of a characteristically liberal type,’ he merely tells on himself, while echoing Dostoevsky and Marx’s authoritarian caricatures of anarchism—not to mention those propagated by neo-Stalinists in the twenty-first century.[21]
Beyond the political novel of The Dispossessed, Always Coming Home synthesizes speculative ethnology with poetry, parables, music, spiritual journeys, and emblematic memoirs to construct the world of the so-called Kesh, an egalitarian people who institute a society based on anarcha-feminism, free love, communal horticulture, and the gift economy in ‘the Valley’ of California in the deep future. In ecological terms, this future-world is marked by capital’s infernal devastation of the global climate. Implicitly speaking to the threat of sea-level rise posed by the melting of the world’s glaciers and poles, a certain Grey Bull recalls a journey by boat to what must previously have been the San Francisco Bay Area, whose houses, buildings, streets, and roads now lie at ‘the bottom of the sea.'[22]
‘Under the mud in the dark of the sea there
books are, bones are […].
There are too many souls there.'[23]
Speculatively, there may be a connection between this estranging journey into the effects of global warming, and the premise of Kim Stanley Robinson’s New York 2140 (2017), which is set in a future wherein the polar ice caps have melted, and New York—like other low-lying cities—has been irreversibly inundated. In spite of the ecological constraints imposed not only by climate catastrophe, but also by past chemical pollution of the environment, Le Guin’s sympathetic portrayal of Kesh society in Always Coming Home arguably constitutes an (an)archaeology of the future: a vision, in other words, of ‘what [we] can become.'[24] The Kesh and their mysteriously advanced allies, ‘the Exchange,’ use soft technologies, including cybernetics and solar energy, to decentralize industry and society—thus integrating the past visions of Peter Kropotkin, Marshall Sahlins, Morris, and Lev Tolstoy.[25] The climate is fortunately stable enough to support horticulture. Through the practice of ‘heyiya,’ or the recognition of the links between the sacredness and interconnection of life, they institute Hermann Cohen’s vision of a ‘religion of reason.’
As a foil to the Kesh, Le Guin introduces the Condor People, a nomadic group of marauding male-supremacists and propertarians, who practice militarism, ultra-misogyny, and cruelty toward animals. Accordingly, in this work, ‘[t]he patriarchal […] is identified with the imperialistic.'[26] Through their casteism, sexism, and ultra-violence, the Condor soldiers recall the Vikings, the Mongol empire, conquistadores, and Euro-American slaveowners of yore, as well as the Hindutva, Taliban, and Christian fundamentalists of today.
In sum, according to John P. Clark, Le Guin condemns ‘the manipulative world of domination we actually find ourselves in,’ while affirming ‘the cooperative world of freedom we are capable of creating.'[27]
The various Star Trek series (1966-present), the brainchild of Gene Roddenberry (1921-1991), closely follow Morris and Le Guin, in that they mix visions of communist h(e)avens with high-tech utopianism to consider a ‘good future’ for humanity. This arrives through the United Federation of Planets, which is co-founded among Earth and the planets Vulcan, Andor, and Tellar in the year 2161, after victory against the Romulan Star Empire, which had launched a nuclear war on Earth six years prior. The Earth-Romulan war, in turn, comes a century after World War III, which similarly involved the use of atomic weapons.
In this sense, the backstory of Star Trek pays tribute to the Russian engineer V. D. Nikolsky’s epic In A Thousand Years (1927), which involves a journey via ‘chronomobile’ into the future that anticipates the victory of socialism and humanism over capitalist imperialism, following a desperate period of nuclear war and bourgeois dictatorship.[28] In turn, Roddenberry renders homage to the Argentine Trotskyist Juan Posadas, who adopted Michel Pablo’s concept of nuclear catastrophism, whereby the workers of the world would survive the ‘destruction of all bourgeois and bureaucratic institutions in nuclear war’ to rebuild the world as socialist. Such an optimistic, catastrophic spirit might be germane to our own time, beset as we are by COVID-19 and unchecked global heating.
Broadly speaking, Star Trek can be viewed as a rationalist Enlightenment narrative about humanity’s self-overcoming of infancy, mastery, and brutality. For instance, in ‘Past Tense,’ from Star Trek: Deep Space Nine (1995), we learn that the ‘Bell Riots‘ of San Francisco (2024) paved the way for the coming of the Federation, and Star Trek: The Next Generation (TNG, 1987) opens in the twenty-fourth century with the supernatural entity Q putting humanity on trial for the ‘multiple and grievous savageries of the species.’ Proving Q wrong, the crew of the U.S.S. Enterprise liberates an alien lifeform that had been imprisoned and exploited by the humanoid Bandi species at the Farpoint station. Such utopian visual images arguably connect to today’s Black Lives Matter, #MeToo, trade-unionist, climate-justice, and Total Liberation movements, not to mention the Syrian or Rojava Revolutions.
In The Original Series (TOS, 1966-1969) and TNG, the Federation and its military-exploratory wing, Starfleet, are shown as constantly at odds with the Romulans—who follow the classical despotism of the Romans, instituting an authoritarian State, reified law, and private property[29]—and the Klingons, who are reminiscent of the Mongol, Qin(g), and Japanese Empires. Klingon ‘Birds of Prey‘ could be likened to Bashar al-Assad, Vladimir Putin, and Recep Tayyip Erdoğan’s war planes, due to the cruel purposes they commonly serve, while the Romulans hold a mirror up to the sordid history of Western ‘civilization.’ For their part, the menacing, authoritarian-collectivist Borg may be meant to satirize Stalinist or Maoist state-capitalism, corporate capitalism, and/or the dangers of technology. In this sense, Roddenberry affirms Enlightenment and socialist humanism through the idea of the Federation struggling against the fascistic Borg, while conveying a future vision of the Third-Campist motto—devised by U.S. Trotskyists amidst the depths of the Cold War, and likely adapted from Shakespeare—of ‘A plague on both their houses’: namely, the U.S. and the U.S.S.R., or the Romulans and Klingons. In this vein, a similar critical analysis of present-day rivalries between the U.S.A. and the People’s Republic of China would be in order.
Whereas the Star Trek universe presents a cooperative, inter-species, post-capitalist future, wherein the peoples of Earth have abolished poverty, scarcity, and profit, it also resembles Le Guin’s ‘ambiguous utopias,’ as hierarchies of gender and race arguably persist in the Federation. The franchise’s representation of Klingons as invariably Asian and/or Black also reproduces white supremacy—especially, as in TOS, when these Klingons are played by Euro-American actors. At the same time, Black, Asian, and/or female characters and actors play productive roles in several Star Trek series, and so contest racism and sexism, in an implicit nod to the Civil Rights Movement (contemporary to TOS). Nonetheless, due to the machinations of producer Rick Berman, LGBTQ representation and feminist themes were hampered for decades over multiple series.
At its best, Star Trek helps defamiliarize and question mainstream politics. The TNG episode ‘Force of Nature’ (1993) foresees the Federation Science Council imposing fleetwide limitations on warp speeds, due to concern that further high-warp emissions would prove destructive to the fabric of space. In contrast, in our world, ‘the systems that were meant to validate and respond to’ the initial alert about COVID-19 ‘were too slow,’ and much the same could be said about the official response to the climate crisis, which threatens our future radically. To this point, although the third season of Star Trek: Discovery (2020) is set in an alternate future in the early fourth millennium, wherein the Federation has collapsed following a mysterious ‘Burn,’ anti-authoritarians and rebels committed to Starfleet principles still find each other and engage in high-tech communist insurrections. Likewise, the trailer for season 2 of Picard (2022) suggests that the crew of La Sirena goes back in time to our day to prevent a fascist takeover in an alternate future, without the Federation. Accordingly, the Star Trek franchise both encourages and profits from horizontalist politics and internationalist struggles.
‘[D]o the best you can! Help all good causes!'[30]
The progressive visionary Kim Stanley Robinson’s Mars trilogy—Red Mars (1993), Green Mars (1994), and Blue Mars (1996)—renders homage to Bogdanov’s Red Star in its portrayal of the near-future colonization of the red planet, and its subsequent terraforming into a green and then blue planet, laden with oceans. Robinson, or KSR, integrates a utopian blending of red and green figurative imagery and eco-political thought to envision a Martian cultural and political revolution against the capitalist despotism based on Earth.[30] Many of the place-names he invents for the red planet pay tribute to the German critical theorist Ernst Bloch’s Principle of Hope (1954-1959). In his own words, KSR was forever ‘changed’ by reading Le Guin, whom he described upon her passing in 2018 as ‘a complete person of letters and an important public intellectual.’
