Two New Interviews on Queer Tolstoy

Boris Kustodiev, May Day demonstration in Putilov (1906)

I am excited to share two new interviews about Queer Tolstoy: the first, a written dialogue about the book with John P. Clark published on Oct. 31 in the Capitalism, Nature, Socialism journal, and the second, a spoken interview in Spanish from with the comrades from TOFUria, recorded on Nov. 12. TOFUria is a program dedicated to anti-speciesism and sexual dissidence on Radio Malva (104.9FM) in Valencia, Spain. Please find links and abstracts below.

1. The Quest for Revolutionary Love: John P. Clark Interviews Javier Sethness about Queer Tolstoy

Abstract: In this interview about the newly released Queer Tolstoy: A Psychobiography (Routledge Mental Health, 2023), John P. Clark and Javier Sethness explore the life and times of Count Leo Tolstoy from a queer-anarchist perspective. In this dialogue, Clark and Sethness delve into the rationale for, and the creative process of, Queer Tolstoy. They do so by comparing and contrasting the volume’s highlighting of the intersection of Tolstoy’s anarchism and underappreciated queerness, in biographical and literary terms, with other recent works that have explored the relationship between social revolution and sexual love. Furthermore, the interlocutors discuss the politics of androgyny and queerness, apply Freudian and Marcusean concepts of bisexuality and Eros to Tolstoy’s life, analyze Tolstoyan classics from a queer-friendly lens, and place Tolstoy in conversation with contemporary and future revolutionaries, from Joseph Déjacque to Andrea Dworkin and bell hooks. This wide-ranging conversation covers gender and sexuality, LGBTQ+ experience, Russian history, the phenomenon of holy fools, radicalism, mortality, and ecology, among other important topics.

2. Tolstói Por El Culo

117 Programa TOFUria! 12 Noviembre 2023 Tolstói Por El Culo

Contamos con la presencia al otro lado del Atlántico de Javier Sethness Castro, autor del libro Queer Tolstoy. A Psychobiography, que trata los elementos de deseo homosexual y cultura homoerótica dentro de la vida y la obra del escritor pacifista anarcocristiano León Tolstói. Con él charlamos del contenido del libro y de la biografía del autor ruso, y con ello aprovechamos para hablar de la historia homosexual rusa, del marxismo soviético, de las invasiones de Ucrania y Palestina, y otras cuestiones desde el mariconismo que caracteriza al programa. Finalizamos riéndonos de las manis de fachas cayetanos en Madrid y de la necesidad de hacerles frente potenciando las movilizaciones a favor de Palestina.

Las canciones que han sonado han sido:

Katalonia – A las Barricadas (На Баррикады!)

Pink Floyd – Hey Hey Rise Up (feat. Andriy Khlyvnyuk of Boombox)

Gate K9 (Cyberpunk 2077: Phantom Liberty Soundtrack)

Islamic Anti-Authoritarianism against the Ulema-State Alliance

Abbas al-Musavi, The Battle of Karbala

The second part in a series on Islam, humanism, and anarchism. This review includes an alternate perspective by Jihad al-Haqq.

First published on The Commoner, 5 April 2023. Shared using Creative Commons license. Feel free to support The Commoner via their Patreon here

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Building on my critical review of Mohamed Abdou’s Islam and Anarchism (2022), this article will focus on Ahmet T. Kuru’s Islam, Authoritarianism, and Underdevelopment (2019). Here, I will concentrate on Kuru’s study of Islam, history, and politics, focusing on the scholar’s presentation of the anti-authoritarianism of the early Muslim world, and contemplating the origins and ongoing oppressiveness of the alliance between ulema (religious scholars) and State in the Middle East and North Africa (MENA). I will examine Kuru’s analysis of the “decline thesis” about the intellectual, economic, and political counter-revolutions that led Muslim society to become dominated by military and clerical elites toward the end of the Golden Age (c. 700–1300); briefly evaluate the author’s critique of post-colonial theory; and contemplate an anarcho-communist alternative to Kuru’s proposed liberal strategy, before concluding.

The Prophet Muhammad in the cave of Hira, from the Hamla-yi Haidari manuscript (c. 1725). Asian Art Museum of San Francisco (gift of George Hopper Fitch)

Perhaps ironically, Kuru may uncover more Islamic anti-authoritarianism than Abdou does in Islam and Anarchism. Marshaling numerous sources, Kuru clarifies that a degree of separation between religion and the State existed in Islam’s early period; that ‘Islam emphasizes the community, not the state’; and that ‘the history of the Umayyad and Abbasid caliphates was full of rebellions and oppression.’ In fact, the Umayyad dynasty, which followed the Rashidun Caliphate (632–661) that itself had succeeded the Prophet Muhammad after his death, generally lacked religious legitimation, given that its founders persecuted the Prophet’s family during the period known as the Second Fitna (680–692) [1].  Such sadism was especially evident at the momentous battle of Karbala (680), at the conclusion of which the victorious Umayyad Caliph Yazid I murdered the Imam Hussein ibn Ali, grandson of the Prophet and son of the Rashidun Caliph Ali ibn Abi Talib, together with most of his relatives [2]. Shi’ites mourn these killings of Hussein and his family during the month of Muharram, considered the second-holiest month of the Islamic calendar after Ramadan. Currently being observed by Muslims across the globe, Ramadan marks the first revelation of the Quran to Muhammad in Jabal al-Nour (‘the mountain of light’) in the year 610. (For an artistic representation of the latter event, see the featured painting from the Hamla-yi Haidari manuscript below.)

Politically speaking, early Muslims rejected despotism and majesty and emphasized the importance of the rule of law, such that ‘traditional Muslim[s were] suspicio[us] of Umayyad kingship’ [3]. Following the Mutazilites, the Iranian revolutionary Ali Shariati claimed the fatalist belief in ‘pre-determination,’ which was encouraged by the orthodox theologian Ashari, to have been ‘brought into being by the Umayyids’ [4]. Along similar lines, in the Quran it is written, ‘if one [group of believers] transgresses against the other, then fight against the transgressing group,’ while one of the Prophet Muhammad’s ahadith (sayings) declares that the “best jihad is to speak the truth before a tyrannical ruler’[5]. During the time of Muhammad and the Rashidun Caliphs, hence, Islamic politics were rather progressive, for the nascent faith’s founders rejected both oppressive authority, whether exercised locally in Arabia or afar in the Byzantine Empire, and the injustice of the Brahmin caste system. In this vein, all founders of the four Sunni schools of law (fiqh), and some early Shi’ite imams, refused to serve the State. In retaliation, they were persecuted, imprisoned, and even killed [6].

The cover of Ahmet T. Kuru’s book, Islam, Authoritarianism, and Underdevelopment: A Global and Historical Comparison

During the Abbasid Caliphate, radical freethinkers such as the physician Abu Bakr al-Razi (c. 854–925) and Ibn Sina (980–1037) made breakthroughs in medical science, while the polymath Biruni (973–1048) advanced the field of astronomy, just as al-Razi and Biruni respectively criticized religion and imagined other planets. Mariam al-Astrulabi (950–?) invented the first complex astrolabe, which had important astronomical, navigational, and time-keeping applications. Plus, Baghdad’s House of Wisdom boasted a vast collection of translations of scholarly volumes into Arabic, and a number of hospitals were founded in MENA during the Abbasid and Mamluk dynasties. Farabi (c. 878–950) emphasized the philosophical importance of happiness, Ibn Bajja (c. 1095–1138) likewise stressed the centrality of contemplation, and Ibn Khaldun (1332–1406) made critical contributions to sociology through his insights into asabiyya, or group cohesion. Perceptively, Ibn Khaldun declared that the ‘decisions of the ruler […] deviate from what is right,’ while concurring with some of the most radical Kharijites in holding that the people would have no need for an imam, were they observant Muslims [7].

At the same time, Kuru explains that Islam’s Golden Age (c. 700–1300)—which allowed for the birth of a freer scholarly, political, and commercial atmosphere in the Muslim world, relative to Western Europe—was driven by a ‘bourgeois revolution’ of mercantile capitalism, to which Islam itself contributed [8]. With their private property and contracts ensured, as stipulated by the Quran and Prophet Muhammad’s Medina Charter (622–624), Muslim merchants could accumulate the capital with which to maintain financial, political, and intellectual independence from the State. Indeed, in contrast to the clerics who have served the authorities since the medieval congealing of the ulema-State, most Islamic scholars from this period worked in commerce, thus making possible their patronage of creative thinkers and scientists [9]. While the dynamism of dar al-Islam (the world’s Muslim regions)produced renowned intellectuals like al-Rawandi, al-Razi, Farabi, al-Ma’arri, Ibn Sina, Ibn Khaldun, and Ibn Rushd, among others, freethinking in the West was simultaneously stifled by religious and military elites. In this light, Kuru insightfully compares Islam’s Golden Age to the subsequent European Renaissance, whose coming was indeed facilitated by scholarship from and trade with the Muslim world [10].

The Decline Thesis, and an Anarchist Alternative

Vasily Vereshchagin, “Shir Dor madrasa in Registan Square in Samarkand” (1869–70)

Soon enough, however, the ‘[p]rogressive atmospheres’ created by Islam would yield to reaction [11]. With the proclamation in 1089 of a decree by the Abbasid Caliph Qadir outlining a strict Sunni orthodoxy that would exclude Mutazilites, Shi’ites, Sufis, and philosophers, the ulema-State alliance was forged. This joint enterprise created a stifling and stagnating bureaucratic atmosphere opposed to progress of all kinds. Internally, this shift was aided by the eclipse of commerce by conquest, looting, and the iqta system—a feudal mechanism whereby the State distributed lands to military lords and in turn expanded itself through taxes extracted from peasant labor. Additionally, the eleventh-century founding of Nizamiyya madrasas, which propagated Ashari fatalism and stressed memorization and authority-based learning, was decisive for this transformation. Externally, the violence and plundering carried out by Crusaders and Mongols against the Muslim world led to further marginalization of scholars and merchants on the one hand, and deeper legitimization of military and clerical elites on the other [12].

Through comparison, Kuru contemplates how this joint domination by ulema and State—characterized by bureaucratic despotism, State monopolies, and intellectual stagnation—mimics the backwardness of Europe’s feudal societies during the Dark and Middle Ages. Still, just as anti-intellectualism, clerical hegemony, and political authoritarianism are not inherent to Judaism, Christianity, or Western society, this reactionary partnership is not innate to Islam either, considering the remarkable scientific, mathematical, and medical progress made during Islam’s early period. Only later did the combination of Ghazali’s sectarianism, Ibn Taymiyya’s statist apologism, and the Shafi jurist Mawardi’s centralism result in the consolidation of Sunni orthodoxy and despotic rule. Indeed, Kuru traces the germ of this noxious ulema-State alliance to the political culture of the Persian Sasanian Empire (224–651), which prescribed joint rule by the clerics and authorities. In this sense, the ‘decline thesis’ about the fate of scholarship and freethinking in Muslim society cannot be explained by essentialist views that define Islam by its most reactionary and anti-intellectual forms [13].

More controversially, Kuru equally concludes that the violence, authoritarianism, and underdevelopment seen at present in many Muslim-majority countries cannot be explained solely by either post-colonial theory or a primary focus on Western (neo)colonialism. This is because post-colonial writers, like Islamists, discourage a critical analysis of the “ideologies, class relations, and economic conditions” of Muslim societies, leading them to overlook, and thus fail to challenge, the enduring presence of the ulema-State alliance [14]. In parallel, the caste system persists in post-colonial India, while “British and German scholars did not invent caste oppression,” as much as fascists across the globe have been inspired by it [15]. At the same time, according to the late Marxist scholar Mike Davis, European imperialism, combined with excess dryness and heat from the El Niño Southern Oscillation (ENSO) phenomenon, led to famines that killed between 30 and 60 million Africans, South Asians, Chinese, and Brazilians in the late nineteenth century. The Indian economist Utsa Patnaik estimates that British imperialism looted nearly $45 trillion from India between the eighteenth and twentieth centuries.

Cover of Mike Davis’ book, Late Victorian Holocausts: El Niño Famines and the Making of the Third World.

Currently, bureaucratic authoritarianism in MENA is financed by the mass-exploitation of fossil fuels, which finances the State’s repressive apparatus, hinders the independence of the workers and the bourgeoisie, and disincentivizes transitions to democracy [16]. Certainly, the West, which runs mostly on fossil fuels, and whose leaders collaborate with regional autocrats, is complicit with such oppression, whether we consider its long-standing support for the Saud dynasty (including President Biden’s legal shielding of Crown Prince Mohammed bin Salman against accountability for his murder of journalist Jamal Khashoggi), more recent ties with the United Arab Emirates (UAE), the past alliance with the Pahlavi Shahs, or the love-hate relationships with Saddam Hussein and Muammar Qaddafi. The US-led invasion and occupation of Iraq, launched twenty years ago, killed and displaced similar numbers of people as Assad and Putin’s counter-revolution has over the past twelve years.

Overall, Islam, Authoritarianism, and Underdevelopment helps illuminate the religious, political, and economic dimensions of the legacy of the authoritarian State in MENA. Moving forward, Kuru’s proposed remedy to the interrelated and ongoing problems of authoritarianism and underdevelopment in Muslim-majority countries is political and economic liberalisation. The author makes such liberal prescriptions based on his historical analysis of the progressive nature of the bourgeoisie, especially as seen during the Golden Age of Islam and the European Renaissance. As an alternative, he mentions the possibility that the working classes could help democratize the Muslim world, but notes that they are not an organized force [17]. Moreover, in a 2021 report, ‘The Ulema-State Alliance,’ Kuru clarifies that he is no proponent of ‘stateless anarchy,’ as might be pursued by anarcho-syndicalist or anarcho-communist strategies.

Yet, it is clear that empowering the bourgeoisie has its dangers: above all, global warming provides an especially stark reminder of the externalities, or ‘side-effects,’ of capitalism. Plus, at its most basic level, the owner’s accumulation of wealth depends on the rate of exploitation of the workers, who cannot refrain from alienated labor, out of fear of economic ruin for themselves and their loved ones. This is the horrid treadmill of production. As the critical theorist Herbert Marcuse recognized, capitalism is an inherently authoritarian, hierarchical system [18]. Although bourgeois rule may well allow for greater scientific, technical, and scholarly progress than feudal domination by clerical-military elites, whether in Europe, MENA, or beyond, the yields from potential advances in these fields could be considerably greater in a post-capitalist future. Science, ecology, and human health could benefit tremendously from the communization of knowledge, the overcoming of fossil fuels and economic growth, the abolition of patents and so-called ‘intellectual property rights,’ the socialization of work, and the creation of a global cooperative commonwealth. Considering how Western and Middle Eastern authorities conspire to eternally delay action on cutting carbon emissions as climate breakdown worsens, both Western and MENA societies would gain a great deal from anti-authoritarian socio-ecological transformation.

In sum, then, I reject both the ulema-State alliance and Kuru’s suggested alternative of capitalist hegemony—just as, in mid-nineteenth-century Imperial Russia, the anarchists Alexander Herzen and Mikhail Bakunin rebuked their colleague Vissarion Belinsky’s late turn from wielding utopian socialism against Tsarism to espousing the view that bourgeois leadership was necessary for Russia [19]. In our world, in the near future, regional and global alternatives to bourgeois-bureaucratic domination could be based in working-class and communal self-organization and self-management projects, running on wind, water, and solar energy. Such experiments would be made possible by the collective unionization of the world economy, and/or the creation of exilic, autonomous geographical zones. Despite the “utopian” nature of such ideas, in light of the profound obstacles inhibiting their realization, this would be a new Golden Age or Enlightenment of scientific and historical progress, whereby a conscious humanity neutralized the dangers of self-destruction through raging pandemics, global warming, genocide, and nuclear war.

Conclusion: For Anarcho-Communism

In closing, I express my dynamic appreciation for Kuru’s Islam, Authoritarianism, and Underdevelopment, which aptly contests both essentialist and post-colonialist explanations for the violence, anti-intellectualism, and autocratic rule seen today in many Muslim-majority societies. Kuru highlights the noxious work of the ulema-State alliance to impose Sunni and Shi’i orthodoxies; legitimize the authority of the despotic State; and reject scientific, technological, social, and economic progress. Keeping in mind the anarcho-syndicalist Rudolf Rocker’s framing of anarchism as the “confluence” of socialism and liberalism, I welcome the author’s anti-authoritarian proposals to revisit the freethinking of the Golden Age of Islam and liberalise the Muslim world, but contest Kuru’s apparent pro-capitalist orientation. In this vein, the writer’s recommendations could be radicalized to converge with the “Idea” of a global anarcho-communist movement that rejects clerical and political hierarchies as well as capitalism, militarism, and patriarchy, in favor of degrowth, a worldwide commons, international solidarity, mutual aid, and working-class and communal self-management of economy and society.

Western Colonialism and Imperialism – Jihad al-Haqq

Whilst Kuru’s historical description of the ulema-state alliance usefully describes the historical oppressions of Muslim-majority nations, it does not explain their continued existence. Especially not in the face of the Arab Spring and, as Kuru himself cites, the vast popularity of democracy amongst Muslims (page xvi, preface). Indeed, a name search reveals that the term ‘Arab Spring’ is used only four times throughout the entire book—three of those times are in the citations section. It is stunning to have a book talking about Islam, authoritarianism, and democracy, without mentioning the momentous event of the Arab Spring. That is, the concept of the ‘ulema-state alliance’ is useful in describing the internal form of social oppression in Muslim-majority societies, but it does not explain why and how those forms continue to exist, which is primarily due to Western imperialism.

Ahmet Kuru’s discussion regarding the ulema-state alliance seems geared towards explaining the question of why Muslim-majority countries are less peaceful, less democratic, and less developed. The question is primarily a political-economic question, not a question of faith, and thus requires a political-economic answer, which he acknowledges. However, he contends that Western colonialism is not a primary material cause for the unrest and destitution in Muslim majority nations; rather, it is the ulema-state alliance. This is a strange argument, for several reasons.

Firstly, his criticism of postcolonial writers is a strawman. The main hypothesis of postcolonial writers is that oppression in Muslim majority nations, whatever form it takes (including the ulema-state alliance), is primarily financed and armed by Western powers and Gulf nations; it is to explain the prevention of democracy in Muslim-majority nations.

He writes:

‘The anti-colonial approach has some power in explaining the problem of violence in certain Muslim countries. But Western colonization/occupation is neither a necessary nor a sufficient condition for violence. It is not sufficient, as there have been non-Muslim and Muslim countries that were colonized or occupied but where many influential agents did not choose to use violence. Such leading figures as Syed Ahmad Khan (1817–98) and Mahatma Gandhi (1869–1948), for example, adopted a position of non-violence against British colonization in India. Western colonization/occupation is not a necessary condition either, because several non-Western countries and groups have fought each other for various reasons. The long list includes the Iran-Iraq War and recent civil wars in several Arab countries. In Turkey, violence has continued between the Turkish state and the PKK (Kurdistan Workers’ Party) for more than three decades, regardless of whether Turkey was ruled by secularists or Islamists, and regardless of whether the PKK defended or renounced Marxist-Leninist ideology.’

He says that Western colonization and occupation is not a sufficient condition for the violence in Muslim-majority countries, since other countries under the same conditions did not choose to use violence. However, this flies in the face of the history of decolonial movements, since many other countries other than the Muslim-majority ones did choose violence as a method, while several Muslim-majority thinkers did and do advocate non-violence. Decolonization as a process in each country cannot be easily separated into a non-violent and violent category, such as in Indian decolonization being entirely non-violent and decolonization in Algeria being entirely violent, as you will find both non-violent and violent currents in each country advocating decolonization. Moreover, whether a decolonial process is more violent or not overwhelmingly depends on other socio-political factors: the British did not let go of India because they suddenly found enlightenment about the wrongdoing of their ways, and it would be difficult to say that Indian decolonization would not have turned more violent if the British had not ended up letting go of the Raj. We must also question the assumption that colonialism ended at all: there have been many convincing works that effectively argue that instead of colonisation ending, we have simply moved to another form of colonisation facilitated through nation states, rather than overt conquest. Parts of these works make very hard to dismiss cases, backed up by historical records, that show that much of the violence that exists in Global South countries, including Muslim-majority ones, is not due to internal cultural or social institutions, but due to the financing and arming of violent forces in the country. The existence of destitution can be directly linked to such Western-supported authoritarians in these societies.

The United States, for example, armed and supported the dictator Suharto in Indonesia, who is one of the worst mass murderers of the 20th century, against the popular Communist Party in Indonesia. The US is also one of Saudi Arabia’s greatest allies, with Saudi Arabia likely having the most institutionalized form of the ulema-state alliance. William Blum’s classic Killing Hope goes through many details of the various democracy movements throughout the world which the United States has crushed, including in Muslim-majority nations. Perhaps amazingly, the list of examples Kuru uses to support the argument that Western imperialism cannot be stated to be a necessary condition of violence do indeed have a traceable Western influence. Furthermore, the phenomenon of imperialism, which is separate from colonialism and the main focus of many postcolonial writers, does not seem to factor into his analysis.

Moreover, violence as a response to colonisation is almost a universal given—it is not the expression of culture anymore than a person being attacked and choosing to fight back is an expression of ideology. Revolutionary violence is a response to violence: the colonised are forced to be violent in response to the violence waged upon them, regardless of what culture they have, and all people have the right to violence for self-defense. For that, I do not think a detailed discussion is required.

The thesis which Kuru is attempting to argue here is that both revolutionary violence and internal violent structures are expressions of the same structures within Muslim-majority nations that cause more violence to happen. I do not believe this conclusion is tenable, since, on the one hand, revolutionary violence is waged defensively in response to colonialism, and on the other, the internal violence of current Muslim-majority nations do have a traceable Western influence: it would be difficult to argue that Iraq today would be as violent as it is if the United States had not diplomatically and militarily supported the rise of Saddam Hussein, and had not invaded Iraq in 2003. Both of these sorts of violence do not have the same social, political, and economic roots, and therefore cannot be classed as expressions of the same socio-cultural phenomenon.

Kuru’s answer to the continued existence of oppression in the Middle East is economic and political liberalisation; however, as demonstrated with the Arab Spring, the idea of political liberalisation will not be tolerated by the various monarchies and dictatorships of the Middle East, who are largely supported and armed by the United States. Furthermore, Kuru’s proposal of political and economic liberalisation is not really liberalisation—at the very least, not liberalisation if we understand “liberalisation” to mean liberating. He proposes the introduction of a new class of economic capitalist elites, which is hardly an improvement from the ulema-state alliance—never mind that Middle Eastern nations are already economically liberalised. While Kuru’s text is useful in discussing the form of historical oppressions, it reaches too far in its concluding theory regarding the continued existence of despotism in the Middle East.

Works Cited

Abdou, Mohamed 2022. Islam and Anarchism: Relationships and Resonances. London: Pluto.

Afary, Janet and Kevin B. Anderson 2005. Foucault and the Iranian Revolution: Gender and the Seductions of Islamism. Chicago: Chicago University Press.

Hammond, Joseph 2013. “Anarchism.” The Princeton Encyclopedia of Islamic Political Thought. Eds. Gerhard Bowering et al. Princeton: Princeton University Press. 36–7.

Kuru, Ahmet T. 2019. Islam, Authoritarianism, and Underdevelopment: A Global and Historical Analysis. Cambridge, UK: Cambridge University Press.

Malia, Martin 1961. Alexander Herzen and the Birth of Russian Socialism. New York: Universal Library.

Marcuse, Herbert 1968. Negations: Essays in Critical Theory. Boston: Beacon Press.

Quran. Trans. Mustafa Khattab. Available online: https://quran.com. Accessed 13 August 2022.

Ramnath, Maia 2022. “The Other Aryan Supremacy.” ¡No Pasarán! Ed. Shane Burley. Chico, CA: AK Press. 210-69.

Shariati, Ali 2003. Religion vs. Religion. Trans. Laleh Bakhtiar. ABC International Group.

References

[1] Kuru 10-12, 71.
[2] Afary and Anderson.
[3] Kuru 89.
[4] Shariati 32; Kuru 95.
[5] Quran 49:9 (emphasis added); Abdou 201.
[6] Kuru 70-2, 88-9.
[7] Ibid 76-80, 131-2, 134, 139-41, 150; Hammond 36.
[8] Kuru 83-87.
[9] Quran 4:29; Abdou 116; Kuru 73.
[10] Kuru 93, 159-61.
[11] Ibid 116-7.
[12] Ibid 96-102, 126-7.
[13] Ibid xvi-xv, 96-7, 112-16, 146-7, 185-203, 227-235.
[14] Ibid 34, 234.
[15] Ramnath 254.
[16] Kuru 49-53.
[17] Ibid 55n107.
[18] Marcuse 9-11, 18-19.
[19] Malia 353-6.

From “Trotsky in Tijuana” to “Chernobyl”: Caution & Reason

“Chernobyl,” photographed by Jorge Fraganillo (Creative Commons Attribution 2.0)

Originally published on Perspectives on Anarchist Theory, 21 July 2022

The promise of historical and speculative fiction is the reconstruction of the past in the present, or of the present in the past, and the contemplation of what might have been, or of what might still be. As the psychoanalyst Sigmund Freud wrote, creative writers furnish “world[s] of [their] own” by “rearrang[ing] the things of [their] world in a new way which pleases [them].”[1] Between Dan La Botz’s novel Trotsky in Tijuana (2020) and Craig Mazin and Johan Renck’s HBO miniseries Chernobyl (2019), we find two fictionalized accounts bookending the tragic history of the Union of Soviet Socialist Republics (USSR), from the Bolshevik centralization of power following the anti-Tsarist Revolution of 1917 to what Rohini Hensman terms the “democratic anti-imperialist revolution” of 1991.

Trotsky in Tijuana is an intriguing and well-written book of alternate (or counter-) history, in which La Botz imagines Lev Davidovich Trotsky (1879–1940) surviving his assassination in Mexico City by the Spanish Soviet agent Ramón Mercader. In La Botz’s vision, the famed Ukraine-born Jewish Marxist then continues to organize against social-democratic reformism and Stalin’s Communist International through his organization, the Fourth International. This book combines neo-Trotskyist critique of Stalinism with libertarian-socialist themes as an imaginative “second world” to our own, illuminating divisions on the left among anarchists, Trots, and “tankies” (who support “anti-imperialist” dictators). Yet, as we shall see, despite the novel’s beauty and insights, Trotskyism appears to overpower anarchism in La Botz’s historical retelling.

For its part, the Chernobyl miniseries dramatizes the explosion that took place on April 26, 1986, within the core of the Vladimir I. Lenin Nuclear Power Plant, located near the cities of Pripyat and Chernobyl in northern Ukraine. Chernobyl lays bare the dangers of nuclear energy specifically and technological hubris more broadly, while implicitly critiquing Soviet State capitalism and, perhaps by extension, private forms of capitalism—like those we confront in the United States. Chernobyl shows how the combination of workplace hierarchy, high technology, hyper-masculinity, and the performance principle threatens our collective self-destruction.

On February 24, 2022, Russian military forces invaded Ukraine as part of a brutal campaign announced by President Vladimir Putin to supposedly “demilitarize and de-Nazify” the country. However, this “denazification” campaign in reality represents yet another instance of white Russians carrying out genocide. Having penetrated Ukraine’s northern border, the Russian army quickly overran the Chernobyl site, where, for over three weeks, the facility’s workers were forced by the occupiers to work nonstop. The radiation spike seen at Chernobyl at the start of the Russian invasion—a twenty-fold increase—can be explained by the churning of irradiated soils through the movement of military hardware.

