Seeking the Anarchism of Love: Transcript

From an online conversation hosted by the Bureau of General Services–Queer Division, 22 March 2023

Joe Scheip: Lev Tolstoy, Leo Tolstoy, Count Tolstoy, or any other of the many names and titles of Lev Nikolaevich Tolstoy, was as diverse in being as in his many names. Complex and sometimes hypocritical, Lev was not just known in his time as a great author and poet, but also as a visionary and a revolutionary in ethics and politics: a believer in Christian anarchism. He challenged power, in all its forms.

Lev Tolstoy lived from 1828 to 1910. He was contemporaneous in his own country with Russian Tsars Alexander II and Alexander III, and later in life, with Nicholas II. He was born into some wealth and rank. Russia at the time was a quasi-feudal capitalist society, with deep disparity in social classes, the scourge of imperial rule, and the horrors of serfdom.

Tolstoy’s life has many epochs: first, a young adulthood that included eventful and traumatizing experiences in the military; then, Tolstoy the great author, writing best sellers even in his own time. Also, Tolstoy the social experimenter: using his homebase Yasnaya Polyana as a springboard for radical experimentation in education, eating, and social ranking. This was a place where holy fools, mystics, seekers and the like would come and stay, to attempt to create new worlds—much to his wife Sofia Tolstaya’s chagrin.

And we shouldn’t leave out Sofia here—as Tolstoy did, deciding to meditate amongst the honeybees during the pregnancy of their first child. Sofia should be credited, amongst many other things, with the countless hours spent copywriting and editing Tolstoy’s work—invisible labor, much like the labor of mothering their 13 children.

And Tolstoy’s hypocrisies and contradictions only continue from there. Yet he seemed to be fully aware. He writes in The Kingdom of God is Within You:

“We are all brothers—yet every morning a brother or sister must empty the bedroom slops for me. We are all brothers, but every morning I must have a cigar, a sweetmeat, an ice, and such things, which my brothers and sisters have been wasting their health in manufacturing, and I enjoy these things and demand them… We are all brothers, but I take a stipend for preaching a false Christian religion, which I do not myself belief in, and which only serves to hinder men from understanding true Christianity… The whole life of the upper classes is a constant inconsistency. The more delicate a man’s conscience is, the more painful this contradiction is to him.”

And while there are many things to examine in Lev’s life, Javier’s project—Queer Tolstoy: A Psychobiography (2023)—focuses on uncovering the both overt and subliminal queerness in Tolstoy’s life and work, and to link his erotic dissidence with his anarchist politics.

Was Tolstoy queer? In the sense of his lack of integration with mainstream society, the answer can only be a resounding yes. Was Tolstoy homosexual? The answer is more complicated. There are, however, many things that point to Tolstoy’s homosexual and homosocial gravitations, including his own words in his diary and Sofia’s later words, asking forgiveness for being the barrier to his encounters with other men.

Along with Javier’s historical, psychological, and social commentary, the book includes a queer reading of War and Peace, which unveils homosexual and double entendres galore.

On queer and queerness: what drove your interest in studying this under-researched area of Tolstoy’s life?

Javier Sethness: My mother María Castro, who is an art historian, would often tell me in childhood that art is usually autobiographical. The filmmaker Federico Fellini agreed. Take Ernest Hemingway or George Orwell’s volunteering in the Spanish Civil War, which yielded such classic books as For Whom the Bell Tolls and Homage to Catalonia. Or consider Steven Spielberg’s films—Schindler’s List, Saving Private Ryan—and Octavia Butler’s novels, The Parable of the Sower and Parable of the Talents. In much the same way, Lev Nikolaevich Tolstoy’s art is highly autobiographical. The count drew from personal and family experiences to create most of his best-known artworks, from the “Sevastopol Sketches” to The Cossacks, War and Peace, Anna Karenina, “The Death of Ivan Ilych,” and Hadji Murat, among others. So when I write that queerness permeates Tolstoyan art, I am also suggesting that this artistic queerness represents autobiographical disclosure, as I engage in a kind of self-analysis—to see how queerness influences my own life, along with Tolstoy’s biography and artworks, plus the human condition.

Initially, I had simply planned to analyze Tolstoy’s artistic critique of war and militarism, which is realistic, humanistic, and anti-authoritarian, while considering some of the implications for left-wing internationalism today, especially in light of the resurgence of fascism and neo-Stalinism. But I was struck in my readings by the palpable homoeroticism that pervades Tolstoyan art, so I refocused the project into a psychoanalytical examination of the links between the artist’s erotic dissidence and his anarchist politics: in other words, of his queer anarchism.

Besides Tolstoy’s writings and biographies, this journey led me to research, among others, Bruce Perry’s findings about Malcolm X’s youthful gay relationships, Edward Carpenter’s progressive studies of homosexuality, Russian and Ukrainian LGBTQ history, the lesbian attractions that Tolstoy’s wife Sofia Andreevna Tolstaya includes in her own art, the lesbian and bisexual women’s participation in the Easter Rising of 1916, comrade-love in the Paris Commune and the Russian Revolution, and what the late Chris Chitty describes as the “ancient association of same-sex eroticism with the hatred of tyranny,” which dates back at least to classical Greece.

With time, I noticed that intimate emotional bonds with other men were constants in Tolstoy’s “psychogeography,” both in terms of his life and his imagination, as expressed artistically. Besides including a brief review, in Perry’s style, of the subject’s homoerotic life, Queer Tolstoy features Freudian, Frommian, and Marcusean lenses, in the sense that I apply Sigmund Freud’s concepts of infantile sexuality, universal bisexuality, and polymorphous perversity; Erich Fromm’s critique of necrophilia and authoritarianism and simultaneous promotion of meaning and freedom; and Herbert Marcuse’s championing of Eros, or the life drive, to interpret Tolstoy’s life and art within its political and historical context.

Of these concepts, let me briefly explain Freud’s ideas about universal bisexuality and polymorphous perversity. Freud, the father of psychoanalysis, hypothesized that we are all bisexual, in the sense of both integrating male and female elements, and having pansexual attractions. (By the way, Charles Darwin would appear to agree with the former point, considering his view that “every man & woman is hermaphrodite.”) In Three Essays on the Theory of Sexuality (1905), Freud proposes that human beings are sexual from birth, and that our libido (or sex-drive) expresses itself in “polymorphous-perverse” ways. I for one believe that our attachments and attractions manifest in wide-ranging, kaleidoscopic, and, yes, polymorphous fashion. So, while Freud and many of his followers were not necessarily friendly with the LGBTQ community—two of the notable exceptions here being Marcuse and the anarchist psychiatrist Otto Gross—I believe that some Freudian concepts can still be useful to us.

Moreover, by writing Queer Tolstoy, I sought to resist the heterosexist presumption that LGBTQ people and experience should remain invisible, together with the Russian State’s aggressive homonegativity. This is despite its official boosting and opportunistic use of some of Tolstoy’s lyricism, regardless of his excommunication by Russian Orthodox Church. President Vladimir Putin’s queerphobia is crystallized in the criminalization of “non-traditional” sexual relations and gender presentations—previously limited to minors, but now extended to the entire population. The Russian LGBT Network has been officially branded a “foreign agent.” This is not to mention genocidal crimes committed against the LGBTQ community in Chechnya, under Putin’s satrap Ramzan Kadyrov.

I struggle with the word queer, with its history as a pejorative, but preserving the word queer seems crucial in counter balancing the weaponization of terms like traditional family values, and other, related terms that used to suppress sensuality, art, love, and new ways of being. Tell me about your reaction to the term queer? Why do you think it is fitting word to describe Tolstoy?

I hear that concern, although I suspect that there might be a generational gap here. A recent letter to the editors of the Guardian, apparently written by a 55-year old gay man, requested that the paper not use the “Q-word” because he found it “insulting and derogatory.” By contrast, the queer identity resonates more among younger people from the LGBTQ community, of which I am a part.

In the book, I use “queer” to refer both to “sexual deviance and freely chosen LGBTQ+ desire and experience,” as well as the intersection of LGBT experience and political radicalism. Going back to Freud and Marcuse, I believe “queerness” to be a synonym for “polymorphous perversity” and Eros. Along these lines, I emphasize the “lesbian continuum” hypothesized by Adrienne Rich, together with Freud’s ideas about a parallel gay continuum tying together the homosocial, homophilic, and homosexual worlds, while remaining critical of the toxic masculinity often exhibited by gay, bisexual, and straight men—Tolstoy not excluded!

As you rightly pointed out in your introductory comments, Joe, Tolstoy was not homosexual per se. By no means do I mean to erase his long marriage with Sofia Andreevna, who gave birth to thirteen of their children, much less his sexual relationships with other women. If I had to classify the count, I would say he was bisexual (in keeping, indeed, with Freudian theory). With this in mind, plus considering his dikost—a Russian word which means “daring,” “wildness,” or “iconoclasm”—I thought the title Queer Tolstoy was fitting.

In the introduction to my book, which is now available open-access, I briefly review nineteen same-sex relationships that I could glean from Tolstoy’s homoerotic biography. These include bonds with the Chechen Sado Miserbiyev, the revolutionary Russian youth Vasily Alexeev, the Ukrainian Jewish peasant Itzhak Feinermann, the Russo-Ukrainian composer Peter Tchaikovsky, the Indian independence leader Mohandas K. Gandhi, and the self-aggrandizing Tolstoyan proprietor Vladimir Chertkov, among others. Lev Nikolaevich himself admits to eight other gay attachments early on in his diaries. Considering the artist’s hyper-sexual impulses, these likely only represent the proverbial “tip of the iceberg” for Tolstoy’s same-sex experiences.

Nina Nikitina, senior researcher at Yasnaya Polyana, writes that Tolstoy “read love signs all the time and was in their power.” He certainly sought love as mutual recognition and connection, as is emphasized by humanistic psychoanalysts like Jessica Benjamin. Such themes feature especially in War and Peace, a canvas on which Tolstoy’s alter egos discover spontaneous same-sex attractions on the battlefields and behind the front lines as comrades collectively resisting Emperor Napoleon Bonaparte’s onslaught. These include platonic, deeply felt lesbian and gay bonds between Princess Marya Bolkonskaya and Julie Karagina on the one hand, and between Prince Andrei Bolkonsky and Captain Tushin on the other. Plus, as during World War I, soldiers will fraternize homoerotically and agree to cease-fires across the lines of control.

Tolstoy is known for bringing the realities of war and imperialism home to Russians. He was critical of the idea of the strong man, the leader who will bring his people glory. This seems to be very fitting, given the current tragedy of Ukraine and the despotism of Putin. What would Tolstoy say today about the current situation?

As Piro Subrat explains in Invertidos y Rompepatrias (2019), a history of the Spanish LGBTQ community, Tolstoy supported the mission of the Scientific-Humanitarian Committee, which was founded by the German physician and sexologist Magnus Hirschfeld in 1897. This committee, the first LGBT rights organization in history, sought to repeal Paragraph 175 of the German criminal code, which was used to criminalize male homosexuality from 1871 to 1994. In this light, Tolstoy would likely have been horrified by Putin’s war on the queer community, which has resonated with Republicans in the US.

Both of these conservative-authoritarian power-groups are dehumanizing and inciting violence against us, with the Daily Wire commentator Michael Knowles even calling at this year’s CPAC (Conservative Political Action Conference) for trans* people to be “eradicated from public life entirely.” The state of Tennessee has now criminalized drag. Meanwhile, Patriarch Kirill, head of the Russian Orthodox Church, has sought to cast Russia’s invasion of Ukraine as retribution for the LGBTQ pride marches the country has hosted—just as Putin’s forces have wielded wanton sexual violence against the LGBT+ community in occupied Ukraine. I believe that Lev Nikolaevich would have spoken out against such queerphobic hatred and ultra-violence.

Although some of his descendants, like the “United Russia” representative Pëtr Tolstoy or Putin’s cultural adviser Vladimir Tolstoy are undoubtedly reactionaries, Lev Nikolaevich, were he alive today, would most likely be condemning Russia’s war on Ukraine and standing in solidarity with Ukrainian defenders and Russian protesters. Concretely, I imagine that he would also be involved with journalistic efforts to uncover the brutal realities of the war, in defiance of State media narratives, official censorship, and Putin’s megalomania, and that he would support war resistance, such as the sabotage taken up by the Combat Organization of Anarcho-Communists (BOAK), plus conscientious objection and desertion from the battlefield. He might have highlighted the disproportionate utilization of soldiers from Russia’s ethnic and indigenous communities as cannon fodder, or circulated news about all the land mines planted by the invaders in Ukraine’s agricultural fields. Like his great grand-daughter Maria Albertini, he would likely be involved in directly supporting Ukrainian refugees.

You may have seen that Putin’s regime has cynically used Tolstoy’s face to adorn a high fence set up around the Mariupol Drama Theatre in occupied Ukraine. This was the site of a horrific massacre perpetrated last March by the invading Russians. Up to six hundred Ukrainian civilians were killed as they took shelter there from the ruthless assault. The same month, in Mariupol, a Russian airstrike destroyed the Arkhip Kuindzhi Art Museum, which had hosted paintings by this renowned artist, born in the same city. (His “Rainbow” painting is included in my book.) Needless to say, Tolstoy, who inspired the Revolution so despised by Putin, and who remains excommunicated by the Russian Orthodox Church, would not conceivably have consented to such use of his image.

Considering the fate of Alexei Navalny, the main leader of the anti-Putin opposition, whose views are much more conservative than Tolstoy’s, and who is currently a political prisoner in a maximum-security facility outside Moscow (as Daniel Roher, the director of the Oscar-winning documentary about his poisoning, reminds us), Tolstoy probably would have been imprisoned or assassinated under Putin’s regime—as the critic Boris Nemstov and journalist Anna Politkovskaya, among many others, have been. Indeed, as I discuss in the book, Tolstoy very nearly was imprisoned and executed when the translation of an openly anarchist essay of his appeared in the English press in 1891. It was really only thanks to the intervention of his high-ranking cousin, courtier Alexandrine Tolstaya, that Lev Nikolaevich survived this incident.

It is crucial that Ukraine win this war against Russia, and liberate its occupied territories. As the Russian Socialist Movement points out, “Russian history is replete with examples of military setbacks abroad that have led to major change at home.” Tsar Nicholas I’s death from stress and/or suicide in 1855 as his Empire suffered setbacks in the Crimean War brought Alexander II’s formal abolition of serfdom closer, just as it opened up new possibilities for radical struggle from below. During World War I, Russian casualties, poor morale, and mass-desertion (blamed, in part, on Tolstoy’s ideas) contributed to the coming of the Revolution. Rather than continue to blackmail the world with nuclear weapons and mobilize lies about “Ukrainian Nazis” to rationalize his atrocities, Putin must be thoroughly defeated on the battlefield, so that his regime falls, too.

In his life and his works, Tolstoy points to history not being steered by leaders or great men, but by the people. His critical view on the idealization of the “strong man,” the leader who will bring his people glory, again has parallels to what we are witnessing today with Putin in Russia and the U.S. In contrast, he put his faith in “the People.”

Yes, that’s right. As he describes in A Confession (1882), it was the common people’s faith that saved him from taking his life during the spiritual crisis he experienced at the end of the 1870’s, after finishing Anna Karenina. When he was younger, as well, peasant women saved him from drowning in the Volga River, while his wet nurse was a serf woman named Avdotia Ziabreva. In reality, just before he passed away, Tolstoy was asking about the peasants.

In the book, I describe Tolstoy as a champion of anarcho-Populism, or the anarchist current of Narodnichestvo (also translated as Narodism). This was a revolutionary anti-Tsarist movement of the nineteenth and twentieth centuries that envisioned an agrarian-socialist future for Russia. Besides Tolstoy, its main proponents were Herzen, Bakunin, Chernyshevsky, and Lavrov. (This was before Plekhanov and Lenin introduced Marxism to the Empire.) Some forerunners of anarcho-Populism included “men of 1812” like Tolstoy’s distant cousin, General Sergei Volkonsky. These “men of 1812” were veteran officers from the 1812 war against Napoleon. Known as a “peasant prince,” Volkonsky was exiled with his wife Marya to Siberian exile for three decades for spearheading the Decembrist conspiracy to overthrow Tsarism in 1825. This man, whose life was spared (in contrast to other Decembrist leaders) only owing to his family’s great prestige—specifically, his mother’s intercession—served as the model on which Tolstoy based Prince Andrei Bolkonsky in War and Peace. (As a side note, the support of Bakunin’s mother was crucial in convincing Tsar Alexander II to commute the rebel’s prison term to Siberian exile, thus facilitating his escape from the Empire.)

In contrast to direction by “great men,” like the Romanov Tsars, Bonaparte, Trump, or Putin, Tolstoy proposes that history is built from below through the collective action of the People. In War and Peace, he presents several examples of collective resistance to Napoleon’s invasion of Russia which have present-day echoes. These include the need to support Ukraine’s legitimate self-defense against the Russian onslaught; the imperative of unionizing and socializing the global economy; and the necessity of a worldwide transition to wind, water, and solar energy (WWS).

It’s interesting, reconciling Tolstoy’s heroization of the collective resistance of the Russian people to expel Napoleon with his transition to advocate of non resistance. And not just any advocate, but an influencer of peaceful resistance of historic proportions…

You’re right. It is quite the contradiction. Tolstoy espoused pacifism in the wake of his ‘conversion’ to rationalist Christianity after suffering a crisis of depression and suicidality in the 1870’s—mirroring the decline of the radical anti-Tsarist movement under Alexander II. Non-resistance follows from Jesus’ command, made during the Sermon on the Mount, to “resist not the evildoer” (Matthew 5:39). While this directive appears to demand servility and passivity, and thus reproduce abusive dynamics, the Unitarian Universalist Adin Ballou interpreted it as meaning that “we are not to resist evil with evil,” but “[e]vil is to be resisted by all just means.” Gandhi, who corresponded with Tolstoy at the end of his life about this very concept (and founded the Tolstoy Farm in South Africa in 1910), likewise promoted civil disobedience as non-violent resistance to abuse, or Satyagraha, in the struggle against British imperialism in India. In turn, Martin Luther King, Jr., preached Gandhian and Tolstoyan non-cooperation in his dream for the non-violent, anti-racist transformation of U.S. society.

Still, the theory of non-resistance has clear limits. If one takes the injunction not to “resist the evildoer” literally, then the Ukrainians would have to surrender to Putin; the Communards of Paris, the Kronstadt sailors, the Jews of the Warsaw Ghetto, and Haitians, Syrians, and Palestinians should not have risen up; and workers and minorities should not complain or organize—but simply grin and bear everything. This is a self-defeating current in Tolstoy’s thought that amounts to a “betrayal of the cause of the oppressed,” in the words of the Italian anarchist Errico Malatesta, and “an enclosure of his own position,” as my comrade Shon Meckfessel writes. Indeed, this tension may speak to Tolstoy’s war trauma and fragmented sense of identity. After all, throughout his life, he resisted abuse, and admired and enshrined resistance to authority.

As you put aptly in your book, “Alienation is universal under capitalism.” I’m all too familiar with the feelings of alienation, and while Tolstoy wasn’t under modern capitalism’s yoke per se, he lived under a system of extreme disparity and social restriction. In reaction to this, his life appeared to be a journey of seeking a better way, a kingdom of God here on earth. As such, he turned to an interesting form of spiritualism. Could you talk more about that?

Yes, of course. While fighting at the siege of Sevastopol during the Crimean War, Tolstoy experienced an epiphany just after the death of Tsar Nicholas. He then proposed the “stupendous idea” of founding a new religion based on the actual teachings of Jesus the Nazarene, rather than established church dogmas or mysticism. This dream-state expressed the artist’s therapeutic desire to contest the death-dealing authority of Church and State by promoting union. It is reproduced in War and Peace during Prince Andrei’s trance, as he lies injured at the battle of Austerlitz, and affirms the utopian desire for peace, while experiencing a psychedelic “queerpiphany.” Tolstoy’s passionate engagement with Christianity is based in the evangelical message of the Gospels, not church rituals. His was a non-orthodox Christianity: Tolstoy’s “new translation” of the Gospels (1881) ends with Jesus’ crucifixion at Golgotha and excludes most mentions of miracles, including above all the resurrection.

Although Tolstoy became more openly didactic after his spiritual crisis, his Christian anarchism can also be gleaned from his earlier writings, including War and Peace. In this work, Pierre Bezukhov, another Tolstoyan alter ego, becomes a Freemason after separating from his first wife, Hélène. By introducing this radical homosocial association, which anticipates Pierre’s joining the Decembrists at the book’s end, Tolstoy presents an interpretation of Christianity “freed from the bonds of State and church, a teaching of equality, brotherhood, and love.” Along these lines, the anarcho-communist Peter Kropotkin admired Freemasonry for advancing self-organization in Russia, while the Tsars feared precisely the freethinking and autonomy it stimulated.