Among the scientists who settle Mars in 2026 in KSR’s imagination, certain characters stand for different socio-ecological alternatives. For example, the prophetess Hiroko Ai, a leader of the ‘Green’ movement, which seeks to terraform Mars, stands for ‘viriditas’ and life, while her foil, the geologist Ann Clayborne, initially avows a ‘Red’ position of ‘Mars First!’, which is radically opposing to any form of geoengineering. In contrast, Ann’s erstwhile colleague Phyllis Boyle stands for capitalist modernization and the death drive, whereas Arkady Bogdanov, whom she assassinates, symbolizes anarcho-syndicalism. The engineer Nadia Cherneshevsky, his partner—whose last name alludes to the Russian revolutionary Nikolai Chernyshevsky, author of the social utopia What Is To Be Done? (1863)—emphasizes the critique of violence and social reconstruction following Terran retaliation against the First Martian Revolution, which takes place at the end of Red Mars. Furthermore, the Trinidadian anarchist stowaway known as ‘Coyote’ plays a crucial role in propagating ‘eco-economics,’ utopian socialism, and the gift economy in Green Mars. Ultimately, the Martian colonists succeed in transforming the planet into a ‘second Earth’ which has abolished private property, patriarchy, and social violence. As Blue Mars closes, on the newfound beaches of the fourth planet from the sun, the transformed elder Ann Clayborne reflects proudly:
‘Beat on, heart. And why not admit it. Nowhere on this world were people killing each other, nowhere were they desperate for shelter or food, nowhere were they scared for their kids. There was that to be said.'[32]
In Red Moon (2018), KSR contemplates similar themes in a compelling visionary thriller that features inter-imperialist rivalry between the U.S. and China, as well as resistance movements in both countries that contest capitalist authoritarianism for the sake of a better future. The year is 2047, and the Chinese Communist Party (CCP) has colonized much of the moon, integrating it into the State as a ‘Special Administrative Region’—akin to the internal colonies of Tibet, Xinjiang, Macau, or Hong Kong, among others (not to mention much-coveted Taiwan). Although nationalism explains much of the impetus for China’s lunar presence, KSR describes how the moon also serves as a site to which the most polluting industries could be transferred, as well as an untapped source of mineral extraction, and a launchpad to the rest of space. Through estrangement, KSR presents a dual critique of the ‘G2’ of China and the U.S. as mirror-image ‘[p]artners in crime,’ while he metaphorically ponders ‘what it will take to achieve escape velocity […] and fly off into a new space.'[33]
Red Moon ‘s main character is the revolutionary Chinese leader Chan Qi, a so-called ‘Party princess’ and daughter of the CCP’s finance minister, who is sympathetic to the New Left and a critic of Confucian sexism—but not a Party member. With the help of the U.S. quantum mechanic Fred Fredericks, Qi evades the nefarious bureaucratic forces that would capture or kill her, whether on Earth or the moon, to change the lunar-planetary system, by means of an inside-outside strategy. From her lunar hideout, Qi calls for an uprising in China, resulting in the popular occupation of Beijing. This mobilization for the ‘China Dream’ of a ‘just world’ in turn inspires a similar movement in Washington, D.C., galvanizing ‘a global people’s revolt,’ starting with a ‘G2 people’s revolt,’ that has ‘no leader.’ As in The Ministry for the Future (2020), such popular uprisings lead to significant governmental reforms, but also to the recovery and rehabilitation of State power. This paradox is reflected in the Daoist poet Ta Shu’s declaration—likely echoing KSR’s own contemporary views—that ‘[u]ltimately you need both’ pressure from below and top-down reforms to resist capitalism and combat global warming.[34]
While a grassroots strategy based in green and community syndicalism, feminism, and intersectionality may theoretically provide the best chance for radically mitigating climate destruction, overthrowing class society, emancipating humanity, and saving millions of other terrestrial and marine species from extinction, the ‘receiving sets‘ for such revolutionary transformation are arguably missing at present. Moreover, as critical theorists and psychoanalysts emphasize, capitalism and hierarchy tend to reproduce themselves both in mind and reality through children’s socialization and education, proletarians’ working lives, and the imperatives of the culture industry. Along these lines, COP26 has shown the world yet again that the only measures which can be contemplated by capital and the State on the most fundamental questions about climate catastrophe fall radically short of the basic demand—presumably shared by everyone—for a livable planet.
In this series on speculative fiction, we have seen numerous examples of the intimate connections binding radical artists, the social imaginary, visionary art, and revolutionary struggle across time and space. Utopian science fiction flourished in early Soviet Russia until Stalin banned it, according to his goal of figuratively performing a ‘fantasectomy’ of the revolutionary imagination, thus facilitating social control and the counter-revolutionary cause. As the German anarcho-syndicalist Rudolf Rocker argued, Stalinism and Fascism were ‘part of a transnational process reinforcing hierarchies in which the worker was inevitably reduced to an anonymous piece of machinery in mass society.'[35] As such, these totalitarian regimes had more in common with Fordist capitalism than not. It is not for nothing that Henry Ford and Hitler mutually admired each other, or that Ford and Stalin made a deal in 1929.
As opposed to the dystopias of capitalist and Communist hells alike, the competing emancipatory vision of exile, equality, and autonomy is conveyed by the Daoist dream of a ‘Peach Blossom Spring,’ Raúl Cruz’s imaginary Mayan steampunk creatures, and the egalitarian ‘new history of humanity‘ uncovered by David Graeber and David Wengrow. The cause of collective liberation resonates in several of the art-works we have examined in these three articles: for example, We, The Great Dictator, The Left Hand of Darkness, The Word for World is Forest, THX 1138, Star Wars, Terminator, The Parable of the Sower, Elysium, Octavia’s Brood, Palestine + 100, ‘Imagining the Future in the Middle East and North Africa,’ News from Nowhere, The Dispossessed, Always Coming Home, Star Trek, the Mars trilogy, and Red Moon.
Like Octavia Butler, who believed the ‘highest imperative’ to be ‘action to create change,’ Walidah Imarisha rightly declares that ‘[a]ll organizing is science fiction.'[36] For this reason, while Jardine is right to warn us to be wary of media corporations trying to sell us anti-authoritarianism and anti-capitalism and lull us into interpassivity, perhaps more importantly, we should be mindful of the immense power our imaginations have to break capital’s infernal grip—not only over the mind, but also over reality, from which it is inseparable. In this series, we have seen how visionary protest art permits explorations of social problems and creative solutions to the same in past, present, and future.[37] In this sense, we would do well to heed Pranav Jeevan P’s invitation for us to ‘revisit and re-imagine these visions, understand and imbibe the ideas behind them and work towards creating our [own] Begumpura,’ our Peach Blossom Spring, our global Federation.
[1]Hans Gerth and C. Wright Mills, Character and Social Structure: The Psychology of Social Institutions (Routledge: London, 1954), 288.
[2]Jesse Cohn, Underground Passages: Anarchist Resistance Culture, 1848-2011 (Oakland: AK Press, 2014), 15 (emphasis in original). Some examples of anarchist protest art might include Колокол (‘The Bell,’ 1857-1867), War and Peace (1869), L’Homme et la Terre (‘Humanity and the Earth,’ 1905-1908), Regeneración (‘Regeneration,’ 1900-1918), ‘Written in Red’ (1911), Living My Life (1931-1934), Animal Farm (1945), The Rebel (1951), Viva Zapata! (1952), Salt of the Earth (1954), Can Dialectics Break Bricks? (1973), Libertarias (1996), La Commune (2000), Maggots and Men (2009), World War III Illustrated (1979-2014), and Processed World (1981-2005).
[3]Gerth and Mills 288; Cohn 269.
[4]Hayden Carruth, Brothers: I Loved You All: Poems, 1969-1977 (New York: Sheep Meadow Press, 1978), 93-4 (emphasis in original).
[5]Michael Löwy, Redemption and Utopia: Jewish Libertarian Thought in Central Europe (Stanford: Stanford University Press, 1988), 71-94.
[6]Richard Stites, Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution (Oxford: Oxford University Press, 1989), 172-3.
[7]Cohn 63, 287.
[8]Bao Phi, ‘Revolution Shuffle,’ in Octavia’s Brood, eds. Adrienne Marie Brown and Walidah Imarisha (AK Press/Institute for Anarchist Studies, 2015), 11, 14.
[9]Walidah Imarisha, ‘Black Angel,’ in Octavia’s Brood, 50 (emphasis in original).
[10]Mia Mingus, ‘Hollow,’ in Octavia’s Brood, 109-21.
[11]LeVar Burton, ‘Aftermath,’ in Octavia’s Brood, 215-23.
[12]Stites 32-3, 172.
[13]Stites 174.
[14]William Morris, News from Nowhere and Other Writings (London: Penguin, 2004), 43-8, 105, 211-6, 226, 228.
[15]Nancy Chodorow, The Power of Feelings (New Haven, CT: Yale University Press, 1999).
[16]Morris 215, 223.
[17]Cohn 209.
[18]Ibid, 322-4.
[19]Stites 185-6.
[20]Cohn 228.
[21]Fredric Jameson, Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions (Verso: London, 2005), 276; Rohini Hensman, Indefensible: Democracy, Counterrevolution, and the Rhetoric of Anti-Imperialism (Chicago: Haymarket Books, 2018).
[22]Ursula K. Le Guin, Always Coming Home (Berkeley: University of California Press, 1985), 138.
[23]Ibid, 390.
[24]Riane Eisler, The Chalice and the Blade: Our History, Our Future (New York: HarperCollins, 1987), 5.
[25]Le Guin 379-80.
[26]Jameson 67.
[27] John P. Clark. ‘On Living in the World: Always Coming Home Revisited.’ Fifth Estate, forthcoming.