On March 3 and 4, 2022, Russian shelling on the Zaporizhzhia Nuclear Power Plant in southeastern Ukraine—Europe’s largest nuclear plant—set an administrative building on fire. Fortunately, the site’s six reactors (better protected than their now-deactivated counterparts at Chernobyl) remained undamaged, and as of early March, local levels of radioactivity were normal. Even so, we should bear in mind the warning of Professor Kate Brown, author of Manual for Survival: A Chernobyl Guide to the Future (2019), that “any […] nuclear even[t]” cannot be “isolated within sovereign borders,” owing to the physics involved. In this light, although Russian forces withdrew from the Chernobyl region in early April, Putin’s threats of nuclear blackmail following the invasion remain unsettling.

In this article, I will review Trotsky in Tijuana and Chernobyl from an anti-authoritarian perspective by exploring some of the overlap with, and divergences from, anarchism in these artistic works. I will also present an overall critique of nuclear energy, to contrast with the ideological support Chernobyl’s screenwriter, Mazin, provides to the industry—regardless of the scope of the disaster he portrays.

Trotsky in Tijuana

In Trotsky in Tijuana, Natalia Ivanovna Sedova, Trotsky’s second wife, fatefully questions the man she knew as Frank Jacson’s choice to wear a heavy raincoat during a visit to their fortress-home in Coyoacán on August 20, 1940. However, in La Botz’s counternarrative, Sedova’s doubts do not go unheard. Historically, Mercader wore this same coat to cover up the ice ax he would use to fatally injure the exiled communist revolutionary, as the latter reviewed an essay with which his counterpart sought to distract him. Yet, in La Botz’s imagination, Ralph Bucek, a fictional US-American guard of the “Old Man,” enters his charge’s office and hits the Spaniard in the head with a baseball at the last moment, saving the day.

Rather than replay Trotsky’s murder—as John P. Davidson’s novel The Obedient Assassin (2014), Antonio Chavarrias’s film El Elegido (The Chosen, 2016), and the Russian TV miniseries on Trotsky (2017) do—La Botz’s book envisions the founder of the Red Army escaping this brush with death through exile to Baja California, where he continues to theorize about current events, especially World War II, and even find time for erotic love.

Not long after Trotsky, Sedova, and their retinue resettle in the so-called Cantú house in Tijuana, Trotsky’s own anarchistic secretary, Jan van Heijenoort, abandons Mexico for Europe, plotting a long-term mission to assassinate Stalin. La Botz imagines that Van’s plan dovetails with the “doctors’ plot” of 1953, when Soviet Jewish physicians had supposedly conspired with Western imperial powers to murder Stalin, his propagandist Andrei Zhdanov, and other party bosses. In retaliation for the discovery of this “plot,” Stalin ordered the arrests of hundreds of Soviet Jews and/or physicians, and planned to expand the Gulag to imprison more Jews, in a final homage to his “frenemy,” Adolf Hitler. Yet, just as a possible second Holocaust and nuclear war between the USSR and the West are threatened, La Botz’s depiction of Van’s assassination plot succeeds. The same day, the Soviet agent “Étienne” (Mark Zborowski)—who had murdered Trotsky and Sedova’s son, Lev Sedov, in Paris, and then boldly posed (in La Botz’s imagination) as Trotsky’s new secretary in Tijuana—kills Lev Davidovich by poisoning.[2]

While La Botz is sympathetic to his martyred subject, he is not uncritical toward the Bolshevik leader’s legacy. He surely does not shy away from depicting Trotsky’s narcissistic, delusional, and dogmatic tendencies. Rather, he insinuates the need for twenty-first-century updates to the brightest ideas of this “polymath,” who was “lost in time.” These ideas include class struggle, the united front, and the permanent revolution. Historically speaking, Trotsky adapted the last of these from the French anarchist Élisée Reclus, who asserted in 1899 that “[a]s long as iniquity endures, we, international anarcho-communists, will remain in a state of permanent revolution.”[3]

This dynamic only reinforces the anarchist hypothesis that Marxists aim to appropriate revolution for themselves and their bureaucratic franchises, rather than the liberation of the working classes and humanity—as Marx’s own expulsion of Mikhail Bakunin and James Guillaume from the First International in 1872, and Lenin and Trotsky’s crushing in 1921 of the Kronstadt Commune and of the peasant-anarchist Revolutionary Insurgent Army of Ukraine, prove. While the mutiny by Red sailors at Kronstadt demanded that the Russian Revolution advance without the dead weight of the Communist Party, the Revolutionary Insurgent Army was cofounded by the Ukrainian peasant guerrilla Nestor Makhno, who also organized with the Nabat (Tocsin) anarchist confederation after the fall of Tsar Nicholas I in 1917. Despite the Makhnovists’ proclamation of free soviets and their actions that arguably saved the Revolution through their fierce resistance to the reactionary White armies during the Civil War (1918–21), just as the Kronstadt sailors had previously served the cause at key points, forces loyal to Red Army commander Trotsky crushed both groups.

Notably, La Botz does not acknowledge that Lev Davidovich Bronstein adopted the surname Trotsky in 1898, after his jailer in Odessa. Psychoanalytically, this choice suggests identification with the aggressor, which is consistent with sociopolitical authoritarianism.[4] Arguably in this sense, there is a direct line from Lev’s adoption of his prison warden’s name to his own atrocities in the Revolution. Indeed, Trotsky in Tijuana’s coverage of the Russian Revolution conveys its author’s neo-Trotskyism. For instance, throughout the novel, the totality of the revolution is reduced to the Bolsheviks’ October 1917 seizure of power, with little to no mention of the “people’s epic” from February 1917, which in fact began the earthquake. This elision amounts to a minimization of the role played, specifically, by the proletarian women who lit the spark in Petrograd that overthrew the Romanov Tsars. La Botz even suggests that “revolution” emanated from Lenin’s persona, as though this were his superpower. Likewise, in a 2015 column in New Politics, the author writes that in both “February and October 1917,” the “Bolshevik[s] led the Russian working class to overthrow the Czarist autocracy.” The only problem with this claim is that all of the Bolshevik leaders were in exile during February 1917.[5]

In reality, the book glosses over its subject’s wickedness, in a move that functions to boost Trotsky’s radical credentials. Although La Botz acknowledges that the Bolsheviks “incorporated […] Tsarist officers” into the Red Army early on, the mass murder of the insurgent Kronstadt sailors—overseen by Trotsky in March 1921—is not mentioned until the second half of the book. At that point, La Botz describes the war commissar as merely “support[ing] the decision” to suppress the mutineers, rather than supervising the ex-Tsarist officer Mikhail Tukhachevsky’s use of overwhelming force toward this end.[6] Neither Makhno nor the Makhnovshchina is mentioned at all.

In short, while La Botz’s historical counternarrative champions direct action and critiques bureaucratic authoritarianism, the author’s affection for the “Old Man” somewhat clouds the novel’s treatment of the period between 1917 and 1921. A more anarchist approach might have portrayed Lev Davidovich as haunted by the counterrevolutionary brutality he oversaw and carried out during that time. Although La Botz’s condemnation of Stalinism is most apt—especially in light of “tankie” support for Putin’s war crimes in Syria and Ukraine—and despite the author’s good-natured satire of the titular character, the story neither adequately questions the role of “revolutionary” authority nor proclaims that it is the workers and peasants, not the party, who drive revolutionary change.

“Control room of the Chernobyl Nuclear Power Plant,” Carl A. Willis (Creative Commons Attribution 3.0)

What Happened at Chernobyl in 1986?

Like Marx, Lenin, and Stalin, Trotsky was an enthusiast of bourgeois principles of management, political centralism, and the domination of nature. When crystallized in high-risk technologies such as nuclear energy, it is unsurprising that such Promethean social ideologies, imaginaries, and institutional structures would result in disasters like the one experienced at the Vladimir I. Lenin Nuclear Power Plant, featured in Chernobyl.[7]

The basic idea of nuclear fission is this: uranium, after having been mined and enriched, is subjected to neutron bombardment in a nuclear plant’s reactor core. This leads to the fission, or splitting, of the nuclei of uranium, and the resulting production of intense heat, or radiation. This radiation is then combined with coolant to produce high-pressure steam, which in turn moves turbines, thus producing electricity.[8] The RBMK-type reactor used at Chernobyl, as in many other Soviet nuclear power plants, shared this basic function with the Western light-water reactors (LWRs) presently in use. One of the major differences between the two designs, however, is that RBMK reactors lacked the steel-reinforced containment shields surrounding the core found in LWRs.

On April 26, 1986, a safety test was scheduled to be performed within Chernobyl’s reactor number 4 during the day shift. However, to accommodate the needs of Soviet state capitalism, the test was delayed by ten hours, leaving it to the less-experienced night shift. As part of this experiment, the plant’s crew deactivated the automatic safety and warning systems, including the emergency cooling system. They also removed most of the control rods from the reactor core, lowering energy output far below normal. Accordingly, without adequate power to pump water into the reactor to either remove excess heat or produce electricity, the core became unstable.[9]

At this point, Chernobyl depicts several of the plant’s workers, all of whom present as cisgender men, as protesting the idea of proceeding with the safety test. Nevertheless, reflecting toxic masculinity and the phenomenon of abusive supervision, Anatoli Dyatlov, the plant’s chief engineer, orders the experiment to proceed. Linking megalomania and the performance principle (or the compulsion to keep the capitalist machine going) with the masculine derogation of femininity, Dyatlov bullies his subordinates, Aleksandr Akimov and Leonid Toptunov, into obedience. He does so by threatening their jobs, and specifically by associating Toptunov with his mother, due to his youthful and androgynous appearance.[10] Then, when the test goes haywire, Akimov engages the emergency shutdown system known as AZ-5, thus introducing graphite-tipped rods into the reactor core. This unexpectedly increases reactivity, leading to a chain reaction that causes a critical buildup of steam, a partial meltdown, and a core explosion that would irradiate much of Ukraine, Belarus, Russia, and the rest of Europe.

Chernobyl tells the dramatic tale of this experiment gone awry, together with some of the responses taken by the state, individuals, and collectives to this unprecedented catastrophe. Mazin and Renck portray desperate scenes of exploited labor, as firefighters and helicopter pilots struggle to douse the numerous fires set off by the explosion, miners are forced at gunpoint to build a tunnel beneath the reactor to accommodate a heat exchanger, and human “bio-robots” are used to clear radioactive debris from the facility’s roof. Notoriously, the firefighters who initially responded were neither warned of the risks of exposure, nor provided any sort of protective equipment. As a result, many of these working-class heroes died of acute radiation syndrome. Still, this grisly story foregrounds the state capitalist domination of (cis) men: with the exceptions of female nurses attending to irradiated patients and the fictional Soviet physicist Uma Khomyuk, who is an amalgam of the scientists investigating the incident, women are mostly absent from Chernobyl.

“Monument to Those Who Saved the World,” photographed by Martin Cígler (Creative Commons Attribution 3.0)

Trotsky and Chernobyl’s Critiques of Party-Boss Despotism

In terms of understanding the destruction of the Russian Revolution, the Chernobyl nuclear disaster, and the subsequent collapse of the Soviet Union, we might benefit from contemplating the close relationship between Leninism and Stalinism. In Trotsky in Tijuana, La Botz includes Trotsky’s insightful prediction that the Bolshevik Party would come to be dominated by Lenin, simply due to the pyramidal structure he proposed for it. The author portrays Stalin, as Lenin’s successor, being haunted by Trotsky’s accusation from 1927 that he was the “gravedigger of the Revolution!” Still, he entertains the idea that it was only Grigory “Zinoviev’s military Bolshevism,” a “Bolshevism characterized by authoritarianism and intolerance,” that had “created Stalinism”[11]—thus letting Lenin and Trotsky off the hook.

Even so, almost approaching Paul Mattick’s left-communist critique, La Botz explicitly acknowledges how wrong Trotsky was to consider the USSR a “workers’ state” of any kind.[12] As outlined in The Revolution Betrayed (1937) and other writings, the exiled theorist’s self-serving position about Stalin’s USSR being a “degenerated workers’ state” is perhaps understandable, but it is nonetheless delusional. Indeed, Trotsky’s own responsibility for the suppression of the Kronstadt Commune and the Makhnovist peasant-anarchist movement in Ukraine paved the way for his rival’s takeover. As the Bolshevik autocracy eliminated the most radical elements among workers, peasants, and fighters, it sealed the fate of the Revolution: namely, to give rise to a Communist hell.[13]

Along these lines, Chernobyl can be seen as a visual exploration of the horrors of bureaucracy, state capitalism, and high technology. To protect the reputation and power of the Communist Party of the Soviet Union (CPSU), the Politburo executives covered up and downplayed the news from Chernobyl from the start. Reflecting the lack of freedom of the press, free speech, or freedom of movement evident in the Soviet Union, authorities forced Western correspondents to remain in Moscow in the aftermath of the accident. Meanwhile, the KGB filtered information flows from the disaster site. In reality, the “two million residents of Kyiv,” located eighty miles from the plant, “were not informed despite the fallout danger, and the world learned of the disaster only after heightened radiation was detected in Sweden.” Mikhail Gorbachev, the CPSU’s last general secretary, did not publicly acknowledge the reality of the situation until May 14, well over two weeks after the explosion. In fact, despite Ukrainian appeals to the contrary, Gorbachev ordered the 1986 May Day march to proceed in Kyiv, so as to feign that the explosion posed no health risk to the public—this, despite the fact that the winds were then carrying fallout toward the city.[14]

The injustice of the situation is accentuated by Con O’Neill’s almost mafioso performance as Viktor Bryukhanov, Chernobyl’s manager. Shielded from the risks faced by workers, Bryukhanov keeps a lid on vital information as he sacrifices first responders. Echoing not only tsarist times, when St. Petersburg was constructed on wetlands using the mass conscription of serf labor, but also Stalin’s deportations, forcible collectivization, and the “Great Patriotic War” against the Germans, the CPSU mobilized over six hundred thousand so-called “liquidators” to deal with the fallout from Chernobyl. A 2005 report from the Irish Times finds that since 1986, twenty-five thousand liquidators had died, and that seventy-thousand had been permanently disabled.

While it set the stage for the collapse of the Soviet Union, as Gorbachev later admitted, the Chernobyl nuclear disaster caused 350,000 people to be permanently resettled, and its radioactive emissions have coincided with a regional increase in childhood thyroid cancer rates. While Mazin conveys a death toll of between four thousand and ninety-three thousand owing to the accident, Kate Brown estimates that “[b]etween 35,000 and 150,000 people died from cancers, heart problems, [and] autoimmune disorders” resulting from the disaster. Plus, as the recent movements of Russian units have reminded us, the soils surrounding Chernobyl remain highly irradiated. Ominously, less than a month into the all-out war, forest fires began to erupt, sending airborne radiation levels skyrocketing.

Chernobyl, Eros, and Anarchism

Perhaps surprisingly for an HBO series, Chernobyl features themes sympathetic to queerness, anarchism, and their intersections. For instance, as Akimov confronts the moral distress of carrying out Dyatlov’s unreasonable orders to proceed with the safety test, he gently whispers to Toptunov: “I’m with you.” We can draw a parallel here to Herman Melville’s Moby Dick (1851), which proposes homoerotic union among the crew of the Pequod against the deranged Captain Ahab, who is leading them toward a watery grave. Tragically, in both cases, the crew do ultimately perish, in an allegory of the self-destructive tendencies of capitalism, the domination of nature, and toxic masculinity. In parallel, the miners from the Donbas region who are conscripted to build a tunnel under the stricken plant are shown as especially defiant to the authorities, in a way that may recall the Ukrainian peasant-anarchist movement led by Makhno. Though the miners agree to the CPSU’s terms, Mazin and Renck depict them as doing so proudly, in terms of laboring to save humanity. Furthermore, they are shown performing their communal work in the nude, and this verbal image suggests free love as a means to dissolving hierarchy, or what the late researcher Christopher Chitty refers to as “sexual anarchy.”[15]

On the one hand, Chernobyl celebrates the heroic labor and mutual aid performed during and after the disaster by workers, including engineers, first responders, nurses, miners, and scientists. On the other, it portrays party bosses, from Bryukhanov to Gorbachev, as parasites and autocrats. With this dichotomy in mind, in his review for the New York Times, Mike Hale complains about the miniseries’ “one-dimensional heroes and villains.” Perhaps Mazin and Renck exaggerate a bit, but then again, the bureaucratic authoritarianism exhibited by Dyatlov and his superiors follows from the Soviet context, established by “Red hangmen.”[16] After all, the Soviet political system was based on a combination of the Tsarist “administrative utopia” and the “revolutionary statism” preached by Marx and Lenin.[17] Though he ended up killing Trotsky, Stalin “copied and far surpassed” his rival’s plan for the militarization of labor.[18]

In this sense, despite Chernobyl’s production by HBO, the visual narrative may well be influenced by Mazin’s own apparent solidarity with the struggle against class society. In his review on Red Flag (Australia) of the miniseries as an “anti-capitalist nuclear horror story,” Daniel Taylor observes that “the disaster we’re seeing is transpiring in, and largely a product of, a bureaucratic, managerial society divided into rulers and ruled, bosses and workers.”[19] Therefore, “strip away the Stalinist veneer and it is easy to recognise the system we have today: a managerial society run by bosses and bureaucrats who lie and kill to maintain their social dominance, and who threaten the whole world as long as they remain in power.” Taylor is right, but let us radicalize the implications beyond the nostalgia he expresses for Lenin and Trotsky. By focusing on the intersection of the exploitation of labor and ecological disaster, Mazin may be conveying implicit and/or unconscious sympathies with green syndicalism and social ecology, beyond democratic concerns about political dictatorship.

In parallel, we can draw lines from Trotsky and his Stalinist assassin Étienne, in La Botz’s presentation, to Dyatlov. Both Trotsky and Étienne are portrayed as automatons incapable of friendship, who typically view others only as tools, to be treated as either subordinates or superiors within a military hierarchy.[20] Such depictions, when juxtaposed with Mazin and Renck’s illustration of Dyatlov’s megalomania, communicate the continuities between Marxism-Leninism and bourgeois society—thus questioning what progress the Russian Revolution really brought. Indeed, in a chilling echo from the past, the blatant lie perpetrated by Trotsky and Lenin that the Kronstadt revolutionaries were led by tsarist officers—which subsequently inspired Stalin during his show trials—is now being reproduced by Putin’s regime, when it claims absurdly that Ukrainians are neo-Nazis.

Conclusion

Proponents of nuclear energy are often quick to dismiss the Chernobyl disaster as an aberration that reflects the flaws of both the reactor’s design and the Soviet autocracy, rather than any problems with nuclear fission as such. While the reactors in use today may be safer than the earlier Soviet designs, the 2011 disaster at the Fukushima Daiichi Nuclear Power Plant in Japan, provoked by a tsunami, still tells us that the lessons of Chernobyl have been neither learned nor applied. Moreover, besides the immediate safety issues owing to the risk of core meltdown, most nuclear fission plants in operation today share Chernobyl’s problems of radioactive waste disposal, dependence upon mining, and proliferation of materials usable in a nuclear weapon.[21] Much of this would also be true for the much-hyped hypothetical form of energy production known as nuclear fusion. Like the region surrounding Chernobyl, Diné (Navajo) lands and water-sources in the southwestern United States have been made into sacrifice zones for uranium mining concessions, resulting in radiation sickness and unusually high cancer rates among the Diné. Moreover, it is clear that nuclear energy has no role to play in averting catastrophic climate change.

Such critical thoughts, taken together with reflections on Mazin and Renck’s miniseries, may reveal the systemic nature of our predicament, linking Chernobyl with the Hiroshima and Nagasaki bombings, the Fukushima disaster, global warming, the current war by Russia on Ukraine, and ongoing nuclear brinkmanship. Both Chernobyl and Trotsky in Tijuana are cautionary tales and appeals to reason. While the former highlights “the dangers posed by Stalinism as a uniquely bureaucratic system of social organization,” the latter serves as a call for a united front among “all of us on the left who oppos[e] both Hitler and Stalin,” plus their contemporary followers.[22] While La Botz may not be as critical of Trotsky’s authoritarianism as I might like, his counter-history does recognize the importance of anarchism within revolutionary struggle. Looking to the future, the same mechanisms of social hierarchy, aggressive hyper-masculinity, and adherence to the performance principle that have driven catastrophes like Chernobyl and Russia’s war on Ukraine could be opposed and perhaps overcome by autonomous class struggle; internationalist, anti-militarist, and feminist resistance; and a global transition to wind, water, and solar energy.

Notes

[1] Sigmund Freud, “Creative Writers and Daydreaming,” Collected Papers, vol. 4, trans. Joan Riviere et al., ed. Ernest Jones (New York: Basic Books, 1953), 421.

[2] Dan La Botz, Trotsky in Tijuana (St. Petersburg, FL: Serge Books / BookLocker, 2020), 82–85, 91–92, 185–91, 422–50.

[3] Ibid., 24, 62, 196–69, 242–44, 305, 324, 328–29, 347.

[4] Sigmund Freud, Three Essays on the Theory of Sexuality, trans. Ulrike Kistner (London: Verso, 2016), 71–72.

[5] Ibid., 66, 308; Voline, The Unknown Revolution (Montreal: Black Rose Books, 1975), 136–37.

[6] La Botz, Trotsky in Tijuana, 57, 297.

[7] Irvin Sam Schonfeld and Chu-Hsiang Chang, Occupational Health Psychology: Work, Stress, and Health (New York: Springer, 2017), 9; Richard Stites, Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution (Oxford: Oxford University Press, 1989), 50–52; John P. Clark, The Impossible Community: Realizing Communitarian Anarchism. New York: Bloomsbury, 2013), 3.

[8] G. Tyler Miller, Living in the Environment: Principles, Connections, and Solutions, 12th ed. (Belmont, CA: Wadsworth / Thomson Learning, 2002), 345–46.

[9] Ibid., 350.

[10] Schonfeld and Chang, Occupational Health Psychology, 206–7; Jessica Benjamin, The Bonds of Love: Psychoanalysis, Feminism, and the Problem of Domination (New York: Pantheon, 1988).

[11] La Botz, Trotsky in Tijuana, 20, 289, 311.

[12] Paul Mattick, “Bolshevism and Stalinism,” in Bloodstained: One Hundred Years of Leninist Counterrevolution, eds. Friends of Aron Baron (Chico, CA: AK Press, 2017), 259–72.

[13] Stites, Revolutionary Dreams, 171–72.

[14] Serhii Plokhy, The Gates of Europe: A History of Ukraine (New York: Basic Books, 2015), 310–11.

[15] Christopher Chitty, Sexual Hegemony: Statecraft, Sodomy, and Capital in the Rise of the World System (Durham, NC: Duke University Press, 2020). See the discussion on group marriage in Friedrich Engels’s The Origin of the Family, Private Property, and the State (1884).

[16] Alexandre Skirda, Nestor Makhno: Anarchy’s Cossack (Oakland: AK Press, 2004), 389.

[17] Stites, Revolutionary Dreams, 19.

[18] Mattick, “Bolshevism and Stalinism,” 259–60; Stites, Revolutionary Dreams, 242.

[19] Daniel Taylor, “Chernobyl: an anti-capitalist nuclear horror story,” RedFlag, June, 9, 2019. Available at: https://redflag.org.au/node/6814.

[20] La Botz, Trotsky in Tijuana, 384.

[21] Miller, Living in the Environment, 349.

[22] La Botz, Trotsky in Tijuana, 317.

Assembly, a Ukrainian Anarchist Magazine, on Politics and a Possible Russo-Ukrainian War

Ukrainian volunteers with the Territorial Defense Forces train in the context of looming war threats from Russia. (Courtesy Pete Kiehart, NPR)

First published on The Commoner, 27 January 2022

This exclusive interview with Assembly, a magazine based in Ukraine, provides a fresh, on-the-ground perspective on the Russo-Ukrainian conflict. Writers from Assembly have published articles with The Commoner before, which you can find here. You may otherwise find their website here.

Assembly, thank you for agreeing to this interview. We very much enjoyed your recent article in The Commoner, ‘The Time Has Come?’, about ongoing socio-economic resistance in Ukraine.

Today, the world looks on in horror as Russian President Vladimir Putin’s military is amassing over a hundred-thousand troops on Ukraine’s eastern border. These forces are reportedly composed of sixty battalion tactical groups (BTG’s), including Spetznatz special forces, hundreds of tanks, and dozens of ballistic-missile units—not to mention either the Black Sea Fleet or aerial forces. Although Ukraine gained formal independence from the collapsing Soviet Union in 1991, Putin has repeatedly expressed nostalgia for Tsarist and Soviet imperialism, while Maria Zakharova, spokesperson for the Russian Ministry for Foreign Affairs, has long belittled the idea of Ukrainian sovereignty.

Currently, the UK is selling light anti-tank weapons to Ukraine, while the US has supplied billions of dollars in military aid to the country since 2014, when the Russian military occupied and annexed Crimea. Some media sources suggest that Putin has not yet decided whether to order the invasion, which could spark the most destructive conflict in Europe since World War II, even if Ukraine is not a part of the North Atlantic Treaty Organisation (NATO). Now, following a breakdown in negotiations, President Joe Biden is reportedly considering sending thousands of NATO troops to the Baltic countries.

Can you tell us how you are feeling, and what the situation is like on the ground in Kharkov right now, located near the Russo-Ukrainian border?

In our experience with our community, the poor and peripheral in particular, many people almost don’t take that news seriously. For the most part, people are worried about exorbitant energy bills that are leading to more and more houses having their heating switched off, and enterprises to working or going into the shadow sector precarizing their workers. Ukrainian gas is mostly exported to Europe, while energy carriers for power plants are bought from Russia and the occupied part of Donbass. So you can imagine why we would be skeptical about these horror forecasts from the Western press. It’s true that we are on the verge of social collapse, but it won’t be caused by a military conflict.

We certainly are surprised, as we have seen protests taking place in Kyiv against the latest war threats. The historian Olena Chebeliuk, from Lviv, has expressed her worry that Russia will “invade and capture Ukraine.” The U.S. and Russia have begun evacuating their embassies, and thousands of Ukrainian civilians apparently have volunteered to fight.

You paint such a different picture from our media, that we must ask: can this be so?

Yesterday’s assault on the Ukrainian parliament by small entrepreneurs protesting the abolition of reduced taxation by mandatory cash registers quite convincingly shows what really worries the masses here: the economic, social and tax policy (about 300 of these activists are from Kharkov). However, you will find almost no mention of these clashes in the English-language media: only in the local ones. The evacuation of embassies is carried out only by some Western countries: the same financiers are now divesting from Ukrainian government bonds. And journalists affiliated with the special services of these countries at the end of 2021 accused Ukrainian President Volodymyr Zelensky of corruption in the Pandora Papers. Thus, they systematically put pressure on the Ukrainian top officials, trying to force them to take some steps in their interests (which ones – we cannot know for sure). That’s why spreading rumours about a big war is more just one of their technological tricks than a reflection of a real threat. On the other hand, we did not hear anything about that action in Kyiv linked by you. It looks like it was organised specially for The Guardian’s report! This is just more proof that the mainstream Western press consciously constructs a parallel reality.

In the context of this menacing standoff, the Ukrainian organisation Social Movement has released an international appeal for solidarity against Russian imperialism. We know that the Russian military has been occupying Crimea and waging war on Ukraine since 2014 as retaliation for the popular overthrow of the obscenely corrupt, Moscow-orientated President Viktor Yanukovich during the “Euromaidan” upsurge.