In middle age, the count took up vegetarianism, renounced hunting, adopted strict pacifism, and condemned the libido—regardless of how unhappy this latter position would leave his wife Sofia Andreevna. Such ascetic changes may have resulted from Tolstoy’s encounters with death-anxiety as he aged; an intensification of underlying bipolar depression; a queer dissatisfaction with straight conventions; and/or the artist’s life-long attempt to observe his principles and so prefigure the Kingdom of God. While he did not succeed in meeting his goal of living simply and peacefully in an egalitarian community, much less of redistributing his lands and estates, these contradictions drove the tragic flight of this “proletarian lord” in October 1910.

You delve deeply into philosophy and psychology in Queer Tolstoy, as you have done in your other works, including in your previous work on Marcuse, Eros and Revolution. What gravitates you to these fields? And further, how can we connect Tolstoy’s philosophy to our own lives?

Like Lev Nikolaevich, I am a seeker: a Resident and Stranger. In my writings, I challenge the divisions that are often drawn between mind and body, idealism and materialism, and psychiatry and medicine. As Marcuse, Gross, and Tolstoy knew, these realms are actually connected.

I’m especially fascinated by Tolstoy as a “forerunner” of the Russian (and Mexican) Revolutions, the tragic experience of his followers in the Soviet Union (which confirms the counter-revolutionary nature of Leninism and Stalinism), and the ongoing relevance of Tolstoyan radicalism. I’m intrigued by the artist’s critiques of violence, hierarchy, and despotism; his work in popular education and famine relief; his engagements with Islam, Buddhism, and Daoism; his support for erotic, moral, and political self-determination; his existential emphasis on creating meaning in the face of death; his queerness (of course); and his inspiration of plant-based, pacifist communes guided by ideals of “peaceful revolution” and “universal brotherhood.”

Still, we must learn from Tolstoy’s mistakes: above all, his gross sexism, which is consistent with the toxic masculinity that is prevalent today in much of the gay community and beyond; his ambivalence sometimes expressed, particularly in War and Peace, about White-Russian chauvinism; his masochistic theory of non-resistance, which advises against resisting abuse; and, ironically, his gay timidity—notwithstanding the constraints imposed by Tsarism. The fates of Prince Andrei and Captain Tushin, and Princess Marya and Julie Karagina, reflect his ambivalence over the libido and queer desire. As Freud knew, this shyness only perpetuated his unhappiness!

Politically speaking, there are a myriad of ways that we can connect Tolstoy’s philosophy to the present day. In contrast to Pushkin and Lermontov’s poetry, Tolstoy’s writings about Transcaucasia—including “The Raid,” The Cossacks, Hadji Murat—are generally humanistic, internationalist, and critical of Tsarist regional expansionism. They can be read to highlight the historical continuum of White-Russian violence, which has taken the lives of hundreds of thousands of Chechens since the collapse of the Soviet Union over 30 years ago. In this vein, we must never forget that Tsarist imperialism annihilated the vast majority of the Circassian people, otherwise known as Adyghes, in the Caucasus in the eighteenth and nineteenth centuries. In this light, we should channel Tolstoyan anti-war realism (but not dogmatic pacifism) to reject the left-right alliance that is converging against Ukraine. Trump, DeSantis, Fox News hosts, and MAGA extremists in the House all proclaim the fascist slogan “America First” in calling for Ukraine to be cut off, while neo-Stalinists and pseudo-anti-imperialists demand that Ukraine surrender to Russia.

History shows that Franco’s victory in the Spanish Civil War—which was achieved with the support of Hitler and Mussolini, Stalin’s betrayals, and the non-intervention policy of the Western democracies—set the stage for World War II. In much the same way, Putin’s “anti-humanitarian intervention” in 2015 to prop up Bashar al-Assad’s dictatorship from being swept away by the Syrian Revolution prepared the ground for the ongoing full-scale attack on Ukraine. Given the pressing need to stop Putin, I welcome his recent indictment by the International Criminal Court.

We chose the title “seeking the anarchism of love” as the title of our discussion, so I thought it fitting to pull this quote from War and Peace:

“Love hinders death. Love is life. All, everything that I understand. I understand only because I love. Everything is, everything exists, only because I love. Everything is united by it alone. Love is God, and to die means that I, a particle of love, shall return to the general and eternal source.”

But what about the anarchism of love? is love integral to anarchism? And is true love anarchic?

Certainly, love, connection, and attachment are integral to anarchism, understood as anarcho-syndicalism, anarcho-communism, anarcha-feminism, and Christian anarchism.

Throughout his life, beyond infancy, Lev Nikolaevich missed his mother, Princess Marya Volkonskaya, who passed away at the young age of thirty-nine. Still, he often yearned for her love, even as an old man, and it is evident how much her pro-social personality marked him. One of War and Peace’s main protagonists is based on her, and what is more, the real-life Marya’s unfinished family novel, Russian Pamela, deeply influenced the themes and characters Tolstoy features in his own prose poem. Akin to the British feminist Mary Wollstonecraft, Princess Marya—who received a classical education at Yasnaya Polyana, thanks to her progressive father—was an “unlikely revolutionary.”

In turn, like Leonardo da Vinci, whose mother may have been, according to new research, a trafficked Circassian, Tolstoy identified with his mother and aunts, together with traditionally “feminine” virtues like care and compassion. Plus, as a cadet in the Caucasus, Tolstoy was intensely attracted to the “God of Love and Reason” that he discovered among the natural beauty there, and the social and sexual freedom practiced by his Cossack hosts, at least within their in-group. He was certainly repelled by Cossack violence against the Muslim Chechens. Your apt quote from War and Peace, which appears just after Prince Andrei’s death due to injuries sustained at the battle of Borodino, frames love in Marcusean terms as Eros, eternally struggling against archaic forces and Thanatos (or the death drive).

Many times in War and Peace, we encounter scenes that recall bell hooks’ concept of the anarchism of love, whereby arousal and attachment contest hierarchy and convention, challenge abuse, and tear down walls. Hence, the spontaneous comrade-love that develops on the battlefield between Prince Andrei and Tushin; Pierre’s homoerotic bonds with his Freemason and peasant mentors and serf-soldiers at Borodino; plus Natasha Rostova’s prayer for “one community, without distinction of class, without enmity, united by brotherly love.” Likewise, if we think of Jessica Benjamin’s idea of love as mutual recognition, we can read War and Peace as an allegorical journey of transition and transformation—from the despotism and violence encoded by Tsarism and Bonapartism (reminiscent of biblical captivity in Egypt and Babylon), to a better future characterized by equality, peace, and freedom (that is to say, the Kingdom of God).

Such insurgent passions reverberated in the Russian Revolution, especially in the nearly 100 Tolstoyan communes and cooperatives founded soon after the fall of the Romanov dynasty, as well as in the Mexican Revolution, with the rebels Praxedis Guerrero, Ricardo Flores Magón, and General Emiliano Zapata looking to the Russian anarchist sage for inspiration.

Lastly, in the 1970’s, hippies from the Soviet counterculture rediscovered Tolstoy as a spiritual guide for their anti-authoritarian journeys and pilgrimages, experiments in pacifism and free love, and protests against the Soviet regime.

That’s all for now. Thanks for reading, and please don’t forget to donate what you can to Solidarity Collectives.

Links

Queer Tolstoy

Open-access introduction (chapter 2)

YouTube recording

Leo Tolstoy archive (English translations)

Bureau of General Services–Queer Division

Michael Denner, “The ‘proletarian lord’: Leo Tolstoy’s image during the Russian revolutionary period” (2010). doi: 10.1017/CBO9780511676246.012

Irina Gordeeva, “Tolstoyism in the Late-Socialist Cultural Underground: Soviet Youth in Search of Religion, Individual Autonomy and Nonviolence in the 1970s–1980s” (2017)

—, “The Evolution of Tolstoyan Pacifism in the Russian Empire and the Soviet Union, 1900–1937” (2018)

Michael Kazin, “Reject the Left-Right Alliance Against Ukraine” (2023)

Mark Mola, “The Circassian Genocide” (2016).

Book Review Essay: Anti-Authoritarian Internationalism, Then and Now

“Fighters on the Aragón front, 1937” by Kati Horna (International Institute of Social History/Ministerio de Cultura y Deporte. Centro Documental de la Memoria Histórica)

First published on New Politics, 26 April 2023

In The Politics of Unreason (2017), Lars Rensmann poses an important question about fascism and anti-Semitism: namely, are these oppressive phenomena “specific to German or European culture—or rather universal, the byproduct of universal authoritarian phenomena, susceptibilities, and tendencies in modern society […?].”¹

This book review essay seeks to answer this question and explore fascism and the far right by examining five recently published anti-fascist (Antifa) and anti-authoritarian volumes: namely, Lars Rensmann’s own The Politics of Unreason; ¡No Pasarán! (2022), edited by Shane Burley; Ilham Tohti’s We Uyghurs Have No Say (2022); Luke Cooper’s Authoritarian Contagion: The Global Threat to Democracy (2021); and Charles Reitz’s The Revolutionary Ecological Legacy of Herbert Marcuse (2022). In general, we agree with the theorists of the Frankfurt School—like Max Horkheimer, Theodor W. Adorno, and Herbert Marcuse—who held that “fascism could happen anywhere,” and that authoritarianism is a “more or less universal modern phenomenon.”² Likewise, we concur with Paul Gilroy, who writes that “barbarity can appear anywhere, at any time.”³

Accordingly, as we explore these five books, we will confront not only the “brown” fascism indelibly associated with Benito Mussolini, National Socialism (or Nazism), Trumpism, anti-Semitism, and the Holocaust, but also Black, “red” (Communist), Syrian, Indian, and Chinese fascism and authoritarianism. Then, before concluding, we will present some anti-fascist perspectives on Russia’s war of aggression against Ukraine—thus converging, hopefully, with Talia Lavin’s interpretation of Antifa as “a movement of protection.”⁴

¡No Pasarán! and Decolonizing Fascism

In his essay for ¡No Pasarán!, Matthew N. Lyons interprets the strengthening of far-right forces in the U.S. neither as any aberration to its settler-colonial society, as many liberals hold, nor as a mere tool of hyper-capitalist rule, as many radicals (especially Marxists) claim. Instead, by applying his framework of a “three way fight” among leftists, rightists, and the State, Lyons situates fascists and the far-right as “autonomous force[s] counterposed to both the left and the capitalist state.” Through his analysis of what he terms the U.S. right’s “three big upsurges of the past half century,” Lyons demonstrates the far-right’s often-antagonistic stance toward oppressed people, leftists, their intersections, and the established authorities. In this sense, given the right’s deeply anti-egalitarian commitments, its reluctance to call capitalism into question, and its opportunistic and ultraviolent tactics, Lyons’ chapter may be read as a warning that “the enemy of our enemy is not necessarily our friend.”⁵ Such a lesson carries important warnings for anarchists about not only the far-right but also the authoritarian left.

In “The Black Antifascist Tradition: A Primer” and “Five Hundred Years of Fascism,” Jeannelle K. Hope and Mike Bento, respectively, consider the connections between white supremacy and fascism for ¡No Pasarán! from decolonial points of view. Reflecting on Aimé Césaire’s comment in Discourse on Colonialism (1950) that fascism is imperialism brought back to Europe, and working from the Bulgarian Stalinist Georgi Dimitrov’s definition of fascism (presented before the Communist International in 1935) as “the open terrorist dictatorship of the most reactionary, most chauvinistic and most imperialist elements of finance capital,” Hope and Bento assert that “[a]ll colonized people [have] lived under fascist rule,” such that their resistance has of necessity been anti-fascist. Along these lines, Hopes interprets the “We Charge Genocide” (1951) report and petition, co-written by Black intellectuals William Patterson, Paul Robeson, and W.E.B. DuBois; the Black Panther Party; the Black Liberation Army; Black Lives Matter; and carceral abolition movements, among others, as anti-fascist.⁶

There is little doubt that colonial, imperial, and racist violence, as crystallized in the annihilation of Indigenous peoples, the slave trade of Africans, and slavery, has deeply animated fascist politics. In The Origins of Totalitarianism (1948), Hannah Arendt describes a set of “boomerang effects,” whereby European imperialism in Africa—specifically, Germany’s genocides of the Herero and Nama peoples in southwestern Africa (1904–8)—served as “the most fertile soil” for Nazism.⁷ Adolf Hitler and his fellow Nazis followed the examples of British colonialism in India and the settler-colonial USA, while also looking to the Hindu caste system for inspiration for racial hierarchies.⁸ Similarly, Oswald Mosley’s British Union of Fascists “drew deeply” from the British Empire, just as Spanish Nationalists and Franquists appeal to nostalgia for imperialist domination.⁹ In An Indigenous Peoples’ History of the United States (2014), Roxanne Dunbar-Ortiz traces the harrowing ultraviolence carried out by Euro-American settlers against Indigenous communities to observe “Manifest Destiny” and expand U.S. borders.¹⁰

Furthermore, history shows that millions of enslaved Africans perished both during abduction to the Americas, and due to bonded labor and racist terror in the thirteen colonies and the independent U.S. As Bento, DuBois, and the Jewish anti-Zionist Norman G. Finkelstein have acknowledged, lynching in the American South was a widespread genocidal practice that predated the legal classification of the crime.¹¹ The ongoing wanton violence visited by police on Black men in U.S. society is a part of this rotten historical continuum. Plus, Ken Burns’ new documentary, The U.S. and the Holocaust (2022), evinces how widespread anti-Semitic attitudes in the U.S. government, and among average citizens, contributed to a failure to intervene against Hitler’s genocide of European Jews. Prior to U.S. entry into World War II, masses of pro-Nazi Americans propagandized in favor of Hitler via the America First Committee, while agitating against President Franklin Delano Roosevelt’s New Deal and advocating for a fascist State.¹² In reality, as revealed by one of the Frankfurt School’s studies in exile, Antisemitism among American Labor (1944–5), only a small majority of surveyed workers unconditionally rejected Nazi crimes against Jews, while nearly a fifth supported them.¹³

For Lars Rensmann, the Shoah, or Holocaust, represents a historical “caesura” and the “world’s ‘central injustice’”: a “previously unimaginable extreme evil.” He is concerned that making comparisons to the Shoah may trivialize its meaning and the “still unmastered legacy of the Holocaust,” just as Benjamin Zachariah worries that the “moral comparison of colonialism and fascism” can “produc[e …] what we might call a ‘concept deflation,’” whereby the term fascism loses its specific meaning.¹⁴ Shane Burley, editor of ¡No Pasarán!, expresses similar doubts about the equation of racism and colonialism with fascism in a panel discussion about the book with Firestorm Coop. Despite herself being a Black Panther, Angela Davis likewise disagreed with the Party’s organizing a United Front Against Fascism in 1969, as she found it “incorrect and misleading to inform people that we were already living under fascism.”¹⁵ Indeed, the rhetorical equation of liberalism with fascism overlooks how many colonized peoples rejected the Axis powers by supporting the Allies and waging anti-colonial, anti-fascist armed struggle during World War II, thus contributing greatly to formal decolonization in the post-war context.¹⁶ Therefore, while liberalism, imperialism, and fascism are related—with the former two opening the possibility for the latter—the means and ends of liberalism cannot be equated with those of fascism.

Black Authoritarianism and Stalinism

By essentializing Black resistance as necessarily being Antifa, Hope ignores the conspiratorial anti-Semitism promoted by individuals and groups like Louis Farrakhan, the Nation of Islam (NOI), Kanye West, and Black Hebrew Israelites. This is not to mention the fascist enthusiasm expressed by Black Hammer after Vladimir Putin ordered a full-scale invasion of Ukraine. Several African states have likewise supported Russia’s ruthless bid to recolonize Ukraine. In contrast to the Black Americans who served in the International Brigades to defend the Spanish Republic, North Africans fought in Francisco Franco’s insurgency against it.¹⁷ As well, in 1937, just as Italy occupied Ethiopia, the Pan-Africanist Marcus Garvey, Jr.—referring to his mass-organization, the Universal Negro Improvement Association—claimed, “We were the first Fascists,” and that “Mussolini copied fascism from me.” The next year, C.L.R. James suggested that Garvey’s “storm troopers” in “parades” anticipated Hitler, too. Indeed, Garvey dreamed of mass-repatriation to an “African Empire” enshrining a “superstate,” and repudiated class struggle while preaching violence and anti-Semitism. Such views, in turn, inspired the founders of the NOI. Echoing his father’s enigmatic Black fascism, in 1974, Marcus Garvey III hailed “African National Socialism” and looked forward to an “African ‘Anschluss’ [… and] ‘Lebensraum.’”¹⁸

Besides this, Hope does not contest the highly uncritical attitudes that several of her sources take toward the Soviet Union, as an ostensible alternative to the racial capitalism of the settler-colonial, imperialist USA. In parallel, Bento questionably casts Dimitrov, a Stalinist bureaucrat, as a “revolutionary critic of European society.”¹⁹ Together, these authors present authoritarian Communism as progressive, authentic, and left-wing, but these are dangerous misrepresentations, in light of the following historical facts: the Bolsheviks’ suppression of the Kronstadt and Tambov uprisings, and of the Makhnovist movement in Ukraine; the horrors of Holodomor and forcible collectivization; the nefarious part played by Stalin and his agents in the Spanish Civil War (1936–9); the August 1939 Nazi-Soviet Pact, which facilitated World War II and the Holocaust, and even involved Stalin leasing Hitler a secret submarine base; the colonialism practiced by the Union of Soviet Socialist Republics (USSR) in Siberia, the Caucasus, Central Asia, Afghanistan, and Eastern Europe; the mass-deportations of minorities; the widespread detention of political prisoners in the Gulag; escalations toward nuclear war during the Cuban Missile Crisis; and the Soviet regime’s sexism and criminalization of homosexuality. For all these reasons and more, anti-fascism and internationalism cannot be consistent with support for the USSR. After all, the Soviet Union implemented a model of red fascism that must be consigned to the dustbin of history.

Syrian Ba’athism and Hindutva

During his incarceration by the British authorities in the 1930’s, the Indian Marxist M. N. Roy distinguished theoretically among “Italian, German, and Indian fascisms.”²⁰ In ¡No Pasarán!, Leila al-Shami and Shon Meckfessel contribute to this project of analyzing diverse fascist movements by considering Syrian Baa’thism—a form of fascism—and its affinities with the U.S. far-right. The authors note how the Ba’athist state’s centralism, corporatism, militarism, and brazen ultraviolence attract and animate the global fascist movement. Not for nothing did Syria’s Ba’athists grant sanctuary to the Nazi war criminal Alois Brunner, who trained the brutal mukhabarat (secret police) in exchange. Authoritarians around the world admire the impunity that Syrian dictator Bashar al-Assad and his backer Putin have enjoyed for their genocidal counter-revolution against a widespread popular uprising that began in 2011. Fox News conspiracists and GrayZone bloggers alike harp on the regime’s innocence for atrocious chemical-weapons attacks, in cases where Assad’s forces are responsible beyond any reasonable doubt.²¹ In this light, GrayZone would appear to mimic Fox‘s business model, as highlighted by the defamation case brought by Dominion Voting Systems over the 2020 U.S. presidential election, through its airing of demonstrably false claims for profit.