[28]Stites 176-7.
[29]Martin Malia, Alexander Herzen and the Birth of Russian Socialism (New York: Universal Library, 1961), 301-9.
[30]Kim Stanley Robinson, Red Moon (New York: Orbit, 2018), 288.
[31]Jameson 409-16.
[32]Kim Stanley Robinson, Blue Mars (New York: Del Rey, 2017), 761.
[33]Robinson, Red Moon, 148, 181, 227, 232, 234-42.
[34]Ibid, 142, 157-9, 209, 231, 267 (emphasis in original), 268-9, 276-7, 327, 363-73, 410
[35]David Bernardini, ‘A different antifascism. An analysis of the Rise of Nazism as seen by anarchists during the Weimar period.‘ History of European Ideas (2021), 6.
[36]Tananarive Due, ‘The Only Lasting Truth,’ in Octavia’s Brood, eds. Adrienne Marie Brown and Walidah Imarisha (AK Press/Institute for Anarchist Studies, 2015), 270; Imarisha 3.
[37]Stites 189, 226.
Thomas Cole, “The Course of Empire: Desolation” (1836)
The online entry for my forthcoming volume Eros and Revolution: The Critical Philosophy of Herbert Marcuse (Brill Publishers/Haymarket Books) has now been created. The eightieth-sixth title in the Studies in Critical Social Sciences (SCSS) series, the work will be available this summer through Brill in hardcover, and approximately a year later in paperback edition with Haymarket. The summary follows:
In Eros and Revolution, Javier Sethness Castro presents a comprehensive intellectual and political biography of the world-renowned critical theorist Herbert Marcuse (1898-1979). Investigating the origins and development of Marcuse’s dialectical approach vis-à-vis Hegel, Marx, Fourier, Heidegger, and Freud as well as the central figures of the Frankfurt School—Horkheimer, Adorno, Neumann, Fromm, and Benjamin—Sethness Castro chronicles the radical philosopher’s lifelong activism in favor of anti-capitalism, anti-fascism, and anti-authoritarianism together with Marcuse’s defiant revindication of global libertarian-socialist revolution as the precondition for the realization of reason, freedom, and human happiness. Beyond examining Marcuse’s revolutionary life and contributions, moreover, the author contemplates the philosopher’s relevance to contemporary struggle, especially with regard to ecology, feminism, anarchism, and the general cause of worldwide social transformation.
Table of Contents:
1. Introduction: Marcuse, the Utopian
Idealism, Materialism, Romanticism, and Judaism
Marcuse’s Importance for Radical Politics TodayPART I: MARCUSE’S LIFE, 1898-1979
2. Early Years: Childhood and Youth, War and Revolution, Romanticism, Utopian Socialism, Hegel, Marx, and Heidegger
Childhood and Youth, War and Revolution
Post-War Investigations: Aesthetics, German Romanticism, and Hegel
Friedrich Schiller and Charles Fourier: Utopian Socialism
Marcuse’s Torturous Relationship with Heidegger
Heideggerian Marxism
Hegel’s Ontology and the Theory of Historicity (1932)
Hitler’s Accession and Flight of the Marcuse Family and the Frankfurt School3. Militant Theorizing in Resistance to Fascism, 1933-1945
Negations (1934-1938)
Studies on Authority and Family
Marcuse’s Direct Investigations of Nazism
Early Theories of Social Change
The Progression of Marcuse’s Thought on Art’s Functions Under Fascism
Reason and Revolution (1941)4. State, Freud, and Orphic Marxism: 1945-1960
Post-War Studies: “33 Theses,” Francis Bacon, Lukács, Goethe, Friedrich Hölderin, and Erasmus
Continued Investigations of Historical Progress, Russian Studies, and the Trajectory of Communism and Reason during the Early Cold War
On Sartre’s Existentialism
Orphic Marxism and the Struggle of Eros against Thanatos
Lectures on Freedom and Progress in Freud’s Theory of the Instincts
Marcuse’s Debate with Fromm on Freud, Therapy, and Adjustment
Soviet Marxism: A Critical Analysis (1958)
The Ideology of Death5. Radical Struggle in the 1960s
Marcuse on Cuba
Continued Engagement with Critical Theorists and Lecture on Weber
Humanism, Feminism, and Revolution
Critical Reflections on Science and Technology
One-Dimensional Humanity: Diagnosis, Reflections, and Recommendations
Marcuse on Marx, Louis Napoleon, and Benjamin
Justification of Revolutionary Praxis: “Repressive Tolerance,” “Ethics and Revolution,” Guerrilla Warfare, “The Question of Revolution,” and “Thoughts on the Defense of Gracchus Babeuf”
Psychoanalytical Interventions
Activism against the Vietnam War
Summer 1967 Lectures before the German SDS and Congress of the Dialectics of Liberation: On Utopia, Radical Opposition, and Violence
1968: A New Dawn for Humanity?
An Essay on Liberation (1969)
Other Interventions from 1969: On Student Protest, “The Relevance of Reality,” Qualitative Change, and Self-Determination
The 1969 Debate with Adorno on Theory and Praxis
Revisiting “Repressive Tolerance” and Civil Rights with the ACLU and Fred Schwarz of the Christian Anti-Communist Crusade
“Marxism and the New Humanity: An Unfinished Revolution”
“Freedom and the Historical Imperative”6. Marcuse’s Final Decade: Continuities, Discontinuities, and Intensification (1970-1979)
Marcuse’s Assessment of the State of the Radical Opposition in the Early 1970s: “Cultural Revolution,” “The Movement in a New Age of Repression,” and “A Revolution in Values”
Revolution or Reform? Marcuse’s Debate with Popper
Counterrevolution and Revolt (1972)
Marcuse’s Late Championing of Feminism
International Relations: Vietnam and Israel/Palestine
Continued Engagement with Aesthetics
“It is Right to Revolt” and “Theory and Politics”: Late Discussions with Sartre and Habermas
Marcuse’s Final Interventions in Life: On Political Violence, the New Left, the U.S. Bicentennial, “The Reification of the Proletariat,” Rudolf Bahro, Technology, and Ecology
The Aesthetic Dimension (1978)PART II: REFLECTIONS ON MARCUSE
7. Nature and Revolution
Nature, Evolution, and Morality
“Repressive Tolerance” and Radical Struggle for Animal and Earth Liberation Today
Conclusion8. Critique of Marcuse
The Limits to Integration
The Problem of Sources: Political Philosophy and Empirics
Marcuse the Edelkommunist
Marcuse the Zionist?
Feminism, Gender, Eros
Conflicts with Poststructuralism and Postmodernism
Marcuse on Authority and the Transition: Between Jacobinism and AnarchismPART III: CONCLUSION
9. Marcusean Politics in the Twenty-First Century
Radical Ecological Politics
Feminist Socialism and Anarcha-Feminism
The “World Mind” in International Relations: Global Anti-Authoritarianism
Means and Ends: The Question of Counter-Violence
Close: Eros and RevolutionReferences
Index
A YPG unit outside of Derek, Rojava (Courtesy Rozh Ahmad/MRZine)
Published originally on Anarkismo
ABSTRACT: The devastating civil war that has followed the popular uprising in Syria which began in March 2011 has to an extent drowned out the legitimate grievances of the civil-protest movement against Assad and Ba’athism. This war has been greatly inflamed by support by the U.S. and Israel along with the reactionary Gulf monarchies for anti-Assad rebels on the one hand, and aid provided to the regime by Iran and Russia on the other. In addition, clearly, this geopolitical dynamic has driven the rise of ISIS/Islamic State, and it informs the new war being waged by the NATO-Arab monarch “coalition.” In contrast to the neoliberal authoritarianism of Assad and the reactionary fanaticism of ISIS and associated rebel-groupings, though, the Kurds of northeastern Syria (Rojava) are working to institute a more or less anti-authoritarian society. Hope may be found in this social model, as in the direct action of the uprising.
“Behold where stands the usurper’s cursèd head. The time is free.”
– William Shakespeare, MacBeth, Act 5, scene 8
The popular uprising in Syria that has demanded the fall of Bashar al-Assad and an end to Ba’athist domination since its beginning in March 2011 poses a number of questions for the international left, particularly anti-authoritarians. For one, the Assad regime has long sought to present itself as an Arab State in steadfast resistance (sumoud) to U.S./Israeli designs in the Middle East, as well as a government that is more representative of Arab public opinion, compared with the various Gulf monarchies of Saudi Arabia (KSA), Qatar, Kuwait, and the United Arab Emirates, not to mention the Hashemite Kingdom of Jordan. It is significant, in this sense, that Syria’s official title under Ba’athism has been the Syrian Arab Republic (SAR), a name no doubt adopted as a marker of anti-monarchical distinction.1 The SAR’s progressive stance of resistance to monarchy notwithstanding, Syrian Ba’athism is clearly dictatorial, and it uses democratic centralism to attempt to legitimate its rule. As basic reflection on Assad’s response to the initial uprising makes clear, the Ba’athist State is brutally elitist in both theory and practice.