Where would you say you agree with, and differ from, Social Movement’s statement and/or political approach?

Please take into account that Social Movement is a civil organisation intending to become a left-wing parliamentary party like Syriza or Podemos. We largely agree with their statement, and our friends in other cities hold joint actions with them, but their structure is neither libertarian nor revolutionary. We hardly need to analyse the statement of Social Movement in detail. Populists will use any rhetoric if they think it will increase their popularity to convert it into electoral mandates. It’s very boring.

Yanukovich was the pro-Russian candidate during the 2005 presidential elections, but in 2010 he was elected significantly thanks to promises to integrate more with the EU. His Family (sic!) also kept stolen funds Western banks. Yes, he tried to bargain with Russia, but he was never such an ally to Putin as the Belarusian President Alexander Lukashenko or the former Kazakhstani President Sultan Nazarbayev.

Please share with us your analysis of the legacy of Euromaidan and the so-called Revolution of Dignity (2013-2014).

Only either state propaganda or very cheated people can call this oligarchic-parliamentary coup a revolution. The term ‘revolution of dignity’ was coined by them to demonstrate their total hostility to the October [1917] Revolution: they say, we are not fighting for bread or for the means of production, but simply for a rearrangement within the ruling class. What could the enemies of any hierarchy have to do with such a movement? The anarchists were strangers in this conflict, but there was no one willing to create the third force: most of us preferred to abandon our own principles in essence, dissolving among liberals and nationalists only because of the mass-scale of their movement, then gradually discarding even anarchist self-identification. For several years anarchism almost disappeared from the political map of Ukraine and now we are only trying to restore what we had in the early 2010s. Although one of our journalists also took part in local Euromaidan, he was then an ordinary right-wing militant, not an anarchist.

At the same time, we will not deny that despite the obscurantism of its agenda, the Euromaidan victory objectively played some progressive role. The new regime didn’t start anti-social reforms, but continued them and deepened class inequality in society so much that the words ‘capitalism,’ ‘neoliberalism’ and ‘nationalism’ have now become vituperative for many in Ukraine. For instance, after the opening of the agricultural land market on the 1st of July 2021, our region is the absolute leader in Ukraine by the area of land sold, with an average price of only $698 per hectare. We also came out on top in debts for heating and hot water, as well as having about half of the region’s population also have debts for home gas. All this presents the possibility of a revolutionary situation, but the realisation of the situation by society is still lagging behind for the reasons described below. Therefore, it makes no sense to be sad about ‘peaceful 2013’ or to discuss whether it could have happened otherwise — we need to study today’s reality around us and to act for its change.

From his war on Chechnya (1999-2009) to his invasions of Georgia (2008) and Ukraine (2014-present), plus his interventions in Syria (2015-present) and Kazakhstan (2022) to prop up fellow autocrats threatened by uprisings, Putin has gained quite a notorious reputation for himself, based on his doctrine of ‘anti-humanitarian intervention.’ To boot, his government recently banned the renowned human-rights group, Memorial International, which had investigated the Soviet State’s atrocities for over three decades.

Such an authoritarian legacy, paired with the thrust of Putin’s propagandistic July 2021 essay, ‘On the historical unity of Russians and Ukrainians,’ arguably does not bode well for the current crisis on the Russo-Ukrainian border.

So rather than the brightness of a ‘new 1917 on our doorstep,’ which you hailed in your recent piece, might the near future not suggest a return to the bleaker days of 1914, 1936, or 1939?

There is no doubt that Putin’s regime is now playing the same role of a continental gendarme as did Russian Tsarism under Nicholas I. You are also absolutely right that before 1917 there was 1914, when all of Europe thought that a small victorious war would last a couple of weeks, only to result in a world-revolutionary wave ending in 1923. With this in mind, we can see why the imperialist politicians and corporations are wary all the more that a military clash in the very centre of Europe will again lead to a comparable social explosion in their countries (at least in the USA — taking into account the rise of revolutionary struggle there during the last years). So the world leaders intend to divide spheres of influence peacefully and rattle their weapons just to facilitate their negotiations. The pandemic has shown that the modern capitalist order is a Colossus with feet of clay — and the very fact that the world has entered a new era of global repartition confirms this with all clarity.

For example, Ukraine also conducts military exercises on the Polish border and Ukrainian officials glorify those who carried out the genocide of the Poles during the Second World War. So what — do you really think that Ukraine is preparing to attack Poland? Neither do we…

But the spectre of October 1917 is visible even without the scenario of a wider Russian intervention. Please don’t forget that positional trench warfare has already been going on in our neighbouring region since 2014, and the presidential elections of 2019 can be compared with February 1917 (Ukrainian President Volodymyr Zelensky even acts frequently like Kerensky). Only one piece of the puzzle is missing — the structure of our social fabric. People here usually live with some people, work with other people, and spend their leisure time with others entirely — so, Ukrainian society is much more amorphous and inert than are Western countries. This greatly inhibits mass activity and especially complicates the perception of anarchist ideas: even those who, in principle, admit that we are right, cannot in any way apply it to their daily life, let alone decide to take practical steps in this direction. In turn, this means a lack of resources for us: we are now in a situation like with the South Russian Workers Union in 1880, which was one of the first proletarian organisations in the Russian Empire. Its gatherings attracted hundreds of workers, who eagerly listened to every conversation, but donations were so symbolic that the movement in fact operated on funds that its co-founder Yelizaveta Kovalskaya received from her mother to rent a flat in Kiev (her mother, a landlord, owned an estate in Kharkov).

Some observers suggest that Putin is beating the drums of war to distract from internal problems in Russia, especially the COVID-19 pandemic, and that his aggressive posture is not serious, but rather designed to force concessions from Ukraine, the US, and European Union, especially over NATO. In reality, such interpretations may be overly optimistic. What are some of your thoughts on these questions?

What do you think would happen if Putin actually green-lighted a full invasion of Ukraine?

The Russian Federation Council unanimously approved his request to send the army here almost 8 years ago. Nothing new for us.

How can we and our readers support you, your comrades, and your compatriots now, and in the future?

First of all, we need help spreading news of anarchist activity in Ukraine abroad, but you are already doing this and it is really wonderful! We would also like to translate into English our investigations about the forgotten history of the local libertarian movement, but as it stands we don’t have a large enough budget to even start this. The whole world celebrates May Day but who knows that almost the same as Chicago 1886 took place here 14 years earlier than that? Or, as already mentioned, Kovalska, who was born near our city and started revolutionary work in Kharkov had an epic life path not so different from Lucy Parsons. Why don’t they deserve international loving memory equally? There are so many such examples…

Finally, we want to thank you for your attention to our humble opinions and to tell our comrades from Kazakhstan if they are reading this: keep fighting! Your struggle inspires our hearts, and despite all the clan intrigues taking place in the background, compared to Ukraine-2014 and Belarus-2020, this is a real popular uprising!

This piece has been updated to clarify that Assembly is speaking about their personal experience in Kharkov.

The Commoner does not endorse all the views published by the groups that it interviews.

Science Fiction as Protest Art (Part III): On The Shores of Communist H(e)avens

The U.S.S. Enterprise in Earth orbit (Star Trek: The Next Generation)

In this concluding part of our analysis of speculative fiction as protest art, we will wrap up the discussion of ‘capitalist hells’ from parts I and II; consider a few cases of art-works combining utopian and dystopian elements, including Elysium, Octavia’s Brood, and Palestine +100; and then pivot to contemplating the ‘communist heavens’ and ‘alternative’ and/or ‘anti-modern utopias’ envisioned by William Morris, Ursula K. Le Guin, Gene Roddenberry, and Kim Stanley Robinson, among others.

First published on The Commoner, 21 November 2021. Feel free to support them via their Patreon here

Correction to part II: Pardot Kynes, from Frank Herbert’s Dune (1965), is an imperial, not Fremen, ecologist; in the novel, he is father to Liet-Kynes, and grand-father to Chani. Liet is played by Max von Sydow in David Lynch’s 1984 film adaptation, Karel Dobry in the 2000 Sci-Fi edition, and Sharon Duncan-Brewster in Denis Villeneuve’s 2021 version.

So far, in this three-part series on visionary fiction, we have considered some of the critical functions that protest art may serve, in terms of the links between the imagination and political resistance. Against the ruling ‘master symbols’ that impart unreason and brutality, ‘countersymbols may arise,’ as reflections of ‘an ideal community of the imagination.'[1] In the anarchist tradition, such counter-symbols include red and black color schemes and flags, the circle A, the idea of ‘One Big Union,’ and songs such as ‘The Internationale,‘ ‘Solidarity Forever,‘ and ‘A Las Barricadas.‘ Anti-authoritarians have also long used photography, poetry, theater, novels, journals, essays, periodicals, comics, zines, and films to convey our hopes for better futures. Indeed, writer Jesse Cohn observes that we anarchists ‘practice culture as a means of mental and moral survival in a world from which [we] are fundamentally alienated.’[2]

In their much-anticipated new study, The Dawn of Everything (2021), the archaeologist David Wengrow and the late anthropologist David Graeber affirm the ethnologist Claude Lévi-Strauss’s idea that ‘mythological thought […] is better conceived as a kind of ‘neolithic science’ inseparable from our humanity, from the very beginning. For this reason, Wengrow and Graeber celebrate the cultural phenomena of carnival and inversion, which feature in speculative fiction and protest art: ‘In carnival, women might rule over men and children [might] be put in charge of government. Servants could demand work from their masters, ancestors could return from the dead, ‘carnival kings’ could be crowned and then dethroned, giant monuments like wicker dragons built and set on fire […].’ They find such festivals significant, because they remind participants and observers alike that ‘other arrangements are feasible,’ compared to what is dominant at any given time.

Even so, while celebrating how artistic counter-symbols sustain the mental and physical possibilities of ‘striv[ing] to realize [anarchist] communit[ies] in actuality’ by ‘evok[ing] a sense of possible worlds worth fighting for,'[3] we must recognize that verbal and visual images critical of capital and authority have been thoroughly commodified in popular media. As voiced by Thomas Wilson Jardine, the concern is that this phenomenon of recuperation will merely function as a safety valve which ultimately ends up serving the end of social control, besides generating investors in the entertainment industry a great deal of profit.

Along these lines, at the end of The Matrix Revolutions (2003), the conclusion to the original cyberpunk trilogy The Matrix (1999-2003), the protagonist Neo responds to his nemesis Smith’s query as to why he persists in his seemingly hopeless struggle by saying, ‘Because I choose to.’ While this is not the same as disclosing that he is driven by some radical duty or cause, Neo’s reply nonetheless echoes the U.S. anarchist poet Hayden Carruth’s observation that:

‘the real revolutionary is the one who can see
all dark ahead and behind, [their] fate
a need without a hope: the will to resist.’ [4]

Be that as it may, the trilogy’s anti-systemic messianism champions the epic hero of Western iconography, emblematically centers masculinity and whiteness, and emphasizes individual over collective action. After all, Trinity and Morpheus are mere supporting characters for Neo in the original films, and it remains to be seen whether the much-anticipated The Matrix Resurrection (2021) will improve on this dynamic. Like Dune, these movies remind us that subversiveness cuts both ways—sometimes, simultaneously—to portend both recuperation into male authority and racial capitalism, as well as the creation of liberatory counter-publics.

With this dynamic in mind, we will defend anti-authoritarian subversiveness and visionary existentialism in this concluding part of our series on speculative fiction as protest art, wherein we consider “capitalist hells,” “communist heavens,” and “alternative” and/or “anti-modern utopias.”

Visionary Fiction, from the Turn of the Twenty-First Century to Present

Still from Deus Ex: Human Revolution (2011)

Deus Ex (1999-2016): Although the various role-playing games in the cyberpunk Deus Ex universe are relatively open-ended, they jointly communicate Kafka-esque, Orwellian, and ‘negative-anarchist’ visions of totally administered worlds.[5] In the original Deus Ex (1999) and in its more recent iterations, Human Revolution (2011) and Mankind Divided (2016), the main characters, who are vaguely queer-coded cyborg super-soldiers, undergo thematic journeys of self-discovery and exile, as they encounter political corruption, inequality, ultra-violence, homelessness, medical abuse, and discrimination as ‘Augs.’ Players begin Deus Ex on the side of the police and the State, but—echoing Blade Runner (1982) and Blade Runner 2049 (2017)—these ‘red detective[s]’ slowly realize the folly of power by bearing witness to the conspiratorial brutality of the authorities and the lies of the mass-media. Players end up defecting to anti-systemic resistance movements.[6] (The alternative options, admittedly, are to serve the ‘Illuminati’ [an anti-Semitic trope], or oneself.)

At their best, the augmented playable characters in Deus Ex are ‘Anarchist Action M[e]n’ who recall Alex Murphy at the end of RoboCop (1987), Douglas Quaid in Total Recall (1990), the T-800 from Terminator 2 (1991), and Neo from The Matrix. Furthermore, they are reminiscent of Miguel Cervantes’ classic knight-errant Don Quixote, ‘a figure sincerely beloved by anarchists’ for his idealism and commitment to direct action.[7] Although only in Deus Ex: Invisible War (2003) can gamers choose to play as a female heroine, thus reflecting and perpetuating the toxic masculinity for which the industry is notorious, the Deus Ex series not only creatively satirizes many of the social, political, and economic ills of our time, but also allows players the virtual choice to perpetuate or contest these.

Sid Meier’s Alpha Centauri (1999): This innovative computer strategy game, which builds on the well-known Civilization series, imagines human groups settling on ‘Chiron’ in the Alpha Centauri star system, located 4 light-years from Earth. Having reached Alpha Centauri in the twenty-second century, the interstellar travelers break up into numerous political factions upon planet fall. Gamers can choose to play as the Green ‘Gaia’s Stepdaughters,’ the fundamentalist ‘Lord’s Believers,’ the capitalist ‘Morgan Industries,’ or the despotic-collectivist ‘Human Hive,’ among others. The expansion pack Alien Crossfire (1999) adds the syndicalist ‘Free Drones,’ cyborgs, ‘Data Angels,’ and two indigenous alien factions. With a highly customizable interface that permits mod-ability, includes an expansive technology tree, and integrates astute speculation on the future course of humankind, Alpha Centauri makes for a unique experiment in the digital construction of new societies that goes beyond the typical one-dimensional game. Indeed, as we shall see below, an unacknowledged source for the makers of Alpha Centauri may have been Kim Stanley Robinson’s original Mars (1992-1996) trilogy.

In parallel to the game, back on Earth, anarchists are divided among ourselves, and we confront numerous enemy forces, from the State to capitalists, fascists, and Stalinists. Hopefully, we can unite and find allies to propel global anti-authoritarian and ecological revolution, before world leaders lead humanity to our doom through war, future pandemics, totalitarian takeovers, and/or ecological catastrophe.

Cover image of Elysium

Elysium (2013), Sleep Dealer (2008): Elysium, written and directed by District 9’s director Neil Blomkamp, is a slice of life from the apocalyptic landscape of Los Angeles in 2154, juxtaposed with the orbiting space-station Elysium, which is home to the affluent capitalist overlords of the future. While on Elysium there are many green, open spaces, with mansions adorned by pools and maintained by servant-bots—akin, perhaps, to the humanoid ‘Tesla Bots‘ recently announced by Elon Musk—Earth-dwellers confront veritably infernal conditions. In fact, the “Earth” scenes were filmed in the Bordo Poniente landfill in Mexico City (one of the largest in the world, before its closure), while the Elysium scenes were shot in Vancouver, British Columbia.

The film’s protagonist, Max (played by Matt Damon), is seriously injured by a workplace accident in LA, due to negligence and pressure from his supervisor. With mere days to live, Max tries desperately to find a way aboard the remote and highly fortified space station, where highly advanced therapeutic machines hold out the promise of freeing the body from all ailments and disease. With the help of his mostly Latin@ comrades, Max overwhelms Elysium’s defenses and sacrifices himself to ensure that all Earth residents become Elysian citizens, and so are allowed free, life-saving medical treatment.

In its internationalism, its cosmopolitan focus on migration, and its concern with militarism and labor exploitation, Elysium shares many themes with its fellow dystopian social science-fiction film Sleep Dealer, which envisions Mexican proletarians renting themselves out digitally to work as labor-bots in factories on the other side of the U.S.-Mexico border—which is closed, and patrolled by killer drones—all while remaining in their home country. This is something that U.S. Vice President Kamala Harris has urged. Both films therefore critique borders, inequality, and labor in a manner consistent with anarchist principles, calling to mind the ongoing importance of class struggle, humanism, cross-border organizing, and migrant solidarity.

Cover of Octavia’s Brood

Octavia’s Brood: Science Fiction Stories from Social Justice Movements (2015): This striking volume of visionary fiction, written mostly by people of color, renders homage to Octavia Butler’s profound contributions to the development of anarcha-feminist and anti-racist themes in sci-fi and protest literature. In ‘Revolution Shuffle,’ Bao Phi imagines Asian- and Arab-Americans, ‘Pacific Islanders, Native Americans, Chicanos, and Black people’ thrown into concentration camps by the authorities en masse, as guerrillas look on, contemplating launching a war ‘that might just turn into something like a revolution.'[8] In her contribution, co-editor Walidah Imarisha imagines an itinerant, avenging Black Angel who rescues Palestinians and Mexicans from marauding neo-Nazis and ICE agents, respectively, using overwhelming force. Having been expelled from heaven for questioning God’s complicity with wickedness, A. seeks to be one of the righteous ones ‘who fight against [oppression], who push the forces of destruction back.’[9]

In a similar vein, disability activist Mia Mingus envisions a commune of people with disabilities (‘UnPerfects,’ or ‘U.P.s’) finding solace in autonomous life on a distant planet, far from Earth, where a new wave of annihilatory attacks on ‘U.P.s’ recalls the horrors of Nazi Germany.[10] In an excerpt from Aftermath (1997), LeVar Burton, of Roots and Star Trek: The Next Generation, foresees the Black Dr. Rene Reynolds inventing a ‘Neuro-Enhancer’ that could cure all disease, but then being enslaved by traffickers who target dark-skinned people. Grimly, these slavers turn around and sell the skins of their victims of color to whites for the purposes of grafting, or ‘skin fusion,’ to protect the latter against cancer, in light of the catastrophic depletion of the ozone layer.[11] Notably, as well, Octavia’s Brood includes an excerpt from Terry Bisson’s Fire on the Mountain (1988), an alternate utopian history of the U.S., wherein slaves and abolitionists successfully liberate the South from Confederate rule, leading to the founding of the independent Black socialist State of Nova Africa. Octavia’s Brood therefore represents a timely and intersectional intervention that can animate a politics of resistance and decolonization against white supremacy, fascism, and ableism, in keeping with Black Lives Matter, Antifa, and disability-justice movements.

Palestine + 100 (2019): In this collection of speculative stories about Palestine’s future a century after the Nakba—the ethnic cleansing of up to three-quarters of a million Palestinians, on which Israel was founded in 1948—Palestinian writers defamiliarize and question their everyday lives, which under Occupation amount to ‘a kind of a dystopia,’ according to editor Basma Ghalayini. Contributors Saleem Haddad and Selma Dabbagh report that they found the writing process to have been therapeutic, and unexpectedly liberating. Along these lines, Palestine + 100 has the power to ‘ope[n] up a whole [new] world’ for writers and audiences alike, proclaims Dabbagh. In her review of the volume, Ramona Wadi observes that the volume’s fiction ‘offers an alternative to imagine and communicate these fantastical forays into a not-so distant future, while never forgetting about the historical trauma impacting generations since the Nakba.’ Indeed, in June 2021, following another shooting war between Israel and Hamas that took the lives of at least 248 Palestinians and 12 Israelis, Palestinians attested to the centrality of the radical social imaginary in their ongoing struggle for justice by dreaming online of life as if the Occupation had ended, using the hashtag #TweetLikeItsFree.

Heavenly Communism

Alongside the “capitalist hells” from history and present that pervade sci-fi, visionary fiction also features previews of “communist heavens” at the terrestrial, interplanetary, and galactic levels. Inspired by the Russian Marxist Alexander Bogdanov’s Red Star (1908), a two-volume novel set three hundred years in the future in a ‘Martian-Marxian society’ observing full communism, Russian science-fiction writers from the early Soviet period lyrically explored modernization, ‘the outer reaches of technical innovation,’ and the use of science to dominate nature, while proclaiming ‘the ultimate triumph of the shining pravda [truth] of social justice over the dark krivda [wickedness] of greed and power hunger.’ In this sense, in contrast to the pessimism of the Fabian socialist H. G. Wells, author of The War of the Worlds (1897), Soviet speculative writers marshaled revolutionary ideology and critical sociology to optimistically envision utopian futures—in turn, presumably moving Ursula K. Le Guin, Gene Roddenberry, and Kim Stanley Robinson to do much the same, as we shall see.[12]

Along these lines, in April and May 2021, artists from the Middle East and North Africa (MENA) region publicly mused about the future through the prism of sci-fi. For this series, the Egyptian novelist Ahmad El Fakharany exclaims that ‘Heaven is the world’s motor, the mirage it needs. We will never lose its effects. We will never stop pursuing it.’ Likewise, the Egyptian poet Khadija Al-Saadi identifies fiction as a ‘certain reality that contributes to change and transformation—what I think about, I work on. Ideas are free and roam different worlds.’ She adds that ‘[s]cience fiction is accessible to anyone who thinks about it in depth, calmly and methodically. After thinking, the images come, and then answers.’

William Morris & Co., ‘The Orchard’ (1890; courtesy Albert and Victoria Museum, 2021-2026)

To this point, the British eco-socialist poet and designer William Morris (1834-1896) wrote News From Nowhere (1891) as an ‘Epoch of Rest’ and a ‘Utopian Romance.’ Although this novella depicts communist h(e)avens, it may more accurately be classified as an anti-modern utopia integrating Romantic, pastoral, and even proto-solarpunk themes.[13] Recalling Tao Qian’s ‘Peach Blossom Spring‘ (421 C.E.), Morris’ alter ego, William Guest, awakens the morning after a discussion at the Socialist League about the ‘Morrow of the Revolution,’ only to find himself in a paradoxically future-medieval London, set in 2102, from which the factories and associated pollution have disappeared. Remarkably, he discovers that poverty and class have been eliminated, that workers are healthy in body and mind, and that the people’s social character is warm, joyous, and humanistic, such that they resemble a ‘bed of tulips in the sun.’ In place of a ‘country of huge and foul workshops,’ railways, and robber barons, England and its fields have become ‘a garden, where nothing is wasted and nothing is spoilt,’ and ‘made for the pleasure as well as the livelihood of all.’ In this liberated world, capitalism, industrialism, and Puritanism have been overthrown, and ‘mastery has changed into fellowship.'[14]

During a boat ride down the Thames River, Guest and his fellow dreamer Ellen encounter ‘a mill […] as beautiful in its way as a Gothic cathedral,’ and amidst the sounds of blackbirds, doves, rooks, and swifts, they visit an old house built by peasants from Guest’s timeline, and there jointly contemplate what the psychoanalyst Nancy Chodorow might term the ‘living’ or ‘unconscious past.'[15] Ellen presents socialist-feminist reflections on how she would have been ‘wrecked and wasted […] either by penury or by luxury,’ had she had the misfortune of being born in the nineteenth rather than twenty-second century.[16] Yet, soon after joining his friends for a communal feast at a medieval church, Guest awakens, hoping passionately that his reveries could become a political vision for the future.

The importance of Morris’ Romantic-revolutionary outlook should not be underestimated. All of it remains relevant today. In Cohn’s words, the message of News from Nowhere speaks to a ‘key component of anarchist dreaming’: that is, ‘the process of reconciliation and reintegration that would constitute a society of equals without producing another Terror.'[17] In Spaces of Hope (2000), David Harvey employs the motif of falling asleep amidst a bout of political despair to envision a radically different, non-repressive future society. The film Total Recall (1990)—starring Arnold Schwarzenegger as a disaffected worker who either goes to Mars to lead a successful planetary insurrection against the capitalist overlords, or merely fantasizes about doing so—relies on a very similar premise. Riffing off Morris’ communalist anti-industrialism, Paul Glover’s eco-utopian Los Angeles: A History of the Future (1984) envisions the peoples of Santa Monica and Boyle Heights reaching self-sufficiency and replacing car-centric urban planning designs with orchards that are communicated by bikeways and solar-powered rail.[18]

Hopefully, with greater movement toward unionization of the U.S. working class during the COVID-19 pandemic, as well as the ‘Great Resignation‘ of laborers quitting ‘bullshit jobs‘ en masse, the power of State and capital can be further destabilized, so that workers and communities come to replace the State and capital as decision-makers in the future. Green and community syndicalism hold more promise for reaching a sustainable, egalitarian future, when compared to the gross negligence that has been exhibited by world leaders for decades, in the face of the collective death sentence posed by global warming.

In a similar vein to News from Nowhere, Alexander V. Chayanov’s 1920 fictional work, My Brother Alexei’s Journey into the Land of Peasant Utopia, begins with a proletarian leaving his job one night in 1921, ‘disgusted at the mechanical extremism of the socialist regime in which he lives.’ He falls asleep, awakening over sixty years later in a future Russia wherein the Bolsheviks have been overthrown by the Socialist Revolutionaries, and large cities and the centralized State destroyed. Self-evidently, such a vision deviates radically from Marxist prescriptions for the future. That having been said, for envisioning an agrarian society that would be self-governed by cooperatives, but not necessarily opposed to private ownership or traditional peasant culture, Chayanov perished in Stalin’s GULAG in the early 1930’s.[19]

Le Guin’s Ambiguously Utopian Futures

Cover of Ursula K. Le Guin’s The Dispossessed

The visionary anarcha-feminist Ursula K. Le Guin’s award-winning novels The Dispossessed (1974) and Always Coming Home (1985) combine elements of heavenly communism with anti-modern and alternative utopianism to contemplate possible anti-authoritarian futures for humanity. Following in the steps of her parents, the ethnologists A. L. and Theodora Kroeber, Le Guin (1929-2018) uses anthropological approaches to narrate these “ambiguous utopias.”

The Dispossessed describes a future anarcho-communist society in the Tau Ceti solar system being constructed on the desolate moon Anarres, whose courageous inhabitants have broken away from the bourgeois-patriarchal society based on the more ecologically bountiful home planet of Urras. Led by the prophetess Odo, the Anarresti resist socio-political authoritarianism by engaging in cooperation, encouraging free love and sexuality (including LGBTQ dimensions), and creating a new language that lacks possessives, thus consciously building what Le Guin terms ‘the most idealistic, and […] the most interesting, of all political theories.’ The Anarresti physicist Shevek, the work’s protagonist, visits Urras, only to encounter class divisions, sexual repression, and militaristic State violence. By contrast, Shevek’s experience in the capitalist hell of Urras does not mean that life on Anarres is perfect, for Le Guin warns of the risks of group conformity and stagnation, even among mindful anti-authoritarians who have consciously overcome many of the problems faced by the Urrasti.