Yet, it has sadly not only been the far-right that has contributed to Assad and Putin’s victories. In the wake of the catastrophic U.S.-led invasion and occupation of Iraq (2003–11), many Western leftists, especially Marxists, have abandoned the Syrians openly fighting the regime for twelve years now. According to Sri Lankan trade unionist Rohini Hensman, this pseudo-anti-imperialist phenomenon responds to demands for conformity with campist geopolitical notions about unquestionable solidarity with “anti-imperialist” states and power blocs against the West.²² Presumably for similar reasons, many Euro-American anarchists have guarded silence on Assad for years, preferring to focus on the progressive accomplishments of the Rojava Revolution. Still, avoiding a critical confrontation with Ba’athism is to be expected of Marxists, in light of their track record on the USSR and Maoist China, but less so of anarchists, considering our supposedly radical anti-statism. In this sense, recalling the tragic fate of the Spanish Civil War over eighty years ago, the destruction of the Syrian Revolution—which has taken up to a million lives, and displaced millions of others—gravely illuminates the left’s vast shortcomings and contradictions. As al-Shami and Meckfessel observe, such an unfortunate turn of events leads us to muse over what an authentic anti-fascist internationalism might look like.²³

Undoubtedly, if we return to Roy’s theoretical distinctions, this cause of global anti-fascism would require that Western antifascists “support their South Asian comrades against Hindutva,” or Hindu nationalism, as Maia Ramnath writes in “The Other Aryan Supremacy,” her essay for ¡No Pasarán! The toxic Hindutva movement, championed by India’s authoritarian Prime Minister, Narendra Modi, represents an aggressive repudiation of the secular-democratic pluralism envisioned by Jawaharlal Nehru, the post-colonial country’s first prime minister, and the long-ruling Indian Congress Party, which Modi’s Bharatiya Janata Party (BJP) has now defeated twice at the polls: namely, in 2014 and 2019. Along these lines, the expulsion of Congress leader Rahul Gandhi from parliament in March 2023 bodes especially poorly for India’s political future. Modi’s conservative authoritarianism is underwritten by big business, writes Arundhati Roy. According to Ramnath, present-day Hindutva is a mix that “includes precolonial brahminism, internalized colonial-era Orientalist tropes, and pathologies of postcolonial nationalism, which distort anticolonial rhetoric” to shore up convention and social hierarchy.²⁴

After all, it was Nathuram Godse, a Hindu nationalist from the fascistic Rashtriya Swayamsevak Sangh (RSS), who assassinated Mohandas K. Gandhi 75 years ago. Godse was retaliating against the spiritual leader’s secular-republican politics and calls for peaceful co-existence with Muslims following the bloody Partition of India and Pakistan in 1947. Moreover, as a prominent sanghi (fundamentalist extremist) of the RSS, which created the BJP as a political front in 1980, Modi both incited Hindu mass-violence against Muslims in Gujarat in 2002, and ordered police to stand down against pogromists, as the state’s chief minister at the time. In fact, in January 2023, Modi’s government invoked emergency laws to censor a new BBC documentary on the prime minister’s role in this wave of communal violence, just as a feature film about Godse is on the horizon for the Indian market. Demonstrating the entrenchment of Hindu chauvinism, Ramnath reports that “[t]he frequency of lynchings and atrocities against Dalits and Muslims has leaped significantly since 2014,” whereas Modi’s rule has only intensified India’s occupation of Muslim-majority Kashmir, in a manner reminiscent of Israel’s occupation of Palestine.²⁵

Ramnath traces the bleak dialectic, whereby Nazi racial theory took after German Indologists’ examination of Brahminical society, while Hindutva enthusiasts in turn have mobilized Brahminism in the fashion of Italian Fascism and German ultranationalism. In India, RSS front groups have targeted Christians, Muslims, communists, and intellectuals, and agitated in favor of the demolition of mosques built during the Mughal Empire (1526–1858), a Muslim dynasty. Meanwhile, many Hindutva sympathizers from the South Asian diaspora in the U.S. have aligned themselves with Trump and white supremacy. In this sense, the uncritical views that Hindu nationalists take toward the caste system complement alt-right, neo-Nazi notions about “natural hierarchies” well.²⁶

Akin to Assadists, Hindu nationalists tend to affirm pseudo-anti-imperialism. In other words, they use post-colonial, anti-Western discourse to strengthen the cause of Brahminical fascism. Sanghis focus on such strategies in rather bad faith, considering Ramnath’s point that “[c]olonialism and empire in South Asia are not just about European versus Asian, but [also about] various centralizing states versus various regions and borderlands, ancient and modern,” such that South Asians, especially Indians, cannot “shun[t] all blame for all ills to colonialism.” In contrast, a more authentic anti-imperialism would be anti-fascist, anti-capitalist, humanist, and caste-abolitionist.²⁷

China’s Genocide of Uyghurs

In The Search for Neofascism (2006), A. James Gregor argues that Maoist (1949–1978) and post-Maoist China (1978–present) have instituted “fascism with Chinese characteristics.” In reality, Gregor recounts how Ugo Spirito, one of Mussolini’s main ideologues, visited China in the early 1960’s, and came to admire Maoism’s anti-liberalism, anti-individualism, and totalitarian regimentation as reminiscent of Fascist Italy. Through its corporatism, hyper-nationalism, militarism, and aggressive expansionism—especially targeting Taiwan—the Chinese Communist Party (CCP) has arguably imposed a fascist regime.²⁸

We Uyghurs Have No Say (2022) features translations of the writings of Ilham Tohti, a progressive economist from China’s mostly Muslim Uyghur minority whose father died tragically during the Maoist Cultural Revolution (1966–1976). Tohti himself has been serving a life sentence for “separatism” since 2014. Despite his criticisms of the CCP, he is a minority intellectual who sought to work within its constitutional framework to improve the condition of his fellow Uyghurs, and to increase autonomy through legal channels, while opposing calls for the independence of so-called ‘East Turkestan.’ Though he sought a “win-win situation” for Uyghurs and majority Han Chinese alike, based on his support for ethnic self-determination, national unity, and “Chinese patriot[ism],” Tohti merely ended up being punished by the State for his speech, thought, and action.²⁹

Spanning the years 2005–2014, the dissident’s essays and interviews collected in this volume trace the increasingly suffocating atmosphere for Uyghurs in China’s northwestern region of Xinjiang. In parallel, Tohti increasingly senses that “the Chinese government is trying to get rid of me.” As Rian Thum clarifies in the preface, these commentaries predate the CCP’s openly genocidal policies, beginning in 2017, of sequestering millions of Uyghurs in concentration camps, forcibly separating Uyghur children from their families, and destroying thousands of mosques. Through his critical analysis of what he terms another “Great Cultural Revolution that is destroying the indigenous culture,” Tohti provides profound insights, according to Thum, into “a world of multipolar colonialism”—that is, one in which numerous States and power-blocs compete in a ‘Great Game’ of colonialism. As the Indian ex-Stalinist Kavita Krishnan describes, “Multipolarity has always meant multi-imperialism [and] multi-despotism.” Tohti’s text thus provocatively shows that the “West’s monopoly on imperialism has been broken, if in fact it ever existed.”³⁰

Notably, CCP General Secretary Xi Jinping has sought to rationalize these ghastly policies against Uyghurs and other ethnoreligious minorities by explicitly emphasizing security and stability over human rights. In 2018, an editorial in the official Global Times newspaper declared that the crackdown was necessary to avert Xinjiang becoming “China’s Syria” or “China’s Libya.” In 2019, The New York Times published the “Xinjiang Papers,” which reveal that Xi had “urged the party to emulate aspects of America’s ‘war on terror’ after the Sept. 11 attacks” in carrying out his orders. Through these actions, Xi has joined not only the U.S. but also Russia, Israel, Syria, and India in mobilizing the War on Terror to exploit and dominate Muslims. In this sense, “China sometimes appears as a distorted mirror image of Trump’s America.” Indeed, Xiism seeks not to change the world, but rather, to maximize China’s position in the world as it is.³¹

In We Uyghurs Have No Say, Tohti warns of the dangers of “ethnonationalist totalitarianism” in China, openly identifies the Han-Chinese chauvinism encouraged by the CCP as an obstacle to inter-ethnic harmony in Xinjiang, and calls on Han people to “reflect on their own nationalist and fascist attitudes.” Without ignoring ethnic nationalism, extremist movements, or terrorism among Uyghurs, Tohti insightfully identifies how the CCP’s dismissal of minorities’ right to autonomy will lead inevitably either to forcible assimilation or to the intensification of separatist sentiments. As an alternative to both, Tohti yearns for the transformation of China into a democracy that respects human rights and Uyghur self-rule.³²

Anti-Semitism, The Origins of Totalitarianism, and The Politics of Unreason

In his chapter for ¡No Pasarán!, Benjamin Case analyzes Arendt’s The Origins of Totalitarianism, anti-Semitism, and the far-right today. Case reminds us that, before turning to “Imperialism” and “Totalitarianism,” Arendt begins her study by examining “Antisemitism.” With reference to history and present, Case identifies how anti-Semitism underpins the fascist anti-modernist desire to return to the past (as in MAGA, or “Make America Great Again”); the “socialism of fools,” whereby right-wing forces substitute a crude anti-capitalism with hatred for Jews; and a “nationalist internationalism” that is ironically based on envy of Judaism. Plus, for all the justice of the Palestinian cause, the writer is right to point out that anti-Zionist organizing can sometimes promote and overlap with Judeophobia. This is not to deny worsening tendencies toward Israeli fascism, especially under the current far-right government, much less the Jewish State’s diplomatic normalization with anti-Semitic regimes like the United Arab Emirates. That being said, the left’s discomfort and lack of familiarity with Judaism have often served far-right interests: after all, Mikhail “Bakunin was a canonical anarchist thinker and an outright antisemite” who influenced the proto-Nazi composer Richard Wagner in the nineteenth century, while more recently, unchecked anti-Semitism in the UK’s Labour Party contributed to the Conservative Party’s decisive electoral victory in 2019.³³

In The Politics of Unreason (2017), Lars Rensmann contemplates the Frankfurt School theorists’ critique of anti-Semitism as being “linked to a universalistic critique of political and social domination in all its forms […].” In fact, social research performed over the past century has revealed that having anti-Semitic attitudes makes one more likely to be racist, sexist, homophobic, and authoritarian. Plus, history shows the evidently close link between expressions of Judeophobia and the possibility of genocide against Jews. In this sense, Rensmann upholds the “critical cosmopolitanism” and “positive concept of enlightenment” espoused by the Critical Theorists, who “unconditionally oppos[e] the dehumanization of any group, minority, or Other in global society.”³⁴

Though ostensibly Marxist, the Frankfurt School theorists go beyond Marx through their focus on the Holocaust, which leads them to conclude that “the history of all hitherto existing society is the history of domination.” From this dynamic, the Critical Theorists identify an overriding categorical imperative to avert all future genocides. In sociological terms, the Frankfurt School thinkers are unique, in that they believe anti-Semitism and authoritarianism to not only be encouraged from above, but also be very much driven from below. On this view, the average worker in modern capitalism is “profoundly damaged […] and stultified by universal domination,” such that authoritarianism affects all classes.³⁵

By revisiting Freudian psychoanalysis, Rensmann explains how the Critical Theorists perceive close ties among the imposition of labor and the loss of freedom, mental-sexual frustration, political powerlessness, violence, and the acceptance of existing power structures, as symbolized by the father-figure or superego. Given that capitalism “structurally den[ies] the pleasure principle and enforc[es] the primacy of the repressive reality,” the life-drive known as Eros is attenuated, to the benefit of the death-drive, Thanatos. As Sigmund Freud and his Frankfurt School-affiliated critic Erich Fromm understood, capitalist society encourages the two poles of sadomasochism: that is, authoritarian aggression and submission. By weakening the ego and/or breaking the spirits of children, parents, teachers, and bosses train future generations to surrender themselves and accept the plans of those in power. Bourgeois coldness, anomie, and lovelessness lead to the redirection of erotic energy toward labor and authority, thus reproducing a vicious cycle, whereby social hierarchy perpetuates aggression, and vice versa.³⁶

Following the Critical Theorist Adorno, Rensmann suggests that authoritarians turn their frustration against outgroups, non-conformists, and minorities like Jews, rather than the authorities, whom they follow and obey. Though they forsake individuality, authoritarians are compensated via “narcissistic uplift” by the small part they play in a larger machine. This goes even for the “rebellious conformists,” like Lyons’ conception of far-rightists, who may seek to overthrow the existing authorities, only to establish new ones. Uniting right and left-wing authoritarians, this category would also include conspiratorial anti-Semites, who demonize Jews rather than question capitalism and social domination, starting from the “socialism of fools” and hatred of self and other.³⁷

Critical Theory warns us that fascism and murderous anti-Semitism can be unleashed when social groups are stressed, agitated, paranoid, dominated by instrumental reason, and lacking a theory of liberation. In this vein, the politics of unreason—crystallized in Trumpism, the global right-wing resurgence, and widespread ignorance of Nazi crimes—represents a specter of “anti-civilizational revolt” that threatens “democracy […] in our time.” Just as the concept of “secondary anti-Semitism,” whether expressed in Holocaust denialism or outright sympathy for fascism, constitutes a Freudian return of the repressed, so “Nationalism Socialism lives on,” and “Hitler survives.”³⁸

Authoritarian Illness

Luke Cooper’s Authoritarian Contagion: The Global Threat to Democracy underscores ongoing socio-political struggles between “democratic internationalism” and “authoritarian protectionism”—the latter being another term for conservative or capitalist authoritarianism, having little to do with economic protectionism. Authoritarian protectionism is an outgrowth of the authoritarian individualism promoted during the onset of neoliberalism in the 1980’s. Its proponents reject pluralism and democracy, just as they reject the progressive social changes that have taken place in recent decades. Their aggressive racism, nationalism, and quest for autocratic rule not only inflame far-right and fascist movements—as through viral contagion and mass-psychosis—but also represent significant obstacles to global cooperation for confronting problems like global warming and the COVID-19 pandemic.³⁹

In his book, Cooper rightly focuses on the role of path dependence in facilitating the greatest ills plaguing global society: namely, the insurgent far right, consolidating authoritarianism, global warming, and COVID-19. In other words, the author stresses that past choices have deeply influenced the onset of these socio-political ills, hence also limiting our options for effective resistance. The specter of climate breakdown probably illustrates this dynamic better than anything else. That being said, Cooper’s framing of authoritarian contagion refers dialectically both to threats (replication, spread, colonization) and solutions (infection control). As healthcare workers know, there are many different ways to break the chain of infection. Against authoritarians of all kinds, a radical politics of survival emphasizes internationalism, justice, democracy, cooperation, ecological transition, redistribution, inclusion, and pluralism.⁴⁰

Critical Theory and Anti-Fascism

In The Revolutionary Ecological Legacy of Herbert Marcuse (2022), Charles Reitz focuses on the writings and activism of this Critical Theorist—who, being “very interested in council communism” and a principled opponent of the Vietnam War, was perhaps the most radical of them all—with an eye toward “negat[ing] neofascism definitively,” and aiding “in the establishment, through a global ecosocialist rising, of a culture of partnership power.” Reitz seeks the convergence of the environmental and labor movements to build a cooperative commonwealth that would implement the radical rather than minimum goals of socialism. He applies Marcusean theory to dissect U.S.-American traditionalism, counter-revolutionary authoritarianism, racism, and imperialism, plus Trump and his ilk.⁴¹

Reitz’s argument revolves centrally around Marcuse’s 1965 essay, “Repressive Tolerance,” which the author identifies as “a product of [Marcuse’s] critique of German fascism and […] genocide.” In this polemical piece, the late Critical Theorist denounces the “pure tolerance” observed in bourgeois society, which considers fascism, racism, and anti-Semitism acceptable. Despite the fact that free-speech absolutism effectively “protects hate speech and facilitate[s] hate crimes,” especially in the USA, it must not be tolerated! In this sense, “Repressive Tolerance” represents an important part of the Marcusean “Great Refusal” of domination and the struggle for collective liberation. Reitz even praises my elucidation of this essay in Eros and Revolution (2016/2018) as a clarion call for revolutionary suppression of fascism from below, akin to the anarchist CNT-FAI’s fateful July 1936 uprising, which blocked Franco’s attempted coup d’etat—at least, temporarily.⁴²

Nevertheless, when commenting on Russia’s ongoing war on Ukraine, Reitz acknowledges its “pronounced brutality against civilians” and total lack of legitimacy, but he insists that “Russia’s war has not emerged from nothing.” He cites an April 2022 international statement signed by groups in Russia, Ukraine, and elsewhere, including the International Marxist-Humanist Organization, which wrongly identifies the “main culprit” of Putin’s assault as “U.S. imperialism.” Rather than critique Russian chauvinism or focus on Ukrainians—beyond citing attacks on Kyiv and the ruins of Mariupol in passing—the author expresses concern about a supposed “war [by the West] against Russia for Ukraine” involving a “new McCarthyism that will try to silence U.S. antiwar dissent.”⁴³ In light of the daily torrent of Russian atrocities in Ukraine over the past year-plus, such framing may conflict with Marcusean principles of “active genocide prevention.”⁴⁴

Russia’s War on Ukraine

The stricken Russian missile cruiser Moskva, flagship of the Black Sea Fleet, prior to sinking on April 14, 2022 (Rex/Shutterstock)

Undoubtedly, one of the most important fronts in the global anti-fascist struggle over the past year has been Ukraine, following Russia’s full-scale invasion, as ordered by Putin in February 2022. Guardian editor Julian Borger observed in late January 2023 that “[t]he Bosnian war death toll of 100,000 has most probably already been surpassed” on both sides over the past year. Recalling the fate of Aleppo in 2016, Russia has killed over 25,000 civilians in the city of Mariupol during this time, according to Ukrainian officials. Psychoanalytically speaking, it is evident that Putin’s megalomania and paranoia underpins this genocidal aggression, which has involved the desolation of entire cities, the direct targeting of civilians, rampant sexual violence, and the forcible deportation of Ukrainian children into Russia.⁴⁵

While the German government and public have changed their minds about the transfer of heavy weapons to Ukraine with time, presumably in light of Putin’s outrageous war crimes, a majority of Germans still believes the West should encourage the embattled Ukrainian President Volodomyr Zelensky to accept “peace negotiations”—despite that these would likely take place on Putin’s terms. However, the majority of Ukrainians themselves reject the idea of conceding territories occupied by Russia in exchange for a cease-fire. Rather, they seek to repel the invaders and liberate these territories. Actually, in support of such defiance, in January 2023, Germany, the U.S., and the UK took the unprecedented step of greenlighting the transfer to Ukraine of not only over a hundred armored infantry fighting vehicles, but also dozens of main battle tanks from the Leopard, Abrams, and Challenger classes. Now that Germany has authorized re-export of the Leopards, other countries from the North Atlantic Treaty Organization (NATO)—such as Poland, Spain, and Norway—plan to send more.

Even so, here in the U.S., Republican extremists in Congress and pseudo-anti-imperialist groups like the GrayZone, Code Pink, and the International Committee of the Democratic Socialists of America have come together to denounce the Biden administration’s policy of strong military, political, and financial support for Ukraine. They grumble about costs, focus on the risks of U.S. policy escalating toward nuclear war, and call for compromises with Russia. At the same time, these conservatives, authoritarian rebels, and neo-Stalinists—being conformists who are performing non-conformism—do not criticize Putin’s use of nuclear blackmail to seize Ukrainian territory and commit horrendous war crimes. In contrast, the Russian Socialist Movement recognizes that a victory for Putin in Ukraine would would merely set the stage for “new military and political catastrophes” across the globe. Likewise, the Japanese Communist Party has condemned the Russian dictator’s open threats to use nuclear weapons. In light of the risk that Putin’s assault on Ukraine could inspire Xi Jinping to attack Taiwan, leading to a Third World War between China-Russia-North Korea and the USA-NATO-Japan, the Japan Revolutionary Communist League calls on workers everywhere to resist the return of Stalinist terror in Ukraine, and “stir up a storm of antiwar struggle in every corner of the world to crush Putin’s war!”⁴⁶

Conclusion

Returning to the question posed by al-Shami and Meckfessel in ¡No Pasarán!, we conclude that anti-fascist internationalism requires us to take a universally critical attitude toward authoritarianism, wherever it may appear. We must oppose the “kinship” that Gilroy sees “among all supremacist regimes […].”⁴⁷ Thus, global anti-authoritarianism urgently demands the rejection of fascist oppression, Western or non-Western, “brown” or “red,” whether wielded at present, in the past, or in the future. So let us proclaim, “Down with Franco, Hitler, Mussolini, and Stalin! Down with Assad, Putin, Xi, and Modi! Russia, Out of Ukraine! Trump, Never Again!”

In closing, when dealing with fascists, we should keep in mind the failures of the 1938 Munich Agreement on the one hand, and, on the other, the lessons of Marcuse’s “Repressive Tolerance”; the struggles of Haitian revolutionaries in the eighteenth and nineteenth centuries, and of Spanish and Austrian workers in the late 1930’s; the Warsaw Ghetto uprising; and the Ukrainian resistance: namely, that appeasement fails, and that direct confrontation with the aggressor is typically necessary. This does not mean that appeals to the rule of law; the use of legal authority; or the spread of information in settings with or without freedom of speech, the press, and/or assembly have no place in the fight against racism, hate speech, anti-Semitism, and violent authoritarianism.⁴⁸ As part of a diversity of tactics for collective liberation, they arguably do.

Ultimately, though, the consensus from the authors reviewed here is that the anti-fascist and anti-authoritarian causes require profound socio-economic and political changes at all levels of global society. Some specialists in psychoanalysis and Critical Theory, like Marcuse, Rensmann, and Reitz, stress the mental and emotional dimensions of capitalist and fascist aggression. Lyons correctly emphasizes how the protean far-right can both serve and oppose the State and elite. Arendt, Hope, Bento, Ramnath, Case, and Tohti illuminate the intimate and multifaceted ties between racism and fascism. Cooper defies authoritarian contagion with a radical politics of survival. Al-Shami, Meckfessel, Rensmann, and Tohti warn us wisely about the pseudo-anti-imperialists and rebellious conformists who act like the “running dogs” of such non-Western autocracies as Russia, China, Syria, and Iran.⁴⁹

The question is, can we build a worldwide anti-fascist movement to reconstruct global society before it is too late? Our very future depends on it.