The profundity of horror of the civil war that has followed the popular mobilizations in Syria is evident, and though not all the violence which has now raged for nearly four years can be attributed to the regime, its choice to respond to the explosion of popular protests in 2011 with ruthlessness no doubt precipitated the armed insurgency that subsequently developed against it. The civil war midwived by this conflict between people and State has taken on a decidedly international scope—for to understand events in Syria itself, one must also consider the geopolitical situation, wherein Syria is allied with Russia, Iran, and Hezbollah as part of the “resistance axis” arrayed against the US, Israel, Turkey, Jordan, and the Gulf States, or the Gulf Cooperation Council (GCC). Beyond such considerations, transnational jihadist networks from the al-Nusra Front (Jabhat al-Nusra) to the Islamic State of Iraq and the Levant (ISIS) have greatly inflamed the situation, having been born from the flames of this war—though not without considerable foreign support.
As against reactionary currents like al-Nusra and ISIS, progressive movements that have emerged from the activist movement against Assad and the Local Coordinating Committees (LCCs) show promise in terms of anti-authoritarianism, however much their efforts have seem to have been drowned out by the fighting. Above all, it would seem that the Kurdish libertarian-socialist currents which have grown considerably in northeastern Syria—Rojava—in connection with the Democratic Union Party (PYD) and its People’s and Women’s Protection Units (YPG/YPJ) show the most promise in terms of social revolution, though the substantial military aid such forces have received from the US and NATO to help break ISIS’ siege of the border town of Kobanê since last September does raise some questions. An additional factor to consider when reflecting on the reported adoption and partial implementation by the PYD and its sister PKK (Kurdistan Workers’ Party) of anarchist Murray Bookchin’s philosophies of social ecology and libertarian municipalism is that the Kurds of Rojava have enjoyed autonomy from the Ba’athist state since its withdrawal of troops from the area in 2012. As a comrade pointed out in the question-and-answer period that followed the recent presentation by a representative of the Kurdish Anarchist Forum (KAF) on Rojava at the 2014 London Anachist Bookfair, the more central regions of Syria have borne far more repression and destruction, due to the actions of regime and rebels alike.
In sheer terms of scale, it is overwhelmingly the Sunni majority of Syria that has suffered the most during the uprising and war, in light of the disproportionate number of dead and displaced who belong to this majority community. It has been Sunni neighborhoods and villages that have been the primary targets of the Ba’athist regime’s brutal counter-insurgent strategy, which has involved indiscriminate artillery shelling, aerial bombardment, and SCUD missile attacks.2 Different casualty estimates claim between 130,000 and 200,000 people to have been killed in Syria in the past five years, and the UN reports that 9 million Syrians have been displaced by the civil war, 3 million across international borders. Clearly, the war in Syria must be taken as among the most devastating ongoing conflicts in the world.
A Brief History of Modern Syria
To begin to make sense of Syria’s uprising and civil war, one must consider the history of the country and region. Excluding consideration of classical antiquity, the rise and spread of Islam, and the domination of the Levant by the Ottoman Empire, a truncated version of Syrian history would begin from the time of European colonization after the First World War, when the defeat of the Ottomans opened the possibility of self-determination for the Arabs who had previously been subjects of Istanbul. Characteristically, however, French and British imperialists decided themselves to appropriate former Ottoman holdings in the Middle East, dividing these into two regions that were demarcated by the infamous Sykes-Picot Line, agreed to in 1916. Thanks in no small part to the dialectically subversive and colonial machinations of T. E. Lawrence, Britain awarded itself Iraq, Jordan, and Palestine, while France took Syria and Lebanon. In 1920, when French General Henri Gourard entered Damascus after defeating indigenous forces allied to Faisal bin Hussein—a Hashemite royal, related to the present Jordanian King Abdullah II—he is reported to have repaired to the tomb of the world-historical Kurdish general Salah-ad-din (Saladin), located in the Old City, and to have announced, “We’re back!”3 Such imperial arrogance notwithstanding, French colonialism did not survive long in the Levant, as an Arab-nationalist insurrection led by Sultan Pasha al-Atrash raged from 1925-1927, and mass civil-disobedience demanded respect for the popular will in favor of independence in Lebanon and Syria at the end of World War II.4 Though the French military tried to suppress both major uprisings using disproportionate force, it ultimately was forced to recognize that it had lost control of the Levant, and so granted these countries independence (Lebanon in 1943, Syria in 1946)—in a preview of further losses to the French Empire incurred at Dienbienphu in Vietnam and later, during the Algerian Revolution.
Following formal independence and the election to power of Arab-nationalists in Syria, the country joined the Arab League and resisted the expanding Zionist enterprise—though to little avail, in light of the events of May 1948. The Arab Ba’ath (“Renaissance”) Party was founded in 1946 by Michel Aflaq, a Damascene independent Marxist and pan-Arabist, and it enjoyed electoral successes during Syria’s first decade of independence.5 The country engaged in an unprecedented federation with Gamal Abdel Nasser’s Egypt under the aegis of the “United Arab Republic,” though this collaboration lasted only three years (1958-1961). In 1963, the Ba’ath Party seized power in a coup, proclaiming the Syrian Arab Republic (SAR), but it was not until 1970 that air force commander Hafez al-Assad took power. It was during this time of Assad’s rise that the Syrian Ba’ath Party was purged of its more radical elements.6 Prior to Assad’s takeover, Syria allied itself with the Soviet Union, this being an alliance that has survived the USSR’s collapse: indeed, the ongoing relationship between post-Soviet Russia and the SAR is key to understanding the “balance of forces” in the present conflict, which has been marked by asymmetrical superiority on the part of the regime, at least in the early period of the uprising and war, before the rise of ISIS. In 2011, Syria was Russia’s second largest export-market for arms (a value of $500 million), and Putin sympathizes with Assad’s presentation of the conflict as a struggle against militant Islamists, for this framing has clear echoes of the counter-insurgent campaign he and Yeltsin have pursued in the Caucasus, especially Chechnya, during the post-Soviet period.7
Special note should be made of the SAR’s foreign policies, since these have accounted for the relative historical and geographical uniqueness of Syrian Ba’athism, and the legitimacy that has been afforded it within many circles. Assad the elder and Assad the younger have kept up the appearance of making up a key part of the “rejectionist front” against the U.S. and Israel, as seen in the 1973 war Hafez al-Assad launched jointly with Egypt against the Jewish State, and the long-standing material and financial support the regime has provided to Hezbollah in Lebanon. Historically, Syrian Ba’athism has supported the Marxist-Leninist Popular Front for the Liberation of Palestine (PFLP), as well as provided safe haven for PKK fighters fleeing Turkish military repression across Syria’s northern border.8 Significantly, moreover, Assad had hosted Hamas since 1999, when it was expelled by the Hashemite Kingdom of Jordan, until the coming of the uprising, which led the group to break with the Syrian leader, in accordance with the international Muslim Brotherhood’s position of opposition to the regime. Hamas’s Khaled Meshaal ordered the Damascus headquarters to be packed up in January 2012, and since then, Hamas’s HQ-in-exile has tellingly been based in Doha, Qatar!9 Nonetheless, according to the analysis of Ramzy Baroud, Hamas may in fact be considered now as seeking to mend ties with the Shia resistance axis, in light of a lack of alternative sources of support, particularly as regards relations with neighboring Egypt following the junta’s coup against the Brotherhood’s Mohammed Morsi in summer 2013. In turn, the SAR’s historical support for Hamas can in some ways be considered an outgrowth of its opposition to Fatah and the Palestinian Liberation Organization (PLO), a conflict that goes back to the Lebanese Civil War (1975-1990). As regards Lebanon, the Ba’athist alliance with Hezbollah cannot be considered as separate from the regime’s close ties to the Islamic Republic of Iran, with which the elder Assad quickly allied himself upon its establishment in 1979—however strange the image of a secular dictator embracing a fundamentalist Shi’ite clerical regime may be. In part, of course, the Assads’ alliance with Iran has been driven by the split in Ba’athism between its Syrian and Iraqi branches, a division that took place in 1966: Assad supported Iran in its war against Saddam Hussein’s 1980 invasion, and he even sent 1500 troops to aid coalition forces against Saddam during Desert Storm a decade later.10 Significantly, moreover, with regard to neighboring Lebanon, the SAR sent an invasion-occupation force to the country in 1976, supposedly to reduce tensions in the raging civil war, though tens of thousands of troops remained until they were forced out in the wake of the 2005 assassination of former Lebanese Prime Minister Rafic Hariri, an act that was widely blamed on the Assad regime. In terms of the politics of occupation, the elder Assad’s support for right-wing Maronite Christian militias against the PLO in the Lebanese Civil War complicated the Ba’athist State’s claim to serve revolutionary ends, even if Israel’s 1982 incursion of Beirut and southern Lebanon was motivated in large part by the prospect of removing Syrian forces from the country.11
Bashar al-Assad succeeded his father Hafez following the latter’s death in 2000. The younger Assad (34 at the time) was readily welcomed by the Syrian Parliament, which promptly lowered the minimum age of candidacy for the presidency to accommodate him, and he was “elected” with 97% of the vote in that year. While Bashar al-Assad has no doubt preserved the dictatorial nature of the Ba’athist State, thus carrying over the work of his father, earlier in his reign there was hope that he would bring liberalizing reforms to the SAR. Such hopes were motivated to a degree by the younger Assad’s background, profession, and personal life—he was an opthalmologist, not a military man, and was married to the British-raised daughter of a Sunni surgeon, and for this reason was personally acquainted with life in the United Kingdom.12 The beginning of the younger Assad’s rule thus coincided with the emergence of the ill-fated “Damascus Spring,” a movement that sought to demand that the transition in power from father to son be accompanied by suspension of the State of Emergency Law (live since 1963), the release of political prisoners, and the implementation of liberal electoral reforms. Though Assad ultimately suspended such political reform efforts, he certainly has delivered in neoliberal terms—that is, in terms of serving the domestic and transnational capitalist class. After taking the reigns of the Ba’athist State, the younger Assad opened up the Syrian economy, selling off firms that previously had been State-owned, slashing subsidies for food and energy, and squeezing the financing of social services that had previously benefited the popular classes under the slogan of “Arab socialism.” Besides, in 2001 Assad opened negotiations to join the World Trade Organization (WTO).13 As has been noted, these economic reforms were not matched by a parallel opening in politics. According to Alan George, author of Syria: Neither Bread Nor Freedom (2003), Assad’s reform proposal was for a “China-style economic liberalization.”14 Ironically, and to an extent reflecting a Marxian dialectic, Assad’s neoliberalism has adversely impacted the living standards of the majority of Syrians, particularly rural residents, many of whom would go on to join the burgeoning popular mobilizations against the regime in 2011, even while it was precisely these elements that had constituted Syrian Ba’athism’s primary social base in previous decades.15 Political reform in the SAR would not come until the first month of the uprising, when Assad was forced to announce the suspension of the Emergency Law and a limited amnesty for political prisoners, in addition to granting citizenship to Syria’s 300,000 Kurds, who to that point had been stateless under Ba’athism.