The novel’s title is likely a play on Fëdor Dostoevsky’s The Possessed (1871-1872),[20] and its plot presents a critique of the opportunistic and deranged social character which Dostoevsky imputes to anarchists in his reactionary satire. In this sense, when the Marxist literary commentator Fredric Jameson criticizes the links Le Guin traces among ‘institutionalized warfare, centralization and psychic aggression’ as ‘preoccupations of a characteristically liberal type,’ he merely tells on himself, while echoing Dostoevsky and Marx’s authoritarian caricatures of anarchism—not to mention those propagated by neo-Stalinists in the twenty-first century.[21]

Beyond the political novel of The Dispossessed, Always Coming Home synthesizes speculative ethnology with poetry, parables, music, spiritual journeys, and emblematic memoirs to construct the world of the so-called Kesh, an egalitarian people who institute a society based on anarcha-feminism, free love, communal horticulture, and the gift economy in ‘the Valley’ of California in the deep future. In ecological terms, this future-world is marked by capital’s infernal devastation of the global climate. Implicitly speaking to the threat of sea-level rise posed by the melting of the world’s glaciers and poles, a certain Grey Bull recalls a journey by boat to what must previously have been the San Francisco Bay Area, whose houses, buildings, streets, and roads now lie at ‘the bottom of the sea.'[22]

‘Under the mud in the dark of the sea there
books are, bones are […].
There are too many souls there.'[23]

Speculatively, there may be a connection between this estranging journey into the effects of global warming, and the premise of Kim Stanley Robinson’s New York 2140 (2017), which is set in a future wherein the polar ice caps have melted, and New York—like other low-lying cities—has been irreversibly inundated. In spite of the ecological constraints imposed not only by climate catastrophe, but also by past chemical pollution of the environment, Le Guin’s sympathetic portrayal of Kesh society in Always Coming Home arguably constitutes an (an)archaeology of the future: a vision, in other words, of ‘what [we] can become.'[24] The Kesh and their mysteriously advanced allies, ‘the Exchange,’ use soft technologies, including cybernetics and solar energy, to decentralize industry and society—thus integrating the past visions of Peter Kropotkin, Marshall Sahlins, Morris, and Lev Tolstoy.[25] The climate is fortunately stable enough to support horticulture. Through the practice of ‘heyiya,’ or the recognition of the links between the sacredness and interconnection of life, they institute Hermann Cohen’s vision of a ‘religion of reason.’

As a foil to the Kesh, Le Guin introduces the Condor People, a nomadic group of marauding male-supremacists and propertarians, who practice militarism, ultra-misogyny, and cruelty toward animals. Accordingly, in this work, ‘[t]he patriarchal […] is identified with the imperialistic.'[26] Through their casteism, sexism, and ultra-violence, the Condor soldiers recall the Vikings, the Mongol empire, conquistadores, and Euro-American slaveowners of yore, as well as the Hindutva, Taliban, and Christian fundamentalists of today.

In sum, according to John P. Clark, Le Guin condemns ‘the manipulative world of domination we actually find ourselves in,’ while affirming ‘the cooperative world of freedom we are capable of creating.'[27]

Star Trek: Communism in Space

The U.S.S. Enterprise confronts a Borg cube (Star Trek: The Next Generation)

The various Star Trek series (1966-present), the brainchild of Gene Roddenberry (1921-1991), closely follow Morris and Le Guin, in that they mix visions of communist h(e)avens with high-tech utopianism to consider a ‘good future’ for humanity. This arrives through the United Federation of Planets, which is co-founded among Earth and the planets Vulcan, Andor, and Tellar in the year 2161, after victory against the Romulan Star Empire, which had launched a nuclear war on Earth six years prior. The Earth-Romulan war, in turn, comes a century after World War III, which similarly involved the use of atomic weapons.

In this sense, the backstory of Star Trek pays tribute to the Russian engineer V. D. Nikolsky’s epic In A Thousand Years (1927), which involves a journey via ‘chronomobile’ into the future that anticipates the victory of socialism and humanism over capitalist imperialism, following a desperate period of nuclear war and bourgeois dictatorship.[28] In turn, Roddenberry renders homage to the Argentine Trotskyist Juan Posadas, who adopted Michel Pablo’s concept of nuclear catastrophism, whereby the workers of the world would survive the ‘destruction of all bourgeois and bureaucratic institutions in nuclear war’ to rebuild the world as socialist. Such an optimistic, catastrophic spirit might be germane to our own time, beset as we are by COVID-19 and unchecked global heating.

Broadly speaking, Star Trek can be viewed as a rationalist Enlightenment narrative about humanity’s self-overcoming of infancy, mastery, and brutality. For instance, in ‘Past Tense,’ from Star Trek: Deep Space Nine (1995), we learn that the ‘Bell Riots‘ of San Francisco (2024) paved the way for the coming of the Federation, and Star Trek: The Next Generation (TNG, 1987) opens in the twenty-fourth century with the supernatural entity Q putting humanity on trial for the ‘multiple and grievous savageries of the species.’ Proving Q wrong, the crew of the U.S.S. Enterprise liberates an alien lifeform that had been imprisoned and exploited by the humanoid Bandi species at the Farpoint station. Such utopian visual images arguably connect to today’s Black Lives Matter, #MeToo, trade-unionist, climate-justice, and Total Liberation movements, not to mention the Syrian or Rojava Revolutions.

In The Original Series (TOS, 1966-1969) and TNG, the Federation and its military-exploratory wing, Starfleet, are shown as constantly at odds with the Romulans—who follow the classical despotism of the Romans, instituting an authoritarian State, reified law, and private property[29]—and the Klingons, who are reminiscent of the Mongol, Qin(g), and Japanese Empires. Klingon ‘Birds of Prey‘ could be likened to Bashar al-Assad, Vladimir Putin, and Recep Tayyip Erdoğan’s war planes, due to the cruel purposes they commonly serve, while the Romulans hold a mirror up to the sordid history of Western ‘civilization.’ For their part, the menacing, authoritarian-collectivist Borg may be meant to satirize Stalinist or Maoist state-capitalism, corporate capitalism, and/or the dangers of technology. In this sense, Roddenberry affirms Enlightenment and socialist humanism through the idea of the Federation struggling against the fascistic Borg, while conveying a future vision of the Third-Campist motto—devised by U.S. Trotskyists amidst the depths of the Cold War, and likely adapted from Shakespeare—of ‘A plague on both their houses’: namely, the U.S. and the U.S.S.R., or the Romulans and Klingons. In this vein, a similar critical analysis of present-day rivalries between the U.S.A. and the People’s Republic of China would be in order.

Whereas the Star Trek universe presents a cooperative, inter-species, post-capitalist future, wherein the peoples of Earth have abolished poverty, scarcity, and profit, it also resembles Le Guin’s ‘ambiguous utopias,’ as hierarchies of gender and race arguably persist in the Federation. The franchise’s representation of Klingons as invariably Asian and/or Black also reproduces white supremacy—especially, as in TOS, when these Klingons are played by Euro-American actors. At the same time, Black, Asian, and/or female characters and actors play productive roles in several Star Trek series, and so contest racism and sexism, in an implicit nod to the Civil Rights Movement (contemporary to TOS). Nonetheless, due to the machinations of producer Rick Berman, LGBTQ representation and feminist themes were hampered for decades over multiple series.

At its best, Star Trek helps defamiliarize and question mainstream politics. The TNG episode ‘Force of Nature’ (1993) foresees the Federation Science Council imposing fleetwide limitations on warp speeds, due to concern that further high-warp emissions would prove destructive to the fabric of space. In contrast, in our world, ‘the systems that were meant to validate and respond to’ the initial alert about COVID-19 ‘were too slow,’ and much the same could be said about the official response to the climate crisis, which threatens our future radically. To this point, although the third season of Star Trek: Discovery (2020) is set in an alternate future in the early fourth millennium, wherein the Federation has collapsed following a mysterious ‘Burn,’ anti-authoritarians and rebels committed to Starfleet principles still find each other and engage in high-tech communist insurrections. Likewise, the trailer for season 2 of Picard (2022) suggests that the crew of La Sirena goes back in time to our day to prevent a fascist takeover in an alternate future, without the Federation. Accordingly, the Star Trek franchise both encourages and profits from horizontalist politics and internationalist struggles.

The Mars Trilogy and Red Moon

‘[D]o the best you can! Help all good causes!'[30]

The progressive visionary Kim Stanley Robinson’s Mars trilogy—Red Mars (1993), Green Mars (1994), and Blue Mars (1996)—renders homage to Bogdanov’s Red Star in its portrayal of the near-future colonization of the red planet, and its subsequent terraforming into a green and then blue planet, laden with oceans. Robinson, or KSR, integrates a utopian blending of red and green figurative imagery and eco-political thought to envision a Martian cultural and political revolution against the capitalist despotism based on Earth.[30] Many of the place-names he invents for the red planet pay tribute to the German critical theorist Ernst Bloch’s Principle of Hope (1954-1959). In his own words, KSR was forever ‘changed’ by reading Le Guin, whom he described upon her passing in 2018 as ‘a complete person of letters and an important public intellectual.’

Among the scientists who settle Mars in 2026 in KSR’s imagination, certain characters stand for different socio-ecological alternatives. For example, the prophetess Hiroko Ai, a leader of the ‘Green’ movement, which seeks to terraform Mars, stands for ‘viriditas’ and life, while her foil, the geologist Ann Clayborne, initially avows a ‘Red’ position of ‘Mars First!’, which is radically opposing to any form of geoengineering. In contrast, Ann’s erstwhile colleague Phyllis Boyle stands for capitalist modernization and the death drive, whereas Arkady Bogdanov, whom she assassinates, symbolizes anarcho-syndicalism. The engineer Nadia Cherneshevsky, his partner—whose last name alludes to the Russian revolutionary Nikolai Chernyshevsky, author of the social utopia What Is To Be Done? (1863)—emphasizes the critique of violence and social reconstruction following Terran retaliation against the First Martian Revolution, which takes place at the end of Red Mars. Furthermore, the Trinidadian anarchist stowaway known as ‘Coyote’ plays a crucial role in propagating ‘eco-economics,’ utopian socialism, and the gift economy in Green Mars. Ultimately, the Martian colonists succeed in transforming the planet into a ‘second Earth’ which has abolished private property, patriarchy, and social violence. As Blue Mars closes, on the newfound beaches of the fourth planet from the sun, the transformed elder Ann Clayborne reflects proudly:

‘Beat on, heart. And why not admit it. Nowhere on this world were people killing each other, nowhere were they desperate for shelter or food, nowhere were they scared for their kids. There was that to be said.'[32]

Cover of Kim Stanley Robinson’s Red Moon

In Red Moon (2018), KSR contemplates similar themes in a compelling visionary thriller that features inter-imperialist rivalry between the U.S. and China, as well as resistance movements in both countries that contest capitalist authoritarianism for the sake of a better future. The year is 2047, and the Chinese Communist Party (CCP) has colonized much of the moon, integrating it into the State as a ‘Special Administrative Region’—akin to the internal colonies of Tibet, Xinjiang, Macau, or Hong Kong, among others (not to mention much-coveted Taiwan). Although nationalism explains much of the impetus for China’s lunar presence, KSR describes how the moon also serves as a site to which the most polluting industries could be transferred, as well as an untapped source of mineral extraction, and a launchpad to the rest of space. Through estrangement, KSR presents a dual critique of the ‘G2’ of China and the U.S. as mirror-image ‘[p]artners in crime,’ while he metaphorically ponders ‘what it will take to achieve escape velocity […] and fly off into a new space.'[33]

Red Moon ‘s main character is the revolutionary Chinese leader Chan Qi, a so-called ‘Party princess’ and daughter of the CCP’s finance minister, who is sympathetic to the New Left and a critic of Confucian sexism—but not a Party member. With the help of the U.S. quantum mechanic Fred Fredericks, Qi evades the nefarious bureaucratic forces that would capture or kill her, whether on Earth or the moon, to change the lunar-planetary system, by means of an inside-outside strategy. From her lunar hideout, Qi calls for an uprising in China, resulting in the popular occupation of Beijing. This mobilization for the ‘China Dream’ of a ‘just world’ in turn inspires a similar movement in Washington, D.C., galvanizing ‘a global people’s revolt,’ starting with a ‘G2 people’s revolt,’ that has ‘no leader.’ As in The Ministry for the Future (2020), such popular uprisings lead to significant governmental reforms, but also to the recovery and rehabilitation of State power. This paradox is reflected in the Daoist poet Ta Shu’s declaration—likely echoing KSR’s own contemporary views—that ‘[u]ltimately you need both’ pressure from below and top-down reforms to resist capitalism and combat global warming.[34]

While a grassroots strategy based in green and community syndicalism, feminism, and intersectionality may theoretically provide the best chance for radically mitigating climate destruction, overthrowing class society, emancipating humanity, and saving millions of other terrestrial and marine species from extinction, the ‘receiving sets‘ for such revolutionary transformation are arguably missing at present. Moreover, as critical theorists and psychoanalysts emphasize, capitalism and hierarchy tend to reproduce themselves both in mind and reality through children’s socialization and education, proletarians’ working lives, and the imperatives of the culture industry. Along these lines, COP26 has shown the world yet again that the only measures which can be contemplated by capital and the State on the most fundamental questions about climate catastrophe fall radically short of the basic demand—presumably shared by everyone—for a livable planet.

Conclusions

In this series on speculative fiction, we have seen numerous examples of the intimate connections binding radical artists, the social imaginary, visionary art, and revolutionary struggle across time and space. Utopian science fiction flourished in early Soviet Russia until Stalin banned it, according to his goal of figuratively performing a ‘fantasectomy’ of the revolutionary imagination, thus facilitating social control and the counter-revolutionary cause. As the German anarcho-syndicalist Rudolf Rocker argued, Stalinism and Fascism were ‘part of a transnational process reinforcing hierarchies in which the worker was inevitably reduced to an anonymous piece of machinery in mass society.'[35] As such, these totalitarian regimes had more in common with Fordist capitalism than not. It is not for nothing that Henry Ford and Hitler mutually admired each other, or that Ford and Stalin made a deal in 1929.

As opposed to the dystopias of capitalist and Communist hells alike, the competing emancipatory vision of exile, equality, and autonomy is conveyed by the Daoist dream of a ‘Peach Blossom Spring,’ Raúl Cruz’s imaginary Mayan steampunk creatures, and the egalitarian ‘new history of humanity‘ uncovered by David Graeber and David Wengrow. The cause of collective liberation resonates in several of the art-works we have examined in these three articles: for example, We, The Great Dictator, The Left Hand of Darkness, The Word for World is Forest, THX 1138, Star Wars, Terminator, The Parable of the Sower, Elysium, Octavia’s Brood, Palestine + 100, ‘Imagining the Future in the Middle East and North Africa,’ News from Nowhere, The Dispossessed, Always Coming Home, Star Trek, the Mars trilogy, and Red Moon.

Like Octavia Butler, who believed the ‘highest imperative’ to be ‘action to create change,’ Walidah Imarisha rightly declares that ‘[a]ll organizing is science fiction.'[36] For this reason, while Jardine is right to warn us to be wary of media corporations trying to sell us anti-authoritarianism and anti-capitalism and lull us into interpassivity, perhaps more importantly, we should be mindful of the immense power our imaginations have to break capital’s infernal grip—not only over the mind, but also over reality, from which it is inseparable. In this series, we have seen how visionary protest art permits explorations of social problems and creative solutions to the same in past, present, and future.[37] In this sense, we would do well to heed Pranav Jeevan P’s invitation for us to ‘revisit and re-imagine these visions, understand and imbibe the ideas behind them and work towards creating our [own] Begumpura,’ our Peach Blossom Spring, our global Federation.

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[1]Hans Gerth and C. Wright Mills, Character and Social Structure: The Psychology of Social Institutions (Routledge: London, 1954), 288.

[2]Jesse Cohn, Underground Passages: Anarchist Resistance Culture, 1848-2011 (Oakland: AK Press, 2014), 15 (emphasis in original). Some examples of anarchist protest art might include Колокол (‘The Bell,’ 1857-1867), War and Peace (1869), L’Homme et la Terre (‘Humanity and the Earth,’ 1905-1908), Regeneración (‘Regeneration,’ 1900-1918), ‘Written in Red’ (1911), Living My Life (1931-1934), Animal Farm (1945), The Rebel (1951), Viva Zapata! (1952), Salt of the Earth (1954), Can Dialectics Break Bricks? (1973), Libertarias (1996), La Commune (2000), Maggots and Men (2009), World War III Illustrated (1979-2014), and Processed World (1981-2005).

[3]Gerth and Mills 288; Cohn 269.

[4]Hayden Carruth, Brothers: I Loved You All: Poems, 1969-1977 (New York: Sheep Meadow Press, 1978), 93-4 (emphasis in original).

[5]Michael Löwy, Redemption and Utopia: Jewish Libertarian Thought in Central Europe (Stanford: Stanford University Press, 1988), 71-94.

[6]Richard Stites, Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution (Oxford: Oxford University Press, 1989), 172-3.

[7]Cohn 63, 287.

[8]Bao Phi, ‘Revolution Shuffle,’ in Octavia’s Brood, eds. Adrienne Marie Brown and Walidah Imarisha (AK Press/Institute for Anarchist Studies, 2015), 11, 14.

[9]Walidah Imarisha, ‘Black Angel,’ in Octavia’s Brood, 50 (emphasis in original).

[10]Mia Mingus, ‘Hollow,’ in Octavia’s Brood, 109-21.

[11]LeVar Burton, ‘Aftermath,’ in Octavia’s Brood, 215-23.

[12]Stites 32-3, 172.

[13]Stites 174.

[14]William Morris, News from Nowhere and Other Writings (London: Penguin, 2004), 43-8, 105, 211-6, 226, 228.

[15]Nancy Chodorow, The Power of Feelings (New Haven, CT: Yale University Press, 1999).

[16]Morris 215, 223.

[17]Cohn 209.

[18]Ibid, 322-4.

[19]Stites 185-6.

[20]Cohn 228.

[21]Fredric Jameson, Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions (Verso: London, 2005), 276; Rohini Hensman, Indefensible: Democracy, Counterrevolution, and the Rhetoric of Anti-Imperialism (Chicago: Haymarket Books, 2018).

[22]Ursula K. Le Guin, Always Coming Home (Berkeley: University of California Press, 1985), 138.

[23]Ibid, 390.

[24]Riane Eisler, The Chalice and the Blade: Our History, Our Future (New York: HarperCollins, 1987), 5.

[25]Le Guin 379-80.

[26]Jameson 67.

[27] John P. Clark. ‘On Living in the World: Always Coming Home Revisited.’ Fifth Estate, forthcoming.

[28]Stites 176-7.

[29]Martin Malia, Alexander Herzen and the Birth of Russian Socialism (New York: Universal Library, 1961), 301-9.

[30]Kim Stanley Robinson, Red Moon (New York: Orbit, 2018), 288.

[31]Jameson 409-16.

[32]Kim Stanley Robinson, Blue Mars (New York: Del Rey, 2017), 761.

[33]Robinson, Red Moon, 148, 181, 227, 232, 234-42.

[34]Ibid, 142, 157-9, 209, 231, 267 (emphasis in original), 268-9, 276-7, 327, 363-73, 410

[35]David Bernardini, ‘A different antifascism. An analysis of the Rise of Nazism as seen by anarchists during the Weimar period.‘ History of European Ideas (2021), 6.

[36]Tananarive Due, ‘The Only Lasting Truth,’ in Octavia’s Brood, eds. Adrienne Marie Brown and Walidah Imarisha (AK Press/Institute for Anarchist Studies, 2015), 270; Imarisha 3.

[37]Stites 189, 226.

John le Carré: A Radical Spy Novelist Playing with the System

“I am not a nihilist. I am a humanist. If it is given to us to play a part for the future, we must play it.” – Katya Orlova, The Russia House (1989)

Spanning five decades, from the Cold War to the present, John le Carré’s best-selling collection of spy novels are well-known for the way they immerse the reader in the world of international relations, espionage, and statecraft. The author’s aptitude for transporting his audiences in this way stems at least partly from the six years he worked in British Intelligence, both MI5 and MI6 (1958-1964). Yet, while le Carré—or David Cornwell, to use his given name—was a spy and focuses his literary output mostly on spying and the State intrigue, he shows himself in his fictional writings to also be highly critical of the hegemony of State and capitalism.

In a dialectical sense, le Carré “plays” with his novels to similarly “play” the system: while, at first glance, readers of le Carré are suffused with the ruthless worlds of statist power plays, militarism, and realpolitik, soon they are confronted with grand indictments of the domination of capitalism, imperialism, and the State over humanity. The novelist’s political perspective is generally anti-authoritarian, rationalist, and humanist—like that of Katya Orlova from The Russia House, who is an enthusiast of the anarchist Alexander Herzen, the “father of Russian socialism” and Populism—and it was opposed to both sides of the Cold War during its existence, just as the author has been critical of the persistence of capitalist hegemony that has followed during the past two-plus decades. In a sense, le Carré’s writings may be considered a sort of Trojan Horse within the capitalist citadel, but we can’t be sure exactly how much his subversive attitudes concretely influence or have influenced ongoing or future revolt against the system.

From Call for the Dead (1961) to The Mission Song (2006), le Carré weaves stories and conflicts that lay bare the dehumanization, instrumentalization, and super-exploitation underpinning capitalist society—accomplishing this precisely through gaming the system, by setting such critique within mass-, seemingly mainstream media. Absolute Friends (2003), a novel about two revolutionary anarchists, British and German, may come closest to le Carré’s own views—or if not, we can at least say that he is very sympathetic to such ideas.

To investigate how le Carré presents his social critique in discreet and then increasingly fervent fashion over the course of his career, this essay summarizes the pertinent details of the plots of 11 of the author’s novels, and then passes to a discussion and conclusion about the militant perspectives found therein, being like collectivities of free radicals joyously roaming to destabilize unjust structures.

Call for the Dead and The Spy Who Came In From the Cold

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The story of Call for the Dead (1961) revolves around one Samuel Fennan, a former Marxist and Communist Party member working in the British Foreign Office (FO), who unexpectedly dies in his home by gunshot, presumably due to suicide. Yet le Carré’s hero George Smiley, an MI6 officer who had just met with Fennan hours before his death, probes more deeply into the case, only to discover that he was in fact murdered by Hans-Dieter Mundt, a hitman working under Dieter Frey. Dieter is an operative of the Abteilung—the East German Security Service¹—and a former radical student of Smiley’s whose father had been killed by the Nazis and who himself concretely resisted Fascism by bursting into the British consulate in Dresden during World War II, demanding that the Allies do more to protect the Jews. The cover-up of Samuel’s murder is assisted by his wife Elsa, who herself is Jewish.

Dieter orders Fennan’s murder out of suspicion that he had become Smiley’s agent after seeing the two together, afraid that the Abteilung’s operation in Britain had been compromised. While Fennan had been sharing intelligence with the German Democratic Republic (GDR) as a continuation of sorts of his former Marxism and anti-fascism, Smiley discovers that he had to some degree cooled in his fervor for sharing information in the months leading up to his death, possibly reflecting disillusionment with the USSR after its suppression of the Hungarian Revolution of 1956. This finding leads Smiley to realize that it was really Elsa who was spying for East Germany, and that Samuel had initiated contact with him precisely to raise the point. Although her performance sustaining the lie that Fennan had indeed killed himself does not in the end save her from being sacrificed by Dieter as he tries to escape a trap set by Smiley—one that ends with the East German agent dying at Smiley’s hands, drowned in London’s Thames River—the British spy concludes that her support for the GDR could not be divorced from her desire for world peace as well as her immediate horror at a resurgent, militaristic West Germany. Dieter and Mundt, on the other hand, come in for criticism for their established Lenino-Stalinist tendency to violate the means toward the end of realizing socialism, as seen in their disregard for the lives of Samuel and Elsa Fennan, among others.

The Spy Who Came In From the Cold (1963) continues depicting the struggle between MI6 and the Abteilung. It opens with the British protagonist, Alec Leamas, head of MI6 in Berlin, watching as an East German agent of his is shot dead while trying to escape the Eastern Sector. This is the fourth agent of Leamas’ murdered in succession by the GDR—precisely on the orders of Mundt, the new head of the Abteilung’s Counter-Espionage division, following his return after having escaped Britain. These killings lead Leamas to be declared useless to British Intelligence, and he falls into a downward spiral of alcoholism and illness. Yet this disregard for self is to some degree feigned, a ploy to attract the attention of the Abteilung within the larger goal of vengeance and the destruction of Mundt. In their conversation discussing this mission, Leamas and Control—MI6 chief—acknowledge the similarity in methods used by the Soviet and Western powers. Referring to Mundt, Control observes:

“‘He is a very distasteful man. Ex-Hitler Youth and all that kind of thing. Not at all the intellectual kind of Communist. A practitioner of the cold war.’

“’Like us,’ Leamas observed drily.”

After formally leaving MI6, Leamas briefly works at a library in London, there to meet the Communist Elizabeth Gold. The two become lovers. Yet Leamas cuts the relationship off to proceed with his mission, which sees him imprisoned for three months for having assaulted a grocer who denied him credit—with all of this being part of his cover. Just after his release, Leamas is recruited by the East Germans, who take him to the Netherlands and then to the GDR to be “debriefed” regarding the secrets he knows. After passing into the GDR, Leamas is interrogated by Fiedler, a prominent German-Jewish member of the Abteilung and the son of Marxist refugees from WWII, who explains to him the Stalinist view that human life is but a means toward the end of the construction of Party Socialism, thus delineating his theoretical differences with Christianity, which the Western authorities putatively follow but in reality utterly ignore.² Leamas reveals to Fiedler that the latter’s superior, Mundt, is in fact a British agent, and that he was allowed to leave Britain following the various murders he committed after coming to an agreement with MI6, which has been sending him vast quantities of money in exchange for information from the East German State. Mundt becomes aware of this plot to oust him, and orders the arrest of both Leamas and Fiedler—with the latter receiving “special treatment” by Mundt the former Nazi for being Jewish—but not before Fiedler had applied to the State for a warrant to arrest Mundt as an imperialist agent.

Thereafter follows a dramatic tribunal at which Fiedler argues his case, detailing the ease with which Mundt turned to murder “in the name of the people to protect his fascist treachery and advanc[e] his own career,” whereas the defense accuses Fiedler in turn of collaborating with imperialism to undermine GDR security, claiming the prosecution’s evidence to be merely circumstantial. The counter-coup is completed, nonetheless, when Mundt’s counsel calls Liz Gold as a witness—Gold having been mysteriously and suddenly “invited” as a member of the British Communist Party to visit the GDR—to have her reveal how George Smiley in fact had supported her financially following Leamas’ disappearance. Smiley, it would seem, did so specifically to discredit the accusations against Mundt and so allow for the elimination of his subordinate Fiedler, who had been suspecting the British mole for some time. As the tables are turned and Fiedler comes to be the one to be immediately executed, MI6’s “filthy, lousy operation to save Mundt’s skin” is revealed. The saved Mundt then provides Leamas and Gold with the means to escape to the West. During this journey, Gold becomes le Carré’s voice, which critiques the authoritarian instrumentalization of life carried on by East and West alike: the supposed opposites are seen to converge in their grossly inhuman behavior, discarding Fiedler to uphold an ex-Nazi double agent. Ultimately, as Leamas and Gold arrive at the Berlin Wall and attempt to scale it, they are shot dead by GDR sentries.

The Karla Trilogy

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Tinker, Tailor, Soldier, Spy (1974) concerns the fall of Control and dismissal of Smiley following a botched mission in Czechoslovakia, the ascendancy to top MI6 positions of four officers suspected of being double-agents, and Smiley’s counter-mobilization to investigate and defeat these moles. The text introduces Karla, the Soviet intelligence chief, who is shown to have penetrated MI6 through the recruitment of Bill Haydon, head of London Station. Smiley continues to face off against his Soviet counterpart in the next two volumes of the so-called Karla trilogy.