Works Cited

Adorno, Theodor W. 2005. Minima Moralia: Reflections on a Damaged Life. Trans. E. F. N. Jephcott. London: Verso.

Al-Shami, Leila and Shon Meckfessel 2022. “Why Does the US Far Right Love Bashar al-Assad?” ¡No Pasarán! Ed. Shane Burley. Chico, Calif.: AK Press. 192–209.

Arendt, Hannah 1968. The Origins of Totalitarianism. San Diego: Harcourt.

Bento, Mike 2022. “Five Hundred Years of Fascism.” ¡No Pasarán! Ed. Shane Burley. Chico, Calif.: AK Press. 312–330.

Cooper, Luke 2021. Authoritarian Contagion: The Global Threat to Democracy. Bristol: Bristol University Press.

Davis, Angela 1974. An Autobiography. New York: Random House.

Dunbar-Ortiz, Roxanne 2014. An Indigenous Peoples’ History of the United States. Boston: Beacon Press.

Executive Committee for the 60th International Antiwar Assembly 2022. “Working people all over the world, unite to crush Putin’s war!” Japan Revolutionary Communist League. Available online: http://www.jrcl.org/english/e-AG2022.html [insecure link]. Accessed 28 January 2023.

Finkelstein, Norman G. and Ruth Bettina Birn 1998. A Nation on Trial: The Goldhagen Thesis and Historical Truth. New York: Metropolitan Books.

Gilroy, Paul 2000. “Black Fascism.” Transition 81/82. 70–91.

Gregor, A. James 2006. The Search for Neofascism: The Use and Abuse of Social Science. Cambridge: Cambridge University Press.

Hensman, Rohini 2018. Indefensible: Democracy, Counterrevolution, and the Rhetoric of Anti-Imperialism. Chicago: Haymarket Books.

Hope, Jeanelle K. 2022. “The Black Antifascist Tradition: A Primer.” ¡No Pasarán! Ed. Shane Burley. Chico, Calif.: AK Press. 63–87.

James, Leslie 2021. “Debate: Decolonising Fascist Studies.” Fascism 010. 325–7.

Lavin, Talia 2022. “On the Uses and Manifestations of Antifascism.” ¡No Pasarán! Ed. Shane Burley. Chico, Calif.: AK Press. 1–3.

Liburd, Liam 2021. “Debate: Decolonising Fascist Studies.” Fascism 010. 331–3.

Lyons, Matthew N. 2022. “Three Way Fight Politics and the US Far Right.” ¡No Pasarán! Ed. Shane Burley. Chico, Calif.: AK Press. 20–41.

Ramnath, Maia 2022. “The Other Aryan Supremacy: Fighting Hindu Fascism in the South Asian Diaspora.” ¡No Pasarán! Ed. Shane Burley. Chico, Calif.: AK Press. 210–57.

Reitz, Charles 2022. The Revolutionary Ecological Legacy of Herbert Marcuse. Wakefield, Québec: Daraja Press.

Rensmann, Lars 2017. The Politics of Unreason: The Frankfurt School and the Origins of Modern Antisemitism. Albany: State University of New York Press.

Thum, Rian 2022. “Preface: Ilham Tohti and the Uyghurs.” We Uyghurs Have No Say. Trans. Yaxue Cao et al. London: Verso. Vii-xvii.

Tohti, Ilham 2022. We Uyghurs Have No Say. Trans. Yaxue Cao et al. London: Verso.

Zachariah, Benjamin 2021. “Debate: Decolonising Fascist Studies.” Fascism 010. 339–43.

Footnotes

1Rensmann 71.

2Ibid 71, 148.

3Gilroy 91.

4Lavin 2.

5Lyons 21–22, 41.

6Bento 314–5 (emphasis added); Hope 65–87.

7Arendt 206.

8Ramnath 253.

9Liburd 332.

10Dunbar-Ortiz.

11Bento; Finkelstein and Birn.

12Lyons 23; al-Shami and Meckfessel 204.

13Rensmann 156.

14Ibid 5, 20, 277, 385; Zachariah 340.

15Davis 198–9.

16James 327.

17Zachariah 340.

18Gregor 118–31; Gilroy 70, 75, 86.

19Bento 314.

20James 326.

21al-Shami and Meckfessel 192–204.

22Hensman.

23al-Shami and Meckfessel 209.

24Ramnath 254, 257.

25Ibid 211, 226–7.

26Ibid 212, 217, 242.

27Ibid 249–50, 254.

28Gregor 228, 234–40, 250–55.

29Tohti 30, 130, 142, 153.

30Ibid 116, 126; Thum xvi.

31Cooper 61, 101.

32Tohti 10, 72, 86, 104–6, 137, 152, 168.

33Case 364–75.

34Rensmann 10, 173, 211, 415, 417.

35Ibid 25, 60, 233, 272.

36Ibid 33–58, 65–9, 83–9, 95–100, 225.

37Ibid 101–10, 114–24, 127–32, 189–96, 199, 257, 333.

38Ibid 235, 273, 337, 356, 359–77; Adorno 109.

39Cooper 16, 71, 131.

40Ibid 12–13, 133–9.

41Reitz xv, 1–11, 14, 66–7, 81.

42Ibid 17, 27, 38, 40.

43Ibid 150, 153, 155, 173.

44Rensmann 418–20.

45Ibid 530n15.

46Executive Committee for the 60th International Antiwar Assembly.

47Gilroy 89.

48Rensmann 353, 415.

49Tohti 165.

Seeking the Anarchism of Love: A Discussion of Queer Tolstoy

Please join the Bureau of General Services–Queer Division (BGSQD) online on Wednesday, March 22, for a discussion about the newly released Queer Tolstoy: A Psychobiography with author Javier Sethness Castro and Joe Scheip, coordinator of Anarchist Political Ecology. Queer Tolstoy is a multidimensional work combining psychoanalysis, political history, LGBTQ+ studies, sexology, ethics, and theology to explore the life and art of Count Lev Nikolaevich Tolstoy. Our conversation will begin by contemplating queerness as a concept, based in the psychoanalyst Sigmund Freud’s ideas of universal bisexuality and polymorphous perversity.

We will review Tolstoy’s same-sex attachments, from childhood to old age, and consider how the artist’s underappreciated queerness influenced his anarchist and anti-militarist politics. We will not, however, shy away from Lev’s contradictions and hypocrisy, whether as a landlord, a sexist, or a difficult husband to Sofia Tolstaya. Finally, before turning to Q&A with the audience, we will contrast Tolstoy’s vision of free love and universal peace with Russian President Vladimir Putin’s fascist crackdown on the LGBTQ+ community and genocidal wars on Syria and Ukraine.

We encourage attendees to donate to Solidarity Collectives in support of anti-authoritarian fighters in Ukraine.

The introduction of Queer Tolstoy (chapter 2) is now available open-access.

Please register on Eventbrite to participate in our conversation on Wednesday, March 22!

From “Trotsky in Tijuana” to “Chernobyl”: Caution & Reason

“Chernobyl,” photographed by Jorge Fraganillo (Creative Commons Attribution 2.0)

Originally published on Perspectives on Anarchist Theory, 21 July 2022

The promise of historical and speculative fiction is the reconstruction of the past in the present, or of the present in the past, and the contemplation of what might have been, or of what might still be. As the psychoanalyst Sigmund Freud wrote, creative writers furnish “world[s] of [their] own” by “rearrang[ing] the things of [their] world in a new way which pleases [them].”[1] Between Dan La Botz’s novel Trotsky in Tijuana (2020) and Craig Mazin and Johan Renck’s HBO miniseries Chernobyl (2019), we find two fictionalized accounts bookending the tragic history of the Union of Soviet Socialist Republics (USSR), from the Bolshevik centralization of power following the anti-Tsarist Revolution of 1917 to what Rohini Hensman terms the “democratic anti-imperialist revolution” of 1991.

Trotsky in Tijuana is an intriguing and well-written book of alternate (or counter-) history, in which La Botz imagines Lev Davidovich Trotsky (1879–1940) surviving his assassination in Mexico City by the Spanish Soviet agent Ramón Mercader. In La Botz’s vision, the famed Ukraine-born Jewish Marxist then continues to organize against social-democratic reformism and Stalin’s Communist International through his organization, the Fourth International. This book combines neo-Trotskyist critique of Stalinism with libertarian-socialist themes as an imaginative “second world” to our own, illuminating divisions on the left among anarchists, Trots, and “tankies” (who support “anti-imperialist” dictators). Yet, as we shall see, despite the novel’s beauty and insights, Trotskyism appears to overpower anarchism in La Botz’s historical retelling.

For its part, the Chernobyl miniseries dramatizes the explosion that took place on April 26, 1986, within the core of the Vladimir I. Lenin Nuclear Power Plant, located near the cities of Pripyat and Chernobyl in northern Ukraine. Chernobyl lays bare the dangers of nuclear energy specifically and technological hubris more broadly, while implicitly critiquing Soviet State capitalism and, perhaps by extension, private forms of capitalism—like those we confront in the United States. Chernobyl shows how the combination of workplace hierarchy, high technology, hyper-masculinity, and the performance principle threatens our collective self-destruction.

On February 24, 2022, Russian military forces invaded Ukraine as part of a brutal campaign announced by President Vladimir Putin to supposedly “demilitarize and de-Nazify” the country. However, this “denazification” campaign in reality represents yet another instance of white Russians carrying out genocide. Having penetrated Ukraine’s northern border, the Russian army quickly overran the Chernobyl site, where, for over three weeks, the facility’s workers were forced by the occupiers to work nonstop. The radiation spike seen at Chernobyl at the start of the Russian invasion—a twenty-fold increase—can be explained by the churning of irradiated soils through the movement of military hardware.

On March 3 and 4, 2022, Russian shelling on the Zaporizhzhia Nuclear Power Plant in southeastern Ukraine—Europe’s largest nuclear plant—set an administrative building on fire. Fortunately, the site’s six reactors (better protected than their now-deactivated counterparts at Chernobyl) remained undamaged, and as of early March, local levels of radioactivity were normal. Even so, we should bear in mind the warning of Professor Kate Brown, author of Manual for Survival: A Chernobyl Guide to the Future (2019), that “any […] nuclear even[t]” cannot be “isolated within sovereign borders,” owing to the physics involved. In this light, although Russian forces withdrew from the Chernobyl region in early April, Putin’s threats of nuclear blackmail following the invasion remain unsettling.

In this article, I will review Trotsky in Tijuana and Chernobyl from an anti-authoritarian perspective by exploring some of the overlap with, and divergences from, anarchism in these artistic works. I will also present an overall critique of nuclear energy, to contrast with the ideological support Chernobyl’s screenwriter, Mazin, provides to the industry—regardless of the scope of the disaster he portrays.

Trotsky in Tijuana

In Trotsky in Tijuana, Natalia Ivanovna Sedova, Trotsky’s second wife, fatefully questions the man she knew as Frank Jacson’s choice to wear a heavy raincoat during a visit to their fortress-home in Coyoacán on August 20, 1940. However, in La Botz’s counternarrative, Sedova’s doubts do not go unheard. Historically, Mercader wore this same coat to cover up the ice ax he would use to fatally injure the exiled communist revolutionary, as the latter reviewed an essay with which his counterpart sought to distract him. Yet, in La Botz’s imagination, Ralph Bucek, a fictional US-American guard of the “Old Man,” enters his charge’s office and hits the Spaniard in the head with a baseball at the last moment, saving the day.

Rather than replay Trotsky’s murder—as John P. Davidson’s novel The Obedient Assassin (2014), Antonio Chavarrias’s film El Elegido (The Chosen, 2016), and the Russian TV miniseries on Trotsky (2017) do—La Botz’s book envisions the founder of the Red Army escaping this brush with death through exile to Baja California, where he continues to theorize about current events, especially World War II, and even find time for erotic love.

Not long after Trotsky, Sedova, and their retinue resettle in the so-called Cantú house in Tijuana, Trotsky’s own anarchistic secretary, Jan van Heijenoort, abandons Mexico for Europe, plotting a long-term mission to assassinate Stalin. La Botz imagines that Van’s plan dovetails with the “doctors’ plot” of 1953, when Soviet Jewish physicians had supposedly conspired with Western imperial powers to murder Stalin, his propagandist Andrei Zhdanov, and other party bosses. In retaliation for the discovery of this “plot,” Stalin ordered the arrests of hundreds of Soviet Jews and/or physicians, and planned to expand the Gulag to imprison more Jews, in a final homage to his “frenemy,” Adolf Hitler. Yet, just as a possible second Holocaust and nuclear war between the USSR and the West are threatened, La Botz’s depiction of Van’s assassination plot succeeds. The same day, the Soviet agent “Étienne” (Mark Zborowski)—who had murdered Trotsky and Sedova’s son, Lev Sedov, in Paris, and then boldly posed (in La Botz’s imagination) as Trotsky’s new secretary in Tijuana—kills Lev Davidovich by poisoning.[2]

While La Botz is sympathetic to his martyred subject, he is not uncritical toward the Bolshevik leader’s legacy. He surely does not shy away from depicting Trotsky’s narcissistic, delusional, and dogmatic tendencies. Rather, he insinuates the need for twenty-first-century updates to the brightest ideas of this “polymath,” who was “lost in time.” These ideas include class struggle, the united front, and the permanent revolution. Historically speaking, Trotsky adapted the last of these from the French anarchist Élisée Reclus, who asserted in 1899 that “[a]s long as iniquity endures, we, international anarcho-communists, will remain in a state of permanent revolution.”[3]

This dynamic only reinforces the anarchist hypothesis that Marxists aim to appropriate revolution for themselves and their bureaucratic franchises, rather than the liberation of the working classes and humanity—as Marx’s own expulsion of Mikhail Bakunin and James Guillaume from the First International in 1872, and Lenin and Trotsky’s crushing in 1921 of the Kronstadt Commune and of the peasant-anarchist Revolutionary Insurgent Army of Ukraine, prove. While the mutiny by Red sailors at Kronstadt demanded that the Russian Revolution advance without the dead weight of the Communist Party, the Revolutionary Insurgent Army was cofounded by the Ukrainian peasant guerrilla Nestor Makhno, who also organized with the Nabat (Tocsin) anarchist confederation after the fall of Tsar Nicholas I in 1917. Despite the Makhnovists’ proclamation of free soviets and their actions that arguably saved the Revolution through their fierce resistance to the reactionary White armies during the Civil War (1918–21), just as the Kronstadt sailors had previously served the cause at key points, forces loyal to Red Army commander Trotsky crushed both groups.

Notably, La Botz does not acknowledge that Lev Davidovich Bronstein adopted the surname Trotsky in 1898, after his jailer in Odessa. Psychoanalytically, this choice suggests identification with the aggressor, which is consistent with sociopolitical authoritarianism.[4] Arguably in this sense, there is a direct line from Lev’s adoption of his prison warden’s name to his own atrocities in the Revolution. Indeed, Trotsky in Tijuana’s coverage of the Russian Revolution conveys its author’s neo-Trotskyism. For instance, throughout the novel, the totality of the revolution is reduced to the Bolsheviks’ October 1917 seizure of power, with little to no mention of the “people’s epic” from February 1917, which in fact began the earthquake. This elision amounts to a minimization of the role played, specifically, by the proletarian women who lit the spark in Petrograd that overthrew the Romanov Tsars. La Botz even suggests that “revolution” emanated from Lenin’s persona, as though this were his superpower. Likewise, in a 2015 column in New Politics, the author writes that in both “February and October 1917,” the “Bolshevik[s] led the Russian working class to overthrow the Czarist autocracy.” The only problem with this claim is that all of the Bolshevik leaders were in exile during February 1917.[5]

In reality, the book glosses over its subject’s wickedness, in a move that functions to boost Trotsky’s radical credentials. Although La Botz acknowledges that the Bolsheviks “incorporated […] Tsarist officers” into the Red Army early on, the mass murder of the insurgent Kronstadt sailors—overseen by Trotsky in March 1921—is not mentioned until the second half of the book. At that point, La Botz describes the war commissar as merely “support[ing] the decision” to suppress the mutineers, rather than supervising the ex-Tsarist officer Mikhail Tukhachevsky’s use of overwhelming force toward this end.[6] Neither Makhno nor the Makhnovshchina is mentioned at all.

In short, while La Botz’s historical counternarrative champions direct action and critiques bureaucratic authoritarianism, the author’s affection for the “Old Man” somewhat clouds the novel’s treatment of the period between 1917 and 1921. A more anarchist approach might have portrayed Lev Davidovich as haunted by the counterrevolutionary brutality he oversaw and carried out during that time. Although La Botz’s condemnation of Stalinism is most apt—especially in light of “tankie” support for Putin’s war crimes in Syria and Ukraine—and despite the author’s good-natured satire of the titular character, the story neither adequately questions the role of “revolutionary” authority nor proclaims that it is the workers and peasants, not the party, who drive revolutionary change.

“Control room of the Chernobyl Nuclear Power Plant,” Carl A. Willis (Creative Commons Attribution 3.0)

What Happened at Chernobyl in 1986?

Like Marx, Lenin, and Stalin, Trotsky was an enthusiast of bourgeois principles of management, political centralism, and the domination of nature. When crystallized in high-risk technologies such as nuclear energy, it is unsurprising that such Promethean social ideologies, imaginaries, and institutional structures would result in disasters like the one experienced at the Vladimir I. Lenin Nuclear Power Plant, featured in Chernobyl.[7]

The basic idea of nuclear fission is this: uranium, after having been mined and enriched, is subjected to neutron bombardment in a nuclear plant’s reactor core. This leads to the fission, or splitting, of the nuclei of uranium, and the resulting production of intense heat, or radiation. This radiation is then combined with coolant to produce high-pressure steam, which in turn moves turbines, thus producing electricity.[8] The RBMK-type reactor used at Chernobyl, as in many other Soviet nuclear power plants, shared this basic function with the Western light-water reactors (LWRs) presently in use. One of the major differences between the two designs, however, is that RBMK reactors lacked the steel-reinforced containment shields surrounding the core found in LWRs.

On April 26, 1986, a safety test was scheduled to be performed within Chernobyl’s reactor number 4 during the day shift. However, to accommodate the needs of Soviet state capitalism, the test was delayed by ten hours, leaving it to the less-experienced night shift. As part of this experiment, the plant’s crew deactivated the automatic safety and warning systems, including the emergency cooling system. They also removed most of the control rods from the reactor core, lowering energy output far below normal. Accordingly, without adequate power to pump water into the reactor to either remove excess heat or produce electricity, the core became unstable.[9]

At this point, Chernobyl depicts several of the plant’s workers, all of whom present as cisgender men, as protesting the idea of proceeding with the safety test. Nevertheless, reflecting toxic masculinity and the phenomenon of abusive supervision, Anatoli Dyatlov, the plant’s chief engineer, orders the experiment to proceed. Linking megalomania and the performance principle (or the compulsion to keep the capitalist machine going) with the masculine derogation of femininity, Dyatlov bullies his subordinates, Aleksandr Akimov and Leonid Toptunov, into obedience. He does so by threatening their jobs, and specifically by associating Toptunov with his mother, due to his youthful and androgynous appearance.[10] Then, when the test goes haywire, Akimov engages the emergency shutdown system known as AZ-5, thus introducing graphite-tipped rods into the reactor core. This unexpectedly increases reactivity, leading to a chain reaction that causes a critical buildup of steam, a partial meltdown, and a core explosion that would irradiate much of Ukraine, Belarus, Russia, and the rest of Europe.

Chernobyl tells the dramatic tale of this experiment gone awry, together with some of the responses taken by the state, individuals, and collectives to this unprecedented catastrophe. Mazin and Renck portray desperate scenes of exploited labor, as firefighters and helicopter pilots struggle to douse the numerous fires set off by the explosion, miners are forced at gunpoint to build a tunnel beneath the reactor to accommodate a heat exchanger, and human “bio-robots” are used to clear radioactive debris from the facility’s roof. Notoriously, the firefighters who initially responded were neither warned of the risks of exposure, nor provided any sort of protective equipment. As a result, many of these working-class heroes died of acute radiation syndrome. Still, this grisly story foregrounds the state capitalist domination of (cis) men: with the exceptions of female nurses attending to irradiated patients and the fictional Soviet physicist Uma Khomyuk, who is an amalgam of the scientists investigating the incident, women are mostly absent from Chernobyl.