While Assad’s economic policies are neoliberal and orthodox, given their empowerment of a high bourgeois Sunni class that forms a critical pillar of support for Ba’athism—and in this sense, one sees a clear parallel to post-Soviet Russian society, with the oligarchs and grand capitalists who have supported Vladimir Putin, one of Assad’s closest allies—he has maintained the SAR’s posturing of resistance to US/Israeli and reactionary-Gulf monarch designs in the Middle East. Assad greatly opposed the Bush administration’s 2003 invasion of Iraq, and the Syrian State has hosted more than a million refugees from that conflict. What is more, Assad facilitated the entry of Sunni jihadists into western Iraq to resist the US occupation.16 Taking these factors into account, and thinking of the SAR’s support for Palestinian and Kurdish resistance movements, a fruitful parallel can perhaps be drawn between Assad and Mu’ammar al-Gadhafi, who during his tenure championed Pan-Africanism and supported guerrilla groups resisting Israel and the West both financially and materially. The difference in fate between these two Arab dictatorships would seem to have to do with timing more than anything else: the unexpected NATO war to topple Qadhafi served as a precedent for Russia and China in terms of any possible repeat-action vis-à-vis Syria at the UN Security Council. After Qadhafi’s ouster, Putin and China would not countenance another opportunistic authorization of use of force by US/NATO forces. In fact, this geopolitical dynamic can to a degree explain the increasingly desperate recourse Obama made in September 2013 to try to commence an open air-bombardment campaign against Assad in the wake of the sarin gas attack in al-Ghouta, outside Damascus: first, POTUS claimed he would—much like his predecessor, on a similar pretext—act unilaterally with force, but he then backed down amidst marked opposition at home and on the international stage. When John Kerry off-handedly observed that the war-drive could be demobilized if Assad gave up his chemicals weapons, Putin’s diplomats jumped at the opportunity, arranging a deal whereby Assad would surrender his non-conventional weapons stocks—though significantly, while not demanding the same of Syria’s Zionist neighbor. This compromise contributed greatly to a de-escalation of tensions, thus averting a Libya-type operation in the Levant, which imaginably would have had similar results in terms of the fate of the regime and Syrian society. Tripoli’s official government has seen it necessary to flee the rampaging fundamentalist Islamists unleashed by NATO; it now bases its operations on a Greek car-ferry off-shore the eastern city of Tobruk.
March 2011: The Beginning of the Uprising
Undoubtedly, many of the initial demonstrations against the regime in 2011 raised legitimate grievances against Ba’athism: its corruption, inequalities, and authoritarianism. As is known, the Syrian uprising came late in the process known as the “Arab Spring,” months after the events in Tunisia, Egypt, and Yemen had begun. The popular rebellion started as a response to the imprisonment of several elementary-school boys who had painted the famous saying from the Arab revolts (al-sha’ab yourid isqat al-nizam, “the people want the fall of the regime”) as graffiti on their school in the southern Syrian city of Deraa. When their parents and other local adults mobilized to demand their return, the police are reported to have denied them access, and even threatened that the children would never be seen again. This grave insult to popular dignity catalyzed progressively larger protests in Deraa that ultimately met the bullets of State authorities, in turn leading to the explosion of protests in other parts of the country, first in the traditional anti-Assad bastions of Homs and Hama. (This latter city, comprised of the Sunni majority, was the site of a ghastly repression inflicted by Ba’athist paratroopers in response to an uprising organized there by the Muslim Brotherhood in 1982; between 10,000 and 40,000 Syrians were killed.17) Even in Damascus, poor and middle-class individuals and families demonstrated against the regime in the early months of the rebellion, though in Aleppo and Latakia, home to more minorities, protests were less forthcoming.18 In terms of class and geography, the character of the protest movements seems to have been sharply divided between poor rural and urban Syrians, Sunni and secular, from the working classes and middle classes, as arrayed against big business (including and especially the Sunni high bourgeoisie), the military/State apparatus, Alawites, and Assad himself. Christians certainly also have been targeted by chauvinist currents within the opposition, and many have supported the regime from the beginning due to fears of the specter of Islamist domination. Another factor has been the rural-urban divide, with palpable tensions between the better-off, presumably “progressive” urban dwellers of Damascus and the supposedly conservative, peasant background of many regime opponents.19
With reference to this early period of the conflict between people and State, it is important to clearly state that the militaristic and carceral violence imposed by Assad’s regime from above was stark and grossly disproportionate—and arguably, it was consciously so—in light of the detention of ten thousand Syrians in the first six months of the uprising, and a total of nearly sixty-thousand imprisoned since then. Such fascist tactics notwithstanding, regime soldiers and police were attacked and often shot dead at this time as well, most likely by armed Islamist groups who opportunistically took advantage of the destabilization initiated by the popular protests against Assad and Ba’athist domination. Over 100 State security officers were killed in the first month and a half of the uprising, with an additional hundred massacred at Jisr al-Shughour in June 2011. This death-toll on the regime side is certainly orders of magnitude smaller than the number of casualties inflicted on protestors in the early months of the uprising—nearly 2500 are reported to have been killed in the uprising’s first six months alone—but it can help explain the regime’s resort to an iron-fisted response, which its regime propaganda rationalized by playing up the angles of “foreign conspiracy” and “Islamist terrorist gangs.” Assad definitely missed a huge opportunity for de-escalating tensions when he failed to intervene and punish the elements of the security forces who had reacted brutally and contemptuously to the first protests in Deraa, but then again, he may well have believed from the start that only a highly authoritarian approach to dealing with the popular revolt would allow his regime to survive.20
With the passage of time and the transition from popular uprising to insurgency and civil war, as spurred on by regime brutality, the regime’s military-police apparatus took increasingly macabre means to suppress the civil uprising: it began employing artillery against rebel positions and civilian areas alike in fall 2011, followed by aerial bombardment in spring 2012, cluster bombs that summer, and then missiles in the fall.21 Though the cities of Hama and Homs have met with great violence from the regime from the beginning of the uprising, Deraa, Aleppo, Idlib, and the suburbs of Damascus have been subjected to as much devastation, if not more. Intriguingly, it would seem that Assad’s commanders have chosen to rely more on artillery and air-power than the infantry and armored divisions to serve the end of repression, due to the greater risks of defection involved in the use of regular ground-troops, who are overwhelmingly Sunni conscripts.22 Indeed, to ensure the loyalty of the military and security services to Assad, the officer class and intelligence agencies are mostly constituted by Alawites.23
After months of initial civil protest against the regime—some currents of which had demanded mere parliamentary reforms at the outset, but then were subsequently radicalized by the regime crackdown, coming to demand no less than the fall of Assad and Ba’athism altogether—the popular-activist movement was eclipsed by the resort to armed struggle, as prosecuted both by Islamist opportunists and more secular rebels, including thousands of defectors from regime forces, a handful of whom proclaimed the foundation of the Free Syria Army (FSA) in June 2011. In addition to army defectors, it is understood that FSA ranks were filled at the beginning as well by volunteer civilian-militants driven to resist the regime by force of arms. In this sense, the beginnings of the FSA must not be conflated with what the FSA subsequently has become, following the pernicious influences the CIA, GCC, and competing Islamist rebels have had on the FSA brigades. In parallel to the FSA’s armed struggle, an important anti-authoritarian development has taken place among the Local Coordinating Committees (LCCs) that have managed regions of Syrian territory from which the regime has been expelled during the war. According to the estimation of Lebanese Marxist Gilbert Achcar, the praxis of the LCCs has made the Syrian uprising “the most democratically organized” of all the Arab revolts that began in 2011.24 As a matter of fact, the decision regime forces made early on to dismantle these decentralized units by arresting their principal organizers played an important part in the general shift from civil to armed tactics on the part of increasingly more regime opponents.25
Speaking of the oppositional movements to Assad—besides class considerations, which can again be summarized broadly as pitting the poor and middle classes among the Sunni majority against Sunni capitalists, Alawites, and the regime’s repressive apparatus, religious identification has been a critical factor in the course of the uprising and civil war. Due to the particularities of Syrian Ba’athism, especially the younger Assad’s neoliberal turn, Syria’s rural poor hail overwhelmingly from the Sunni majority (74% of the population), while families and members of the Alawite and Christian minorities (12% and 10%, respectively) have been the most economically privileged groups under Ba’athism, besides the Sunni high bourgeoisie. Though notable exceptions exist to the established trend of Alawite and Christian support for the regime, it generally holds to be true: like the even smaller Druze and Shia minority groups of Syria (4% of the population), Alawites and Christians fear domination by chauvinist interpretations of Islam, like those expressed and affirmed by the majority of the armed groups that have lined up against Assad.26 If one looks to history and especially the present, one can understand such fears: consider the collusion between the Egyptian military and Wahhabis to attack and massacre Coptic Christians after Mubarak’s fall, or ISIS’s ethnic-cleansing operations against Christian Yazidis and Shia in Iraq and eastern Syria.