In The Honourable Schoolboy (1977), le Carré portrays a shaken British Intelligence being resurrected by Smiley, as he focuses on the new MI6 chief’s machinations to avenge the “fall” engineered by Karla through his compromise of Haydon. In his study of Haydon’s treason, Smiley discovers a “gold seam” of half a million dollars run by Karla to a bank in Vientiane, Laos. The journalist Jerry Westerby, an aristocrat by origin and a Southeast Asia correspondent, is dispatched to begin investigating in British-occupied Hong Kong. There, amidst the raging U.S. war on Vietnam, Cambodia, and Laos, Westerby discovers that the gold seam is being directed to Drake Ko, a prominent exiled Chinese capitalist and former Kuomintang (KMT) conscript, whose brother Nelson, having fought the KMT as a Communist in Shanghai and thereafter studied shipbuilding in the USSR, is a high-ranking insider within the Chinese Defense Ministry and an agent of Karla’s (that is, Soviet intelligence). The gold seam sent to Drake, then, represents the sum to be paid to Nelson if he can manage to escape China. Continuing his investigation, Westerby travels to a Phnom Penh besieged by the Khmer Rouge to learn that Drake had commissioned a Mexican pilot, Ricardo—himself a collaborator with the U.S. military in its wars on the region—to run opium into Red China in exchange for extracting his brother. Though this plan didn’t come to fruition, Westerby suggests to Ricardo that MI6 will use this information to blackmail Drake—and shortly thereafter his fellow journalist Luke is assassinated, having been mistaken for Westerby.

At the same time, MI6 and its CIA “Cousins” learn that Drake is imminently orchestrating a new operation to extract his brother, this time by sea. The Western spy agencies’ plans to instead capture Nelson for exploitative purposes, taken together with Luke’s murder, lead Westerby to rebel and warn Drake as Nelson’s fleet of fishing junks approach the rendezvous point on Po Toi Island, south of Hong Kong. Yet this intervention proves useless, for MI6 and the CIA launch a joint strike involving helicopters to interdict Nelson and kill Westerby just as the former’s sampans reach shore—with the hope of reuniting the brothers thus crushed. Once the honorable schoolboy is eliminated, the CIA proceeds to transfer Nelson to the U.S. for thorough interrogation, and the MI6 chief is awarded retirement for having secured a major agent of Karla’s.

Smiley’s People (1979) brings the titular character out of retirement following the murder in London of General Vladimir, a former Soviet general who had been Smiley’s agent. Vladimir, the Estonian believer in communism, is killed on Karla’s orders after having been written by the Soviet émigré Maria Andreyevna Ostrokova regarding contact she had had with a Soviet agent who suggested that she could soon be reunited with her daughter Alexandra if she would only apply for French citizenship on her behalf. Yet as Smiley discovers through his probe into Vladimir’s murder, this entreaty was made as an unprofessional attempt by Karla himself to secure treatment in Switzerland for his mentally ill daughter Tatiana, alias Alexandra, who was diagnosed politically in the USSR with schizophrenia. In parallel, Tatiana’s own mother and Karla’s mistress had been purged for holding that “history had taken the wrong course” in the Soviet Union, and for not being “obedient to history.” It was presumably to avoid a similar fate for his daughter as a psychical non-conformist that led Karla to smuggle her to a hospital abroad.

As Soviet agents relentlessly pursue Maria Ostrokova to silence her once and for all and so complete the cover-up of General Vladimir’s murder, Smiley mobilizes to counter Karla, ultimately presenting him with an ultimatum whereby he could defect to the West and save his daughter’s life or remain in the Soviet Union as MI6 released this information to the Soviet authorities, inexorably leading to Karla’s destruction and presumably Tatiana’s as well. How ironic that the top Soviet spy master would be compromised through love for his daughter! Smiley and le Carré alike recognize this gambit as representing the utter ruthlessness by which is secured relative superiority and hegemony in the Cold War in particular and international relations generally. This is commentary that clearly critiques the infamous “prisoners’ dilemma” of game theory, which has been used by the ‘experts in legitimation’ to excuse militarism and oppression.

The Little Drummer Girl

The Little Drummer Girl (1983) depicts a Mossad operation to use Charlie, a young radical British actress, to penetrate and disrupt a militant group called Palestine Agony, being comprised of two brothers, Salim and Khalil. The context is a series of deadly bombings against Israeli and Jewish targets in Europe ordered by Khalil in reprisal for the ongoing Occupation of Palestine and the intensifying bombardment of the positions of exiled Palestinian groups in Lebanon. Salim and Khalil’s family themselves had been displaced first from Palestine to Jordan, then to Syria, and lastly Lebanon.

Following a new Mossad directive to diversify the identity of its operatives beyond being exclusively Jewish, the Israeli agent Joseph kidnaps Charlie on vacation in Mykonos and transports her to his handlers, Martin Kurtz and Litvak, who exploitatively subject her to interrogation, psychologically manipulating her—an anti-apartheid activist, pacifist, nuclear marcher, anti-vivisectionist, anti-fascist, and critic of Israel—into becoming the very opposite of who she believes herself to be. After having thus been broken, Charlie is guided through her transition by her captor Joseph, who takes the protagonist on a journey of discovery of Palestine, whereby he becomes Salim and she plays the part of his lover.

Though this education is imparted by an Israeli oppressor rather than a Palestinian survivor, le Carré makes clear that the entire colonialist project of Israeli State-building is built on the dispossession of the Palestinian population, and that with each act of counter-violence taken by Palestinian militants, the Israeli military takes the lives of dozens times more Palestinians. Yet her first mission as an Israeli-Palestinian double agent is to drive a car laden with explosives from Greece through Yugoslavia to Austria. This same car explodes after arriving to its destination, while Salim is driving it to Munich with an accomplice.

Fleeing to the UK after this naked assassination, which is entirely consistent with established Israeli policy,³ Charlie learns that she is under investigation by the Home Office for being an Israeli agent—only that, while her house is ransacked by the police, she is allowed to leave the place unharmed. She then activates emergency channels with Khalil’s group, and clandestinely she is sent to Beirut, where she experiences Israeli siege first-hand and commits herself to the Anti-Imperialist Revolution, having become enamored by the beauty of the Palestinians’ sumoud, or steadfastness. Among other things, Charlie’s Commander Tayeh teaches her to distinguish between anti-Zionism and anti-Semitism—echoing Salim and Khalil’s view that anti-Semitism is a Christian invention (as well as Hamad Dabashi’s emphasis on the common Judeo-Islamic philosophical tradition).

After being recalled from Beirut, Charlie finally meets Khalil, who convinces her to accept a mission to assassinate the Jewish Professor Minkel, a public advocate of Israeli withdrawal from the Occupied Territories who does not agree with the Palestinian demand for a single, bi-national State. As he is a “moderate,” Minkel must be eliminated, according to Khalil, who believes in an extreme employment of counter-violence by Palestinians against both Israel and all Jews. Charlie ruthlessly delivers the suitcase-bomb to Minkel before he is scheduled to give a public address, presumably killing him and several others off-stage. Subsequently, Charlie presents Mossad with its coup, for she meets the delighted Khalil again and reveals his position, leading Joseph and company to burst in and kill him in cold blood. Charlie then returns to the UK, where the Mossad has once again made inquiries with the police to ensure that she need fear no prosecution, in addition to giving her access to the inheritance of a recently deceased friend, just as the Israeli war-machine assassinates Tayeh and invades Lebanon—a development that, as le Carré summarizes, “meant roughly that bulldozers were brought in to bury the bodies and complete what the tanks and artillery bombing raids had started.”

The book’s title is a reference to Bertolt Brecht’s depiction in Mother Courage and Her Children (1939) of Kattrina, one of Anna Fierling’s three children, all of whom perish over the course of the Thirty Years’ War (1618-1648): Kattrina most courageously by constantly drumming to inspire the peasants’ defense of the town of Halle from the Emperor’s troops, leading to her targeted assassination.

The Russia House

The Russia House (1989) tells the story of the publisher-spy B. Scott Blair, or Barley, and his intrigues in the USSR with Katya Orlova, a romantic revolutionary, and Yakov Savelyev, a dissident Soviet nuclear physicist known as “Goethe” to his friends. During the gradualist period of glasnost and perestroika overseen by Mikhail Gorbachev beginning in 1985, Savelyev/Goethe writes a manuscript detailing Soviet military secrets in order to precipitate the collapse of the arms race between the US/NATO and the USSR. Orlova acts as his go-between with Barley, specifying that the first-hand report Goethe has composed reveals Soviet research into the development of particularly atrocious weapons of mass destruction, makes public Soviet strategic nuclear-weapons policy, and explores various other vast ethical failures of the “Red Tsars” in the Cold War. Goethe, whose father was killed while participating in an uprising at the Vorkuta Gulag, is said to primarily be influenced by a certain nineteenth-century Russian known as Vladimir Pecherin, though this may well be a pseudonym for Mikhail Bakunin, for Pecherin “hates [his] native land and avidly await[s] its ruins,” and in the prospect of these “discern[s] the dawn of universal renaissance.”

In seeking to make public the nuclear secrets to which he has special access, Goethe aims at cutting short the Cold War, thus putting an end to the grave threat posed by nuclear weapons amidst highly militaristic competition between the superpowers.^iv In this way, he expresses his belief in the revolutionary potential of science without borders—his “frantic dream of unleashing the forces of sanity.”

Barley, whose father was a Fabian socialist publisher who promoted Soviet literature, is a bit of a rogue himself. During his first meeting with Goethe, he tells his counterpart, presumably in good faith, that the Western States consciously accelerated the arms race to try to bankrupt the USSR, and that such imperial militarism in turn served as the pretext for the Soviets to continue “run[ning] a garrison state.” Barley scoffs at the hegemonic Western idea that the concept of “mutually assured destruction” (MAD) through nuclear annihilation had “kept the peace” since Hiroshima and Nagasaki, pointing to the wars on Korea, Vietnam, and Afghanistan. He expresses clearly his belief that all Westerners have a duty to “start the avalanche” that does away with militarism, imperialism, and the “elective dictatorship” of parliamentary capitalism. He thus finds a willing partner and co-conspirator in Orlova, as she wishes to “move together to destroy the destruction and castrate the monster we have created”—this, by facilitating the publication of Goethe’s manuscript. Indeed, when faced with Barley’s inquiries into Orlova’s national pride and love for her two children in light of her participation in this plot, the militant replies by saying that she and Goethe prefer the fall of the USSR to the destruction of the world, and that she must think of all the world’s children, not just her own, when considering her choices. Her courageous commitment is likely inspired to some degree by her uncle Matvey, a revolutionary follower of Lev Tolstoy.

The tragic hero Goethe is ultimately discovered by the Soviet authorities and summarily executed. Barley is similarly arrested and imprisoned as a political prisoner, but he escapes death and saves Katya and her family in exchange for divulging secrets of British intelligence to his tormentors.

Modern Trilogy

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Le Carré’s Tailor of Panama (1996) is set in a Panama City marred by gross social inequality, with the “cocaine towers” of the financial district overlooking vast swathes of impoverished proletarian districts in this riverine environment. The action takes place after the U.S. invasion (1989-1990) to depose Manuel Noriega—a former CIA agent—in the run-up to the transfer of control of the Panama Canal from the U.S. military to local authorities that occurred in 1999.

Andy Osnard, a former MI6 agent assigned to the country by a revanchist conglomerate of private interests tasked with the mission of preventing the Canal from being sold off to any rivals of the West, coercively recruits Harry Pendel, a British expatriate tailor with a past history of imprisonment in the UK for insurance fraud, into being his source among the Panamanian elite he serves. Threatened by Osnard with having his criminal past revealed to his wife and children, Pendel learns from the Panamanian president of a Japanese plot to purchase the Canal and communicates this to his handler, setting in motion a joint mobilization by the British and U.S. military-security apparatuses to reinvade Panama and thus ensure continued neocolonial control.

Toward this end, Osnard exploits Pendel’s largely invented idea of a “Silent Opposition” to be led by personal friends who previously had organized against Noriega, including the tailor’s assistant Marta and his comrade Mickie. When Mickie in turn takes his life out of fear of returning to political imprisonment after the authorities, having become aware of the propagation of Pendel’s fantasies, increasingly harass him, the U.S. and British use the pretext of his execution for renewed military intervention. Osnard then appropriates for himself the $15 million destined emergently by the U.S. and Britain governments for the operations of the spectral oppositional group, fleeing in a private jet to Switzerland as U.S. attack helicopters initiate their assault on Panama City.

The Constant Gardener (2001) revolves around the partnership of Tessa Abbott, a British radical, and Justin Quayle, a British diplomat stationed in Kenya. The book opens with the announcement that Tessa has been found murdered with her medical colleague, Dr. Bloom, near Lake Turkana. Justin investigates the killings, ultimately discovering that the victims had co-authored a report exposing medical experimentation carried out by KDH, a Western pharmaceutical corporation, in the Kibera slum of Nairobi and submitted it to the British government—only to meet precisely this fate as a consequence. Fatally, Justin learns that, while Dr. Bloom sought to publish the findings directly, Tessa had insisted that they go through official channels first, in deference to her husband’s example. She did not consider the possibility that the State might be captured by these same corporate interests.

Quayle determines that dozens of Kenyans had died in the trials for Dypraxa, a tuberculosis drug, and that KDH covered up this “side effect” to press forward with the medication’s development, thus avoiding the costs of redesign and further delay. After all, KDH expected a considerable futures market for multidrug-resistant tuberculosis (MDR-TB) in the twenty-first century. In the end, Quayle makes Tessa and Dr. Bloom’s findings known, exposing the scandal and State-corporate nexus, but meets the same fate they did on the very shores of Lake Turkana.

This work title alludes to Voltaire’s always-germane conclusion to Candide (1759), a parody of optimism à la Leibniz (and, by extension, contemporary conservatives and apologists): “We must cultivate our gardens.”

Sharing affinities with the previous two works, The Mission Song (2006) is centered around the plot of a shadowy international Syndicate nominally dedicated to providing agricultural equipment to African countries which conspires to finance an armed uprising in eastern Congo to plunder the region’s mineral resources: coltan, gold, and oil. Bruno Salvador, or Salvo, who is half-Congolese and a graduate of languages at the School of Oriental and African Studies (SOAS), interprets the planning meeting set up between the Syndicate and representatives of two militias and a trading family from the Democratic Republic of Congo (DRC)—Dieudonné, Franco, and Haj, respectively—on a remote island in the North Sea. Naturally, the ruling Rwandan invaders, who have gravely exploited the eastern Congo since overrunning it two decades ago, having fled the coming to a power of a Tutsi-led government that put an end to the Rwandan genocide of 1994 by Hutus of Tutsis and “moderate” Hutus, were excluded from this meeting.

The Syndicate proposes to the Congolese warlords staging an insurgency that would disrupt the existing “peace” in order to create a crisis that would result in the installation of the Mwangaza, an aging semi-messianic figure who promises to unite all of Kivu, or eastern Congo, against the Rwandan militias and armies as well as central control from the capital city, Kinshasa. The Mwangaza speaks about installing an interim government that would expel the Rwandans and take control of the airport, mines, and cities of Kivu, though it is clear that, above all, he desires political power, and is willing to endorse the Syndicate’s proposal to amply supply arms, ammunition, and mercenaries toward this end. Indeed, part of the contract negotiated during these talks stipulates that the Syndicate would be granted special investment access after the coup’s success in exchange for its contributions up front to bringing the war about, while the Kinshasa government is to be bought off using the revenue extracted from Kivu’s mines that was supposed to be set aside as “The People’s Portion.”

Salvo does not take this plan lightly, however. He discreetly manages to appropriate seven cassettes of recordings of the meeting and keeps his own notes upon return to London. Then, unsure of whom to turn to, he first approaches Lord Brinkley, a distinguished “friend of Africa” in the British Parliament, with the idea of bringing the plans to light so as to prevent their execution—only to find Brinkley conspiring to have Salvo’s evidence destroyed or secured so that the coup can proceed. After taking leave of Brinkley, though, Salvo and his partner Hannah, a Congolese nurse, approach the Mwangaza’s London-based aide, Baptiste, who completely denies the possibility of the Mwangaza participating in such a plot. Salvo then meets with Mr. Anderson, his contact at MI6 who first assigned him to the clandestine meeting as interpreter, to express his concerns, only to find Anderson reacting much the same way as Brinkley—even going so far as to rationalize the plundering of Africa’s mineral wealth as based on the prerogatives of supposedly more highly civilized European peoples.

Upon escaping from Anderson, Salvo resorts to contacting his ex-wife’s colleague in the press about running the story before the coup is staged, yet he finds that the two most important cassettes have been taken by Hannah to be recorded and sent to Haj to disrupt the plans once and for all. This courageous effort that finally breaks with Salvo’s “misguided loyalty” to the system indeed saves Kivu from a new war, as the mercenaries’ conspiracy is foiled, but it leads Hannah immediately to be deported to Congo, while Salvo is stripped of his British citizenship and placed in a migrant camp similarly to await deportation to central Africa.

Absolute Friends

Absolute Friends (2003) is likely le Carré’s most openly subversive and radical spy novel. In this work, le Carré depicts the life-long friendship of the British subject Ted Mundy and Sasha, a German anarchist. Mundy, the son of a Scottish military officer and Irish maid born in British-occupied India, begins his “radical reappraisal” of Britain and the Raj in childhood due to the horrors of Partition (1947) and his sense, as suggested later by his father, that the British authorities were largely responsible for these atrocities, and specifically the deaths of the entirety of the family members of his beloved Muslim nurse, Ayah. In adolescence, the protagonist further develops his critical perspective in concert with Dr. Mandelbaum, his radical German-language and cello tutor, who suggests that, “as long as [humanity] is in chains, maybe all good people in the world are also refugees.” The development of Ted’s radical spirit continues precipitously at Oxford University, where he enrolls to deepen his knowledge of German and meets Ilse, his first partner and a militant anarchist. They participate in demonstrations against the Vietnam War and the junta of Greek colonels, and then decide to go study together at the Free University of Berlin. The only problem is that Ilse reneges at the last moment, but not before referring Ted to Sasha, a well-known revolutionary in Berlin. As Mundy departs by train from Waterloo Station in London, the narrator regards him and asks:

“Is he an anarchist? It will depend. To be an anarchist one must have a glimmer of hope.”

Certainly, both Mundy’s anarchism and radical hope are considerably nourished upon making the acquaintance of Sasha in Berlin. Listening to Mundy’s answer to the question of what the meaning of revolution is at their first meeting, Sasha at once tells Mundy that “[a]ll authority is irrational” and inquires into his knowledge of Herbert Marcuse and Max Horkheimer’s writings. Their relationship of fraternal love is thus immediately forged, and they become roommates. Le Carré shows how Mundy’s participation in the radical youth movement in Berlin represents an epoch of self-realization for him, as he becomes “part of a brave new family determined to rebuild the world.” Such immersion leads Mundy to rejoice: “So many brothers and sisters everywhere! So many comrades who share the dream!” The author clearly acknowledges that this militant movement, impelled by the children of the Auschwitz generation, sought to purge from the world the “multiple diseases of fascism, capitalism, militarism, consumerism, Nazism, Coca-Colonization, imperialism, and pseudo-democracy.”

At the Free University, Sasha is depicted giving a speech at an action denouncing the Vietnam War, specifically demanding that the Nuremburg Tribunal be reconvened to prosecute the “fascist-imperialist American leadership […] on charges of genocide and crimes against humanity.” Le Carré then shows the West German State brutally suppressing the demonstration, with Mundy valiantly rescuing Sasha from the riot police and becoming injured, hospitalized, and deported in the process.

After his formative time in Berlin, Mundy spends some years wandering: he briefly works at a journalist in the East Midlands, until he publishes an unauthorized exposé of labor conditions for Asian workers at a local cannery itself owned by the newspaper’s owner; he tries life as an artist in Taos, New Mexico; he gets married with Kate Andrews, a dedicated Labor Party member who wishes to rout the Trotskyists, Communists, and “closet anarchists” she sees as threatening the Party’s future, and fathers a son with her; and he himself secures employment with the British Council.

As part of this work, Mundy once again meets Sasha in East Germany, and the militant reveals to him intelligence vital to GDR security—a move that speaks to the anarchist’s integration into the State, yet also his continued dialectical commitment to destabilizing it. By sharing this information in turn with MI6 upon return to West Berlin, Mundy himself becomes an agent, and so begins a new phase in this “absolute friendship” whereby Mundy handles Sasha’s efforts to undermine what the latter considers to be the “Red Fascist” State. For Sasha, in so compromising the GDR and the USSR, it is not a matter of serving Western interests, but rather of fighting “tyranny wherever I have found it, with whatever weapons were available to me.”

The conclusion of Absolute Friends is contemporary, set in the run-up to the March 2003 invasion of Iraq. Mundy mobilizes against this mad plot, encouraging his son to organize protests at his university, but can find no concrete way for himself to do so until Sasha approaches him with a proposal to join a mysterious billionaire known as Mr. Dimitri from the New Planet Foundation in his ploy to supposedly create a global “Counter-University” and advance the revolutionary cause through the creation of “intellectual guerrillas” who will resist the “insane [capitalist] concept of limitless expansion on a limited planet, with permanent conflict as its desired outcome” (orig. emphasis). Yet Dimitri is not all he seems: following 9/11, the CIA claims, he increasingly comes to insist on an “alliance” between European anarchists and Islamist terrorists—given the view imputed to him that “[t]hese Al Qaeda boys have brought off just about everything Mikhail Bakunin ever dreamed of [sic]”—and he uses Mundy to rent out a school in Heidelberg at which the Brit used to teach for the first “demonstration project” for the Counter-University.

Though Mundy increasingly suspects Dimitri, Sasha faithfully does not doubt the sincerity of the project. Ultimately, one evening, as Mundy is preparing the shipments that he understands to be filled with books for the Counter-University’s Heidelberg campus, he realizes that he and Sasha have been set up: he discovers boxes of grenades, bomb-making devices, and so on. Just then, a massive police-military operation descends on the school, and the friends are killed off as putative terrorists who had been planning to attack the U.S. airbase at Heidelberg.

Meanwhile, Dimitri is revealed as enjoying Witness Protection in Montana for having warned the authorities about the radical friends’ non-existent terrorist plot, and the heist is shown as amounting to a “second burning of the Reichstag,” whereby an ex-CIA operative representing a coalition of oil barons, arms dealers, and security executives framed Mundy and Sasha as extremists who were preparing to bomb the air-force base precisely in order to silence the opposition from the German and French States to the U.S. drive to war on Iraq and thus expanded profits for such corporate sectors. Le Carré depicts the Heidelberg siege as blunting the Germans’ criticisms of Bush and company, whereas Russia is seen as capitalizing on the terrorized Zeitgeist to clamp down on protests and intensify its terrible war on Chechnya.

Conclusion: Let’s Start the Avalanche

We can see, then, that le Carré is a very serious and astute thinker and commentator about a number of pressing socio-economic, political, and ethical issues of recent history and our day. Yet it is evident that le Carré wields his critique of Statism, authoritarianism, and exploitation in an ironic fashion: generally speaking, it is not from an external standpoint, such as that of a protester or victim of militarism, that such critique issues in le Carré’s novels, but rather through the operation of the internal dynamics governing the system. Le Carré’s writings are therefore unexpected or “playful” in the sense that, unlike an external critique of the system raised for example by anarchists who want to take down that system, they typically begin from inside the system and move outward, developing into condemnations of the same. Clearly, le Carré’s spy writings are quite apart from those by Ian Fleming or Tom Clancy, novelists who start from within the State-capitalist system and have no wish to critique or overthrow it. This is another reason why the author’s art-works are consciously ironic, for the genre of espionage generally connotes mainstream, statist perspectives, not critical ones.

While le Carré achieves his purposes of entertainment and enlightenment by “playing” in a certain way, the content of his art is clearly very serious. More often than not, the protagonists of his novels serve as martyrs who are sacrificed by the State or capital to ensure stability and expanded profitability in the Cold War and subsequent neoliberal period: there are Samuel and Elsa Fennan in Call for the Dead; Fiedler, Leamas, and Gold in The Spy Who Came in from the Cold; Jerry, Luke, and Nelson in The Honourable Schoolboy; Salim and Khalil in The Little Drummer Girl; Savelyev in The Russia House; Mickie in The Tailor Panama; Tessa, Dr. Bloom, and Justin in The Constant Gardener; Salvo and Hannah in The Mission Song; and Mundy and Sasha in Absolute Friends. Within his earlier Cold War-era novels, le Carré advances a critique of the bureaucratic “grey men” on both sides, showing the way forward as developing through the courageous and tragic resistance of people like Savelyev and Katya Orlova, who dream of a better world as they labor to undermine the system; a very similar analysis could be made of Absolute Friends. The question which Katya poses to Barley about his intentions to publish Savelyev’s manuscript underpin much of le Carré’s subversive commentary throughout his oeuvre:

“Ask them which is more dangerous to [humanity]: to conform like a slave or resist like a [person]?”

As part of this dynamic of submission versus resistance, le Carré clearly acknowledges the extensive participation of former Nazi officers in the Western intelligence and security services after World War II, and he communicates the hegemonic Western concept that, once Hitler had been defeated, the rest of the West could get back to the “real war” against the Soviet Union and the “Red Menace.” Indeed, Absolute Friends opens with Mundy announcing to his tour group that Britain and the U.S. initially did not oppose Hitler, and indeed saw in him an attack-dog to be unleashed on the Reds. Moreover, our author does not shy from illustrating mainstream British anti-Semitic and bourgeois prejudices or depicting an MI6 officer making a Nazi salute. In The Little Drummer Girl, le Carré adopts the view of the Palestinian resistance that the Zionist State is fascist and genocidal, and in The Honourable Schoolboy, he has Ricardo’s fellow pilot express the thanotic imperative that drives individual capitalists and the system as a whole:

“hear me? They kill me, they kill Ricardo, they kill you, they kill the whole damn human race!”

In sum, then, le Carré, through his critical plots and his alter egos (Smiley, Gold, Barley, Mundy), examines the violence of despotism, brilliantly revealing the depths of nihilism and destruction for which the ruling class is responsible. In his more contemporary works, our author forthrightly points to the capitalist super-exploitation of the non-Western world, as Western firms and powers mobilize to extract evermore resources through militarism and genocide. The results are plain for all to see, or they should be; keeping these in full view, le Carré denounces the system as a whole. In parallel, he identifies the State’s established tendency to crush the possibilities of liberation, as seen in The Russia House, The Constant Gardener, Absolute Friends, and The Mission Song, and even the authorities’ willingness to exploit radicalism to promote reaction, as we see in The Little Drummer Girl.

Yet le Carré strongly endorses Barley’s view that all Westerners have a duty to “start the avalanche” that abolishes militarism, imperialism, and capitalism. The author even depicts this type of non-cooperation in a number of his works, especially in his illustration of State officials who defect, rebel, or otherwise sabotage their work. Nonetheless, the critique he raises against the State for instrumentalizing human life applies also to movements resisting oppression: that the Israelis, British, Soviets, or Americans cannot cease violating the means toward the ends they seek does not justify those who oppose them doing the same, even if the revolutionary end is superior to the end of maintaining the status quo. The Little Drummer Girl’s plot makes this clear. Like Lev Tolstoy and Albert Camus, then, le Carré is concerned about the replication of nihilism and authoritarianism within resistance movements, and he advises us—quite rightly, I think—to do all we can to harmonize means and ends. Quite like Tolstoy, le Carré declares through Barley that “[w]e must cut down the grey men inside ourselves, we must burn our grey suits and set our good hearts free, which is the dream of every decent soul, and even—believe it or not—of certain grey men too.”