“Monument to Those Who Saved the World,” photographed by Martin Cígler (Creative Commons Attribution 3.0)

Trotsky and Chernobyl’s Critiques of Party-Boss Despotism

In terms of understanding the destruction of the Russian Revolution, the Chernobyl nuclear disaster, and the subsequent collapse of the Soviet Union, we might benefit from contemplating the close relationship between Leninism and Stalinism. In Trotsky in Tijuana, La Botz includes Trotsky’s insightful prediction that the Bolshevik Party would come to be dominated by Lenin, simply due to the pyramidal structure he proposed for it. The author portrays Stalin, as Lenin’s successor, being haunted by Trotsky’s accusation from 1927 that he was the “gravedigger of the Revolution!” Still, he entertains the idea that it was only Grigory “Zinoviev’s military Bolshevism,” a “Bolshevism characterized by authoritarianism and intolerance,” that had “created Stalinism”[11]—thus letting Lenin and Trotsky off the hook.

Even so, almost approaching Paul Mattick’s left-communist critique, La Botz explicitly acknowledges how wrong Trotsky was to consider the USSR a “workers’ state” of any kind.[12] As outlined in The Revolution Betrayed (1937) and other writings, the exiled theorist’s self-serving position about Stalin’s USSR being a “degenerated workers’ state” is perhaps understandable, but it is nonetheless delusional. Indeed, Trotsky’s own responsibility for the suppression of the Kronstadt Commune and the Makhnovist peasant-anarchist movement in Ukraine paved the way for his rival’s takeover. As the Bolshevik autocracy eliminated the most radical elements among workers, peasants, and fighters, it sealed the fate of the Revolution: namely, to give rise to a Communist hell.[13]

Along these lines, Chernobyl can be seen as a visual exploration of the horrors of bureaucracy, state capitalism, and high technology. To protect the reputation and power of the Communist Party of the Soviet Union (CPSU), the Politburo executives covered up and downplayed the news from Chernobyl from the start. Reflecting the lack of freedom of the press, free speech, or freedom of movement evident in the Soviet Union, authorities forced Western correspondents to remain in Moscow in the aftermath of the accident. Meanwhile, the KGB filtered information flows from the disaster site. In reality, the “two million residents of Kyiv,” located eighty miles from the plant, “were not informed despite the fallout danger, and the world learned of the disaster only after heightened radiation was detected in Sweden.” Mikhail Gorbachev, the CPSU’s last general secretary, did not publicly acknowledge the reality of the situation until May 14, well over two weeks after the explosion. In fact, despite Ukrainian appeals to the contrary, Gorbachev ordered the 1986 May Day march to proceed in Kyiv, so as to feign that the explosion posed no health risk to the public—this, despite the fact that the winds were then carrying fallout toward the city.[14]

The injustice of the situation is accentuated by Con O’Neill’s almost mafioso performance as Viktor Bryukhanov, Chernobyl’s manager. Shielded from the risks faced by workers, Bryukhanov keeps a lid on vital information as he sacrifices first responders. Echoing not only tsarist times, when St. Petersburg was constructed on wetlands using the mass conscription of serf labor, but also Stalin’s deportations, forcible collectivization, and the “Great Patriotic War” against the Germans, the CPSU mobilized over six hundred thousand so-called “liquidators” to deal with the fallout from Chernobyl. A 2005 report from the Irish Times finds that since 1986, twenty-five thousand liquidators had died, and that seventy-thousand had been permanently disabled.

While it set the stage for the collapse of the Soviet Union, as Gorbachev later admitted, the Chernobyl nuclear disaster caused 350,000 people to be permanently resettled, and its radioactive emissions have coincided with a regional increase in childhood thyroid cancer rates. While Mazin conveys a death toll of between four thousand and ninety-three thousand owing to the accident, Kate Brown estimates that “[b]etween 35,000 and 150,000 people died from cancers, heart problems, [and] autoimmune disorders” resulting from the disaster. Plus, as the recent movements of Russian units have reminded us, the soils surrounding Chernobyl remain highly irradiated. Ominously, less than a month into the all-out war, forest fires began to erupt, sending airborne radiation levels skyrocketing.

Chernobyl, Eros, and Anarchism

Perhaps surprisingly for an HBO series, Chernobyl features themes sympathetic to queerness, anarchism, and their intersections. For instance, as Akimov confronts the moral distress of carrying out Dyatlov’s unreasonable orders to proceed with the safety test, he gently whispers to Toptunov: “I’m with you.” We can draw a parallel here to Herman Melville’s Moby Dick (1851), which proposes homoerotic union among the crew of the Pequod against the deranged Captain Ahab, who is leading them toward a watery grave. Tragically, in both cases, the crew do ultimately perish, in an allegory of the self-destructive tendencies of capitalism, the domination of nature, and toxic masculinity. In parallel, the miners from the Donbas region who are conscripted to build a tunnel under the stricken plant are shown as especially defiant to the authorities, in a way that may recall the Ukrainian peasant-anarchist movement led by Makhno. Though the miners agree to the CPSU’s terms, Mazin and Renck depict them as doing so proudly, in terms of laboring to save humanity. Furthermore, they are shown performing their communal work in the nude, and this verbal image suggests free love as a means to dissolving hierarchy, or what the late researcher Christopher Chitty refers to as “sexual anarchy.”[15]

On the one hand, Chernobyl celebrates the heroic labor and mutual aid performed during and after the disaster by workers, including engineers, first responders, nurses, miners, and scientists. On the other, it portrays party bosses, from Bryukhanov to Gorbachev, as parasites and autocrats. With this dichotomy in mind, in his review for the New York Times, Mike Hale complains about the miniseries’ “one-dimensional heroes and villains.” Perhaps Mazin and Renck exaggerate a bit, but then again, the bureaucratic authoritarianism exhibited by Dyatlov and his superiors follows from the Soviet context, established by “Red hangmen.”[16] After all, the Soviet political system was based on a combination of the Tsarist “administrative utopia” and the “revolutionary statism” preached by Marx and Lenin.[17] Though he ended up killing Trotsky, Stalin “copied and far surpassed” his rival’s plan for the militarization of labor.[18]

In this sense, despite Chernobyl’s production by HBO, the visual narrative may well be influenced by Mazin’s own apparent solidarity with the struggle against class society. In his review on Red Flag (Australia) of the miniseries as an “anti-capitalist nuclear horror story,” Daniel Taylor observes that “the disaster we’re seeing is transpiring in, and largely a product of, a bureaucratic, managerial society divided into rulers and ruled, bosses and workers.”[19] Therefore, “strip away the Stalinist veneer and it is easy to recognise the system we have today: a managerial society run by bosses and bureaucrats who lie and kill to maintain their social dominance, and who threaten the whole world as long as they remain in power.” Taylor is right, but let us radicalize the implications beyond the nostalgia he expresses for Lenin and Trotsky. By focusing on the intersection of the exploitation of labor and ecological disaster, Mazin may be conveying implicit and/or unconscious sympathies with green syndicalism and social ecology, beyond democratic concerns about political dictatorship.

In parallel, we can draw lines from Trotsky and his Stalinist assassin Étienne, in La Botz’s presentation, to Dyatlov. Both Trotsky and Étienne are portrayed as automatons incapable of friendship, who typically view others only as tools, to be treated as either subordinates or superiors within a military hierarchy.[20] Such depictions, when juxtaposed with Mazin and Renck’s illustration of Dyatlov’s megalomania, communicate the continuities between Marxism-Leninism and bourgeois society—thus questioning what progress the Russian Revolution really brought. Indeed, in a chilling echo from the past, the blatant lie perpetrated by Trotsky and Lenin that the Kronstadt revolutionaries were led by tsarist officers—which subsequently inspired Stalin during his show trials—is now being reproduced by Putin’s regime, when it claims absurdly that Ukrainians are neo-Nazis.

Conclusion

Proponents of nuclear energy are often quick to dismiss the Chernobyl disaster as an aberration that reflects the flaws of both the reactor’s design and the Soviet autocracy, rather than any problems with nuclear fission as such. While the reactors in use today may be safer than the earlier Soviet designs, the 2011 disaster at the Fukushima Daiichi Nuclear Power Plant in Japan, provoked by a tsunami, still tells us that the lessons of Chernobyl have been neither learned nor applied. Moreover, besides the immediate safety issues owing to the risk of core meltdown, most nuclear fission plants in operation today share Chernobyl’s problems of radioactive waste disposal, dependence upon mining, and proliferation of materials usable in a nuclear weapon.[21] Much of this would also be true for the much-hyped hypothetical form of energy production known as nuclear fusion. Like the region surrounding Chernobyl, Diné (Navajo) lands and water-sources in the southwestern United States have been made into sacrifice zones for uranium mining concessions, resulting in radiation sickness and unusually high cancer rates among the Diné. Moreover, it is clear that nuclear energy has no role to play in averting catastrophic climate change.

Such critical thoughts, taken together with reflections on Mazin and Renck’s miniseries, may reveal the systemic nature of our predicament, linking Chernobyl with the Hiroshima and Nagasaki bombings, the Fukushima disaster, global warming, the current war by Russia on Ukraine, and ongoing nuclear brinkmanship. Both Chernobyl and Trotsky in Tijuana are cautionary tales and appeals to reason. While the former highlights “the dangers posed by Stalinism as a uniquely bureaucratic system of social organization,” the latter serves as a call for a united front among “all of us on the left who oppos[e] both Hitler and Stalin,” plus their contemporary followers.[22] While La Botz may not be as critical of Trotsky’s authoritarianism as I might like, his counter-history does recognize the importance of anarchism within revolutionary struggle. Looking to the future, the same mechanisms of social hierarchy, aggressive hyper-masculinity, and adherence to the performance principle that have driven catastrophes like Chernobyl and Russia’s war on Ukraine could be opposed and perhaps overcome by autonomous class struggle; internationalist, anti-militarist, and feminist resistance; and a global transition to wind, water, and solar energy.

Notes

[1] Sigmund Freud, “Creative Writers and Daydreaming,” Collected Papers, vol. 4, trans. Joan Riviere et al., ed. Ernest Jones (New York: Basic Books, 1953), 421.

[2] Dan La Botz, Trotsky in Tijuana (St. Petersburg, FL: Serge Books / BookLocker, 2020), 82–85, 91–92, 185–91, 422–50.

[3] Ibid., 24, 62, 196–69, 242–44, 305, 324, 328–29, 347.

[4] Sigmund Freud, Three Essays on the Theory of Sexuality, trans. Ulrike Kistner (London: Verso, 2016), 71–72.

[5] Ibid., 66, 308; Voline, The Unknown Revolution (Montreal: Black Rose Books, 1975), 136–37.

[6] La Botz, Trotsky in Tijuana, 57, 297.

[7] Irvin Sam Schonfeld and Chu-Hsiang Chang, Occupational Health Psychology: Work, Stress, and Health (New York: Springer, 2017), 9; Richard Stites, Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution (Oxford: Oxford University Press, 1989), 50–52; John P. Clark, The Impossible Community: Realizing Communitarian Anarchism. New York: Bloomsbury, 2013), 3.

[8] G. Tyler Miller, Living in the Environment: Principles, Connections, and Solutions, 12th ed. (Belmont, CA: Wadsworth / Thomson Learning, 2002), 345–46.

[9] Ibid., 350.

[10] Schonfeld and Chang, Occupational Health Psychology, 206–7; Jessica Benjamin, The Bonds of Love: Psychoanalysis, Feminism, and the Problem of Domination (New York: Pantheon, 1988).

[11] La Botz, Trotsky in Tijuana, 20, 289, 311.

[12] Paul Mattick, “Bolshevism and Stalinism,” in Bloodstained: One Hundred Years of Leninist Counterrevolution, eds. Friends of Aron Baron (Chico, CA: AK Press, 2017), 259–72.

[13] Stites, Revolutionary Dreams, 171–72.

[14] Serhii Plokhy, The Gates of Europe: A History of Ukraine (New York: Basic Books, 2015), 310–11.

[15] Christopher Chitty, Sexual Hegemony: Statecraft, Sodomy, and Capital in the Rise of the World System (Durham, NC: Duke University Press, 2020). See the discussion on group marriage in Friedrich Engels’s The Origin of the Family, Private Property, and the State (1884).

[16] Alexandre Skirda, Nestor Makhno: Anarchy’s Cossack (Oakland: AK Press, 2004), 389.

[17] Stites, Revolutionary Dreams, 19.

[18] Mattick, “Bolshevism and Stalinism,” 259–60; Stites, Revolutionary Dreams, 242.

[19] Daniel Taylor, “Chernobyl: an anti-capitalist nuclear horror story,” RedFlag, June, 9, 2019. Available at: https://redflag.org.au/node/6814.

[20] La Botz, Trotsky in Tijuana, 384.

[21] Miller, Living in the Environment, 349.

[22] La Botz, Trotsky in Tijuana, 317.

Psychoanalysis for Collective Liberation

First published in the New Politics Winter 2022 issue.

Erich Fromm’s Critical Theory is available from Bloomsbury in paperback and ebook formats

Erich Fromm (1900-1980) was a humanistic psychoanalyst, writer, and activist who was principally influenced by the theories of Karl Marx and Sigmund Freud, though he was critical of both figures. A German-American Jew from an Orthodox, middle-class family, Fromm studied sociology with Alfred Weber (brother of Max), joined the Institute for Social Research—otherwise known as the Frankfurt School—in 1930, and fled Nazi Germany in 1934 for exile in New York. He embarked on his own iconoclastic journey when his erstwhile comrades Max Horkheimer and Theodor W. Adorno expelled him from the Institute in 1939 for questioning Freudian orthodoxy about the libido, or human sexuality. Controversially, in place of Freud’s idea that erotic satisfaction is life’s driving force, Fromm suggested that our goals in existence are in fact relatedness, rootedness, identity, a frame of orientation (or object of devotion), and transcendence (or agency).

While this original thinker is perhaps best known for his book The Art of Loving (1956), in which he develops the idea of authentic and productive bonds of love based on mutual recognition, the editors of and contributors to the new volume, Erich Fromm’s Critical Theory: Hope, Humanism, and the Future,¹ underscore the intellectual’s innovative concepts and enduring relevance to a number of key topics. These include humanism, feminism, the social character, conformity, authoritarianism, and anti-fascism, among others. To this point, co-editor Joan Braune aptly points out the glaring absence of psychoanalysis and critical theory in the numerous books published in recent years that attempt to explain resurgent conservative-authoritarian populist and neo-fascist trends (219, 225n13). New studies of fascism by anarchists are not exempt from this trend, with the result that the left overlooks important considerations and strategies for understanding and resisting the far right. In essence, we ignore Fromm at our peril (40).

Prophetic Messianism, the Social Character, and Trumpism

According to Michael Löwy, one of the contributors to the volume, Fromm was a romantic Jewish intellectual and a “religious atheist,” inspired by the “universal utopian perspective” of Jewish messianism (45). On this reading, Fromm was a “religious romantic anti-capitalist—not [a] Marxist—” who interpreted Weber’s sociology in a critical way (48). Likewise, he hailed the Hasidic Judaic tradition as being critical of capitalist modernity. In The Dogma of Christ (1931), Fromm lauds the early Christian community as an anti-bureaucratic, revolutionary “free brotherhood of the poor” that at once opposed Roman imperialism and instituted “love communism” (49). Anticipating his colleagues Horkheimer and Adorno’s argument about history and fascism in Dialectic of Enlightenment (1944/1947), and echoing Karl Kautsky’s own analysis of the foundations of Christianity’s betrayal as starting with the empowerment of the bishops over the prophets and apostles (1908), Fromm traces the integration of Christianity with the state as parallel commentary on the destruction of the Russian Revolution by the Bolshevik Party. In Kautsky’s words, “The organization of a proletarian, rebellious communism thus became the staunchest support of despotism and exploitation, a source of new despotism and new exploitation.” Whereas Löwy suggests that this implicit parallelism communicates Fromm’s disgust with Stalin and sympathy with Trotsky’s analysis in The Revolution Betrayed (1937), it may also convey the psychoanalyst’s convergence with anarchism. Indeed, in 1936, Adorno anxiously complained to Horkheimer about Fromm’s “anarchistic deviations” and “sentimental … blend of social democracy and anarchism,” concluding, “I would urgently advise him to read Lenin” (152). Yet Fromm did read Lenin and considered that the “destruction of Socialism” began with him.²

As a critical social psychologist and public intellectual, Fromm is perhaps best known for his creative, neo-Freudian analyses of political and social authoritarianism. Integrating Marx, Freud, and Weber, Fromm theorized about alienation, neurosis, hierarchy, and sadomasochism. Per Freud, neurotic mood disorders may impart an expression of trauma, unmet needs (“the return of the repressed”), or even a rebellion against dominant norms. Fromm, for his part, concluded that alienation results from one’s embeddedness within defective social relations that build “artificial needs and drives”—namely, the will to power, exploitation, and domination—and so lead to the dehumanization and instrumentalization of self and others. To such understandings, writer Michael Thompson adds that neurotic frustration may signal the breakthrough of critical consciousness over pathological social relations, while communicating the losses and sacrifices we must endure due to the systemic “abuse of the social bond” under the iron cage of capitalism, patriarchy, and the state (27). In contrast, robust bonds promote mutual recognition, community, creativity, knowledge, (self)discovery, and autonomous self-determination.

The contributors to Erich Fromm’s Critical Theory justly emphasize the importance of the humanist’s social-character theory and related insights into the psychosocial aspects of political movements. Social character can be defined as an intermediary between consciousness and the given socio-economic structure: the “most frequent pattern typical in a particular society … and also the dominant characteristic” (194). Generally, social character serves adaptive and stabilizing functions, ensuring the persistence of the “pathology of normalcy” (6). Even so, Fromm identified different types. To name just two: the marketing character, which corresponds to the automaton conformity expected of monopoly capitalism, versus the productive character, which channels adversity into the creation of meaning and love. With Hilde Weiss (1900-1981), a brilliant student of the council-communist Karl Korsch, Fromm designed a study into the social character and political attitudes of German workers toward the end of the Weimar Republic (1929-1931). The findings of this survey, which will be discussed in more detail below, illuminate the great error of Marx’s almost mechanistic faith in the working classes, who are “not reliably socialist or anti-authoritarian” (135). In reality, the Weiss-Fromm study confirmed among many participants simultaneous psychical masochism and the idealization of strong men (144).

Connecting past with present, several of the essayists appearing in this volume seek to apply Fromm’s framework to the project of understanding the growth of extreme right-wing movements. This analysis is most welcome in the wake of the Trump regime and the associated legitimization of neo-fascism. Charles Thorpe views the Trumpist phenomenon as “regressive identification,” to quote the English sociologist Anthony Giddens: The disgraced former president’s foot-soldiers “simply become dependent children again” and so surrender their consciences to the would-be dictator (181). Such a diagnosis is especially apt when considering the attempted coup incited by President Trump on January 6, 2021. In a Frommian sense, reactionary countermovements can be understood, at least in part, as anxious backlashes by those privileged in terms of race, class, gender, and sexuality to rapid, progressive societal changes that might threaten their dominance in the social hierarchy (85-86). Like Reagan and the shareholders in the 1980s, who rebelled against “bureaucracy” and “Communism” by imposing neoliberalism, the authoritarian syndrome of Trumpism represents a false revolt that re-entrenches privilege, irrationalism, and established tendencies toward aggressive self-destruction. Although the right in the United States often relies on community-building and the development of familial, in-group bonds for its propagation, rightist politics both presuppose and reproduce the bourgeois coldness of life in the capitalist, imperialist, and settler-colonial United States (167).