Islamization of the Anti-Assad Opposition
During this time, early on within the unfolding of the Syrian uprising, the oppositional movement was largely “hijacked” by Islamization and sectarian jihad. The “pro-rebel” narrative on this evolutionary process, which is accepted by some on the left, indeed, is that the regime’s violent repressiveness made a non-violent social transformation of Syria impossible, such that protestors were forced to take up arms. However, as the Angry Arab News Service editor As’ad Abu-Khalil rightly notes, this explanation leaves unclear why the armed insurgency so quickly became dominated by jihadist elements, with the more secular FSA units progressively eclipsed on the battlefield over time. Realizing the fears of many reasonable regime opponents regarding the option for an armed approach to resistance, the option for armed insurgency has brought the imposition of a reified power on the Syrian masses who previously had struggled legitimately against Ba’athist domination, as militarization, sectarianism, and Sunni chauvinism took hold.27 Besides the FSA, one cannot overlook the primacy of reactionary movements like Ahrar al-Sham (Free Islamic Men of the Levant), Jabhat al-Nusra, Jabhat Islamiyya (Islamic Front), Jaysh al-Islam (Army of Islam), and ISIS itself in this second phase of the Syrian saga. All of these groupings have been heavily influenced by Wahhabism, otherwise known as Salafism, or openly endorse it—this being an extremely intolerant and highly authoritarian interpretation of Islam based on the teachings of Muhammad ibn Abed al-Wahhab (1703-1792 CE). It is well-known that the opposition driving many of these extremist Sunni groups has been hatred of the SAR’s secularism and the regime’s privileging of Alawites, who are considered by Wahhabis as “nusayris,” or fake Muslims—that is, infidels!
This process toward the militarization and Islamization of the opposition to Syrian Ba’athism has not primarily been an organic Syrian process, as it has undoubtedly been fueled greatly by the influx of thousands of foreign fighters pertaining to these various Islamist gangs and the significant support provided to these in terms of funding, arms, and training by the KSA, Qatar, Turkey, Jordan, and the U.S./Israel. The degree to which these outside imperialist interests have provided support to the different currents within the anti-Assad opposition has been variable, yet it has been considerable nonetheless: a “conservative” estimate of the quantity of arms supplied to rebels by the US/GCC has been calculated as amounting to at least 3,500 tons, in acccordance with the findings of the Stockholm International Peace Research Institute. Indian Marxist Aijaz Ahmad cites estimates that Qatar has provided between $2 and $6 billion to rebel forces in Syria. Officially, the U.S. gave only “non-lethal aid” to Free Syrian Army units in the first couple years of the civil war, though numerous stockpiles of US-made heavy weapons as well as tanks and armored-personnel personnel carriers have made it into the hands of ISIS—“appropriated,” the story goes, as they were by ISIS from other anti-regime forces, as well as Iraqi Army units, who surrendered Mosul so quickly when confronted with IS hordes this past June. Turkey and Jordan both host CIA bases where arms have been “coordinated” and “moderate rebels” trained. Additionally, it has come to light that Israel provides medical aid to rebel fighters injured by regime forces in southern Syria—recall that the Israeli military shot down a regime jet over the Golan Heights in September 2014 that was bombarding al-Nusra positions, and consider that the Jewish State has bombed Syria on at least six separate occasions since the start of the uprising and civil war, with the most recent coming being just in December 2014.28 With regard to the relationship between ISIS and the GCC, it is not necessarily true that KSA and Qatar State interests have funded ISIS specifically, but the evidence does suggest that private interests from these countries, as well as in Kuwait and the UAE, have been seminal in ISIS’ meteoric rise. Besides, what is ISIS but an extreme expression of the “moderate” rebels that have been openly supported by Qatar and the KSA for years? It would seem that, other than for the Kurds and certain elements within what remains of the FSA, the spectrum of armed resistance to Assad is limited to the far-right dimensions of political thought.
Foreign Factors Prolonging and Intensifying the War: Empire and Climate Catastrophe
The Syrian Civil War has been as bloody as it has been drawn-out principally due to the material and financial support of broadly different imperialisms for the two (or three, or four) sides of the conflict**: Russia and Iran supporting Assad on the one hand, and the KSA, Qatar, Turkey, Jordan, and the US/Israel supporting various rebel factions on the other. Shamus Cooke makes this point knowingly on in a July 2013 piece on Truthout, though he does not name the Russian/Iranian support for the SAR as similarly contributing to the war’s prolongation. To an extent, the different constituent parties on the NATO/GCC side would seem to disagree on exactly which oppositional groups to aid and favor, and there has been some speculation that the US and Israel in fact prefer Assad to any Wahhabi or Salafist movement that could follow him, which would likely be allied to forces like ISIS—such that US/Israeli support for the rebels could be argued as seeking simply to install a solidly pro-Western strong man to replace Assad, perhaps someone like FSA General Salim Idris. This end clearly would serve US/Israeli designs for regional hegemony, as it would GCC interests—the excision or neutralization of a major component of the “resistance axis” in the Middle East. Yet this goal seems very illusory at the present time, when the FSA is greatly weakened in terms of the balance of forces in the civil war. Indeed, many former FSA units have reportedly abandoned the brigades to join the more successful Jabhat al-Nusra and ISIS. Besides the ongoing conflict between people and State, the main military conflict at this time is between the regime and ISIS, with the newly forged NATO-Arab monarch coalition’s air-war against ISIS arguably and ironically serving Assad’s strategic objectives in some ways.
Besides the very real arms and cash provided by the NATO/GCC side to the rebels since the beginning of the uprising and civil war, it bears mentioning that the specifically Saudi ideological influence on the rebel-currents predates the current disturbances by decades. Flush with unimaginable wealth yielded by the exploitation of its massive petroleum-deposits in the late twentieth century, the KSA has long prioritized proselytization of its particularly reactionary interpretation of Islam, Wahhabism, throughout the Muslim world, with well-known noxious effects. Saudi Arabia’s support for the Deobandi school of Islam among Pashtun refugees in Pakistan was seminal to the success of the Taliban in taking power in war-torn Afghanistan, a society exhausted in 1996 by more than a decade of Soviet occupation and the years of civil war among Afghans that followed Soviet withdrawal. More fundamentally, of course, the Saudis’ matching of funds and arms supplied by the CIA to the mujahideen via Pakistan during the Soviet occupation itself played a critical role in the strengthening of reactionary, fundamentalist forces in the region. The story is not entirely dissimilar in the case of Syria, where Saudi private and public resources have been directed to chauvinist opposition forces that have to varying degrees now melded into ISIS. Moreover, the KSA’s established sectarianism in supporting Sunnis against Shi’ites and thus presumably Iran—see the Saudi invasion of Bahrain in 2011 to suppress the Sunni-Shia popular uprising against the ruling Khalifa dynasty there, itself being Sunni—has further polluted the geopolitical context of the region, such that Sunnis and Shi’ites increasingly face off against one another on religious lines, as in Iraq, rather than organize jointly against the capitalists, monarchs, Zionists, and other authoritarians. The toxic legacy of the KSA’s Wahhabism in terms of suppressing left-wing and humanist alternatives in the Middle East should be clear for all to see.29 In this sense, it is not terribly difficult to see how aspects of the Syrian and foreign opposition to Assad have been framed primarily in religious terms, with political Islam seemingly resonating far more as an identity of resistance to the regime than leftist sentiments. With this said, however, the decline of regional left-wing forces cannot be blamed exclusively on the KSA, for the Assads clearly have contributed to this dynamic as well, as the US, Israel, and Iran have.30
Another critical aspect to consider in terms of imperial power and oil politics is the role that environmental and geographical factors have played in the development of the uprising and civil war. From 2006 to 2011, Syria suffered an unprecedented drought which in all likelihood follows from the observed decline in Mediterranean winter precipitation over the past four decades, a change which the National Oceanic and Atmospheric Administration (NOAA) has attributed to global warming. The drought has been far worse than any experienced during the twentieth century, and has even been described as the worst since the onset of agricultural civilization itself in the Near East. As can be imagined, this new ecological situation has worsened poverty, especially for pastoralists and agriculturalists in Syria’s rural regions, and contributed to a mass-migration of these effective environmental refugees. It has been argued that this ecological-demographic shift, which has involved an estimated 1.5 million people, greatly exacerbated anti-Assad sentiments, and that it would indeed act as a “threat-multiplier” as regards the stability of the regime with the coming of the uprising. Yet it must not somehow be thought that Assad is entirely the innocent victim of climatological chance here—or really, more accurately said, the previous and ongoing legacies of mass-carbon pollution by the West—for his liberalization of the economy itself certainly gave monopoly-capital a free hand in exploiting water reserves with abandon, leading to marked falls in water-table levels and thus greater societal vulnerability to turns of events like a devastating drought that in turn is intensified by anthropogenic climate disruption (ACD).