Works Cited

1 Compare the East German Abteilung with the Sturmabteilung (SA), the Nazi brownshirts, followers of the Strasser brothers, who were purged by the Waffen SS on Hitler’s orders. Is this etymological similitarity between the names of the respective State agencies just coincidental, or actually reflective of red-brown cross-over?

2 Compare Lev Trotsky’s declaration in Terrorism and Communism: A Reply to Karl Kautsky (1920), published in response to Kautsky’s criticisms of Bolshevik repressiveness and the brutality of the Russian Civil War: “As for us, we were never concerned with the Kantian-priestly and vegetarian-Quaker prattle about the ‘sacredness of human life.’”

3 See Eyal Weizman, Hollow Land: Israel’s Architecture of Occupation (London: Verso, 2007), especially ch. 9, “Targeted Assassinations: The Airborne Occupation.”

At Left Coast Forum in Los Angeles on August 25th: Panels on Wagner and Bakunin as Nationalist vs. Anarchist Revolutionists, Imperialism vs. Anti-Imperialism, and the CPRSJ as a New Anti-War Coalition

I am excited to announce my participation in three panels at the Left Coast Forum at the Los Angeles Trade Tech College (LATTC) on Saturday, August 25, 2018:  “Wagner and Bakunin: Advocates of Nationalist or Anarchist Revolution?”, “Imperialism and Anti-Imperialism: What Is Internationalist Socialist Solidarity?”, and “One Year of the CPRSJ: A New Kind of Anti-War Coalition.”

The first of these, on Richard Wagner and Mikhail Bakunin, will run from 10am until 11:15am. My co-panelists include María Castro and Alexander Reid Ross. Our description follows:

In this presentation, we will explore the philosophical and political affinities between the composer Richard Wagner and the militant philosopher Mikhail Bakunin, beginning with their joint action on the barricades of revolutionary Dresden in 1849. We consider Wagner’s Ring cycle as depicting the Proudhonian idea of theft and the figures of Siegfried and Brünnhilde as Bakuninist-Feuerbachian heroes. By examining Wagner and Bakunin’s common anti-Semitism, feminism and anti-feminism, and revolutionism, we discuss how anarchism and anti-theism influenced the creation of The Ring as an epic opera that depicts the rise and fall of capitalism. Nevertheless, in light of the anti-Semitism that drives The Ring, we cannot overlook the undeniable Aryanist, national-anarchist, and proto-fascist aspects of Wagner’s approach, which represent disturbing lines that connect typically left-wing notions of anti-statist and anti-capitalist upheaval with ultranationalist myth.

To delve into these matters, we will consider how the fascist creep applies to Wagner and Bakunin and compare the “dangerous minds” of Friedrich Nietzsche and Martin Heidegger to those of the pair in question.

The second panel, on imperialism, anti-imperialism, and internationalism, takes place from 11:30am until 12:45pm. It is hosted by the Coalition for Peace, Revolution, and Social Justice. I will be moderating and facilitating this session: panelists include Frieda Afary, John Reimann, Alexander Reid Ross, and Sina Zekavat. The description follows:

In light of the fate of the Syrian Revolution, which has been crushed by the bloody counter-revolution carried out by Bashar al-Assad together with his Russian, Iranian, and Lebanese allies, there has debate in the global left about the meanings of imperialism and anti-imperialism, and the political implications these carry. Many authoritarians claiming leftism cross-over with the white-supremacist right’s open support for the Assad Regime by denying its crimes and overlooking the imperialist role played by Russia and Iran in Syria, focusing exclusively on the U.S.’s supposed opposition to Assad’s rule.

This tendency is a worrisome development, suggestive as it is of a red-brown alliance (or axis) that is not consistently anti-imperialist but rather, only opposed to U.S. Imperialism. It also fails analytically to see how the U.S. has increasingly accommodated Assad’s counter-revolution. In contrast to such approaches, participants on this panel will present anti-authoritarian class analyses of militarism and imperialism. Panelists will discuss the red-brown alliance (or axis) as recalling the “Holy Alliance” and fascism; the concept and reality of imperialism in the Middle East; the current wave of popular protests in Iran; left and right interpretations of geopolitics and political geography both historically and today; the lessons of the Bosnian genocide; and the tragedy of the Syrian Revolution.

The third panel in which I’m participating, on the Coalition for Peace, Revolution, and Social Justice, runs from 5pm until 6:15pm. My co-panelists include Mimi Soltysik and Kevin B. Anderson.

Toward an Ecologically Based Post-Capitalism: Interview With Kim Stanley Robinson

Copyright Truthout.org. Reproduced with permission

Kim Stanley Robinson is an award-winning, New York Times-bestselling author. A science- and climate-fiction novelist, Robinson has written more than 20 books, including the bestselling Mars trilogy and the critically acclaimed Forty Signs of Rain, The Years of Rice and Salt, and 2312. In 2008, he was named a “Hero of the Environment” by Time magazine, and he works with the Sierra Nevada Research Institute.

In this interview, Truthout talks with Robinson about his books Green Earth and New York 2140. Set in the present or near future, Green Earth portrays struggles over climate science in the US capital, whereas New York 2140 depicts life in a 22nd century metropolis that has been inundated by the melted polar regions.

Stan, thank you kindly for being open to participating in this interview. First, Ursula K. Le Guin passed away recently. Her influence on your own creative writing is marked. Do you have any reflections on Le Guin’s life and work that you wish to share?

I wrote a memorial statement after her death for Scientific American. What I can add to that now as I continue to feel the loss of her living presence, is that in listening to the science fiction community talk about her, I’m struck by how beloved she was, both her and her work, and I’m thinking now that this was a very unusual quality in her work and her person. Also, less crucially, her work always had a quick sureness about it; she didn’t waste words or pile on details. She cut a clean line, as surfers would say. That’s the mark of a good style: distinctive and clear. Her prose has a poetry to it.

One major theme in Green Earth and New York 2140 is democracy versus capitalism. New York 2140 begins with a statement of Proudhonian or Marxian value analysis: The coders Mutt and Jeff (as workers) create the surplus-value (profit) that drives the capitalist monster which persists even in the year 2140, after it has melted Greenland and parts of Antarctica, raising sea levels by 50 feet and devastating coastal and low-lying regions. You clarify that it is capitalism that is responsible for such ecological catastrophe, in parallel to the grossly unequal wealth and power distribution it engenders. Capital’s class divisions are symbolized in New York 2140 in the struggle between flooded lower Manhattan and the intertidal region versus uptown, where the superscrapers of the rich stand on higher ground. Ultimately, you envision mass popular resistance building up from a rent strike toward a global general strike to overturn this oppressive system. Is this how we should wield revolutionary democracy and organize?

A fiscal strike is one possible way to exert people power. Finance is systemically over-leveraged — and therefore in a precarious position — if something like the 2008 crash were to occur again. Such a crash will happen anytime there is a crisis of confidence in the markets and in the value of money, and the various money-surrogates. People could all together and at once refuse regularly scheduled payments, or less radically, they could together remove their money from banks and put them in credit unions. Done as a mass-action, this would crash the system. After that, there would have to be a plan to rescue the banks by nationalizing them, as we did to [General Motors] in 2009. This is just one tactic and just one step on the road to post-capitalism, but it does point out the power people have as the ultimate source of value, including financial value. Finance is parasitical on ordinary people, so some modes of detoxification are available. The parasites can’t live on their own.

Your exploration of the exercise of autonomy and egalitarian cooperation at the MetLife Tower, transformed into a cooperative living residence, and via the Lower Manhattan Mutual Aid Society in New York 2140 recalls the anarcho-communist Peter Kropotkin’s analysis in Mutual Aid: A Factor of Evolution (1902). Indeed, your Mr. Hexter advises his youthful counterparts that “[h]elping animals or helping people” would be just ways of being in the world. May I ask to what degree libertarian socialism inspires you?

I have never read a definition of the word “libertarian” that makes any sense to me, nor sounds attractive as a principle, so I avoid that word as much as I can. Maybe “democratic socialism” is the better term for me — the idea being that people in democracies would elect representatives that would then pass laws based on socialist principles. That is a story I’m often interested in telling, as something that could and should happen in our near future. It’s my form of utopian science fiction. The social democracies of north Europe and the name “social democrat” also resonate for me, although these political parties, when in power in Europe, have had to make alliances and compromises with capitalism that make them far from satisfactory. But from the viewpoint of the United States, they look like at least a step along the path to more justice. There would be more steps later. I usually favor stepwise reform, but I have to admit we need the steps to come really fast, one after the next, now that climate change is about to overwhelm us.

In both Green Earth and New York 2140, you raise many imaginative possibilities in terms of collective responses to climate catastrophe that we might want to consider: redirecting excess sea-level rise into East Antarctica and inland deserts; introducing Arctic polar bears to Antarctica to avoid extinction; designing floating cities; rebuilding beaches and shorelines; and infusing the Arctic Ocean with vast quantities of salt transported in container fleets in order to restart the thermohaline circulation, or Gulf Stream, threatened by global warming. The emphasis on cooperatives and the commons in New York 2140, in parallel to Green Earth‘s examination of simple living, “freeganism,” and the transition to wind, water and solar energy gives us a lot to think about.

Some of these ideas have been explored by research institutes since I wrote about them in my novels. I don’t think the researchers involved read my novels; I think they are ideas that emerge naturally given the problems we are facing. So, pumping seawater up onto the Antarctic ice cap could be done, but would require something like 7 percent of all the energy humanity creates. Even so, it might be considered a good idea compared to losing all sea level infrastructure and beaches and ecologies. Assisted migration is being planned and even tried experimentally, and this will continue, but polar bears to Antarctica was my idea of a joke. It has been taken up and studied, however. Salting the Gulf Stream would probably not work, and yet it might be tried if the Gulf Stream stalled, just to see.

Still, you have caught the drift of my fiction — I’m interested in describing actions like these. Some are geoengineering, some are political economy and involve return of the commons, socialism, clean energy, etc.

Over the course of Green Earth, we see “gradualist-progressive” elements within the State evermore placing science center-stage in the struggle to curb capitalism’s contributions to climate change. We encounter Charlie Quibler, the young aide to Sen. Phil Chase, drafting a bill to legislate the implementation of recommendations made by the Intergovernmental Panel on Climate Change (IPCC), only to have the law inevitably watered down by legislators, including Chase himself. Then, Washington, DC, is struck by a massive storm, and it is on the flooded Mall that Quibler confronts Chase, imploring him to finally do something about climate change. Subsequently, Chase announces his Democratic presidential candidacy at the North Pole — or what’s left of it — and upon being elected as the “first scientific presidential candidate,” he launches an emergency climate mobilization in the “first 60 days” of his administration. In New York 2140, similarly, there is a revolutionary, popular upsurge which follows a massive hurricane that sweeps through the city; yet here, too, the revolt “lives on” through the State. In light of these social-democratic models you present for evidence-based policy-making and your view that scientific inquiry is linked to justice and fairness, what do you make of the status of science now one year into the Trump regime?

It’s been a year of continuous assault on science and justice by the Trump administration, and it’s been shocking to see how many people there are willing to implement such a … wicked vision…. But all of these poor people will immediately run to a scientist the moment they feel sick — that’s their doctors. They believe in science when they’re scared for their lives. What this reveals is their hypocrisy … and greed, but also, the strength of the system they’re attacking, which enfolds them completely. We live in a world that is a scientific achievement, and we can’t live without the scientific achievements, and even though some of the scientific achievements have definitely led us to our current crisis — public health and agriculture leading to quick population rise, and carbon-burning energy leading to climate change — still, it’s science in action that will be involved in all the solutions, along with politics aiming our scientific work.

I think the science is robust and will survive this attack from Trump, his supporters, the Republican Party in the US and capitalism worldwide. There will be damage, and the political battles will never end, but over the long arc of history. You know the rest.

In New York 2140, you cite John Dos Passos recalling a meeting with Emma Goldman at which “everybody [gathered] was for peace and the cooperative commonwealth and the Russian Revolution.” It is clear that your work features several anarchistic characters and themes, yet you also often invoke Lincoln’s vision of government “of the people, by the people, and for the people” as an ideal. So, 100-plus years since the Russian Revolution, do you consider the state necessary for the transition to an egalitarian, ecological post-capitalist world?

Yes, I do. This is not an easy thing to say, given how much that is bad has accrued around what we call “the state” in world history. But the term is probably too broad and philosophical. If you want to use it, and speak at that level of broad generality, I’ll join briefly and say, we need the state itself to become just and scientific, and the expression of everyone alive agreeing how to live together. That agreement formalized as laws becomes the state…. Best to focus on creating a good state based on just laws. For getting through the climate change emergency, I think it’s the only way that will work.

In closing, do you have any thoughts for the ongoing struggle of promoting “compassion for all sentient beings” (Green Earth) within the context of the sixth mass extinction?

Time is running short in terms of dodging a really bad sixth mass extinction that would result if we create a much, much warmer world by our burning of carbon into the atmosphere. If we can quickly reduce our carbon burn, which is really what powers our culture now, that would be a huge change and would allow all sorts of other good potentialities to come to pass. We have to keep emphasizing the need to decarbonize fast. Fortunately, the technologies to do this include women’s rights (this stabilizes population) and economic equality (this reduces impacts of poverty and over-consumption). Justice is a climate-change technology of great power, so there is no need to set up false dichotomies as to which good cause we support. The good causes reinforce each other and we need them all at once. This is why capitalism has to give way to an ecologically-based post-capitalism, which, in some features, will be aspects of socialism chosen democratically. We have to figure out a way to pay ourselves to do the work of survival.

Red and Black October: An Anarchist Perspective on the Russian Revolution for its 100th Anniversary

A hundred years [correction: 100 years and 37 days] from the day that the Winter Palace fell in Petrograd—October 25 in the Julian calendar, November 7 in the Gregorian—we present an anarchist perspective on the Russian Revolution, which began in February 1917 with a mass-mobilization and mutinies that deposed Tsar Nicholas II. Though the Revolution contained an awesome amount of liberatory potential as reflected in workers’ self-management and peasant land-seizures, it took a fatal turn with the seizure of power by the authoritarian Bolshevik Party. #RussianRev100Years #1917LIVE #1917CROWD #1917UNDEAD

Table of Contents

What precipitated the crisis and revolutionary events of 1917?

What helped propel the Revolution?

What was the anarchist role in the Revolution?

How did the events beginning in 1917 present two opposing conceptions of social revolution?

How did the Revolution go wrong?

What was the role of the Bolshevik Party?

What was the Red Terror?

What was the Russian Civil War?

What about the imperialists?

What happened in Ukraine?

Were Makhno and his followers anti-Semitic?

What happened at Kronstadt in 1921?

How did Lenin contradict his supposed anti-imperialist principles while in power?

How did Red October, the Red Terror, and the Civil War lead to Stalin’s rule?

What lessons should we take from the Revolution?

Works Cited

Recommended Statements and Memoirs

Recommended Films

A map of the former Russian Empire using current borders, with important cities, sites, and regions for the Revolution indicated. The black star just west of St. Petersburg corresponds to Kronstadt. Key: red/maroon = Bolshevik control or influence; black = anarchist control or influence; green = Greens or Basmachi presence; pink = Menshevik control or influence

A map of western Russia and Eastern Europe using current borders indicating important cities and sites for the Revolution. The black star just west of St. Petersburg corresponds to Kronstadt.

What precipitated the crisis and revolutionary events of 1917?

Two factors were decisive in the emergence of the Russian Revolution of 1917: the Tsar’s forcible participation in the ongoing First World War, and widespread economic crisis, including near-famine conditions for urban workers. The disorganization of economic life during the war led to critical shortages for both the cities and the Army, thus making the continuation of the war-effort quite impossible. It was in the cities that the Revolution began in early 1917, spreading to the war-front by summer, provoking mass-desertions by conscripted soldiers who had experienced the utter pointlessness of the war firsthand. In fact, the Russian Revolution can in some ways be considered one of the greatest popular anti-militarist uprisings in history.

In February 1917 (March by the Gregorian calendar), starving masses rose up in Petrograd (previously and subsequently again known as St. Petersburg). On the first day of demonstrations, February 24 (Julian calendar), soldiers—perhaps in part with Bloody Sunday in mind—refused to fire on the striking workers and starving women, and the Petrograd garrison increasingly mutinied against the Tsar. Even the Imperial Guards turned on the tsarist police. The regiments in mutiny soon defeated all remaining tsarist forces in the capital, and railway workers defended the revolutionary city by refusing to transport loyalist forces to Petrograd. Finally acknowledging the reality of the situation, Nicholas II abdicated on March 2, ending three centuries of despotism by the Romanov dynasty. The Revolution had begun!

As Voline writes, the February Revolution, “the action of the masses[,] was spontaneous, logically climaxing a long period of concrete experience and moral preparation. This action was neither organized nor guided by any political party. Supported by the people in arms—the Army—it was victorious” (emphasis in original). He clarifies that this incredible historical progression was achieved by the people without leaders, for Yuli Martov (Menshevik) and Vladimir Lenin, Lev Trotsky, and Nikolai Bukharin (Bolsheviks) were all exiled at this time, only to return after February.

What helped propel the Revolution?

Though the February Revolution gave rise to a bourgeois Provisional Government led by Alexander Kerensky, a social-democratic member of the Socialist-Revolutionary (SR) Party, the emancipatory spirit of the Revolution was carried on by the insurgent peasantry and proletariat. The peasants, who made up 85% of Russia’s population at the time, immediately set about expropriating the land after the fall of the Tsar, and the Petrograd Soviet was resurrected from the 1905 Revolution, once again becoming a trusted voice of the working class and ever-greater segments of the Army. Nonetheless, the Provisional Government perpetuated Russia’s participation in the war, a decisive factor impelling the fall of the Romanov dynasty, and Kerensky even re-established the death penalty at the front. He also ordered a disastrous offensive on the Austro-German lines in June 1917.

In August, the White General Kornilov attempted to crush the Revolution in the name of the Provisional Government, but the workers of Petrograd once again mobilized as they had in February to defend the city with arms and by rerouting forces sent via rail to support Kornilov’s putsch attempt. Subsequently, the Bolsheviks won majorities in the soviets, factory committees, and soldiers’ committees, and in light of the Left-Socialist Revolutionaries’ decision to affiliate with them, the Party gained much sympathy among workers and peasants alike. Thanks to its heroic past, the SR Party, which represented the cause of agrarian socialism, had become the strongest party after February 1917, taking the majority of the seats in the Constituent Assembly, and enjoying the support of the majority of the population due to its “solid backing in the villages as a result of its pre-revolutionary activity and its work in promoting peasant cooperatives” (Maximov 50). This arrangement between the Bolsheviks and Left-SR’s would continue until July 1918, when the latter attempted to overthrow the Red State. Following the Provisional Government’s release of an arrest warrant against Lenin on July 6, 1917, the Red leader went underground to plan an insurrection against Kerensky.

For further reading

• “Factory Committees in the Russian Revolution” (Rod Jones)
• “Soviets and Factory Committees in the Russian Revolution” (Peter Rachleff)
• “Factory Committees and the Dictatorship of the Proletariat” (Maurice Brinton)
• “Russian Factory Committees” (Paul Avrich)

What was the anarchist role in the Revolution?

Numerically, self-described anarchists in Russia at the time of the February Revolution were not particularly strong, as the movement was just beginning, while revolutionary syndicalism was similarly germinating, and the most radical element of party politics, the Left-SR’s, was relatively weak in comparison to the Bolsheviks. Besides that, the Left-SR’s were actually in coalition with the ruling Bolshevik Party from Red October until July 1918, when they attempted to overthrow their erstwhile allies. Voline emphasizes that, had the anarchists and anarcho-syndicalists had more time than they were given before the Bolshevik assault of April 1918, they could likely have influenced the masses to boldly carry on with the project of free initiative and self-organization made possible by the Revolution. Yet he remarks with disappointment upon his return to Petrograd from exile in July 1917 that, “[i]n the fifth month of a great revolution, no Anarchist newspaper, no Anarchist voice was making itself heard in the capital of the country. And this in the face of the almost unlimited activity of the Bolsheviki!” (emphasis in original).

Between May and October 1917, some anarcho-syndicalists voted with the Reds in factory committees in favor of workers’ control, and the resurgent anti-authoritarianism of the Russian masses after February to some extent led the Bolsheviks to converge opportunistically with anti-statist and federalist critiques, thus misrepresenting their own politics (Goodwin 45-6). While the Bolsheviks did want to end Russian participation in World War I and have the land be returned to the peasantry, it is also true that the Bolsheviks ultimately crushed soviet-based democracy—thus contradicting their rhetorical commitment to have “all power” be devolved “to the soviets”—and only retroactively acknowledged the peasantry’s expropriation of private property since February with their Land Decree, proclaimed on October 26, 1917, the day after the fall of the Winter Palace. Additionally, as shall be described more below, the Reds had a prejudiced, authoritarian view of the peasants in line with Marxist ideology which rationalized the commission of several atrocities against them.

Ironically, then, anarchist sailors from Kronstadt played an important role in the insurrection to capture the Winter Palace. The Dvintsi (from Dvinsk) regiment, both comprised of and commanded by anarchists, was similarly critical in the struggle against Kerensky’s forces. Their commander, Gratchov, distributed arms and ammunition to the workers shortly after the October seizure of power, anticipating the danger this posed to the Revolution, but was killed under mysterious circumstances soon after having reported to the Bolshevik authorities. Anatoli Jelezniakov, an anarchist Kronstadter, was the one who ordered the dissolution of the Constituent Assembly in January 1918, announcing that the parliamentarians had “prattled long enough!” Anarchists also participated in the defense against General Kornilov’s coup attempt of August 1917 and organized libertarian-oriented partisan groups, such as the “M. A. Bakunin Partisan Detachment” of Yekaterinoslav or the Black Guards detachments commanded by Maria Nikiforova in Ukraine. Anarchists were moreover critical to the defense against Admiral Kolchak’s White forces in eastern Russia and Siberia.

Grimly, the Red authorities used the pretext of the Moscow Black Guards’ supposed plans for an “anarchist counter-revolution” to suppress the movement in April 1918, by which time the movement in Russia had numbered an estimated 10,000 individuals (Goodwin 48). In parallel, Nestor Makhno’s Insurrectionary Army of Ukraine was organized on anarchist principles, and the Makhnovists played a crucial role in defending the Revolution from the reactionary White Armies led by Generals Denikin and Wrangel during 1919-1920—before they, too, were suppressed by the Bolsheviks. The Greens, a powerful guerrilla movement spearheaded by deserting ex-conscripts, successfully defended the autonomous peasant revolution against Whites and Reds alike in the Civil War (1918-20) until their eventual defeat by the centralizing Bolshevik State.

The Union for Anarcho-Syndicalist Propaganda began publishing Golos Truda (“The Voice of Labor”) in Petrograd as a weekly in summer 1917, continuing until spring 1918 and then restarting later in Moscow. The Union also founded an Anarcho-Syndicalist publishing house, but both the press and the Union were shut down by the Reds in 1919. Meanwhile, the Federation of Anarchist Groups of Moscow published the daily Anarchy, with an anarcho-communist perspective, carrying on intensive propaganda work from 1917-18. Though Federation members participated with the Dvintsi in the struggle against Kerensky, the Reds repressed the Federation in April 1918, eliminating the last of its militants by 1921. In Ukraine, Nestor Makhno, Peter Arshinov, Voline, and others were involved in the founding in late 1918 of the Nabat (“Tocsin”) Confederation, which sought a unified anarchist movement, proclaimed the necessity of libertarian social revolution through its Nabat newspaper, and tried to organize a Pan-Russian Anarchist Confederation—a project that was directly stifled by Trotsky. Like the Insurrectionary Army of Ukraine, all these anarchist organizations “eventually met with the same fate: brutal suppression by the ‘Soviet’ authority.”

The editors of Golos Truda, who included Voline and Maximov, among others, denounced the ongoing war and called on Russian conscripts to desert the war-effort, thus providing the possibility of an example to the rest of the world’s soldiers, who in unison could ignite a world revolution. The editors considered it their “first duty, our most sacred task, to take up this work immediately in our own land […by ] open[ing] new horizons for the laboring masses, [and] help[ing] them in their quest.” In their initial issues, they emphasized the importance of continuing and deepening the Revolution:

We say to the Russian workers, peasants, soldiers, revolutionists: Above all, continue the Revolution. Continue to organize yourselves solidly and to unite your new organizations: your communes, your unions, your committees, your Soviets. Continue—with firmness and perseverance, always and everywhere—to participate more and more extensively and more and more effectively, in the economic activity of the country. Continue to take into your hands, that is, into the hands of your organizations, all the raw materials and all the instruments indispensable to your labor. Continue to eliminate private enterprises.

Continue the Revolution! Do not hesitate to face the solution of all the burning questions of the present. Create everywhere the necessary organizations to achieve those solutions. Peasants, take the land and put it at the disposal of your committees. Workers, proceed to put in the hands of and at the disposal of your own social organizations—everywhere on the spot—the mines and the subsoil, the enterprises and establishments of airports, the works and factories, the workshops, and the machines.

Golos Truda’s editors stress the need for workers and peasants to create autonomous class organizations in order to press forward with the reconstruction of the economy from below, and the need for intellectuals to focus their efforts in helping the masses prepare for the “real Revolution” of socializing production. By means of such class organizations could the economic system realistically transition into serving popular interests. Demarcating their position from all statists, the editors observe that political parties are required for the task of taking power, but,

To take over the economy, a political party is not indispensable. But indispensable to that action are the organizations of the masses, independent organizations remaining outside of all political parties. It is upon these organizations that falls, at the moment of the Revolution, the task of building the new social and economic system.

That is why the Anarchists do not form a political party. They agitate, either directly in the mass organizations or—as propagandists—in groups and ideological unions.

As an illustration of the same, consider the fate of the Nobel refinery in Petrograd: in late 1917, the refinery’s workers decided to manage the site collectively in the wake of its abandonment by the owners during the Revolution, yet the Red authorities completely ignored their will and shuttered it anyway, laying off all the workers. The situation was generally very similar throughout much of Russia and Ukraine, for the Bolshevik authorities prohibited the masses from independent action, maligning such initiative as a “breach of discipline,” and actively suppressed autonomous social movements like those of the anarchists, the Makhnovists, and the Greens, as well as cooperatives, workers on strike, and peasants in revolt.

Golos Truda’s editors summarize it well:

Anarchism is not only an idea, a goal; it is, before anything else, also a method, a means of struggling for the emancipation of [humanity] […]. One cannot achieve Anarchism in any way except by going straight to the goal, by the direct Anarchist road. Otherwise one never will arrive (emphasis in original).

For further reading:

• Anarchists in the Russian Revolution (Paul Avrich)
• The Russian Revolution (ed. Robert Graham)
• Timeline of Russian Anarchism, 1921-1953

How did the events beginning in 1917 present two opposing conceptions of social revolution?