Humanism, Feminism, and Social Character in a Mexican Village

George Lundskow, in his essay on “The Necessity of Prophetic Humanism in Progressive Social Change,” differentiates between “two basic forms” of spiritual life: universalist emancipation and xenophobic idolatry. In Freudian terms, this conflict can be reinterpreted as the struggle between Eros and Thanatos, libido and mortido, or “a faith in life and a faith in death” (55). Lundskow’s universalist perspective is intimately connected with biophilia, or love of life, whether human or nonhuman, and the prophetic-messianic Judaic tradition. Concurring (perhaps controversially) with Fromm that evolution demands that we all have a “frame of orientation and an object of devotion in order to survive,” Lundskow discusses Black Panther Huey P. Newton’s passion for revolutionary suicide—to sacrifice oneself for the people—in place of the reactionary suicide demanded by capitalism and authority (53). Channeling Hermann Cohen’s understanding of messianism as “the dominion of the good on earth,” the writer advocates the construction of a new “revolutionary religion” as a means of transforming the world (68). In like manner, in The Ministry of the Future (2020), the science-fiction novelist Kim Stanley Robinson depicts one of his characters calling for the founding of a new religion to unite humanity and save the planet.³

In her intervention considering the relationship between humanism and feminism, Lynn S. Chancer rightly chastises Fromm for his distance from the feminist movements that surged in the 1960s and 1970s and his related use of sexist language. At the same time, she praises Fromm’s concept of love as mutual recognition, finding it to be a framework that implicitly challenges the gender binary that encodes sadistic male chauvinism on the one hand and masochistic feminine passivity on the other. The struggle against sadomasochistic character orientations and practices—being “mechanisms of escape” that drive wars, exploitation, ecocide, and aggression—would be a process to redirect society toward a more peaceful, egalitarian, and erotic future (197). In such a world, the interrelated “social defense mechanisms” of sadism and masochism would be attenuated, in both the individual and collective, and interdependence would serve as an alternative to the master/slave relationships of past and present (99). Chancer praises Fromm’s concern for “care, loving, sanity, and reason” as implicit critiques of toxic masculinity, sexism, and heterosexism, being systems that “have coercive consequences by limiting people’s gender and sexual freedoms” (101). While she criticizes the psychoanalyst’s gender essentialism and identifies his lack of interest in human sexuality—what fellow contributor David Norman Smith terms a “desexualized psychoanalysis”—as reflecting a “pre-oedipal” orientation that would stress relatedness over the libido, Chancer does not seem to acknowledge the link between Fromm’s own sex-negativity and heterosexist biases (102-05, 131).

In “Sociopsychoanalysis and Radical Humanism,” Neil McLaughlin and Fromm’s own co-author Michael Maccoby note the following paradox: Though he was trained in sociology, Fromm is marginal to the core of this discipline, as to academia as a whole. This is in stark contrast to Pierre Bourdieu, or indeed, Michel Foucault. Dialectically, Fromm’s academic marginality provided him independence of thought but also disregard from the professoriate (109-10). This is sadly the case for his most scholarly late works, such as Social Character in a Mexican Village (1970) and The Anatomy of Human Destructiveness (1973). In contrast, Bourdieu played the academic game and enjoyed considerable rewards and privilege as a sociologist in universities in Paris and Lille. While both figures were radical public intellectuals who engaged in similar projects of socioanalysis, or sociopsychoanalysis, and criticized Western and Stalinist crimes alike—with Bourdieu protesting in his writings against the Algerian War and Fromm publicly opposing the Vietnam and Cold wars—Bourdieu made such arguments from within the academy, while Fromm made them from without. Insightfully, Maccoby and McLaughlin tie Fromm’s “intellectual decline” to his numerous conflicts “with orthodox Marxists, Freudians, neoconservatives, anti-humanist thinkers,” and his former comrades from the Frankfurt School, especially Herbert Marcuse, who resurrected Adorno’s opportunistic line against him in the 1950s (119).

These contributors productively compare Fromm’s social-character theory to Bourdieu’s theory of an internalized, unconscious habitus. This habitus perpetuates class society and the division of labor by mandating obedient participation and social reproduction. Otherwise known as the “cultural unconscious” or “mental habits,” the theory of habitus, for all its usefulness, “downplay[s] an explicit psychoanalytic analysis of emotions which is the core strength of Fromm’s social character theory” (122-23). Plus, in his focus on elites, structures, and symbolic violence, Bourdieu overlooks the self-defeating and self-destructive psychodynamics that often contribute to the reproduction of exploitation and domination. To this point, he was critical of Frantz Fanon’s concept of internalized oppression. However, Bourdieu’s deficit here can perhaps be corrected by Fromm’s social-character theory, particularly as applied in the Mexican village of Chiconcauc, Morelos state. During the 1950s and 1960s, Fromm and his colleagues carried out an empirical research study there into some of the psychological aspects of class stratification among campesinos (peasants) after the Revolution of 1910-1920. Tellingly, the resulting publication, Social Character in a Mexican Village, found that only single-digit percentages of the villagers interviewed had radically democratic character structures.⁴ The rest were divided among enterprising-sadistic and passive-receptive campesinos, with the divisions correlated to family status before the revolution. Many of those who capitalized on the new opportunities made available by the redistribution of lands had previously been landowners, while those who suffered greater rates of violence and alcoholism were typically descended from peons of the hacienda system imposed by Spanish colonialism (118).

In this sense, Social Character in a Mexican Village provides insight into some of the psychosocial dimensions of class divisions and social hierarchy as a whole. It confirms the Freudian notion that sadomasochism, or authoritarianism, is a psychosocial system with constituent parts that may either accept their socially expected roles or rebel against them—whether productively or destructively. Similar critical studies could be conducted today into gender, class, caste, and ethno-racial inequalities, as well as political differences, throughout the world. Nevertheless, in light of the hostile and supremacist contemporary discourses around the “culture of poverty,” Maccoby and McLaughlin are right that Fromm’s social-character theory risks blaming the victims of given social structures (119-24). This is certainly a quandary that requires more reflection and investigation.

Authority and The Working Class in Weimar Germany

In his inquiry into “Anti-Authoritarian Marxism,” David Norman Smith explains how, in the twilight of the Weimar Republic, Fromm’s cousin Heinz Brandt sought to organize a united front of all anti-fascist forces against the rising Nazi menace. This initiative was promptly crushed by Stalin, in line with the Soviet despot’s disastrous imposition of the doctrine of “social fascism,” which equated the Social Democrats with the Nazis (135-36). Due to such betrayals, Brandt spent a total of 14 years in Nazi and, later, East German prison camps. Intriguingly, Smith traces Fromm’s instinctual revulsion over Stalinist hegemony, and almost unconscious approximation to Trotsky, about whom the psychoanalyst raved: He is “always stimulating, always alive” and “penetrating to the very essence of reality” (138). Such flourishes about the Red Army commander suggest, firstly, that Fromm was ignorant of the fate of the Russian Revolution’s “Third Revolution,” represented by the Kronstadt Commune, the Greens, and the Makhnovist movement: namely, to be crushed by the “People’s Commissar,” Trotsky. Furthermore, despite the analyst’s explicit homophobia, Fromm’s attraction to Trotsky provides evidence of the Freudian theory of universal bisexuality.

Crucially, as well, Smith introduces Hilde Weiss, a Jewish student of industrial sociology, a mass-striker, and an affiliate of the Red Trade Union International (RTUI). Weiss was the primary author of the study on German workers’ attitudes, The Working Class in Weimar Germany, that is more commonly attributed to Fromm himself.⁵ Using social-character theory, Weiss and Fromm predicted that small minorities of workers would be militantly for (10 percent) or against (15 percent) a Nazi takeover of Germany, while the vast majority (75 percent) would remain passive and essentially indifferent (217). The study also found a significant discrepancy between the 82 percent of respondents who professed fidelity to left parties (the Communists and Social Democrats), and the 15 percent who consistently responded with anti-authoritarian views.⁶ In a parallel study, Weiss revealed how workers often deified their bosses, in a revealing example of commodity fetishism and sadomasochism, as well as an exhibition of the persistent psychocultural legacy of Prussian militarism and elitism. These self-defeating ideologies were so pervasive as to even permeate Germany’s pyramidally organized left parties—in turn, laying the groundwork for the rise of Hitler.

Although such critique is very apt, it is unclear why someone like Weiss, who lauded Lenin and conformed to Marxist notions of the “dialectical” use of state authority, should be considered a principled anti-authoritarian herself. After all, she joined the RTUI rather than the anarcho-syndicalist International Workers’ Association, co-founded by Emma Goldman, Alexander Berkman, and Rudolf Rocker, among others, in 1922. In this vein, Weiss echoes the confusions of the libertarian-communist Otto Rühle, author of “The Struggle Against Fascism Begins with the Struggle Against Bolshevism” (1939), who cherished his personal friendship with his fellow exile in Mexico, one of the leading Bolsheviks—none other than Trotsky himself (151).

Critique: History, Sexuality, and Internationalism

Whereas Erich Fromm’s Critical Theory is undeniably an important intervention in psychoanalytic, humanist, and radical theory, some caution is needed with an expressly Marxist interpretation of Fromm’s lifework. For example, some contributors express anxiety over the “neo-idealism” of critical approaches based in morality or norms, despite the fact that Fromm himself (like Freud) dedicated much of his life to contemplating the mind, dreams, socialization, and ethics, or the superego (37, 77). Plus, as Maccoby and McLaughlin correctly note, Fromm “rejected the inattention to emotions, morality, and human nature in [the] orthodox version of Marxism” (115). This tension may have to do with an unwillingness on the parts of the editors and contributors to do as Fromm did and criticize Marx himself.

Accordingly, some of the volume’s contributors attempt to defend Marx’s legacy in a way that is at variance with the historical record. For example, Smith claims that “Stalin’s new course—which entailed the violent expropriation of the peasantry, the intensified exploitation of workers, and the eradication of opposition—was a sharp reversal of Marxian doctrine” (132). The distinction made here is questionable, considering how Marx arbitrarily expelled the anarchists Mikhail Bakunin and James Guillaume from the First International in 1872 in order to outmaneuver them, while wrecking the organization, and its cause, in the process.⁷ Additionally, in Capital, volume 1, Marx welcomes both the expropriation of the peasantry and the regimentation of the industrial workers as historically necessary steps in the “dialectical” struggle for communism.⁸ For their part, Lenin and Stalin were enthusiasts of Taylorist and Fordist management styles.⁹

It is true that Fromm’s critical theory elides easy classification as being either primarily Marxist or anarchist. Perhaps, he transcends and sublates both categories. To this point, the Anarchist FAQ Collective identifies the psychoanalyst as a “libertarian Marxis[t] close to anarchism.” Similarly, Roger Foster and Charles Thorpe view Fromm as a socialist interested in “deep democratization rather than a managerial project,” and one who believed in a decentralized, planned economy, as well as humanistic social planning, respectively (90-91, 185). In the end, it was Fromm’s radical iconoclasm, arrived at through reflection and self-discovery, that so disturbed Adorno and doomed the psychoanalyst’s tenure in the Frankfurt School. Then again, it liberated him to follow his own path.

Unfortunately, this volume has little to say about ecological problems such as global over-heating, except in passing, as manifestations of capital’s self-destructive tendencies (75, 184-85, 210). Lundskow curiously equates “raw-food vegan[ism]” with Puritanism, when the Puritans were neither vegetarians nor vegans (59). What is more, in contrast to Puritans, vegans are not necessarily sex-negative. In this vein, we welcome Lundskow’s praise for Huey Newton’s explicit support for the queer community but lament that no one in this volume acknowledges Fromm’s own homonegativity, which is derived from Freud’s paternalistic view that gay people suffer from arrested development (65).¹⁰ Rather than be ignored, such limitations must be brought out and criticized.

In terms of international analysis, Langman and Lundskow use a Marcusean term to hail the Arab Spring as an important “great refusal” of domination, but they do not differentiate among the fates of the different uprisings in the Middle East and North Africa (205). Thorpe suggests that the “upsurge of imperialist war in the Middle East has been a major cause of the growth of authoritarianism and nationalism” (177). Presumably, he means war in Iraq, Syria, and/or occupied Palestine, but he does not say. While such a view may partially explain the recent resurgence of the far right in Europe and the United States, it overlooks the specific actors and mechanisms involved in the case of Syria, who are themselves quite authoritarian and nationalist: principally, Bashar al-Assad and Vladimir Putin. These fascists, in their bloody suppression of the Syrian Revolution over the past decade, have killed up to a million people and displaced millions more across international borders. According to Rohini Hensman, committing atrocious war crimes to provoke mass-refugee flows from Syria has been a deliberate strategy on Putin’s part to destabilize the European Union.¹¹ In the struggle to bring Syrian, Russian, U.S., and Israeli war criminals to justice, and to study their examples in the hopes of preventing similar atrocities from recurring, critical Frommian perspectives have much to contribute.

Conclusion

The co-editors and essayists of Erich Fromm’s Critical Theory have performed an important service by re-engaging the public with the history of Fromm’s sociopsychoanalysis, in the hopes that the theorist’s insights be heeded in the cause of humanistic social reconstruction. Both history and the present attest to the strong anti-humanist tendencies professed by many considered to be on the left—from Georges Sorel and Stalin in the past to the GrayZone of today—thus corroborating Maccoby and McLaughlin’s fitting diagnosis of the left as “contradictory, an admixture of tendencies humanist and anti-humanist” (135, emphasis in original). In light of this problem, as well as the realities of global warming and ecocide, persistent political authoritarianism, entrenched sadomasochistic social systems, and disorganized working classes, we see the prospect of new Frommian studies on social character; humanistic, internationalist resistance toward anti-humanist opportunists; and the integration of left psychoanalysis with labor and community organizing as important components in the ongoing struggle for universal emancipation.

Notes

1. Kieran Durkin and Joan Braune, eds., Erich Fromm’s Critical Theory: Hope, Humanism, and the Future (New York: Bloomsbury Academic, 2020).

2. Erich Fromm, The Sane Society (London: Routledge, 1955), 258.

3. Kim Stanley Robinson, The Ministry of the Future (Orbit, 2020), 254-55.

4. Erich Fromm, Social Character in a Mexican Village (New Brunswick, N.J.: Transaction Publishers, 1996).

5. The version published by Harvard University Press in 1984 lists Fromm as the primary author.

6. Lawrence J. Friedman, The Lives of Erich Fromm: Love’s Prophet (Columbia University Press, 2013), 43-44.

7. Robert Graham, We Do Not Fear Anarchy; We Invoke It (Oakland: AK Press, 2015).

8. Karl Marx, Capital, Vol. I: A Critique of Political Economy, trans. Ben Fowkes (London: Penguin Books, 1976), 873-95.

9. Richard Stites, Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution (Oxford: Oxford University Press, 1989).

10. Fromm, The Art of Loving, 31.

11. Rohini Hensman, Indefensible: Democracy, Counterrevolution, and the Rhetoric of Anti-Imperialism (Haymarket Books, 2018), 233-38.

A Critical Theory of Authority

These are my comments, presented on October 9, 2021, at the Ninth Biennial International Herbert Marcuse conference, on the panel “Marcusean Politics Today.” My co-panelists were Shon Meckfessel and Rocío Lopez.

In Character and Social Structure: The Psychology of Social Institutions (1954), the sociologists Hans Gerth and C. Wright Mills observe that, “from a psychological point of view, the crux of the problem of power rests in understanding the origin, constitution, and maintenance of voluntary obedience.” They add that “Authority, or legitimated power, involves voluntary obedience based on some idea which the obedient holds of the powerful or of his position” (Gerth and Mills 194-5). Indeed, in his Discourse on Voluntary Servitude (1577), Étienne de la Boetie came to much the same conclusion: namely, that authority persists because we allow it to. Although the reproduction of hierarchy under capitalism is not so simple as that, considering the threats of unemployment, imprisonment, starvation, and assassination for those who rebel, there is something to Jean-Paul Sartre’s comment about a kind of “complicity between the oppressor and the oppressed” (Sartre 338).

In turn, the models of sexual sadomasochism and socio-political authoritarianism developed in the twentieth and twenty-first centuries by Sigmund Freud, Erich Fromm, Herbert Marcuse, Jessica Benjamin, and Lynn Chancer highlight the psychodynamic dimensions of erotic frustration and gender and class oppression. In other words, under generalized relations of dependence on capital and male authority, the power of the boss, man, sadist, and/or ‘top’ is ultimately derived from the psychological self-subordination of the worker, woman, masochist, and/or ‘bottom.’ In this sense, the specter of revolt can function as a destituent power that reverberates throughout society, as we have seen on many occasions in history, up to and including the present.

At the same time, not all revolt is emancipatory, and “there is no theory of subversion that cannot also serve the cause of oppression” (Rancière xvii). In Reason and Revolution (1941), Marcuse controversially defends G. W. F. Hegel’s criticism of the “pseudo-democratic” opponents of the post-Napoleonic Restoration régime, likening them—in their xenophobia, anti-Semitism, and German nationalism—to precursors of the Nazis (Marcuse 1999: 179-81).¹ Along similar lines, Ze’ev Sternhell sees the fascist cultural and political revolt against Enlightenment values like humanism and rationalism not as anomalous to European history, but rather, as integral to it (Sternhell 3, 250-1). The anarcho-syndicalist Rudolf Rocker likewise saw in fascism a “reaction to progress […] rooted in German history but concerning the whole of Europe” (Bernardini 9). Unfortunately, as was confirmed not only by the descent of the Russian Revolution into a Stalinist nightmare, but also by the collaboration of revolutionary syndicalists in the birth of national socialism, the phenomenon of the “leftist right,” or what Jürgen Habermas termed a “left fascism,” certainly exists (Rancière 72; Gandesha). Both in the past, as in the present, we see “discourse[s] of order composed in the vocabulary of subversion” (Rancière 116). In this sense, the Russian Marxist Georgii Plekhanov was right to accuse Pierre-Joseph Proudhon, the “Father of Anarchy,” of having combined “extreme Radicalism of mind with extreme Conservatism of mind” (Plechanoff 57, 63). Along similar lines, the neo-Stalinism of the GrayZone bloggers and the Trumpists’ coup attempt at the Capitol in January 2021 are arguably just two sides of the same coin.

Thus, in this presentation, I will analyze the ‘reactionary rebellion’ of the revolutionary French syndicalist Georges Sorel (1847-1922), follower of Proudhon and mentor to Benito Mussolini, the first Fascist leader, whose 1922 March on Rome animated Adolf Hitler’s failed “beer hall putsch” (1923). I will also explore the bureaucratic anti-humanism of Louis Althusser (1918-1990), who sided with his Party (the French Communist, or PCF) in rejecting the May 1968 uprising. I will then conclude with an analysis of national-socialist currents among ‘anti-imperialists’ today, and offer some reconstructive, anti-authoritarian ideas for anarcho-syndicalists and critical theorists going forward.

Georges Sorel’s National Revolution

Perhaps ironically, George Sorel—who infamously synthesized revolutionary syndicalism with ultra-nationalism to inspire Fascism—shared some concerns with the anti-fascist Marxists of the Institute for Social Research, otherwise known as the Frankfurt School theorists. They commonly focused on symbols, emotions, and socio-political psychology in their respective intellectual projects, although admittedly, for vastly different reasons: Sorel sought to “mobilize the masses and to change the world” by annihilating bourgeois society while upholding the authority principle and the place of “revolutionary ‘élites,’” whereas the critical theorists aimed at a non-repressive, anti-authoritarian transformation of global society (Marcuse 2008: 105; Sternhell 59). Across different generations, both the Frankfurters and the Sorelians worried that the working classes of advanced-industrial societies had been integrated into capitalism. Sorel despaired that the French Confédération Générale du Travail (CGT) was more interested in reform than revolution, and Marcuse wrote One-Dimensional Man (1964) under the impression that workers in the U.S. would not rise up against capitalism (Sternhell 96). In the prologue to Negative Dialectics (1970), Theodor W. Adorno laments that “Philosophy […] remains alive, because the moment of its realization was missed,” given that “the transformation of the world failed.” Along similar lines, Sorel and Walter Benjamin shared a belief in the heroic potential of pessimism.

Of course, neither Adorno nor Marcuse (much less Benjamin) turned, as Sorel and Martin Heidegger did, to national socialism as a “new revolutionary path” (Sternhell 25, 123). Rather, as German-Jewish Marxists, they were forced to flee Nazi Germany and relocate to New York as refugees. After scaling the Pyrenees Mountains in late September 1940, Benjamin poignantly lost his life in the Spanish border town of Portbou, where he overdosed on morphine rather than be deported by Franco’s guards to the Nazi-collaborating Vichy régime. In the U.S., their newfound home, the surviving Frankfurt School theorists continued their principled anti-authoritarian analysis of society, rather than betray the cause, as Sorel so egregiously did.

According to Sternhell’s account in The Birth of Fascist Ideology (1989), fascism can be interpreted as a revolt against the principles of the Enlightenment (3). Certainly, this thesis can explain Heidegger’s own attraction to, and promotion of, Nazism. Like his intellectual mentor Friedrich Nietzsche, Heidegger sought to demolish the “post-1789 moral-political dispensation [and] replace it with a new radically illiberal and anti-egalitarian dispensation” (Beiner). In Reason and Revolution, Marcuse analyzes the Counter-Enlightenment philosophers who rejected German Idealism and inspired Nazism. In this sense, he highlights F. J. Stahl (1802-1861), who affirmed anti-rationalism, repudiated natural law, and sought to replace the category of reason with obedience (Marcuse 1999: 360-74). Likewise Sorel: “a horror of the Enlightenment [was] basic to his thinking” (Sternhell 69). Indeed, this devout Catholic had no truck with the anti-clerical cause. As a white supremacist, Sorel condemned what he saw as the Jacobins’ “recklessness” for “abruptly abolishing slavery in the colonies’”—particularly, in Haiti (Abromeit 396). Many of his followers encouraged Italy’s invasions of Libya (1911) and Ethiopia (1936) as “labor imperialist” projects. Like his protégé and fellow revolutionary syndicalist Mussolini, Sorel found Nietzsche’s ideas attractive, especially the philosopher’s contempt for “English ideas,” liberalism, and bourgeois society—and presumably, as well, the Nietzschean affirmation of slavery (Beiner; Sternhell 101, 110, 126, 196, 200). Sorel attacked the idealist tradition while hailing “proletarian ‘violence’” as a new form of authority (Marcuse 2008: 104).