Coming to the present, and to consideration of what could or should be done, an arms embargo for all parties to the conflict could be one means of de-escalating the Syrian Civil War, as would be the renunciation by the US/Israel of a war-footing against Iran, as Richard Falk recommends, in addition to progress toward transforming the Middle East into a nuclear- and weapons-of-mass-destruction-free-zone (NWFZ and WMDFZ).31 Admittedly, is difficult to envision how such steps would realistically be implemented, given the established hegemonic interests on both sides of the conflict, both in terms of Syria itself as well as with regard to Iran behind it. So far, the three iterations of the Geneva conferences on Syria’s future and prospects for reconciliation between Assad and the opposition have accomplished little, as Shamus Cooke has reported. By excluding Iran from the talks and continuing to press forward with new funding for the FSA on the order of $500 million, Obama shows his administration’s lack of interest in seriously working toward a cessation of hostilities—in a parallel to the White House’s reactionary standpoint on a number of other pressing global issues, from support for Israel to dismissal of the increasingly radical recommendations of climate scientists. In terms of the humanitarian and political dimensions of the ongoing drought in Syria, this would only seem to show the acute importance of concerted global efforts to radically reduce carbon emissions as a means of reducing the probability of future recurrences of eventualities like this one, or ones far worse indeed, that could imaginably affect billions of lives. As is clear, though, from any contemplation of the theater of the absurd on hand seen at the Twentieth Conference of Parties (COP20) in Lima, Peru, the global capitalist power-structure is far more interested in upholding its utter irrationality and violence than in dealing in any sort of reasonable fashion with serious existential threats like ACD.
In terms of the war itself, a cease-fire between the regime and rebel forces would be but a minimum demand for progress on the question of Syria’s future. Though such an accord would not resolve issues regarding the ultimate fate of the regime or the importance of demobilization and disarmament—to say nothing of the geopolitical power-struggle—it would seem basic in terms of beginning to attend to the devastation wrought on the Syrian people and the region by this war. Another critical aspect is to ensure that the rights of the country’s minority communities are protected in a future Syria; as has been stated, sectarianism and fears of Sunni majoritarianism have clearly driven many Alawites, Christians, Druze, and Shi’ites to side with the regime.32 Granted, it is true that progress toward respect for cultural pluralism, as toward a resolution of the civil war in general, is now greatly complicated by the rise of ISIS, with the strange dynamic being symbolized by the unexpected phenomenon of NATO/GCC air-forces bombing positions within the delimitations of Syrian territory that are controlled by elements of the opposition they previously had supported against Assad.
**The two principal sides are Assad and ISIS, though the FSA could be considered a third front (one that arguably is on the way out), with the popular civil struggle against Ba’athism a fourth.
The Promise of the Rojava Revolution?
Within the course of the Syrian Civil War, which has self-evidently been so full of darkness, negation, and destruction, one potentially affirming development has been the unfolding of Kurdish autonomy in the northeast of the country, known as Western Kurdistan, or Rojava. There, the PYD and the Kurdish Group of Communities (KCK) have overseen what some observers have hailed as a thoroughgoing social revolution—the “Rojava Revolution”—inspired to some degree by the anarchism of Murray Bookchin. While the revolution is said to have followed Bookchin’s philosophies of social ecology and libertarian municipalism, the KCK has referred to its particular praxis as “democratic confederalism,” or “Kurdish communalism.” These changes are in turn said to have reflected the recent internal reorientation of the PKK, with which the YPD and KCK are affiliated, from a traditional Marxist-Leninist-Maoist perspective seeking national liberation for the Kurds to a more communitarian-anarchist approach reminiscent of that taken by the Zapatistas in southern Mexico. The outcomes that have been reported from KCK communities, particularly thanks to the efforts of the Democratic Society Movement, or Tev-Dem, have been a rise in councilism and direct democracy, an internal supersession of the use of currency and a shift toward cooperative production within the KCK, and a marked emphasis on women’s emancipation and ecological balance.33 Most recently, of course, the fate of the People’s and Women’s Protection Units (YPG/YPJ) have been in the minds and hearts of observers from around the world, who have watched as ISIS forces progressively surrounded the city of Kobanê on the Turkish border and besieged it for months on end, leading to the forcible displacement of hundreds of thousands of Kurds and concern that the Salafist forces, if victorious, would carry out genocide in the city. Eventually, of course, the US-monarch “coalition” intervened against the ISIS menace as part of the aerial-bombardment campaign it had launched in August 2014: the estimated six hundred imperialist air-strikes targeting ISIS forces in and around Kobanê certainly contributed to the YPG’s victory against the Salafists, which was announced in late January.
The attack by ISIS on PKK affiliates in Rojava—an assault that was ultimately rebuffed by the intervention of NATO air-power—is not the first time these insurgent Kurds have had conflicts with elements opposed to Assad. In late 2012 and early 2013, the PYD and YPG/YPJ were attacked by FSA units, just as they have met with al-Nusra assaults at other times, whereas other FSA brigades have actually supported the YPG/YPJ in defending Kobanê. Relations between the Kurds and the Syrian rebels have not exactly been consistently amicable. In a parallel of sorts to the case with Alawites and Christians, Kurds in Syria—who incidentally are mostly Sunni themselves—have distrusted the mainstream Syrian opposition for being dominated by Arab nationalists who have proven unwilling to clearly ensure the rights of minorities in any post-Assad future for the country.34 A clear parallel can be drawn here with relations between Algerian Arabs and the Berber or Kabyle minority that resides in eastern Algeria, for the Kabyles have resisted trends reflecting Arab chauvinism and centralization of power in significantly militant ways in the half-century following independence from France.35
Nonetheless, despite the socio-political strides made by the PYD, KCK, and YPG/YPJ in Rojava under admittedly non-ideal conditions, skepticism and concerns abound regarding the content and direction of the Rojava Revolution. For one, an anarcho-syndicalist perspective would question the liberal-parliamentary tendencies that certain Kurdish factions have been seen to favor over the councilism of Tev-Dem and the KCK. Anarchists should regard the Rojava experiment truthfully, neither overlooking the trends toward parliamentary social-democracy and centralization in the movement, nor hold it all in utter disdain precisely due to these very tendencies. Beyond that, the recent dénouement in Kobanê, which saw NATO/GCC air-forces launch a continuous four-month bombardment of ISIS positions starting in September, just as the heroic defense had been overwhelmed and the city was in danger of falling, raises questions about the revolutionary character of the self-described Kurdish radicals. If the movement depends on the US military to save it from ISIS, then how anti-imperialist can it really claim to be? On the other hand, one could argue that the US/GCC has a responsibility to protect the town from falling to ISIS forces, given that these hegemonic powers are in fact to varying degrees to blame for the emergence of ISIS—particularly when one considers the constituent parts of the ISIS armory. Nonetheless, and while not overlooking the obvious differences in political orientation between the cases of Rojava and Libya, is this “tactical alliance” between revolution and reaction terribly distinct from the military support given by Obama and the French to the Benghazi rebels who arrayed themselves against Gadhafi? If one welcomes USAF’s intervention to “save” Kobanê, can one really reject the calls made by certain elements in the anti-Assad opposition for a US-enforced no-fly zone over the SAR? David Graeber provoked a great deal of controversy on the left when he suggested in early October—that is, early on within the airstrike campaign—that the West had to provide military assistance to the Kurds in Kobanê, or at least that it should pressure Turkish Prime Minister Tayyip Erdoğan to open the border to resupply the embattled YPG/YPJ and allow in Kurdish reinforcements like the Peshmerga—who were in fact allowed to cross over in late October. Whatever one may think about the morality of imperialist air-strikes defending social-revolutionary processes, the truth of the matter is that the Obama administration now has an “in” with the PYD, and it has reportedly entered into direct talks with the group. Admittedly, the problem is a complex dilemma, with no clear answers.