Voline emphasizes that, in spite of the “victory” of Bolshevism in power, anarchism represented a real alternative that envisaged “a full and integral social revolution” after February 1917. In 1918, this liberatory alternative posed such a threat to the Red State that the Bolsheviks felt compelled to utterly crush it by means of terror. It was thus through force rather than via discussion or debate that the Reds suppressed the anarchist alternative, initially in April 1918 through outright repression of anarchist individuals and collectives and the shuttering of libertarian social centers and presses, and evermore so between 1919-1921, particularly in Ukraine, where the Makhnovists struggled against White reaction and subsequently against Red betrayal. Voline writes that the period between Red October and the end of 1918 was “significant and decisive, and that it “was in the course of those months that the fate of the Revolution was decided.” Still, it was not until they had suppressed the Kronstadt Commune and otherwise eliminated the libertarian movement by the end of 1921 that the Reds became masters of the political situation, although even then their authority had in reality been destroyed throughout vast swathes of rural regions, as peasants set off mass-rebellions against conscription and the  grain-requisition regimes imposed by the Reds.

Whereas the Bolsheviks implemented statist-authoritarian means as their revolutionary strategy, Russian and Ukrainian anarchists followed Proudhon and Bakunin’s vision of “direct and federative alliance[s]” among the associated workers and peasants with their unions, communes, and cooperatives organized non-hierarchically along local, regional, and international lines. In contrast to the Marxist view of centralization first, followed in theory by an eventual “withering away of the State,” the anarchists stressed the importance of an immediate rather than delayed socialization of the means of production by the working classes. It is therefore untrue that anarchists had no vision for social organization after the Revolution. On the contrary, we see two contrasting principles of organization: namely, the Bolsheviks’ centralist-authoritarian principles versus the anarchists’ libertarian and federative ones. In Voline’s words, “Naturally, the Anarchists say, it is necessary that society be organized. But this new organization should be done freely, socially, and, certainly, from the bottom [up].”

Like Bakunin, Voline sees a role for an “elite” to organize the libertarian social revolution, but such revolutionary organizers must be “true collaborators” with the people, who help them, “enlighten them, teach them, […] impel them to take the initiative, […] and support them in their action,” not “dictators” who hold power dominate, subjugate, or oppress them. This is another key difference with Bolshevism, which prescribes an elite that is to be aided by the masses and armed forces through blind obedience. In contrast, anarchism envisions that, through

The natural interplay of their economic, technical, and social organizations, [and] with the help of the “elite” and, in case of need, under the protection of their freely organized armed forces, the labouring masses should […] be able to carry the Revolution effectively forward and progressively arrive at the practical achievement of all of its tasks.

Against the Reds’ interest in the “organization of power,” anarchists counterposed the project of “organizing the Revolution.” For Voline, there exists “an explicit and irreconcilable contradiction” between the true libertarian social revolution and “the theory and practice” of statism and authoritarianism.

 

How did the Revolution go wrong?

“the forward march of the revolutionary masses toward real emancipation, toward the creation of new forms of social life, is incompatible with the very principle of State power” (Voline).

In contrast to Trotsky’s well-known hypothesis set forth in The Revolution Betrayed (1937), that the “degeneration” of the Russian Revolution came about only with the rise of Stalin in 1924, the Bolshevik seizure of power on October 25-26, 1917, arguably can be considered the beginning of its corruption. Voline describes the storming of the Winter Palace as amounting “virtually [to] a palace revolution” that gave the Reds a clear tactical advantage over the anarchists. That the Russian masses entrusted the fate of the Revolution to the Bolsheviks reflected both the hegemony of statism in the Russian popular imagination as well as the “insufficiency of the preliminary destruction” achieved in the February Revolution. Voline means to say that the people’s toleration of the continued existence of the State after the fall of Tsarism set the stage for the Bolshevik seizure of power and the subsequent deviation and destruction of the Revolution. Instead of the left-wing coalition government favored by the Menshevik Yuli Martov or any sense of direct democracy based on the soviets, the victorious Bolsheviks effectively instituted a one-party dictatorship which claimed baselessly to represent the interests of the proletariat. Subsequently adopting a perspective that in a way anticipated the Nazi jurist Carl Schmitt’s distinction between “friends” and “enemies,” the Reds forcibly disarmed the workers and their organizations and suppressed all alternative factions through the use of terror. As the publisher of Gregori Maximov’s The Guillotine at Work explains, during the Russian Civil War (1918-1920):

all-non Bolshevik elements were dubbed ‘petty-bourgeois and counter-revolutionary elements.’ Right and Left Social-Revolutionists, Social-Democrat[s] of all Shades, Maximalists, Anarchists of every tendency—all were placed in the same category of ‘counter-revolutionists.’ Soon these elements began to crowd not only the Tzar’s empty prisons but the vast number of private buildings converted by the Bolsheviks into prisons. Newly built ‘concentration camps,’ which were unknown to the Tzar’s government, were quickly filled (5-6).

In this way, the Bolshevik regime effectively instituted state slavery to defend its hegemony—such was the conclusion reached by Karl Kautsky, “the most prominent leader of world Social-Democracy,” while Lenin still lived (Maximov 20).

It is therefore highly ironic yet also revealing to consider that Lenin’s popularity after the February Revolution followed in large part from the entirely misleading vision he sets forth in the “April Theses” (1917), which argue that the Bolsheviks seek a “second revolution” that would overthrow the Provisional Government; abolish the police, military, and bourgeois State apparatus; and champion soviet power in its place. Acutely aware of the strong libertarian-humanist element in Russian socialism, the former exile knew that openly presenting his political project as Marxian centralism would be a non-starter in the motherland (21-3). Instead, he would attract the masses by appealing to the liberatory memory of the 1871 Paris Commune (31). In fact, such rhetorical “deviations” led several more moderate Russian Social Democrats to criticize Lenin’s call for immediate revolution as a reversion from Marxism to “Bakuninism”: Georgii Plekhanov especially made this connection, judging Lenin’s advocacy of the overthrow of the Provisional Government as “an insane and extremely harmful attempt to sow anarchist turmoil on the Russian Earth” (emphasis in original). In parallel, the Menshevik Martov considered Lenin’s advocacy of bypassing the “objectively necessary” historical stage of bourgeois democracy as a dangerous reorientation of the struggle from Marx to Bakunin (Goodwin 45-7).

Nevertheless, this feigned affinity with anarchism was purely instrumental and opportunistic: while in opposition to the Provisional Government, Lenin had militated greatly against the reinstatement of the death penalty in the Army, immediately upon taking power in October, he took steps to ensure that the revolutionary announcement abolishing the death penalty made on October 26, 1917—the day after the Winter Palace had fallen—was a mere formality. Instead, Lenin greatly impressed the need for the persistence of capital punishment. The appeal to the Paris Commune, therefore, was mere “bait,” a “weapon clearing the road to power” (Maximov 28-34). As the Red leader himself put it, “Do you really believe we shall be able to come out triumphant without the most drastic revolutionary terror?” (29).

Like his lieutenant Trotsky, then, Lenin was a State Terrorist, the “initiator and ideologist of terror in the Russian Revolution modeled upon the terror of the French Revolution” (Maximov 30). By suppressing not only the capitalists but also the rest of the non-Bolshevik left after October, these two figures bear principal responsibility for the vast suffering and death brought about by the Civil War. In targeting socialist-democratic forces of the Revolution for destruction, the Reds similarly targeted the masses of workers and peasants who supported these forces. In contrast, Maximov speculates that, had the broad Russian left been united rather than dealing with a treacherous war launched on it by the Bolsheviks, the “resistance” of the landowners and reactionaries who would go on to comprise the White Armies would have been easily defeated, and the need to resort to terror quite baseless (32-3). Instead, a myriad of socialist and anarchist groups, trade unions, and cooperatives became the regime’s adversaries (37). In parallel, workers and peasants who resisted Bolshevik policies—such as in the case of the latter, vast grain requisitions taken indiscriminately by the Red Army from rich and poor peasants alike to feed the cities—were depicted as “enemies of the people” (39). For this reason, many were targeted for arrest or assassination by the CheKa, or the Extraordinary Committee, which Lenin established in December 1917 (54-6).

For Maximov, then, the Marxist-Leninist centralized State views virtually the entire population as its enemy, with its only “friend” being the minority of pro-Bolshevik workers. This political strategy of championing the dictatorship of the proletariat—or really, the Party over the proletariat and the peasantry—hence inevitably becomes “a slaveholders democracy, which, as distinguished from the one of the ancient world, has for its aim freedom, economic equality, freeing the entire population from slavery, and all this is to be realized… by enslaving the entire population! Could there be a more absurd theory?” (41). Maximov here echoes Bakunin’s prescient warnings about the the risks associated with a Red bureaucracy: “Take the fiercest revolutionary and put him on the All-Russian throne or give him dictatorial power, […] and he will become worse than Alexander Nikolaevich [Alexander II] himself in a year.”

In light of the constellation of forces after Red October, it is quite unsurprising that freedom and equality came to be associated under Lenin with bourgeois delusions, and the critical victories over Tsarism represented by the securing of the freedom of the press, association, and organization in February thus easily rolled back (Maximov 42-3). Voline observes with reason that this suppression of freedom of speech, press, organization, and action “is fatal to true revolution.” Indeed, the Bolshevik regime revealed its autocratic character through its mass-violation of the formal abolition of capital punishment that had been decreed the day of the fall of the Winter Palace in October 1917 (55). The regime even wantonly executed followers of Tolstoy for observing their religious beliefs regarding non-cooperation with war in refusing conscription for the Red Army (10, 195). Ultimately, Lenin’s terroristic employment of the CheKa was in no way accountable to the soviets but rather a consciously elitist effort to “direct” the Revolution toward the Reds’ consolidation of power by means of the suppression of various rivals on left and right (57-8). In specifically targeting the libertarian movement, the Bolsheviks suppressed the Revolution itself. As Voline recounts:

Thus, inch by inch, the rulers become the absolute masters of the country. They create privileged classes on which they base themselves. They organize forces capable of sustaining them, and defend themselves fiercely against all opposition, all contradiction, all independent initiative. Monopolizing everything, they take over the whole life and activity of the country. And having no other way of acting, they oppress, subjugate, enslave, exploit. They repress all resistance. They persecute and wipe out, in the name of the Revolution, everyone who will not bend to their will.

To justify themselves, they lie, deceive, slander.

To stifle the truth, they are brutal. They fill the prisons and places of exile; they torture, kill, execute, assassinate.

That is what happened, exactly and inevitably, to the Russian Revolution.

For further reading:

• “The Russian Revolution” (Anarchist FAQ)
• “The Bolsheviks and Workers Control” (Maurice Brinton, Solidarity)
• “Lenin and Workers Control” (Tom Brown, SWF)
• “How did Bolshevik ideology contribute to the failure of the Revolution?”

• “Organizational Platform for a General Union of Anarchists” (Makhno, Arshinov, et al.)

 

What was the role of the Bolshevik Party?

The Bolsheviks, the supposed “majority” faction of the Russian Social Democratic Party, agitated and organized against the Provisional Government and Russia’s ongoing participation in World War I following the February 1917 Revolution. Yet as Voline observes, the Reds’ most popular slogans—Long live the Revolution! Down with the war! The land to the peasants! The factories to the workers!—were in fact appropriated from the anarchists. As discussed above, moreover, Lenin’s public program, as based on the April theses, invoked the liberatory model of the Paris Commune, thus gravely deceiving the Russian masses as to the Reds’ actual political project: the imposition of State capitalism in the name of communism. Consider Lenin’s comments from “The Tax in Kind” (1921), that,

[w]hile the revolution in Germany still tarries, our task should be to learn from the Germans how to run state capitalism, by all means to copy it from them and not to spare dictatorial methods in order to accelerate this process of taking over from the Germans, doing it at an even more rapid pace than the one followed by Peter the First in Westernizing barbarous Russia […] (emphasis added).

Wrongly considered the “leaders” of the Russian Revolution, the Bolsheviks in fact usurped power from the soviets and thus from the people through their October 1917 seizure of power, completely deviating the course of the Revolution. Even in November 1917, the editors of Golos Truda had anticipated that the soviets could well become merely executive organs of the nascent Red State; this is unfortunately what happened rather soon after Red October. Besides this, the Bolsheviks’ first major imposition on the masses came with the new authorities’ signing of the Treaty of Brest-Litovsk with Germany (negotiations for which began in November 1917, with its ratification coming in March 1918), an accord that exchanged control over the Baltic States, Ukraine, and Belarus to the Central Powers for Russia’s withdrawal from the conflict. This deal, the invention of Lenin and Trotsky, greatly contradicted the wishes of the Russian masses, the Left SR’s, the Maximalists, the anarchists, and even the majority of the members of the Bolshevik Party’s Central Committee, who preferred to continue a revolutionary war against the Austro-Hungarian and German imperialists. Lenin’s self-assertion here presages the ruthless centralism that would govern the Reds’ consolidation of power through the terroristic elimination of political rivals and enemies, and it would serve as the grounds for the Left-SR’s attempt at their overthrow (July 1918).

The Bolshevik Party carried out one of the most disastrous examples of substitutionism in history: that is, the substitution of the autonomous, independent action of the people by the centralized rule of dictatorship. While they claimed to represent the interests of the workers and peasants, the Reds, “a government [comprised] of intellectuals, of Marxist doctrinaires,” in fact greatly oppressed them by means of their imposition of State capitalism over them. Through the Red Terror and during the Civil War, the Bolsheviks practiced self-preservation at the expense of millions of lives of workers and peasants and the very Revolution itself (Maximov 149, 185). The “bourgeois statist-reformers” Lenin and Trotsky essentially employed instrumental thinking and oppression in their own supposed struggle against oppression, which in effect was quite enslaving, and demonstrated clearly for all “how not to wage a revolution.”

The reactionary meaning of Bolshevik rule is illuminated well by the proletarian Communist Party member Gavril Miasnikov, who was expelled from the Party in 1922, effectively for thoughtcrime. Reflecting on the meaning of the Russian Revolution to date, Miasnikov addresses Lenin directly, observing, “To break the jaws of the international bourgeoisie is all very well, but the trouble is that you lift your hand against the bourgeoisie and you strike at the worker. Which class now supplies the greatest number of people arrested on charges of counter-revolution? Peasants and workers, to be sure” (Maximov 271, emphasis added).

For further reading:

• “A Fresh Look at Lenin” (Andy Brown)
• “The Russian Revolution and the Communist Party” (Alexander Berkman)

What was the Red Terror?

“Lenin’s mind, like the mind of any partisan of dictatorship, of any dictatorship, works only along a single track—the police” (Maximov 150).

The infamous Red Terror launched by Lenin and the Bolsheviks in April 1918 sought to resolve the contradiction between the profoundly libertarian progress seen since February with the Bolsheviks’ authoritarian vision for the region. The Terror is outlined in Lenin’s address on April 29, 1918, “The Immediate Tasks of Soviet Power,” which stresses the putative necessity of “halting the offensive upon capital” waged by striking workers and those engaged in self-management and industrial democracy (Maximov 59-62). Acknowledging the “great deal of elemental Anarchism” evident throughout the former Empire, Lenin insists in parallel on the need for an “iron power” to keep the anarchic peasantry under control (63-66). According to Voline, the Bolsheviks saw clearly that allowing anarchists freedom would be equivalent to political suicide. Soon after publishing “The Immediate Tasks,” Lenin reiterated the necessity of an “iron order” and announced a “great crusade” to be comprised of urban workers’ brigades against “grain speculators, Kulaks, village usurers, disorganizers, grafters [… and all] those who violate the strict order established by the State” in the countryside (Maximov 68). The plundering and murders engaged in by Red grain-requisitioners provoked a vast uprising of the peasantry throughout much of Russia and Ukraine—yet rather than lament such a turn of events, Lenin considered it a “merit” that “we [had] brought civil war to the village” (69-71).

The second stage of the Terror, an intensification of the same, began after the Left-SR and ex-anarchist Dora Kaplan’s attempt on Lenin’s life in August 1918. By means of these two stages, by the end of 1918, the Reds had suppressed civil liberties and banned all non-Communist publications, broken up anarchist collectives and murdered individual anarchists, outlawed the Socialist-Revolutionaries and the Mensheviks, suppressed the Left-SR’s, executed a countless number, and incarcerated tens of thousands (Maximov 84). In parallel, the peasantry was used as a target for exploitation and regimentation. Consider this testimony by a Left-SR about the scorched-earth tactics employed by the Reds against the peasants of Tambov:

I was arrested not in January 1921, but in September 1920. There was no wide insurrectionary movement in the government of Tambov, although there were detached cases of armed resistance on the part of the peasants to the requisitioning detachments who were shamelessly looting the villages. On the day of my arrival in Tambov the Central Executive Committee of Tambov Soviets hung out the following announcement, declaring that ‘because of their attempt to disrupt the campaign of grain collecting, the villages Verkhne-Spasskoye (ten thousand population), Koziri (six thousand), and four other villages were burnt, hundreds of peasants were shot, and their property was looted.’ During my six months of confinement in the prisons of the Tambov CheKa I had a chance to see for myself the nightmarish picture of mass-annihilation and ruination of the toiling peasants of the government of Tambov which was carried on by the Communist authorities: hundreds of peasants were shot by the Revolutionary Circuit Courts and the Tambov CheKa; thousands of unarmed peasants were mowed down by the machine guns of the students of military schools and Communists, and tens of thousands were exiled to the far away North, while their property was burned or looted. The same picture, according to the data which the party of Left-Social-Revolutionaries has at its disposal, can be drawn for a number of other provinces: the government of Samara, Kazan, Saratov, in Ukraine, Siberia, etc. (Maximov 87-8).

Official statistics show that there were at least 245 peasant uprisings in 1918, and 99 in the first half of 1919 (Maximov 91). These were cruelly suppressed by the Reds, and such suppression in turn catalyzed further rebellions. Indeed, echoing the Left-SR’s testimony cited above, the CheKa gave explicit orders for the utilization of “mass terror” against villages considered to be supportive of the Green guerrillas, who defended the local peasant revolution (122-3). Additionally, the Reds in 1919-1920 destroyed the Russian cooperative movement due to its ties to non-Bolshevik socialists; as Maximov writes, “the cooperatives furnished an abundant and ever-renewed supply of inmates for the prisons and concentration camps” (132-3). By thus “ruthlessly persecuting all those who differed with them in opinion,” Lenin and Trotsky are clearly responsible for the vast crimes of the Terror, as for preparing the conditions for the 1921 famine, which took the lives of over 5 million people, in accordance with official statistics (96, 185). While 1921 did see drought and a resulting poor harvest, that the peasantry lacked accumulated stock due to the Reds’ grain-requisition regime can explain the breadth and depth of the famine (183-4).

Yet, by this time, Lenin would rationalize such State Terror by saying that the alternative of equality and democracy advocated by Left-SR’s, anarchists, and other democratic critics would necessarily allow the White reaction victory in the Civil War, such that, according to this thought process, Left-SR’s, anarchists, and democrats effectively became imperialist stooges and agents for the “restoration of capitalism.” Lenin explicitly says as much, calling those who “continue to struggle for the ‘equality of labor democracy’ […] partisans of Kolchak,” the leader of the Whites (Maximov 94). In this way, the emergence of the Civil War and the White reaction was utilized as a new and retroactive rationalization of the pre-existing Terror, and grounds for its expansion, as in Petrograd and Astrakhan, where the CheKa in 1919 forcibly suppressed striking workers (99-103). Maximov estimates that in 1919 alone, the Chekist terror took the lives of 25,000, with some 44,000 imprisoned and subjected to starvation, forced labor, torture, and rampant disease (111-2). In the provinces ruled by Trotsky, workers were often shot for “violating labor discipline” (136). This follows from the demand he made at the Third All-Russian Congress of Trade Unions (1920) for the “militarization of labor,” and his deluded sense that, the Soviet Union supposedly having become a “Workers’ State,” labor no longer had any need to organize independently of the State.

In February 1920, the CheKa announced the formal abolition of the death penalty in Russia with the exception of the war front, yet in May it was re-established by official decree. Just before the ban came into effect in February, however, CheKa head Felix Dzherzhinsky ordered the mass-execution of those sentenced to death, with the Left-SR A. Izmaylovich recalling the shooting of 150 prisoners in Moscow on the eve of the decree’s proclamation (Maximov 119-20). Red authoritarianism only burgeoned more: in “The Party Crisis” (January 1921), Lenin defended labor’s militarization, dismissed talk of industrial democracy, and identified the heresy of “syndicalist deviation” as something to be extirpated (Maximov 144-5). Whereas the policies of forcible grain requisitions in large part had triggered the 1921-1922 famine, Lenin in no way relieved the peasantry of this yoke but instead continued to demand further extraction, wielding terror against peasants who resisted and restricting the movement of starving peasants to other provinces in search of food by means of military cordons (149-50).

Thus, in contrast to the political opening expected by many leftists, workers, and peasants following the victory over the Whites in the Civil War—the hopes of getting on with the project of instituting a new Paris Commune in Russia, as falsely projected by Lenin in 1917 and 1918—the Reds showed that they were fully prepared to continue using State Terror to hold on to power. Alongside the fate of the Makhnovists, the suppression of the Kronstadt Commune is the best evidence for this sad reality, accounting for a quarter of the estimated 70,000 lives taken by the Red Terror in the year 1921 (Maximov 199).

Altogether, from 1917 to 1924, Maximov estimates that 200,000 lives were taken directly by the Red Terror, and that the Bolshevik experiment overall cost between 8 and 10 million lives, if we factor in victims of the Civil War and the 1921 famine, or between 10 and 13 million, if we incorporate the deaths attributable to the White Terror and reaction as well as the 1924 famine (Maximov 240-1).

For further reading:

• “Bolshevism: Promises and Realities” (Gregori Maximov)

What was the Russian Civil War?

The Russian Civil War, launched by the top-heavy White Army against the Revolution in 1918 with the forces of international reaction behind it, centrally pitted Reds against Whites but also saw important liberatory roles played by the Greens, the Left-SR’s, and the Makhnovists, all of whom opposed Whites and Reds alike. White Armies led variously by Generals Denikin and Wrangel as well as Admiral Kolchak were defeated by the joint action of the people in the revolt, the Makhnovists, the Greens, and the Red Army by 1920. Voline points out that some of this counter-revolutionary militarism was actually supported by Right-SR’s and Mensheviks. Yet by the end of 1919, with “Kolchak and Denikin […] defeated and the movements headed by them […] virtually liquidated,” much of Russia and Ukraine had been “cleared of white guardist bands” (Maximov 113). According to Maximov, irregular libertarian partisans of Russia’s Far East were decisive in the defeat of the Whites in that region (236).

The Greens, so named thanks to their forest and marshland hideouts, united many “deserter comrades” with disaffected peasants impelled by hatred of State exploitation into rural partisan armies that defended the Revolution from Red and White alike in Ukraine, the Volga and Urals regions, Siberia, and some central Russian provinces (Posadskii 8, 11). Makhno, himself a peasant, led the Insurgent Army through Ukraine, inflicting devastating losses on Whites as his liberatory forces went. Influenced by anarchism, Makhno hoped to create a peasant utopia on the land; unlike many Greens, who opposed both Reds and Whites, Makhno engaged in tactical alliances with the Reds until 1920, when the latter betrayed the Makhnovists following their vital services rendered to the defense of the Revolution. Whereas Makhno and his followers together with the Siberian Greens favored free soviets and free federations, the Greens met with a similar fate at the hands of the victorious Bolsheviks: the Red Army engaged in scorched-earth tactics against peasant communities considered to be supportive of the guerrilla movement, specifically targeting family members of known Greens for reprisal in Caucasia, Crimea, and the Don basin (Posadskii 4-14; Maximov 176-7, 194-5).

In response to their perception of the Bolsheviks’ capitulation to imperialism with the Treaty of Brest-Litovsk, the Left-SR’s assassinated the German ambassador and a high-ranking German officer in July 1918, and they spearheaded a short-lived uprising against the Bolsheviks in Moscow. Later, from 1920-1921, the Left-SR Alexander Antonov led a major Green uprising in the Tambov region, one so menacing Lenin would consider it the single greatest threat to his rule. Yet the Tambov Rebellion, too, was put down using overwhelming force, as detailed above.

The flag of the Green Armies of the Russian Revolution

What about the imperialists?

There is no doubt that the capitalist powers intervened on the side of the Whites against the Revolution in the Russian Civil War. The infamous Czech Legion, for example, seized control of the Trans-Siberian Railroad (completed under Nicholas II) during part of the Civil War, and imperialist governments supplied the Whites heavily with arms and ammunition. The “North Russia” campaign by U.S., British, French, and Polish forces captured the key port city of Arkhangelsk from the Reds in 1918. Nonetheless, such imperialist intervention cannot explain or rationalize the depravity of Bolshevik rule. As Lenin and company often blamed the shortcomings of the Revolution on “capitalist encirclement” and the “inaction” of the global proletariat, they assumed that the success of the Russian Revolution depended on the spread of social revolution to other countries, yet did not stop to think that the very opposite might be true: that the “extension of the Revolution depended upon the results of the revolution in Russia.” In this sense, the lack of an expanding global Bolshevik upheaval perhaps reflected workers’ ambiguities about the meaning of the Russian Revolution after its deviation by the Reds. In July 1918, the Bolsheviks would see the repercussions of their negotiating a peace with the German and Austro-Hungarian imperialists, when the Left-SR’s attempted an abortive uprising to overthrow Lenin and his colleagues due to their desire to defend the Revolution by continuing the war against imperialism.

Soldiers from the counter-revolutionary Czech Legion

What happened in Ukraine?

In Ukraine, Makhno, Arshinov, and Voline worked with the syndicalist Nabat (“Alarm”) confederation once the Revolution broke out. The Makhnovists proclaimed “Land and Liberty,” expropriated the land, and promoted soviet-based democracy in the regions they liberated. In 1919, the Insurrectionary Army led by Makhno hailed the Third Revolution against the Bolsheviks and called for land to be transferred from the Red State directly to the peasantry itself.

In 1919, the Reds conspired to crush the Makhnovists, even as the Insurrectionary Army was holding the line against the White General Denikin’s forces invading from the south. The Bolsheviks’ calculus was that Denikin would annihilate Makhno’s forces, thus eliminating a major rival to their rule, and then the Ukrainian peasantry would rebel against the occupying Whites and so weaken it before a victorious Red Army counter-offensive. Toward this end, in June Trotsky declared illegal the Fourth Extraordinary Convention being organized by the Makhnovists and ordered the arrest and execution of a number of commanders, though Makhno escaped unharmed.

Thereafter, the Insurrectionary Army regrouped and rallied to the defense of the Revolution, wreaking havoc in the rear of Denikin’s forces, which were thereafter easily defeated en route to Moscow by the Red Army (Maximov 108-111). The Reds then re-entered into a tactical military alliance with the Makhnovists to rout the White General Wrangel’s forces in Crimea. Importantly, the text of this pact stipulates that those regions in which the Makhnovists have presence are to be governed by the principles of “autonomy, federalism, and free agreement” in their relations with the Reds (126). Yet once Wrangel too had been defeated, Red Army commanders ordered the Insurrectionary Army to incorporate itself into the Red Army (127-8); when they refused to do so, they were criminalized as “bandits,” and the Reds banned their planned 1920 pan-Russian anarchist congress in Kharkov, ordering Makhno’s arrest as a “counter-revolutionary.” The militants were crushed, and the leadership driven into exile (Avrich 60).

The fate of the Makhnovists followed from the Reds’ premeditated policy of physically destroying popular insurgent movements, both “those that were hostile to them as well as those that fought together with them against Kolchak and Denikin” (173-4). How ironic that the anarchists’ heroic defense of the Southern line against the Whites only facilitated the Reds’ repression of the libertarian movement throughout Russia!

A similar story is seen in Russia’s Far East, where the Reds suppressed anarchists, Maximalists, and Left-SR’s after their critical contributions to the defeat of the White reaction in the region (Maximov 237-8).