Like Stahl, Nietzsche, and Heidegger, Sorel rejected rationalism, humanism, and natural law. His infamous “revision” of Marxism involved advocacy of the destruction of liberal democracy and parliamentary socialism through class struggle. Paradoxically, like Proudhon, Sorel “refused to touch private property and […] believed neither in equality nor in social justice […].” In reality, this “antidemocratic socialis[t]” envisioned the creation of a “producers’ civilization,” which would effectively function as a “revolutionary capitalism—[or] a capitalism of producers.” In this vein, the Sorelians “had nothing to put in place of capitalism and they did not conceive of a postcapitalist era.” As such, it is not hard to see how such a vision of stripping away liberal norms while retaining the capitalist mode of production could morph into Mussolini’s class-collaborationist, corporatist strategy (Sternhell 22, 28-9, 33, 37, 46-50, 69, 75, 80-2, 91, 117).

In this sense, the birthplace of fascism was neither Italy nor Germany, but rather, France. Though Mussolini would not seize power until 1922, on Sternhell’s account, all the requisite conditions for the propagation of the fascist ideal were in place before the outbreak of World War I (1914-1918). In the years after the publication of his Reflections on Violence (1908), a volume that exhorted the proletariat to wield violence to annihilate the bourgeoisie, Sorel abandoned socialism in favor of ultra-nationalism and the “conservative revolution.” In turn, Sorel inspired the founding of the national-syndicalist Cercle Proudhon in late 1911 as a clearing house for “nationalists and leftist anti-democrats.” The futurists and Sorelians in this Cercle highlighted Proudhon’s defense of private property, militarism, traditionalism, sexism, and anti-Semitism. As champions of anti-rationalism, anti-humanism, pessimism, a “revolutionary” hatred of democracy, and fidelity to Sorel’s masculinist cult of violence, these left-right syncretists proclaimed their ideal “the nonproletarian revolution, the national revolution” (Sternhell 4, 7, 27-9, 69, 75, 78, 80, 86, 90, 124, 130). As Marcuse might say, the Sorelians failed to question, much less overcome, technical reason; instead, they inspired Mussolini and Hitler to build on Sorel’s vision of a future wherein the “cult of energy” and “authority would emerge victorious all along the line” (Sternhell 24-7, 129, 168, 236-7).

Crucially, Sternhell distinguishes between the theoreticians of revolutionary syndicalism and anarchists. For Sorel and his followers, “the principle of authority was never in question.” In fact, “Sorelism detested anarchism,” and the master’s right-hand man, Édouard Berth, “wrote that ‘a real abyss’ divided the ideas of the syndicalists from those of the anarchists.” Paradoxically, the Sorelians opposed the concept of self-management, whether individual or collective; effectively, they proposed a hierarchical and productivist society run by syndicates (Sternhell 31, 103-104, 127, 218-223). Ultimately, these revolutionary unionists were just used by the Fascists to seize power. After all, conceptually speaking, national syndicalism and corporatism utterly contradict the cause of worker autonomy. As we know from Franz Neumann’s Behemoth (1942), the Nazi regime was run in the interests of the industrialists, the bureaucracy, the military leaders, and the National Socialist Party (Neumann). Accordingly, Sternhell is right to conclude that fascists’ use of leftist discourse always has “’rightist’ results” (211), just as Rocker is right to denounce Stalinism and Fascism as totalitarian ideologies that “both grew on the same tree” (Bernardini 7).

Even so, the case of Sorel is a disturbing one, considering how it illuminates the overlap between left and right, which are categories that are often considered to be mutually exclusive. How can it be that Jacques Rancière describes Sorel (perhaps unfairly) as an anarcho-syndicalist, that Mussolini and the Sorelian George Valois had had anarchist sympathies before embracing national socialism, and that so many Italian revolutionary syndicalists became Fascists? (Rancière 61; Sternhell 96, 143) In reality, many leftists and fascists commonly emphasize direct action, energy, violence, heroism, and sacrifice, while championing the will to power and conquest and critiquing “moralism” (Sternhell 29, 176-9). Mussolini and the Nazis admired Bolshevik authoritarianism, and Stalin trusted and allied with Hitler—rather irrationally, it turns out (Arendt 308-9; Bernardini). Part of the appeal of Sorelianism to syndicalists and nationalists alike was (and remains) its claim that both groups share(d) common enemies in liberalism and parliamentarism. Especially in the wake of postmodernism, many self-proclaimed leftists share a reactionary commitment to anti-universalism (Sternhell 163, 250-1). Whether a century ago or now, it is apparent that Sorelians, neo-Stalinists, and national socialists merely seek the worst of all possible worlds: that is, capitalism without any rights at all (Hensman).

Althusser’s Lesson

In Althusser’s Lesson (1974), the French philosopher Jacques Rancière takes his former professor to task for siding with the Communist Party of France (PCF), which opposed the revolutionary student movement of May 1968 as “petit bourgeois.” In regurgitating the Party line, Althusser effectively defended the division between mental and manual labor, privileging the former over the latter, while affirming the “very model prescribed by the philosophy of educators: enlightened despotism.” (In contrast, Sartre supported May 1968.) Besides Althusser’s disgrace, Rancière’s volume is focused “on the much broader logic by which subversive thoughts are recuperated for the service of order” (Rancière xvi, 11, 19, 54).

In this vein, Rancière identifies Althusserianism as a discourse of order wrapped up “in the language of leftism.” He traces its origin to “the desire to combat the revisionist tendencies that had seeped into philosophy following the Twentieth Congress” of 1956, when Nikita Khrushchëv denounced the crimes of Stalin, his then-deceased predecessor. In other words, Althusser followed Mao Zedong and the Chinese Communist Party in their questionable defense of Stalin, announced during the Sino-Soviet split in the post-1956 context. Broadly speaking, for Rancière, Althusser’s career amounted to the “fight of a ‘communist philosopher’ against that which threatens both the authority of his Party and of his philosophy: [namely,] Cultural Revolution on a global scale.” Both Althusser and the PCF leadership were anxious about the discovery of Marx’s Economic-Philosophic Manuscripts of 1844, which so moved Fromm, Marcuse, Raya Dunayevskaya, and others, because they feared the creation of a “political authority other than the Party.” Accordingly, Althusser maligned these pieces as having been written during Marx’s “petit bourgeois” as opposed to “proletarian” communist phase—despite the fact that this distinction is entirely arbitrary. In terms of theory, Althusser insisted that “Marxism is a[n] anti-humanism,” proposing instead that humanism is “bourgeois idealism,” while championing Marxist-Leninist orthodoxies through his promotion of “an unofficial version of Stalinism” (Rancière xx, 9, 21, 23, 33, 72, 78-9, 83, 113, 116).

Indeed, by the time the May 1968 uprising began with student revolt, Althusser had long given up on any ideas he may have had about questioning and dissolving State power, factory despotism, or wage labor. His attacks on the syndicalist left, and his disgrace over May 1968, speak for themselves. Some of the reconstructive proposals that Rancière considers in closing are ideas about proletarian humanism, self-management, and the independence of labor leading to the autonomy of producers and “a world [re]made for and by the labour community.” At its best, society would operate as a network of cooperatives “which impos[e their] own rhythm on the work [through] non-hierarchical organization” and the democratic recognition of human equality (Rancière 37, 89-90, 93, 108, 117; May).

Conclusion: National Socialism, ‘Anti-Imperialism,’ and Anarcho-Syndicalism

Returning to the attempted Capitol putsch of 2021, we see that this disturbing neo-fascist moment united hyper-masculinity, white-male rage, anddirect action with anti-parliamentarian and anti-democratic politics. As Eric Alterman describes, “Trumpism’s release of suppressed sexual and aggressive drives is a far cry from [what Marcuse termed Eros]. Rather, it represents what Marcuse called the ‘political utilization of sex’ and aggression to reinforce social domination” (Alterman). That being said, this moribund marriage of opportunism with authoritarianism has not been limited in recent years to the far right. In the wake of the rise of self-described ‘leftist’ streamers and ‘anti-imperialist’ bloggers who claim independence from mainstream media while reproducing their brand competitiveness and associated ‘spins’ on reality, many neophyte ‘socialist celebrities’ have profited from “preach[ing] a contempt for democracy and parliamentarism,” as revolutionary syndicalists and ultra-nationalists did a century ago (Sternhell 108, 153).

Along these very same lines, the political comedian Jimmy Dore bases his appeal in a call for the left and the right to “join forces” against “the Establishment.” Likewise, the GrayZone conspiracy theorists deny the existence of concentration camps for Uyghurs and other ethno-religious minorities that are maintained by the Chinese Communist Party in Xinjiang. Appallingly, one of GrayZone’s main shticks is to deny Bashar al-Assad’s responsibility for hundreds of chemical-weapons attacks carried out against insurgents and civilian communities alike in Syria over the past decade. We shouldn’t, therefore, be surprised that Dore and GrayZone have now switched to promoting disinformation about COVID-19 vaccines, and agitating in favor of the use of ivermectin to treat COVID.

Rancière mentions the case of Pierre Daix (1922-2014), a journalist who first “denied the existence of labour camps in the Soviet Union [in 1949]; he never convinced anybody,” and then he resigned from the PCF in 1974, after having engaged with Solzhenitsyn’s GULAG Archipelago (1973) (Rancière 107). Given the profit and self-promotion involved, we cannot expect the GrayZone editors to argue in good faith about history or current events, much less renounce their absurd positions. The problem is that they do seem to convince their audiences, who admittedly may already be predisposed to aggressive, delusional, and sadistic thought-patterns and behaviors. Like Althusser over May 1968, ‘anti-imperialist’ authoritarians—ostensibly on the left—have built up their brands by denying the existence of the Syrian Revolution over the past decade on the one hand, and covering up the egregious atrocities carried out by the counter-revolutionary axis on the other: that is, Assad and his Russian and Iranian allies. With nearly a million Syrians murdered, and millions more displaced internally and across borders, the “line” of GrayZone and its sympathizers—of allying with the executioners—is a fundamental violation of leftist and Enlightenment principles around internationalism, humanism, and egalitarianism. In short, this ‘anti-imperialist’ discourse is merely another discourse of order and a “consecration of the [status quo] in the language of revolution” (Rancière 124).

Around Syria, the Trump regime, and COVID-19, we have seen a clear convergence between Stalinists and fascists who seek to marry revolution with tradition by advancing anti-rationalism, anti-humanism, and a hatred of democracy (Stites 250; Sternhell 240-1). The risk is that contrarian bloggers and streamers in touch with these currents are implicitly and paradoxically promoting neo-Nazism by espousing “an authoritarian and corporatist national revolution based on an ‘anticapitalist’ alliance” (Sternhell 248). Though this risk may seem exaggerated, the experience of four years of Trump, plus the resentment that persists over his electoral loss, show us just how much support the Counter-Enlightenment continues to enjoy.

Within this struggle, in the hopes of avoiding contributing to a reinvigorated fascism in our time, anarchists and anarcho-syndicalists should restate our opposition to private property, and our universal support for worker and community self-control of the economy and polity. Plus, we should revisit implicit or explicit futurism, anti-rationalism, and anti-humanism in the movement, and in our history, plus reconsider to what extent sharing a Nietzschean, Heideggerian, or Sorelian critique of liberal democracy is helpful. Furthermore, the cause of worker autonomy, which is realistically the only means of ensuring the preconditions for collective liberation and protection of the Earth from climate destruction, might greatly be assisted by integrating the insights from Critical Theory about the psychological dimensions of overcoming hierarchy, which ultimately is based on voluntary obedience, into labor organizing. Therefore, I conclude: anarcho-syndicalists and critical theorists, unite!

Works Cited

Abromeit, John. “Transformations of Producerist Populism in Western Europe.” Transformations of Populism in Europe, the United States and Latin America: History, Theories and Recent Tendencies. Ed. John Abromeit. Unpublished manuscript. 367-413.

Alterman, Eric 2021. “Altercation: Authoritarians Amok.” The American Prospect. Available online: https://prospect.org/politics/altercation-authoritarians-amok. Accessed 25 September 2021.

Arendt, Hannah 1968. The Origins of Totalitarianism. San Diego: Harcourt.

Beiner, Ronald 2021. “Dangerous Minds in Dangerous Times.” Thesis Eleven, vol. 163, no. 1. 29-42. doi:10.1177/07255136211005989.

Bernardini, David 2021. “A different antifascism. An analysis of the Rise of Nazism as seen by anarchists during the Weimar period.” History of European Ideas. DOI: 10.1080/01916599.2021.1963629.

Gandesha, Samir 2019. “The “Authoritarian Personality” Reconsidered: the Phantom of ‘Left Fascism.’” American Journal of Psychoanalysis. 79(4): 601-624. doi: 10.1057/s11231-019-09227-w. PMID: 31745203.

Hensman, Rohini 2018. Indefensible: Democracy, Counterrevolution, and the Rhetoric of Anti-Imperialism. Chicago: Haymarket Books.

Marcuse, Herbert 1999. Reason and Revolution: Hegel and the Rise of Social Theory. Amherst, NY: Humanity Books.

— 2008. A Study on Authority. Trans. Joris de Bres. London: Verso.

May, Todd 2008. The Political Thought of Jacques Rancière: Creating Equality. University Park, PA: Penn State University Press.

Neumann, Franz 1942. Behemoth: The Structure and Practice of National Socialism. London: Victor Gollancz.

Plechanoff, George 2014. Anarchism and Socialism. Trans. Eleanor Marx. Charleston, SC: CreateSpace.

Rancière, Jacques 2017. Althusser’s Lesson. Trans. Emiliano Battista. London: Bloomsbury.

Sartre, Jean-Paul 1983. Cahiers pour une morale. Paris: Gallimard.

Sternhell, Ze’ev 1994. The Birth of Fascist Ideology: From Cultural Rebellion to Political Revolution. Trans. David Maisel. Princeton: Princeton University Press.

1Marcuse comments: “Hegel wrote his Philosophy of Right as a defense of the state against this pseudo-democratic ideology, in which he saw a more serious threat to freedom than in the continued rule of the vested authorities” (1999: 180).

Science Fiction as Protest Art (Part I): Exploring ‘Capitalist Hells’

Mars landscape from Total Recall (1990)

This is the first entry in a two-part response to Thomas Wilson Jardine’s December 2020 essay, ‘Cyberpunk: An Empty Rebellion?’ In part one, we introduce the late historian Richard Stites’ framework on the speculative critique of ‘capitalist hells,’ and provide a number of examples of science fiction functioning as protest art. In part two, we will focus on Stites’ concepts of ‘communist heavens’ and ‘alternative, anti-modern utopias,’ analyzing Kim Stanley Robinson’s literature and the Deus Ex game universe as case studies.

First published on The Commoner, 8 August 2021. Shared using Creative Commons license

‘The concept of progress is to be grounded in the concept of catastrophe. That things ‘just go on’ is the catastrophe. It is not that which is approaching but that which is. [August] Strindberg’s thought: Hell is not something which lies ahead of us—but this life here.’ – Walter Benjamin[1]

In a world facing uncertain, bleak, and even terminal futures, capitalist media companies compete to maximize their market share by exploiting humanity’s artistic, political, and erotic fantasies. Simply put, the culture industry cynically sells our symbolic and real rebellions against oppression and dehumanisation back to us. Still, our individual and collective psychosocial reveries can be interpreted, at least in part, as compensatory means of coping with capital’s nihilistic, destructive impetus. Seen in this light, such emotional coping mechanisms serve the important ends of mental health and survival.

At the same time, writing in The Commoner in December 2020, Thomas Wilson Jardine rightly underscores the risk that the increasing incorporation of critical, anti-authoritarian themes into such media as film and video games may ultimately just prey on our alienation and promote ‘interpassivity.’ The danger is that audiences will passively consume the recuperation of ‘revolutionary iconoclasm,’ or ‘the abolition of authority, authority figures,’ and ‘master symbols,’ in ways that merely reproduce what the French Situationist Guy Debord famously termed ‘the society of the spectacle.’[2]

In this essay, I want to question whether the dynamic between art and audience is so straightforward. Do the iconoclastic themes and fantasies which writers, artists, and game developers incorporate into speculative fiction only serve to reproduce class society and social hierarchy in themselves and their consumers?

Reflecting on the genres of cyberpunk and steampunk, I agree with Jardine that there is a strong risk of interpassivity, of psychic substitutionism, and of what an implanted-memory salesman from the film Total Recall (1990) terms ‘a vacation from the self,’ otherwise known as ‘LARPing’ (live-action role-playing). Games like Deus Ex (1999), BioShock (2007), or Ascent (2021), which incorporate subversive cyberpunk and steampunk themes, are rather different from the traditional action games, like the Counter-Strike (2000), Battlefield (2002), or Call of Duty (2003) series, which glorify militarism and the War on Terror. To this point, Brie Code, founder of the Tru-Luv development studio, comments that the gaming industry ‘has focused on a narrow subset of human psychology for several years,’ specifically ‘help[ing] people feel a sense of achievement or dominance.’ In this sense, titles with cyberpunk or steampunk themes may attract different ‘markets’ for game corporations: perhaps ones that are comprised of those who are younger, and/or more politically progressive or radical.

Even so, the gaming experience depends upon the alienated labor of developers, together with that of miners and electronics workers, all of which is made invisible, according to Karl Marx’s concept of commodity fetishism. To this point, Jardine critiques Cyberpunk 2077 (2020), one of the industry’s most highly-anticipated games, which cost over $300 million to produce. They write, ‘I do not see V (your character) and Johnny Silverhand going to establish a better or new system and uniting the exploited cyborg proletariat in a popular uprising against Arasaka and Militech [corporations].’ As I have not played Cyberpunk 2077, I cannot comment on this particular aspect of the plot, much less any other.

Be that as it may, in keeping with the utopian origins and function of speculative fiction, subversive social commentary is relayed, and social revolution even envisioned, in certain games. Red Faction (2001), for instance, begins with a miners’ strike on Mars, echoing the revolutionary fantasy of worker unrest and heroic anti-capitalism on the red planet in Total Recall. As this dynamic suggests, compared with the relatively new medium of video games, literature and film have had an expansive history of promoting humanist, anti-authoritarian, and ecological themes, thus advancing what Walidah Imarisha calls ‘[v]isionary fiction’: namely, speculative art that seeks to build ‘new, freer worlds,’ starting with the decolonization of the mind.[3] In this multi-part essay, we emphasize the continuities among literature, film, and games as protest art in this sense. We will see how reason and emotion are intimately tied to the struggle for individual and collective liberation. We will explore some of the links between history and the present, and see how the best sci-fi operates through the critical displacement—or defamiliarisation—of infernal capitalist modernity.

A Brief History of Speculative Fiction and Protest Literature

Uncle Zeng, Peach Blossom Spring

Speculative, visionary fiction has an enduring history. In 421 C.E., the Chinese writer Tao Qian (365-427) composed ‘Peach Blossom Spring.’ This is a tale about a fisherman who discovers a utopian community located in a high valley at the terminus of a river lined with pink peach trees. The villagers of this exilic Daoist space, a ‘level land’ wherein ‘white-haired elders and tufted children alike were cheerful and contented,’ are either unaware of the Qin and Han imperial dynasties, or do not recognise them, for their ancestors had fled from the centralising Chinese State. Like the Cossack communities founded by peasants, who avoided serfdom by ‘exiting’ from early State formation in Russia during the fifteenth through seventeenth centuries,[4] the Daoist community at the source of the peach blossom stream ‘had first left men’s society to escape the troubled world.’ In 718, the poet Wang Wei (699-759) expanded on this vision, imagining that the inhabitants of this community ‘were peaceful, calm, [and] kind,’ and the valley ‘fertile and full of animals.’

‘We stayed until we saw what it was: a good place.
To live here would be fulfillment.’