Conclusion: Historical and Philosophical Implications of the Syrian Uprising
To conclude this discussion on Syria, which so far has been steeped in geopolitics, I would like to turn to some historical and philosophical considerations. The Syrian uprising provides yet another example of mass-popular rebellion demanding participation in the political realm; in this sense, it joins the long list of dignified popular insurrections that have aimed at the institution of People’s Power, as George Katsiaficas has chronicled them. To answer the question posed by Nader Hashemi in The Syria Dilemma (2013)—a question he takes from the left-wing and revolutionary historical tradition—the Syrian people do have the right to self-determination, and their struggle against Ba’athism resembles the earlier struggle against French imperial domination in important ways. However, it is highly questionable that the means to this desired end should be those advocated by Hashemi, in accordance with certain factions in the FSA and their civilian counterpart, the National Coalition for Syrian Revolutionary and Opposition Forces: that is, a no-fly zone over the SAR enforced by NATO and the GCC, along with increased financial and military support for the “moderate” rebels.36
Another question to ponder is whether the Syrian people have “inherited” the standpoint of sumoud and resistance from Ba’athism—with this being one of the SAR’s few positive aspects. Though the findings of current opinion polls of Syrians, both located inside the SAR and abroad, whether as refugees or as constituents of the diaspora, are unknown to me, it is to be imagined that they do support the Palestinian struggle and oppose US/Israeli/GCC designs for the region. Furthermore, if given the opportunity, it would be hoped that they carry this resistance to a dialectically higher level than what has been exhibited by the Assads, in support of the global struggle for anti-systemic change. Still, the observed collaboration of elements of the anti-Assad opposition and of the Kurdish revolutionaries with the US/Israel complicates matters, to say nothing of the ties between the far-right facets of the opposition enthralled to Wahhabism and their GCC backers.
In terms of political philosophy, the Syrian uprising and civil war present a number of intriguing ideologies to reflect on. Though clearly atavistic in its desire to re-establish a Caliphate in the Levant, ISIS is not strictly medievalist in its approach, as its sleek videos and propaganda style attest to. Moreover, as Murtaza Hussein has argued, ISIS can be considered as sharing more with Leninism, the Maoist Red Guards, and the Khmer Rouge than the early Muslims, given the theory to which it claims adherence, and which it strives to institute: that is, the liberation of the people (or Umma) from above via extreme violence, as waged by a vanguard group. Indeed, this approach would seem to echo that taken by Sayyid Qutb, a leading early member of the Muslim Brotherhood, whose “revolutionary” Islamist theory arguably was developed on the foundation of Lenin’s philosophy, with Islam replacing communism as the world-historical resolution to class struggle and human alienation in his account.** On the other hand, the organizational style and underlying philosophies of the YPG and YPJ can be considered to recall Nestor Makhno’s Ukrainian anarchist army, the Makhnovshchina, and the anarcho-syndicalist brigades of the CNT/FAI in the Spanish Revolution. To a lesser extent, certain elements of the FSA could be said to have libertarian elements—not specifically in terms of the political views of many of the affiliated fighters, particularly in light of the mass-defection that has been observed of FSA units going over to groups like al-Nusra and ISIS, but rather in operational style, for the FSA from the beginning was reportedly comprised largely of decentralized and autonomous brigades that resisted an overarching command structure, until this was imposed with the coming of the Supreme Military Command (SMC) in December 2012. At present, according to Patrick Cockburn, FSA commanders receive their marching orders directly from Washington, such that any postulated similarities between the FSA structure and historical anarchist fighting-groups can be said to have been surpassed now in the historical process. As for Assad and Syrian Ba’athism, these can be viewed as variants on the Leninist and Jacobin traditions themselves, if we were to bracket the younger Assad’s neoliberalism for the moment: as in Iraq under Saddam Hussein (and notwithstanding the conflicts between Saddam and the Assads), Ba’athism in the SAR has taken on the form of a secular dictatorship that claims to represent the wishes of the people, both Syrian and Arab as a whole, through a sort of democratic-centralist observation of “the general will,” as conceptualized by Jean-Jacques Rousseau. Interestingly, it is in this vanguardist sense that Ba’athism and Qutb’s proto-Leninism converge politically, their basic divergence on the role of religion in society notwithstanding. According to its own narrative, Syrian Ba’athism has “stood up” to the supposedly backward and devout attitudes of ordinary Syrians, especially rural folks and Sunnis, and in this way preserved cultural and religious pluralism, relative freedom for women, secularism, resistance to Zionism and US/GCC imperialism, and the “progress” of the Arab nation—or, so the pro-regime argument goes.
I will close by quoting Herbert Marcuse, discussing Walter Benjamin: “To a liberated people, redeemed from oppressive violence, there belongs an emancipated and redeemed nature.”37 While the Syrian uprising and civil war have self-evidently been primarily about social domination and human oppression, the popular struggle and mass-suffering seen in that country can be taken as representative of the times, a microcosm of the brutality visited by late capitalism on humanity and nature alike. Besides the evident human losses involved, the civil war has doubtless also greatly degraded the environment of the Levant, much as other wars have, including that of the Turkish State against the Kurds, as associates of the Cilo-Der Nature Association observe.38 The political struggles in the Levant, which contain liberal, reactionary, fundamentalist, and revolutionary elements aligned against State terror, the police state, and militarism, illuminate the general struggle for a free humanity, which is developing as though embryonically. Without a doubt, the global revolution is made not just for humanity, but also for nature, without which humans cannot live, as the long-standing drought in Syria shows. In fact—again with reference to the recent COP20 conference—the uprising demonstrates what would now seem to be the sole means of interrupting existing trends toward total destruction: that is, direct action, non-cooperation, and civil disobedience. Though repulsed, shackled, and beaten, the humanist-insurrectional Geist seen in the Syrian uprising and the Rojava Revolution holds great promise for radical politics today and into the future: the primacy of reason over tradition and authority, an end affirmed in the ninth century by the Baghdadi heretic Ibn al-Rawandi. I will leave the last word for a famous Kurdish saying, which I have learned from anarcha-feminist Dilar Dirik, speaking on “Stateless Democracy”: “Berhodan jian-e!” (“Resistance is life!”)
**As Adam Curtis explains in “The Power of Nightmares,” Qutb sought to apply authoritarian-socialist lines of analysis to the study of the Arab masses, who he thought had inauthentically internalized and accepted capitalist, materialist values from the West that fundamentally conflicted with the “truth” of Islam.
A shorter version of this talk was first presented at the November 2014 Boston Anarchist Bookfair.
1Firas Massouh, “Left Out? The Syrian Revolution and the Crisis of the Left,” Global Communism (2013), 52.
2Emile Hokayem, Syria’s Uprising and the Fracturing of the Levant (London: Routledge, 2013), 57, 192.
3Reese Erlich, Inside Syria: The Backstory of Their Civil War and What the World Can Expect (Amherst, Massachusetts: Prometheus Books, 2014), 48.
4Erlich, 50-57.
5Ibid 60-61.
6Ibid 61; Gilbert Achcar, The People Want, trans. G.M. Goshgarian (Berkeley: University of California Press, 2013) 173.
7Hokayem 172-4.
8Erlich 172.
9Ibid 209.
10Erlich 146-149, 71.
11Massouh, 60; Erlich 67-68.
12Hokayem 22.
13Ibid 26-27, 43.
14Cited in Massouh, 63.
15Achcar 177.
16Ibid 178.
17Ibid 178-179.
18Hokayem 45-49.
19Ibid 54.
20Ibid 40-41.
21Ibid 57.
22Ibid 58.
23Achcar 174.
24Ibid 182.
25Hokayem 69.
26Stephen Starr, Revolt in Syria: Eye-Witness to the Uprising (London: Hurst and Company, 2012), 29-54.
27Hokayem 81.
28Erlich, 250-255.
29Gilbert Achcar, Eastern Cauldron: Islam, Afghanistan, Palestine, and Iraq in a Marxist Mirror (New York: Monthly Review Press, 2003).
30Massouh, 58-59.
31Richard Falk, “What Should be Done About the Syrian Tragedy?” The Syria Dilemma, eds. Nader Hoshemi and Danny Postel (Cambridge, Massachusetts: MIT Press, 2013), 61-75.
32Hokayem 11.
33For more details on the KCK’s accomplishments in Northern Kurdistan (Turkey), please see TATORT Kurdistan, Democratic Autonomy in North Kurdistan: The Council Movement, Gender Liberation, and Ecology, trans. Janet Biehl (Porsgrunn, Norway: New Compass Press, 2013).
34Hokayem 80.
35David Porter, Eyes to the South: French Anarchists and Algeria (Oakland: AK Press, 2012).
36Nader Hashemi, “Syria, Savagery, and Self-Determination: What the Anti-Interventionists are Missing,” The Syria Dilemma, 221-234.
37Herbert Marcuse, Marxism, Revolution, and Utopia: Collected Papers. Volume 6, ed. Douglas Kellner and Clayton Pierce (London: Routledge, 2014), 126.
38TATORT Kurdistan, 158-60.
Notes toward an International Libertarian Eco-Socialism 