For further reading:

• “The Russian Revolution in the Ukraine” (Nestor Makhno)
• “History of the Makhnovist Movement” (Peter Arshinov)
• “Nestor Makhno in the Russian Civil War” (Michael Malet)

Were Makhno and his followers anti-Semitic?

No, though Red apologists such as Trotsky like to claim that the Makhnovists hated Jews. Against such slanderous charges, Voline cites the example of Grigoriev, an ex-tsarist officer who led a reactionary peasant movement in Ukraine in 1919 that did engage in pogroms: “One of the reasons for the execution of Grigoriev by the Makhnovists was his anti-semitism and the immense pogrom he organised at Elizabethgrad, which cost the lives of nearly three thousand persons.”

He adds several other reasons showing the Makhnovists’ opposition to anti-Semitism, including the facts that a “fairly important part in the Makhnovist Army was played by revolutionists of Jewish origin,” that the Insurrectionary Army counted with several Jewish combatants and contained entirely Jewish fighting units, that Ukrainian Jewish communities provided many volunteers to the Army, and that “the Jewish population, which was very numerous in the Ukraine, took an active part in all the activities of the movement.”

Thus we see that the Makhnovist movement, though greatly inspired politically by the example of Mikhail Bakunin, progressed beyond this anarchist militant’s conspiratorial anti-Semitism to strictly punish chauvinistic acts inspired by such prejudice. For his part, Bakunin believed in the fantasy of universal Jewish power, and he conflates the power of finance capital with delusions about Jewish domination. See Statism and Anarchy.

What happened at Kronstadt in 1921?

The Kronstadt Commune of March 1921 was preceded by strike movements among workers in Petrograd and Moscow who demanded resolution to their starvation conditions as well as a halt to the terror and free soviet elections. The Reds met these striking workers with mass-arrests, lockouts, the declaration of martial law in Petrograd, and ultimately the armed suppression of workers in the city. As Maximov writes, whether ironically or not, “[t]the Petrograd scene strikingly resembled the last week of the Tzar’s absolutist regime” on the eve of the conflict (160). The sailors of Kronstadt echoed their fellow workers’ demands from across the bay, outlining in the Petropavlovsk resolution of February 28, 1921, fifteen demands, including the re-establishment of civil liberties, free elections to the soviets, the release of political prisoners, the review of all cases of those imprisoned and held in concentration camps, the right to organize labor unions, the immediate abolition of grain-requisitions, the liberation of the peasantry, and the abolition of Bolshevik commissars in the military and overseeing workplaces. While the resolution affirmed its demands within the parameters of the Soviet Constitution, Lenin and Trotsky found it profoundly threatening. They feared that its spirit could spread quickly within the armed forces—that the “petty-bourgeois [sic] Anarchist elemental forces [were] the most dangerous enemy, which might draw many sympathizers and partisans, which might obtain strong backing in the country and change the sentiments of the great masses of people” (Maximov 175). As such, they slandered the Kronstadt sailors, insulting them as being the dupes of Socialist Revolutionaries, a former tsarist general known as Kozlovsky, and the proto-fascist Black Hundreds.

The Bolsheviks then declared a state of emergency in Petrograd, clarifying that any crowds “congregating in the streets” were to be immediately shot, with any soldiers resisting such orders themselves to be summarily executed. The Reds also took several relatives of the sailors hostage (Maximov 165). In response, the Kronstadters took up arms to defend themselves and declared the abolition of the death penalty while themselves taking some 280 Reds hostage. Unfortunately, however, the weather was still cold enough to allow for the bay to be frozen over, thus facilitating a ground invasion of the island-fortress. Ultimately, after more than 10 days of artillery bombardment, Trotsky’s battalions, aided by ex-tsarist generals and supported by Chinese and Bashkir reinforcements, overwhelmed the Kronstadters and retook the island on March 17. An estimated 18,000 insurgents were killed in the fighting and executed shortly after their defeat (Maximov 164-8).

On March 18, the Reds held a public celebration in Petrograd marking fifty years since the beginning of the Paris Commune—this, as Kronstadt lay visibly in ruins. Emma Goldman and Alexander Berkman, who had attempted to intercede before the Bolsheviks to avert the Commune’s violent suppression, listened aghastly to Bolshevik military bands playing “The Internationale” in the streets. Goldman writes that “[i]ts strains, once jubilant to my ears, now sounded like a funeral dirge for humanity’s flaming hope,” while Berkman caustically observes that “Trotsky and Zinoviev denounce Thiers and Gallifet for the slaughter of the Paris rebels.”

How did Lenin contradict his supposed anti-imperialist principles while in power?

Lenin is known for his supposedly innovative characterization of imperialism as “the highest stage of capitalism,” and his view that capitalism will be taken down by the revolt of peoples oppressed by imperialism. Lenin expressed concern for the persistence of “Great Russian chauvinism” over the former Russian Empire’s numerous minorities and oppressed nationalities. So what was his relationship to such principles after he seized power over the Russian Empire?

Ukraine

See above. The Bolsheviks clearly did not favor Ukrainian self-determination.

Georgia

In February 1921, the Red Army invaded and occupied its southern neighbor Georgia from  Armenia, reproducing the Red Terror in the newly conquered country. This imperialistic venture followed from the general maxim of the Terror: As Georgian Mensheviks had declared independence in October 1917, this renegade province of the Russian Empire required a coercive corrective to its course. An appeal from Tiflis (Tbilisi) workers to the workers of Western Europe from August 1921 speaks to the repression imposed by the foreign Red rulers:

From the very first days Georgia was conquered, we were placed in the position of and treated as slaves. We were deprived of freedom of speech, of press, assembly, and the right of free association. A regime of military labor service has been imposed upon all the workers of Georgia, irrespective of their occupation. Everywhere Extraordinary Committees (CheKa) have been set up […]. The advanced workers of Georgia, irrespective of their party affiliation, are thrown into prison where they are being decimated by hunger and diseases. Human life has become of no value. Innocent people are shot, even those who never mixed into politics, who never took part in any political struggle. People were shot because they served the democratic government, the State; because in open war they defended their native country from the invasion of foreign troops (Maximov 171-2).

Alongside Mensheviks, then, Georgian national-liberation fighters were targeted for elimination by the occupying Reds (236).

Central Asia: Kirghiz-Kazakh Steppe and Turkestan

A map of Turkestan/Central Asia using current borders

Larger map situating Turkestan in relation to western Russia (using current borders)

In Central Asia, the Reds’ desire to maintain imperial hegemony over the region led it to support Tsarist-era settler-colonists against the indigenous populations, resulting in a popular resistance movement known as the Basmachi (Russian for “raiders”), and subsequently intensify the conflict and ultimately accommodate the resistance movement.

Both armed rebellion in the late Tsarist era and the emergence of the Basmachi movement in Soviet Turkestan had important bases in the colonization of the Central Asian steppe during the Tsarist period. This colonization, greatly enhanced by the onset of the Stolypin reforms (1901-3), which effectively targeted the rural commune for elimination, expelled the indigenous Kirghiz-Kazakh people from the best grazing lands and disrupted their traditional way of life, resulting in annual famines from 1910 to 1913 (Pipes 83; Rywkin 16). Increasingly greater stresses on the Kirghiz-Kazakh caused them to revolt in 1916 after they were targeted for conscription during World War I. One important factor that contributed to the popular resistance to this measure was that these Muslims would be conscripted to fight alongside non-Muslims against the Ottoman Caliph (Pipes 83; Olcott 353). Following repression of the revolt, many Kirghiz-Kazakh fled to Turkestan, and this together with the entirety of the travails experienced by the indigenous peoples during the late Tsarist period caused Kirghiz-Kazakh political leaders to seek the definitive termination of Russian settlement of the region (Rywkin 17). To this end, the Kirghiz-Kazakh had, before the 1917 Revolution, begun to demand territorial autonomy above all else, in the hope that self-rule would allow them to legislate in favor of indigenous peoples and reverse the excesses of Russian colonization (Pipes 85).

Following the Revolution and further armed conflict with Kirghiz-Kazakhs returning from exile, the Russian settler-colonists increasingly came to side with the Bolsheviks, hoping to use the rhetoric of proletarian dictatorship against the indigenous Muslims: Bolshevism, in this sense, was to mean the rule of workers, soldiers, and peasants, and since the Kirghiz-Kazakh supposedly had no such organized classes or groups, they were “not to rule but be ruled” (Pipes 86). Delegates to the 1917 Congress of Soviets, fearful of losing control over the empire’s many disparate nationalities and Central Asia’s lucrative cotton production, voted against any consideration of autonomy for Turkestan and the participation of Muslims in the Soviet administration in Central Asia (Pipes 91; Olcott 359-60).

Following up such rhetoric, the Reds, after their occupation of Turkestan in 1919, excluded local nationalists from political power. Even when the Kirghiz republic was allowed autonomy a few years later, Russian settler-colonists in the area refused to accept its sovereignty and worked to undermine it, and the Kirghiz-Kazakh nationalists, without an army, political organizations, or connections in Moscow, could do little to effectively liberate the region. The 1921 and 1922 famines that struck the Kirghiz-Kazakh steppe affected the indigenous populations significantly, as they had lost much of their livestock following the 1916 rebellion and disproportionately received less food from government distributions. The profound effects of this famine can explain the subsequent lack of indigenous popular resistance to the Soviet regime in the Kirghiz-Kazakh region, in contrast to the case of Turkestan (Pipes 174).

The Basmachi

Soviet rule in Turkestan met with greater challenges than that over the Kirghiz-Kazakh region. Though Soviet rule greatly discounted indigenous interests here as it did in the Kirghiz-Kazakh steppe, it met with opposition from an indigenous Muslim government based in Kokand and, following the breakdown of the Kokand regime, an emerging popular resistance movement known as the Basmachi (Russian for “raiders”). As in the Kirghiz-Kazakh region, Soviet power found support from settler-colonial elements, but here it met opposition from the autonomy-seeking Kokand government, supported by the politically-inclined segments of the indigenous populations and anti-Communist elements. The Tashkent Soviet, in an effort to extend control over rural Turkestan, supported persecutions, expulsions from the land, and looting of the indigenous Muslims, creating a situation which one contemporary Soviet official equated with the “feudal exploitation of the broad masses of the indigenous population by the Russian Red Army man, colonist, and official” (Pipes 177-8, emphasis added). Though the Tashkent Soviet firmly controlled urban areas, it had little authority over the countryside, where the populace had been alienated by Soviet cooperation in what it deemed a continued colonization. Tensions at this time between the two rival governments came to a head, and the Tashkent Soviet, fearful of the Kokand government’s emphasis on national self-determination, ordered the city of Kokand destroyed, its government overthrown (Pipes 174-8).

Following this brazen dismissal of indigenous interests, the Tashkent Soviet made little effort to win back the allegiance of its Muslims subjects and made little effort to relieve those affected by the winter famine of 1917-18, thus pushing more Muslims into supporting and joining the Basmachi movement (Rywkin 22-3). To some, the destruction of the Kokand Islamic government and its replacement with a secular, anti-religious State constituted blasphemy and can explain emergent cooperation with the developing Basmachi movement (Olcott 358). The Tashkent Soviet’s efforts at confiscating waqf, or clerical lands, for the benefit of the regime; the closing of religious schools; and the discontinuation of shari’at courts further contributed to popular opposition to the Soviet regime (Pipes 259).

The emergence of the popular resistance movement known as the Basmachi constituted a reaction to perceived Soviet abuses and excesses which, gathering support from the general populace, struggled violently against foreign occupation and resulted in an escalation and intensification of counter-insurgency efforts. In contrast to the later occupation of Afghanistan (1979-1989), the Soviets eventually came to realize that brute force itself would not succeed in bringing an end to popular insurrection in Turkestan, and so they successfully co-opted the Basmachi movement from below by responding to the needs and desires of the populace supporting the movement.

Following the fall of Kokand, many indigenous individuals involved in the government, along with others suffering under the requisitions and looting attendant with the Soviet regime, joined the Basmachi, who previously had been feared by the population at large as bandits and common criminals. The group came to represent the struggle for liberation from Soviet rule (Pipes 178; Rywkin 33). The Basmachi soon grew to control the Turkestani countryside, generally enjoying the support of the population and, by violently punishing collaboration with the Soviet regime, coercing those who would think twice about backing them (Rywkin 35; Haugen 89). Though targeted at Bolshevik rule, the Basmachi resistance increasingly came to represent a Muslim struggle against Russians rather than an anti-communist campaign (Rywkin 38). The movement, plagued by lack of unity among its leaders, hoped to overcome these difficulties and approach victory with the defection of Enver Pasha, a former ruler of Turkey whom Lenin had sent to quell the insurgency, yet who ended up joining it himself. Enver’s integration into the Basmachi strengthened the movement, increasing its numbers to twenty thousand members who now could count a number of victories under their belts. Nonetheless, Enver failed to unify the resistance, having antagonized other Basmachi commanders with his vision of a pan-Turkic Muslim empire (Pipes 258; Rywkin 39). With his death in battle against the Reds in 1922, all hopes to consolidate the resistance movement ended (Pipes 259).

The Soviet regime coupled military escalation in response to Basmachi with political concessions. The combination of these two factors undermine popular support for the Basmachi and thus their effectiveness. Moscow saw in the emergence and perpetuation of the Basmachi movement the persistent refusal of the Tashkent Soviet to grant autonomy to indigenous peoples, such that, in 1918, Stalin ordered Turkestan autonomous. However, the non-cooperation of local communists with this directive caused it to be irrelevant until Lenin later intensified central pressure on the Tashkent communists (Pipes Ibid 179, 183). The result of heavy pressuring, the 1920 Seventh Congress of Soviets was the first to allow Muslim participation, but few would-be delegates attended for fear of reprisals from the then-raging Basmachi movement (Rywkin 26). The Eighth Congress, though, yielded an indigenous majority in the Tashkent government, thus arousing the hopes of Turkestani intellectuals for self-determination. Although Lenin, in contrast to the Russian settler-colonists in Turkestan, may have favored real autonomy for the Muslim peoples of the region in theory, he was not willing to countenance an autonomy that would threaten the unity of the Soviet regime and the centralized rule of the Communist Party (Rywkin 32).

Following these political concessions came a burgeoning Soviet military presence in Turkestan. Eventually, Soviet and local leaders increasingly came to realize that the coupling of military escalation with political half-measures would not bring order to the region. To this end, the administration overturned the most unpopular reforms: the waqf was returned, Koranic schools were legalized, shari’a courts were granted increased autonomy, taxes were cut by half, and food supplies to indigenous peoples were increased (Pipes 259; Rywkin 41; Olcott 360). Moreover, the introduction of the New Economic Policy permitted a return to private trade, and ended the forced requisitions of food and cotton, the origin of much resentment toward the Soviet regime (Pipes 259; Rywkin 41). Given these substantial concessions, much of the previous support for the Basmachi dissipated, and order was restored for the Communist Party in much of the region.

How did Red October, the Red Terror, and the Civil War lead to Stalin’s rule?

As we have seen, the Bolshevik seizure of power gave rise to the Red Terror and the Civil War. According to Maximov, the “entire country was turned into a prison” so that Bolshevik control of the State would persist (192, emphasis in original). The Reds never once tried to negotiate peaceful settlement of conflicts during the Civil War or thereafter, but simply resorted to intimidation as based on the real threat of physical annihilation by means of the Red Army and the CheKa plus its successor, the GPU (State Political Administration) (179, 207). In quashing all alternatives to Bolshevik hegemony, including striking workers and peasants in revolt, the Reds exhausted the sources of resistance that could have averted Stalin’s rise or reversed it shortly after its emergence. By 1922, the rate of State repression against socialists and anarchists lessened to some degree simply because most of them had by this time already been suppressed (213-223). In cultural terms, Lenin’s partner, N. K. Krupskaya, circulated a list of forbidden literature that included Kant, Plato, the Gospels, Schopenhauer, Kropotkin, Tolstoy, and Bakunin in 1923, demanding that libraries remove these authors and works from circulation immediately (221-2). Of course, the Nazis would publicly burn books by many of these same authors in the years to come.

As Paul Mattick argues, there is very little in Stalinism that did not also exist in Leninism or Trotskyism. Indeed, it is quite telling that a variation on the same boast Trotsky would make after the April 1918 raids against the anarchists—that “At last the Soviet government, with an iron broom, has rid Russia of Anarchism”—would be used by Stalin’s hangmen to hail the purges against Trotskyists and Old Bolsheviks fifteen years later.

For further reading:

• “How Lenin Led to Stalin” (WSM)
• “Stalin Did Not Fall From the Moon” (WSM)
• “From the Russian Revolution of 1917 to Stalinist Totalitarianism” (Agustin Guillamon)

What lessons should we take from the Russian Revolution?

Metaphorically, the Russian Revolution illustrates “the resplendent rays of freedom” melting away an ossified despotism, thanks to the action of “the common people [who] swept over the land like spring floods and washed away the debris of the old regime” (Maximov 336). The heroic, libertarian mass-mobilizations of February 1917 opened the horizon of possibility, astonishing the rest of the world through the suddenness of their overthrow of the Tsar. In this Revolution, the peasantry retook the land and many workers engaged in cooperative self-management of production. Yet the historical burdens of Tsarism put the working classes at a disadvantage, in the sense that they could not self-organize openly as long as Nicholas II ruled. Following his abdication, the absence of workers’ class-organizations which could serve as “receiving sets” for the implementation of anarchism in Russia and throughout the former Empire greatly hampered the cause in the struggle between libertarian and authoritarian socialism that characterized the years 1917-1921. To a considerable extent, this lack can explain the defeat of the anarchists by the Reds in the Red Terror and Civil War.

The anarchist Revolution, of course, can only begin through the action of the masses in conjunction with specifically anarchist militants, who must not be allowed to hold coercive power over the people. The success of this Revolution depends ultimately on whether its emancipatory nature can win over the “neutral” mass through its positive results. A final essential element is working toward the ideological destruction of what Voline terms the “political principle”: statism and authoritarianism.

We close with the most hopeful interpretation of the tragedy of the Russian Revolution, one that is not specific to this event but rather to all other major historical setbacks: “Let Russia serve as a lesson to all other nations. Let the mountains of corpses and the oceans of blood shed by its people be a redeeming sacrifice for all nations, for the toilers of all countries” (Maximov 334).

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Works Cited

Avrich, Paul. Kronstadt 1921 (Princeton: Princeton University Press, 1970).

Bakunin, Mikhail. Statism and Anarchy, trans. and ed. Marshall Shatz (Cambridge, UK: Cambridge University Press, 2005).

Bloodstained: One Hundred Years of Leninist Counter-Revolution, ed. Friends of Aron Baron (Chico, California: AK Press, 2017).

Goodwin, James. Confronting Dostoevsky’s Demons (New York: Peter Lang, 2010).

Haugen, Arne. The Establishment of National Republics in Soviet Central Asia (New York: Palgrave Macmillan, 2003).

Maximov, G. P. The Guillotine at Work: Twenty Years of Terror in Russia (Chicago: Globus Printing, 1979 [1940]).

Olcott, Martha B. “The Basmachi or Freeman’s Revolt in Turkestan 1918-24.” Soviet Studies 33.3 (July 1981): 352-69.

Pipes, Richard. The Formation of the Soviet Union (Cambridge, MA: Harvard University Press, 1997).

Posadskii, A. V. Девятнадцатый, зеленый… («Зеленое» движение в годы Гражданской войны в России) (Saratov: Publikatsiya RFFI, 2016).

Rywkin, Michael. Moscow’s Muslim Challenge: Soviet Central Asia (Armonk, NY: M.E. Sharpe, 1990).

Skirda, Alexandre. Nestor Makhno: Anarchy’s Cossack, trans. Paul Sharkey (Oakland: AK Press, 2004).

Voline, The Unknown Revolution (Montréal: Black Rose Books, 1975 [1947]).

Recommended Statements and Memoirs

• Mollie Steimer, “On Leaving Russia” (1923)
  • Emma Goldman, My Disillusionment in Russia (1923)
  • Alexander Berkman, The Russian Tragedy (1922)
• Memoirs of Peasant Tolstoyans in Soviet Russia, trans. and ed. William Edgerton (Bloomington: Indiana University Press, 1993).

Recommended Films

• Battleship Potëmkin, dir. Sergei Eisenstein (1925)
• The Fall of the Romanov Dynasty, dir. Esfir Shub (1927)

• October, dir. Sergei Eisenstein (1928)

• From Tsar to Lenin, dir. Herman Axelbank (1937)

• Doctor Zhivago, dir. David Lean (1965)

• Reds, dir. Warren Beatty (1981)

• Red in Blue, dir. Thibout Bertrand (2017)

Stop Rohingya Genocide!

Courtesy Kevin Frayer/Getty Images

The Burmese military that effectively rules the Southeast Asian State of Myanmar is currently engaged in a campaign of intensifying genocide against the country’s Rohingya minority. Of the 1 million Rohingyas who were estimated to have lived in Myanmar’s northwestern Rakhine State before this newest episode of ethnic cleansing, approximately one thousand have been killed and over a half-million displaced in the past two months. These Rohingya refugees, many of whom are women and children, have fled the brutal scorched-earth tactics of the Burmese State for neighboring Bangladesh—although over 100,000 remain internally displaced in Rakhine in perilous conditions.

The Rohingyas of Burma

The dispossessed Rohingyas have confronted mass-murder, torture, and sexual assault and had their homes torched and their crops destroyed. Scores of villages have been burnt to the ground. In addition, the Burmese military has installed a series of landmines adjacent to the Naf River that divides Myanmar from Bangladesh, both to harm those fleeing and to dissuade their return. Why has this happened?

Many observers point to the ethno-religious aspects of this oppressive dynamic. Whereas the Burmese State is largely controlled by majority ethnic Bamars who are Buddhists, the Rohingya minority—considered by the State to be “Bengalis,” as from the region of Bengal that spans India and Bangladesh—are mostly Muslim, with a Hindu minority. While Islam and Buddhism are not mutually hostile to each other, such fault-lines as differing religious identities have been used in this case to prepare and ultimate rationalize the ongoing genocide. British colonialism—with its logic of racialization and bordering—prepared the groundwork for the atrocities unfolding today, as imperialists used Rohingyas during the war against Japan and even at one point promised them independence, a promise later revoked. Since its 1962 takeover in the early post-colonial period following Burmese independence from Britain in 1948, the military has promoted Buddhist nationalism as an ideal and excluded many of the country’s ethnic minorities, none more than the Rohingya. In 1974, the State identified all Rohingyas as foreigners; in 1982, it formally revoked their collective citizenship.

Military “Clearance Operations”

Over the past half-century, the State has systematically starved, enslaved, and massacred the Rohingya people. In response, between the 1970s and August 2017, an estimated 1 million Rohingyas fled Burma/Myanmar, with 168,000 refugees crossing State borders between 2012 and August 2017. In violation of international law, Rohingya refugees have been forcibly repatriated to Rakhine several times over the past 40 years. This time, however, the ethnic cleansing appears to be meant to be final.

In his report on an October 2017 meeting with the U.S. ambassador, General Min Aung Hlaing, the Burmese commander accused of ordering the ongoing atrocities, falsifies history by claiming that the Rohingyas are “not native” but rather foreigners who were introduced to the country by British imperialism. Such a self-serving account overlooks the historical presence of Muslims in Rakhine since at least the fifteenth century and conveniently erases the cosmopolitan past in which Muslims, Hindus, and Buddhists coexisted without war. Ominously, Aung Hlaing has publicly declared that the ongoing “clearance operations” are meant to resolve “unfinished business” from Burma’s independence. For her part, State Counsellor Aung San Suu Kyi, the former political prisoner and recipient of the 1991 Nobel Peace Prize, is entirely complicit in these crimes, given her guarding of silence on the current crisis and her past rejection of the idea that the State’s military campaigns in Rakhine constitute ethnic cleansing.

The “Last Asian Frontier” to Capital

Yet however much responsibility for the Rohingya genocide rests with the Burmese military and ruling class, capitalist and imperialist elements play important roles in the oppression of the Rohingyas as well. The power of the Burmese State and military has grown hand-in-hand with the expanding extraction of its fossil-fuel resources and the accelerating opening-up of trade and investment in recent years. Having been relatively unknown to global capitalism, Burma/Myanmar is sometimes considered the “last Asian frontier” for capitalist models of plantation agriculture, deforestation, mega-mining, and the super-exploitation of labor.

Over the past two decades, the State has dispossessed millions of Buddhist peasants of their land to make way for corporate-extractivist projects, and before the current crisis erupted, the State had already awarded a million hectares in Rakhine for “corporate development” schemes. In northern Rakhine, moreover, the State has plans to establish a “special economic zone” with Chinese investors to construct oil and gas pipelines to the tune of $10 billion. When one considers that all burnt land in Burma reverts to State property, the meaning of its military’s “clearing operations” against the Rohingyas becomes clearer. The ferocity of the State’s response to the coordinated guerrilla attacks by the Arakan Rohingya Salvation Army (ARSA) on 40 Burmese police stations and a military base in Rakhine on August 25, which provoked the current wave of mass-displacement, shows that the ARSA attack is only a pretext for the State to implement its broadly genocidal designs.

Courtesy Showkat Shafi/Al Jazeera

International Complicity in Genocide

Since 1990, China, Russia, Israel, and former Yugoslavian countries have been Burma’s major arms suppliers, while the UK provides training to the Burmese military. In fact, in September 2017, the Israeli State argued before the High Court of Justice that ethics have no place in business or international relations, and that no restrictions should be placed on Israeli arms sales to Burmese security forces. Although the U.S. and the European Union currently observe an embargo on trade in weapons with the country, recent meetings between EU leaders and General Min Aung Hlain suggest that this embargo may well be lifted soon in the interests of profitability.

Moreover, recently at the United Nations, the Trump Regime cynically used accusations of war crimes against the Rohingyas as leverage against the State’s allies, China and Russia. While it is clear that Trump has no actual interest in the Rohingyas as human beings, it bears noting that the Obama administration helped legitimize Suu Kyi and the military junta she serves by suspending sanctions against Burma following her party’s electoral victory in 2015. Of course, overcoming the “barrier” that such sanctions had represented to the expansion of capital serves U.S. imperialist interests as well.

In closing, we condemn the State Terror that has targeted Rohingyas for four decades, leading to the current genocidal catastrophe, and we express our solidarity with those displaced both internally in Burma/Myanmar and as refugees in Bangladesh. We denounce all imperialist and capitalist support for the Burmese junta, whether provided by the U.S., Israel, Russia, or China. We take inspiration from the mutual aid provided by Bangladeshis to the Rohingya refugees, even as that country confronts mass-inundation and disappearance due to rising sea levels that result from capital-induced climate change. We look forward to the potential unification of peasantry and working class across ethnic lines against the Burmese State, and we demand justice.

Never again! Stop Rohingya genocide!

For more information:

Message to the world from Nasima Khatun, a Rohingya (Al Jazeera, 17 Sept. 2017)

Message to the world from Noor Kajol, a Rohingya (Al Jazeera, 15 Sept. 2017)

Message to the world from Begum Jaan, a Rohingya (Al Jazeera, 12 Sept. 2017)

UN: Rohingya in Bangladesh need ‘massive’ assistance (Al Jazeera, 24 Sept. 2017)

Al Jazeera releases virtual reality project on Rohingya (Al Jazeera, 28 Sept. 2017)

‘No pictures, no words can explain Rohingya plight’ (Al Jazeera, 16 Oct. 2017)