Moved by his experience, the narrator returns home, seeking to resettle with his family in this utopia. However, upon setting out to move there, they ultimately cannot find the community, for it was but a ‘moment in time’—or maybe just a dream, after all.[5]

In a similar vein, the Indian poet Guru Raidas (c. 1450-1520) envisioned Begumpura, a ‘land without sorrow,’ five centuries ago:

‘The regal realm with the sorrowless name:
they call it Begumpura, a place with no pain,
No taxes or cares, none owns property there,
no wrongdoing, worry, terror, or torture.
Oh, my brother, I’ve come to take it as my own,
my distant home where everything is right.
That imperial kingdom is rich and secure,
where none are third or second – all are one;
They do this or that, they walk where they wish,
they stroll through fabled palaces unchallenged.
Oh, says Ravidas, a tanner now set free,
those who walk beside me are my friends.’

This Begumpura, as the Dalit anarchist Pranav Jeevan P comments, is a stateless, classless, and casteless commune. It represents the ‘imagination [mobilizing] against caste, class, state, Brahmanical hierarchies and patriarchy,’ and foreseeing a ‘society living in harmony and free from all forms of discrimination.’ Considering the humanistic, emancipatory impulses that inform this dream, together with its continued acute relevance, both in BJP-dominated India and beyond, Pranav invites us to engage and re-engage with such visions, and ‘work towards creating our [own] Begumpura.’

Fast-forward to Summer 1816. The English novelist Mary Shelley (daughter of the proto-anarchist William Godwin and the feminist Mary Wollstonecraft), while visiting Switzerland with her husband (the Romantic poet Percy Bysshe Shelley), produced Frankenstein, or the Modern Prometheus (1818), in response to Lord Byron’s bid for a competition to see who could write the best horror story. Composed on the shores of Lake Geneva, this Gothic art-work is often considered the first example of modern science fiction. The ghastly novel, bearing the imprints of the thought both of the author’s parents, as of the Swiss-born philosophe Jean-Jacques Rousseau, depicts the ‘mad scientist’ Victor Frankenstein, who successfully creates a humanoid assembled from body parts of the deceased in his laboratory. This creature, who is physically strong and loving yet anxious and hideous, is rejected both by Frankenstein and by society at large. Viewed as a ‘monster, a blot upon the earth,’ and denied fellowship and sexual satisfaction, the Creature declares ‘ever-lasting war against the species.’[6] The nameless Creature poses the question: ‘Am I thought to be the only criminal, when all human kind sinned against me?’[7]

This allegory functions as a sympathetic portrayal of human development, feminist and Romantic commentary on ableist social relations and the Promethean-masculinist ethos of capitalism, plus an endorsement of sociological approaches to criminology that would incorporate consideration for environmental and psychosocial factors driving crime. Its message runs parallel to Percy Shelley’s own Prometheus Unbound (1820), a lyrical drama which presents its author and his characters as Romantic heroes. From Ursula K. Le Guin in The Left Hand of Darkness (1969) to the creators of the eco-documentary Chasing Ice (2012), many have rendered homage to Frankenstein‘s climactic chase in the Arctic.

In the conclusion to his latest novel, The Ministry for the Future (2020), sci-fi writer Kim Stanley Robinson suggests that the utopian socialist Charles Fourier was a ‘secret influence’ on the visionary French novelist Jules Verne, author of Twenty-Thousand Leagues Under the Sea (1870) and Around the World in Eighty Days (1872), among other works.[8] In like fashion, the late historian Richard Stites finds that, in the wake of the Russian Revolution which overthrew Tsarism and landlordism, ‘[t]en editions of Fourier’s works appeared between 1917 and 1926 and many books about his ideas. [Fellow utopian socialists] Owen, Cabet, Buchez, Blanc, St. Simon and others enjoyed new translations in the 1920s. Their influence on the science fiction of the period is apparent, though never acknowledged.’[9]

A similar story could be told in 2021, a century after the Czech artist Karel Čapek wrote Rossum’s Universal Robots (1921). This was the first work to envision synthetic ‘robots,’ or slave workers, who would replace human labourers and soldiers, and ultimately rise up and destroy humanity—as the Terminator series likewise foresees. Like today’s producers of science fiction, and especially climate fiction, who often convey either pessimistic ‘grimdark’ or optimistic ‘solarpunk’ messages, speculative writers from Russia’s early Soviet period often focused on social and political problems in their production of what amounted to protest literature.

The late Howard Zinn defined protest literature as ‘any form of communication that engages social consciousness and may move someone to action.’ It is similar to the genre known as social science fiction, which includes such titles as Plato’s Republic (c. 375 B.C.E.) and Thomas More’s Utopia (1516). There was also the radical intelligentsia who, in their artistic, subtle, and indirect ways, crucially defamiliarised Tsarism in the nineteenth century, and so inspired the Russian Revolution. Following from their example, Soviet speculative writers expressed themes critical of capitalism, militarism, ‘Taylorist exploitation, death weapons, and mad scientists.’[10] Most sci-fi in our own time, whether developed primarily with society or profit in mind, is an adaptation of precisely this ‘revolutionary critique of the old world’ from a century ago, in a reflection of the staying power of hierarchy, brutality, and irrationality.[11]

Thus, in the following two parts of this article, we will trace the continuities of utopias (and dystopias) in time, between past and present. Starting from the Freudian idea that fantasy disguises an unconscious desire for wish-fulfillment, we will see how speculative exercises in ‘[t]aking off into a better world’ are linked with the goal of overcoming ‘capitalist hells,’ reaching ‘communist heavens,’ and so integrating our deepest hopes with reality.[12]

Footnotes

[1]Walter Benjamin, ‘Central Park,’ New German Critique, no. 34 (1985), 50. Emphasis in original.
[2]Richard Stites, Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution (Oxford: Oxford University Press, 1989), 183; Hans Gerth and C. Wright Mills, Character and Social Structure: The Psychology of Social Institutions (Routledge: London, 1954), 276.
[3]Walidah Imarisha, ‘Introduction’ to Octavia’s Brood, eds. Adrienne Marie Brown and Walidah Imarisha (AK Press/Institute for Anarchist Studies, 2015), 4.
[4]Andrej Grubačić and Dennis O’Hearn, Living at the Edges of Capitalism: Adventures in Exile and Mutual Aid (Berkeley: University of California Press, 2016), 48-62.
[5]Kim Stanley Robinson, Red Moon (New York: Orbit, 2018), 344.
[6]Mary Shelley, Frankenstein, or the Modern Prometheus (London: Penguin, 2003), 123, 138, 150.
[7]Ibid, 224.
[8]Kim Stanley Robinson, The Ministry for the Future (New York: Orbit, 2020), 558.
[9]Stites 168 (emphasis added).
[10]Ibid, 180.
[11]Ibid, 236.
[12]Ibid, 171-4; Rosemary Jackson, Fantasy: The Literature of Subversion (London: Routledge, 1981).

Announcing Eros and Revolution: The Critical Philosophy of Herbert Marcuse

Thomas Cole, “The Course of Empire: Desolation” (1836)

The online entry for my forthcoming volume Eros and Revolution: The Critical Philosophy of Herbert Marcuse (Brill Publishers/Haymarket Books) has now been created.  The eightieth-sixth title in the Studies in Critical Social Sciences (SCSS) series, the work will be available this summer through Brill in hardcover, and approximately a year later in paperback edition with Haymarket.  The summary follows:

In Eros and Revolution, Javier Sethness Castro presents a comprehensive intellectual and political biography of the world-renowned critical theorist Herbert Marcuse (1898-1979). Investigating the origins and development of Marcuse’s dialectical approach vis-à-vis Hegel, Marx, Fourier, Heidegger, and Freud as well as the central figures of the Frankfurt School—Horkheimer, Adorno, Neumann, Fromm, and Benjamin—Sethness Castro chronicles the radical philosopher’s lifelong activism in favor of anti-capitalism, anti-fascism, and anti-authoritarianism together with Marcuse’s defiant revindication of global libertarian-socialist revolution as the precondition for the realization of reason, freedom, and human happiness. Beyond examining Marcuse’s revolutionary life and contributions, moreover, the author contemplates the philosopher’s relevance to contemporary struggle, especially with regard to ecology, feminism, anarchism, and the general cause of worldwide social transformation.

Table of Contents:

1. Introduction: Marcuse, the Utopian
Idealism, Materialism, Romanticism, and Judaism
Marcuse’s Importance for Radical Politics Today

PART I: MARCUSE’S LIFE, 1898-1979

2. Early Years: Childhood and Youth, War and Revolution, Romanticism, Utopian Socialism, Hegel, Marx, and Heidegger

Childhood and Youth, War and Revolution
Post-War Investigations: Aesthetics, German Romanticism, and Hegel
Friedrich Schiller and Charles Fourier: Utopian Socialism
Marcuse’s Torturous Relationship with Heidegger
Heideggerian Marxism
Hegel’s Ontology and the Theory of Historicity (1932)
Hitler’s Accession and Flight of the Marcuse Family and the Frankfurt School

3. Militant Theorizing in Resistance to Fascism, 1933-1945
Negations (1934-1938)
Studies on Authority and Family
Marcuse’s Direct Investigations of Nazism
Early Theories of Social Change
The Progression of Marcuse’s Thought on Art’s Functions Under Fascism
Reason and Revolution (1941)

4. State, Freud, and Orphic Marxism: 1945-1960
Post-War Studies: “33 Theses,” Francis Bacon, Lukács, Goethe, Friedrich Hölderin, and Erasmus
Continued Investigations of Historical Progress, Russian Studies, and the Trajectory of Communism and Reason during the Early Cold War
On Sartre’s Existentialism
Orphic Marxism and the Struggle of Eros against Thanatos
Lectures on Freedom and Progress in Freud’s Theory of the Instincts
Marcuse’s Debate with Fromm on Freud, Therapy, and Adjustment
Soviet Marxism: A Critical Analysis (1958)
The Ideology of Death

5. Radical Struggle in the 1960s
Marcuse on Cuba
Continued Engagement with Critical Theorists and Lecture on Weber
Humanism, Feminism, and Revolution
Critical Reflections on Science and Technology
One-Dimensional Humanity: Diagnosis, Reflections, and Recommendations
Marcuse on Marx, Louis Napoleon, and Benjamin
Justification of Revolutionary Praxis: “Repressive Tolerance,” “Ethics and Revolution,” Guerrilla Warfare, “The Question of Revolution,” and “Thoughts on the Defense of Gracchus Babeuf”
Psychoanalytical Interventions
Activism against the Vietnam War
Summer 1967 Lectures before the German SDS and Congress of the Dialectics of Liberation: On Utopia, Radical Opposition, and Violence
1968: A New Dawn for Humanity?
An Essay on Liberation (1969)
Other Interventions from 1969: On Student Protest, “The Relevance of Reality,” Qualitative Change, and Self-Determination
The 1969 Debate with Adorno on Theory and Praxis
Revisiting “Repressive Tolerance” and Civil Rights with the ACLU and Fred Schwarz of the Christian Anti-Communist Crusade
“Marxism and the New Humanity: An Unfinished Revolution”
“Freedom and the Historical Imperative”

6. Marcuse’s Final Decade: Continuities, Discontinuities, and Intensification (1970-1979)
Marcuse’s Assessment of the State of the Radical Opposition in the Early 1970s: “Cultural Revolution,” “The Movement in a New Age of Repression,” and “A Revolution in Values”
Revolution or Reform? Marcuse’s Debate with Popper
Counterrevolution and Revolt (1972)
Marcuse’s Late Championing of Feminism
International Relations: Vietnam and Israel/Palestine
Continued Engagement with Aesthetics
“It is Right to Revolt” and “Theory and Politics”: Late Discussions with Sartre and Habermas
Marcuse’s Final Interventions in Life: On Political Violence, the New Left, the U.S. Bicentennial, “The Reification of the Proletariat,” Rudolf Bahro, Technology, and Ecology
The Aesthetic Dimension (1978)

PART II: REFLECTIONS ON MARCUSE

7. Nature and Revolution
Nature, Evolution, and Morality
“Repressive Tolerance” and Radical Struggle for Animal and Earth Liberation Today
Conclusion

8. Critique of Marcuse
The Limits to Integration
The Problem of Sources: Political Philosophy and Empirics
Marcuse the Edelkommunist
Marcuse the Zionist?
Feminism, Gender, Eros
Conflicts with Poststructuralism and Postmodernism
Marcuse on Authority and the Transition: Between Jacobinism and Anarchism

PART III: CONCLUSION

9. Marcusean Politics in the Twenty-First Century
Radical Ecological Politics
Feminist Socialism and Anarcha-Feminism
The “World Mind” in International Relations: Global Anti-Authoritarianism
Means and Ends: The Question of Counter-Violence
Close: Eros and Revolution

References
Index

Climate Change and Human Alienation

“El Cuerno de África,” Santi Mazatl  (2011)

Originally published on Dissident Voice, 26 April 2014

“[The] self-alienation [of humanity] has reached such a degree that it can experience its own destruction as an aesthetic pleasure of the first order.” – Walter Benjamin, 1936

At the end of last year, the Humanist Workers for Revolutionary Socialism (HWRS) published a provocative position paper which presents their analysis of the climate crisis: “Alienation, Climate Change, and the Future of Humanity.” Aside from discussing the very real threat which anthropogenic climate disruption poses to humanity and terrestrial nature generally considered, the HWRS in this essay develop a theory of human alienation based on the thought of Karl Marx and Erich Fromm and posit such alienation as the main obstacle for the emergence today of radical mass-movements from below that would check the increasingly fatal trends toward unprecedented levels of suffering and death and global ecocide promised by climate catastrophe. Being Leninists, however, the HWRS recommend “revolutionary” party leadership as a means of directing the alienated masses toward the enacting of anti-capitalist social transformation and the rational mitigation of climate destruction. Clearly, such a recommended solution is highly problematic—yet the HWRS paper presents enough critical points for reflection and contemplation to merit a brief discussion of it here.

To begin, I would like firstly to delineate my agreements with the HWRS writers of “Alienation, Climate Change, and the Future of Humanity.” I certainly share the view that the capital-induced climate destabilization on hand necessitates a “worldwide revolution” as an equal and opposite corrective reaction (21), and I also hold that the psychical alienation and mutilation imposed by capitalism largely explains the fact that those from below “tolerate […] the constant wars, oppression, greed, cut[t]hroat competition, suffering, and destruction of the environment and this planet that the people in power inflict on the majority around the globe” (7). On the individual and group levels, too, the “only reasonable response” to the depth of the environmental crisis “would be for everyone who is aware of the situation to forget about their personal lives [sic] and immediately start a crusade to stop capitalism’s assault on nature and the entire planet” (18). I agree with the HWRS as well in their concluding thought that all organizations which claim the revolutionary mantle must “place the struggle against climate change […] as the highest priority in [their] program and [their] daily practice,” and that they should toward this end “immediately initiate a massive campaign about the need to overthrow capitalism as our only chance to avert the extinction of the human race, and combine [this] with daily interventions against the effects of ongoing environmental destruction” (30). In addition, the group’s social-psychological analysis of the grip which conformity, adjustment, bourgeois distraction, anxiety, and anomie hold over most people in “advanced” capitalist societal settings represents an intriguing explanation for the marked lack of mass-revolutionary consciousness and praxis vis-à-vis this seemingly quite terminal of threats to human happiness and flourishing and ecological balance. I believe this account—derived from Fromm, who in turn developed his critical, humanistic psychoanalytical approach from a synthesis of Sigmund Freud and the young Marx—to hold some merit, though with some reservations.

These important contributions notwithstanding, the HWRS account suffers from a number of grave issues, in my view. For one, as already mentioned, the grouping adheres to a Leninist/Trotskyist ideology, with all the distortions this implies: a highly delusional account of the historical rise of Stalinism in post-1917 Russia (8-9), a concomitant fetishization of Lenin and Trotsky (21), and the illogical assertion which follows—that only liberation “from above” can succeed in overthrowing capitalism and thus provide humanity and nature a chance of surviving climate chaos (30). Indeed, in Nietzschean (or even Heideggerian) terms, the HWRS resolve their stated concern for the problem of the alienated masses by saying that the possibilities for a post-capitalist, non-ecocidal future can be secured only through rule over the general populace by enlightened individuals who have somehow themselves transcended alienation (30). The HWRS clarify that the overcoming of alienation “cannot take place spontaneously” but must instead be the work of “a revolutionary [sic] party that knows what it is doing [!] and what is needed for victory” (28). Epitomizing dichotomous thinking, the HWRS opportunistically consider the only two options they believes possible in terms of staving off climate catastrophe: that either the global bourgeoisie will take steps to slow down global warming—which it is not doing and will not do—or Leninist parties capable of “leading the masses” will develop and intervene to outcompete the “reformist and centrist” oppositional alternatives and succeed in overthrowing the rule of capital within a quarter-century—that is to say, before climate change supposedly has progressed beyond the point of no return (23, 27).

Besides this highly authoritarian and unsavory political strategy, the HWRS account of human alienation may itself in some ways reify rather than help to illuminate the problem, for the essay presents something of a “locked-in” analysis. This is perhaps best illustrated in the authors’ citation of recent neurological studies which reportedly show that “[t]he brain is wired in a way that makes a person defenseless against the manipulation and demagoguery that are so common in capitalism” (26). If this claim is true—which it obviously is not—then how can the HWRS hope for the emergence of the Leninist vanguard which is heroically to lead humanity beyond capitalism, alienation, and total destruction in the first place? The assertion that “[p]eople are too alienated from life and from themselves to start a worldwide uprising against climate change” (19) is similarly extreme and unscientific. One need only look at the phenomenon of “group events” in China for a counter-example. Granted, the profundity of the climate crisis is truly horrifying, as the HWRS detail in this piece, and it is not as though any significant mass social movement—other than Occupy, in a way—has arisen within the Western world to the challenge of confronting the extent of its horror head-on. Under such conditions, tendencies toward despair and pessimism are natural and to be expected—yet they certainly are not justified as a means of prescribing “party socialism” as the only option available to humanity.

Anti-capitalism, socialism, and communism retain a truly world-historical importance at this late hour, as means of undermining and—it is to be hoped—ultimately tearing down the capitalist system that is without a doubt impelling life on Earth to utter disaster. In this the HWRS make an important point. Yet is simply not true that the chance for global communist revolution will arrive only through the domination of an actionist minority over the “average, backward person” to which the HWRS reduce the human multitudes (25). The writers of “Alienation, Climate Change, and the Future of Humanity” would do well to consult the opening line of the founding principles of the First International (1864), which reads that “the emancipation of the working classes must be conquered by the working classes themselves.” Consideration of the embodied history of Leninism and its monster-child Stalinism should be enough to delegitimize the tactics of Trotsky and company for all time.¹As an alternative, anarcho-syndicalism, particularly of the ecological variety, holds a great deal more promise with regard to interrupting the fatal tendency toward climate destruction, in terms of both means and ends. Yet to return to Fromm and the issue of alienation, the observed lack of revolutionary activism in terms of climate issues among workers and people in general in industrialized societies may itself well be a reflection of the popular understanding that the State neither represents nor enacts the people’s will, whether on the environment, military spending, social programs, drug policy, or any other critical issue. For their part, U.S. polls from recent years (2012 and 2013) have shown consistent majorities expressing “belief” in anthropogenic climate change and concern for its effects.

Decentralization of power, self-emancipation, and anarchism remain important radical political alternatives to the utter irresponsibility and mindlessness of the global ruling class with regard to anthropogenic climate disruption. Self-management in the workplace—guided by the principles of participatory economics (Parecon), for example—coupled with community control of the political sphere would provide a humanistic alternative to “party socialism” that could well solve for the factors impelling climate catastrophe without threatening to impose a horrid repeat of the totalitarian political oppression for which Leninism has been responsible. The devolution of power to the global demos would indeed represent a recovery of the “lost treasure” of the “revolutionary tradition,” as Hannah Arendt terms the council system.² Moreover, it would constitute a true political manifestation of Arendt’s concept of natality, the potential birth of a new world—this, in the face of the threat of mass-involuntary suicide.

Nonetheless, as Herbert Marcuse writes at the end of his most pessimistic book, “[n]othing indicates that it will be a good end.”³ In the minor chord, the HWRS does honestly consider the possibility that the climate crisis may already have progressed beyond the point of no return, such that a successful global anti-capitalist revolution in the near term may itself come too late (29-30). Clearly, a great deal of uncertainty surrounds these questions, and we confront the unfortunate reality that humanity will only come to learn the precise truth about these matters upon the conclusion of the next decade or two. Equally clearly, however, no humane alternative exists than to struggle for anarchist, anti-systemic revolution today.

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1To examine the relationship between Leninism and Stalinism with a critical eye, please consult Maurice Brinton’s The Bolsheviks and Workers’ Control (1970) and Gregori Maximov, The Guillotine At Work (1940).

2Hannah Arendt, On Revolution (New York: Penguin, 2006 [1963]), 207-73.

3Herbert Marcuse, One-Dimensional Man (Boston: Beacon, 1964), 257.